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Scott L Marcu

Dados Biográficos

ID170696
NOMEScott L Marcu
PRENOMESScott L
SOBRENOMEMarcu
ASSINATURAMARCU S L
VERIFICADONão
TOTAL DE OBRAS5
TOTAL DE CITAÇÕES1
OBRAS COMO AUTOR5
OBRAS COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO1989
ANO MAIS RECENTE DE PUBLICAÇÃO1995
ÍNDICE H1
  • Sitar and Sarod in the 18th and 19th Centuries

    Scott L Marcu, Scott Marcus et al.•ARTICLE•Asian Music•1995

  • Parody-Generated Texts

    Scott L Marcu, Scott Marcus et al.•ARTICLE•Asian Music•1994

    The biraha music culture of northern India has a unique makeup and history which allows for detailed study of changes in song structure over the last 100 years. While studies of musical change of such scope are somewhat common when the subject is any number of well-documented classical traditions, it is rather unexpected in this instance since birahf is a folk music of low-caste Indians. Indeed, many have thought that historical studies of indivi…

  • Modulation in Arab Music

    Scott L Marcu, Scott L Marcus•ARTICLE•Ethnomusicology•1992•Citada por: 1

    A partir du cas du Caire (Egypte), l'A. montre que les modulations (passage d'un « maqam » a un autre) jouent un role central dans la musique arabe meme si aucun traite musical ne les mentionne. Des classifications existent (modulation tonique / non tonique, soudaine / graduelle, commune / rare) et il y a peu de regles specifiques mais elles sont rigoureusement appliquees

  • Sitar Music in Calcutta

    Open Access•Scott L Marcu, Scott Marcu et al.•ARTICLE•American Ethnologist•1992

  • Sitar Technique in Nibaddh Forms

    Scott L Marcu, Scott Marcus et al.•ARTICLE•Ethnomusicology•1989

  • Modulation in Arab Music

    Scott L Marcu, Scott L Marcus•ARTICLE•Ethnomusicology•1992•Citada por: 1

    A partir du cas du Caire (Egypte), l'A. montre que les modulations (passage d'un « maqam » a un autre) jouent un role central dans la musique arabe meme si aucun traite musical ne les mentionne. Des classifications existent (modulation tonique / non tonique, soudaine / graduelle, commune / rare) et il y a peu de regles specifiques mais elles sont rigoureusement appliquees

  • Sitar Technique in Nibaddh Forms

    Scott L Marcu, Scott Marcus et al.•ARTICLE•Ethnomusicology•1989

  • Modulation in Arab Music

    Scott L Marcu, Scott L Marcus•ARTICLE•Ethnomusicology•1992•Citada por: 1

    A partir du cas du Caire (Egypte), l'A. montre que les modulations (passage d'un « maqam » a un autre) jouent un role central dans la musique arabe meme si aucun traite musical ne les mentionne. Des classifications existent (modulation tonique / non tonique, soudaine / graduelle, commune / rare) et il y a peu de regles specifiques mais elles sont rigoureusement appliquees

  • Sitar Music in Calcutta

    Open Access•Scott L Marcu, Scott Marcu et al.•ARTICLE•American Ethnologist•1992

  • Parody-Generated Texts

    Scott L Marcu, Scott Marcus et al.•ARTICLE•Asian Music•1994

    The biraha music culture of northern India has a unique makeup and history which allows for detailed study of changes in song structure over the last 100 years. While studies of musical change of such scope are somewhat common when the subject is any number of well-documented classical traditions, it is rather unexpected in this instance since birahf is a folk music of low-caste Indians. Indeed, many have thought that historical studies of indivi…

  • Sitar and Sarod in the 18th and 19th Centuries

    Scott L Marcu, Scott Marcus et al.•ARTICLE•Asian Music•1995

Art (5 obras) · Computer Science (3 obras) · History (3 obras) · Aesthetics (2 obras) · Theater, Performance, and Music History (2 obras) · Ancient history (1 obra) · Art history (1 obra) · Citation (1 obra) · Composition (language) (1 obra) · Historical and Literary Studies (1 obra)

Ethnos_APP • Projeto Open Source • Licença MIT • Frontend v2.0.0 • Privacidade e Cookies • Documentação da API: api.ethnos.app/docs • Código da API: GitHub • DOI: 10.5281/zenodo.17049435 • Código do Frontend: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae