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Cherine Fahd

Dados Biográficos

ID1666478
NOMECherine Fahd
PRENOMESCherine
SOBRENOMEFahd
ASSINATURAFAHD C
AFILIAÇÕESUniversity of Technology Sydney
ORCID0000-0002-3404-1535
VERIFICADOSim
TOTAL DE OBRAS11
TOTAL DE CITAÇÕES4
TOTAL COMO AUTOR11
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO2019
ANO MAIS RECENTE DE PUBLICAÇÃO2026
ÍNDICE H1
  • Photography and Memory in the age of AI

    Cherine Fahd, Sara Oscar•ARTICLE•Photographies•2026•Referências: 22

  • Looking at eyes that never looked back

    Open Access•Sara Oscar, Cherine Fahd•ARTICLE•Photographies•2026•Referências: 24

  • When a ‘click’ becomes a question

    Cherine Fahd•ARTICLE•Philosophy of Photography•2025

    This article examines the current state of photography education in Australia amid neo-liberal restructuring, government disinvestment and the emergence of generative AI. It reflects on what is at stake when photography loses its disciplinary purchase, as well as the educator’s contradictory position working within systems that actively dismantle space for critical reflection. Prompted by the closure of a university photography programme and the …

  • Queer World Making

    Cherine Fahd•ARTICLE•Art Journal•2025

    Andrew Gayed. Series edited by Laura Kina. Queer World Making: Contemporary Middle Eastern Diasporic Art. Seattle: University of Washington Press, 2024. 324 pp.; 48 ills., 21 in color; $35 paperAnd

  • The first frame

    Cherine Fahd•ARTICLE•Philosophy of Photography•2024•Referências: 7

    This article examines two first-hand encounters with the foetus to reflect on the familial, photographic and political dimensions of 3D and 4D foetal portraits. It examines the photographic status of foetal portraits as intimates of the family album while acknowledging their public meaning in reproductive politics. The article aims to situate 3D and 4D foetal portraits within photographic history, theory and practice by examining how these camera…

  • Destigmatising Infant Loss With Photography and Hashtags on Instagram

    Cherine Fahd•ARTICLE•Photographies•2023•Citada por: 1•Referências: 3

    A baby’s new life is often celebrated publicly on social media by sharing ultrasound images and photographs of pregnancy and childbirth. However, not all births go to plan; sometimes, a baby tragically dies, and birth’s social rituals of photographic celebrations cease. While sharing photographs of a deceased baby is rare, numerous examples on the social media platform Instagram reveals that this is slowly changing. Undertaking a search of hashta…

  • ‘Keep people safe’

    Cherine Fahd•ARTICLE•Scene•2022

    This article recounts designing and performing an intimate encounter with strangers during the pandemic. At the end of 2020, as Australians emerged from a long period of ‘lockdown’, the celebrated Sydney Opera House again opened its doors to the public. Commissioned to create a new work for the Sydney Opera House’s Antidote Festival, I designed a ‘touch’ performance that met the Australian Government’s COVID-19 protocols for social distancing at …

  • The mother thing in pictures

    Cherine Fahd•ARTICLE•Photographies•2022•Citada por: 1

    The maternal embrace is an iconic pose for women posing with children. Characteristic of mother and child depictions in Christianity, even contemporary images appear as loaded patriarchal symbols. This essay examines the taxonomy of the mother across a range of photographic images from 1920 to the present. Looking for representational alternatives to the passive, silent mother images that dominate photography and visual culture, I want to show th…

  • Contemporary Australian Artists from the Middle Eastern Diaspora

    Open Access•Cherine Fahd•ARTICLE•Mashriq & Mahjar Journal of…•2019

  • Contemporary Australian Artists from the Middle Eastern Diaspora

    Open Access•Cherine Fahd•ARTICLE•Mashriq & Mahjar Journal of…•2019

    For nearly two decades contemporary artists from the Middle Eastern diaspora have enjoyed international acclaim with significant representation across major international exhibitions in Western art centers. This success can be attributed in part to the strong sociopolitical concerns that characterize their practices. Like their international counterparts, Australian artists from the Middle Eastern diaspora contribute to the enduring relationship …

  • Difficult Images

    Cherine Fahd•ARTICLE•Photography and Culture•2019•Citada por: 2•Referências: 1

    Family albums are filled with photographs celebrating the happy times. These represent the high points in life, such as birthdays, holidays, and weddings as well as ordinary moments of domestic life. But what of more difficult images? Rarely included in the family album are photographs of funerals, deaths, and expressions of grief. Consequently, the focus of this article is a private collection of difficult photographs, hidden from view and left …

  • Difficult Images

    Cherine Fahd•ARTICLE•Photography and Culture•2019•Citada por: 2•Referências: 1

    Family albums are filled with photographs celebrating the happy times. These represent the high points in life, such as birthdays, holidays, and weddings as well as ordinary moments of domestic life. But what of more difficult images? Rarely included in the family album are photographs of funerals, deaths, and expressions of grief. Consequently, the focus of this article is a private collection of difficult photographs, hidden from view and left …

