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Frank B Sear

Dados Biográficos

ID1704470
NOMEFrank B Sear
PRENOMESFrank B
SOBRENOMESear
ASSINATURASEAR F B
VERIFICADONão
TOTAL DE OBRAS3
TOTAL DE CITAÇÕES6
TOTAL COMO AUTOR3
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO1990
ANO MAIS RECENTE DE PUBLICAÇÃO1993
ÍNDICE H2
  • The Scaenae Frons of the Theater of Pompey

    Frank B Sear, Frank Sear•ARTICLE•American Journal of Archaeology•1993•Citada por: 2•Referências: 1

    The scaenae frons of the Theater of Pompey as shown on the Marble Plan of Rome is often thought to belong to the Severan period. This article argues that the Marble Plan shows the scaenae frons as rebuilt after the fire of A. D. 80. Its novel design directly influenced the builders of the Trajanic/Hadrianic theaters of Taormina and Benevento. At the same time a simplified version of the scaenae frons of the Theater of Pompey became fashionable an…

  • The theatre at Leptis Magna and the development of Roman theatre design

    Open Access•Frank B Sear, Frank Sear•ARTICLE•Journal of Roman Archaeology•1990

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Vitruvius and Roman Theater Design

    Frank B Sear, Frank Sear•ARTICLE•American Journal of Archaeology•1990•Citada por: 4

    Because few, if any, Roman theaters were designed as Vitruvius (De Arch. 5.6.1) prescribes, attempts have been made to deduce how Roman architects did in fact lay out their theaters. This paper is prompted by one such attempt (D. Small, AJA 87 [1983] 55–68) and argues that the method proposed is invalid. The Vitruvian theater is examined in its historical context and the conclusion is reached that architects of the early Empire modified but did n…

  • Vitruvius and Roman Theater Design

    Frank B Sear, Frank Sear•ARTICLE•American Journal of Archaeology•1990•Citada por: 4

    Because few, if any, Roman theaters were designed as Vitruvius (De Arch. 5.6.1) prescribes, attempts have been made to deduce how Roman architects did in fact lay out their theaters. This paper is prompted by one such attempt (D. Small, AJA 87 [1983] 55–68) and argues that the method proposed is invalid. The Vitruvian theater is examined in its historical context and the conclusion is reached that architects of the early Empire modified but did n…

  • The Scaenae Frons of the Theater of Pompey

    Frank B Sear, Frank Sear•ARTICLE•American Journal of Archaeology•1993•Citada por: 2•Referências: 1

    The scaenae frons of the Theater of Pompey as shown on the Marble Plan of Rome is often thought to belong to the Severan period. This article argues that the Marble Plan shows the scaenae frons as rebuilt after the fire of A. D. 80. Its novel design directly influenced the builders of the Trajanic/Hadrianic theaters of Taormina and Benevento. At the same time a simplified version of the scaenae frons of the Theater of Pompey became fashionable an…

  • The theatre at Leptis Magna and the development of Roman theatre design

    Open Access•Frank B Sear, Frank Sear•ARTICLE•Journal of Roman Archaeology•1990

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Vitruvius and Roman Theater Design

    Frank B Sear, Frank Sear•ARTICLE•American Journal of Archaeology•1990•Citada por: 4

    Because few, if any, Roman theaters were designed as Vitruvius (De Arch. 5.6.1) prescribes, attempts have been made to deduce how Roman architects did in fact lay out their theaters. This paper is prompted by one such attempt (D. Small, AJA 87 [1983] 55–68) and argues that the method proposed is invalid. The Vitruvian theater is examined in its historical context and the conclusion is reached that architects of the early Empire modified but did n…

  • The Scaenae Frons of the Theater of Pompey

    Frank B Sear, Frank Sear•ARTICLE•American Journal of Archaeology•1993•Citada por: 2•Referências: 1

    The scaenae frons of the Theater of Pompey as shown on the Marble Plan of Rome is often thought to belong to the Severan period. This article argues that the Marble Plan shows the scaenae frons as rebuilt after the fire of A. D. 80. Its novel design directly influenced the builders of the Trajanic/Hadrianic theaters of Taormina and Benevento. At the same time a simplified version of the scaenae frons of the Theater of Pompey became fashionable an…

Ancient Mediterranean Archaeology and History (3 obras) · Art (3 obras) · Classical Antiquity Studies (3 obras) · Historical and Architectural Studies (3 obras) · History (3 obras) · Visual arts (3 obras) · Archaeology (2 obras) · History (2 obras) · Aesthetics (1 obras) · Classics (1 obras)

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