  • Destigmatising Infant Loss With Photography and Hashtags on Instagram

    Cherine Fahd•ARTICLE•Photographies•2023•Citada por: 1•Referências: 3

    A baby’s new life is often celebrated publicly on social media by sharing ultrasound images and photographs of pregnancy and childbirth. However, not all births go to plan; sometimes, a baby tragically dies, and birth’s social rituals of photographic celebrations cease. While sharing photographs of a deceased baby is rare, numerous examples on the social media platform Instagram reveals that this is slowly changing. Undertaking a search of hashta…

  • The mother thing in pictures

    Cherine Fahd•ARTICLE•Photographies•2022•Citada por: 1

    The maternal embrace is an iconic pose for women posing with children. Characteristic of mother and child depictions in Christianity, even contemporary images appear as loaded patriarchal symbols. This essay examines the taxonomy of the mother across a range of photographic images from 1920 to the present. Looking for representational alternatives to the passive, silent mother images that dominate photography and visual culture, I want to show th…

  • Contemporary Australian Artists from the Middle Eastern Diaspora

    Open Access•Cherine Fahd•ARTICLE•Mashriq & Mahjar Journal of…•2019

  • Contemporary Australian Artists from the Middle Eastern Diaspora

    Open Access•Cherine Fahd•ARTICLE•Mashriq & Mahjar Journal of…•2019

    For nearly two decades contemporary artists from the Middle Eastern diaspora have enjoyed international acclaim with significant representation across major international exhibitions in Western art centers. This success can be attributed in part to the strong sociopolitical concerns that characterize their practices. Like their international counterparts, Australian artists from the Middle Eastern diaspora contribute to the enduring relationship …

  • Difficult Images

    Cherine Fahd•ARTICLE•Photography and Culture•2019•Citada por: 2•Referências: 1

    Family albums are filled with photographs celebrating the happy times. These represent the high points in life, such as birthdays, holidays, and weddings as well as ordinary moments of domestic life. But what of more difficult images? Rarely included in the family album are photographs of funerals, deaths, and expressions of grief. Consequently, the focus of this article is a private collection of difficult photographs, hidden from view and left …

  • ‘Keep people safe’

    Cherine Fahd•ARTICLE•Scene•2022

    This article recounts designing and performing an intimate encounter with strangers during the pandemic. At the end of 2020, as Australians emerged from a long period of ‘lockdown’, the celebrated Sydney Opera House again opened its doors to the public. Commissioned to create a new work for the Sydney Opera House’s Antidote Festival, I designed a ‘touch’ performance that met the Australian Government’s COVID-19 protocols for social distancing at …

  • The mother thing in pictures

    Cherine Fahd•ARTICLE•Photographies•2022•Citada por: 1

    The maternal embrace is an iconic pose for women posing with children. Characteristic of mother and child depictions in Christianity, even contemporary images appear as loaded patriarchal symbols. This essay examines the taxonomy of the mother across a range of photographic images from 1920 to the present. Looking for representational alternatives to the passive, silent mother images that dominate photography and visual culture, I want to show th…

  • Destigmatising Infant Loss With Photography and Hashtags on Instagram

    Cherine Fahd•ARTICLE•Photographies•2023•Citada por: 1•Referências: 3

    A baby’s new life is often celebrated publicly on social media by sharing ultrasound images and photographs of pregnancy and childbirth. However, not all births go to plan; sometimes, a baby tragically dies, and birth’s social rituals of photographic celebrations cease. While sharing photographs of a deceased baby is rare, numerous examples on the social media platform Instagram reveals that this is slowly changing. Undertaking a search of hashta…

  • The first frame

    Cherine Fahd•ARTICLE•Philosophy of Photography•2024•Referências: 7

    This article examines two first-hand encounters with the foetus to reflect on the familial, photographic and political dimensions of 3D and 4D foetal portraits. It examines the photographic status of foetal portraits as intimates of the family album while acknowledging their public meaning in reproductive politics. The article aims to situate 3D and 4D foetal portraits within photographic history, theory and practice by examining how these camera…

  • When a ‘click’ becomes a question

    Cherine Fahd•ARTICLE•Philosophy of Photography•2025

    This article examines the current state of photography education in Australia amid neo-liberal restructuring, government disinvestment and the emergence of generative AI. It reflects on what is at stake when photography loses its disciplinary purchase, as well as the educator’s contradictory position working within systems that actively dismantle space for critical reflection. Prompted by the closure of a university photography programme and the …

  • Queer World Making

    Cherine Fahd•ARTICLE•Art Journal•2025

    Andrew Gayed. Series edited by Laura Kina. Queer World Making: Contemporary Middle Eastern Diasporic Art. Seattle: University of Washington Press, 2024. 324 pp.; 48 ills., 21 in color; $35 paperAnd

  • Photography and Memory in the age of AI

    Cherine Fahd, Sara Oscar•ARTICLE•Photographies•2026•Referências: 22

  • Looking at eyes that never looked back

    Open Access•Sara Oscar, Cherine Fahd•ARTICLE•Photographies•2026•Referências: 24

Art (6 obras) · Law (5 obras) · Photography (5 obras) · Photography and Visual Culture (5 obras) · Political science (5 obras) · Sociology (5 obras) · Gender Studies (4 obras) · History (4 obras) · History (4 obras) · Participatory Visual Research Methods (4 obras)

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