Rosemarie K Bank
Dados Biográficos
| ID | 1709841 |
|---|---|
| NOME | Rosemarie K Bank |
| PRENOMES | Rosemarie K |
| SOBRENOME | Bank |
| ASSINATURA | BANK R K |
| AFILIAÇÕES | Kent State University |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 20 |
| TOTAL DE CITAÇÕES | 92 |
| TOTAL COMO AUTOR | 19 |
| TOTAL COMO EDITOR | 1 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1983 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2022 |
| ÍNDICE H | 5 |
God's Red Son
Well-known among scholars of Wild West shows for his 2005 publication Buffalo Bill's America, Louis S. Warren here turns our attention to a phenomenon vividly tied to US history through the 1890 massacre at Wounded Knee, namely, the Ghost Dance. In God's Red Son, Warren distinguishes Ghost Dancing from the Sun Dance, Medicine Dance, Grass Dance, and other ceremonial observances, and focuses on the charismatic, proselytizing, and spiritual longing…
What Space Is This Time? Historiography in the Space of History
In asking the question embedded in the title, this article explores the tension between inertia and change in cultural historical studies. Inertia in this context does not mean inactive or inert (i.e., without active properties), but the structural constraints that are revealed when codes, forms, practices, roles, etc., contest. What kinds and forms of socio-cultural knowledge, values, or structures are maintained, developed, or abandoned across …
Part I
Recovery-oriented care has become a leading vision across countries. To develop services and communities in more recovery-oriented directions, enhanced understandings of recovery in terms of personal and social contexts are important prerequisites. The aim of this study is to explore the nature and characteristics of the experiences of recovery. The method used is a form of qualitative meta-synthesis that integrates the findings from multiple qua…
Theatre/Performance Historiography
How do the ethical implications of writing theatrical histories complicate the historiographical imperative in our current sociopolitical context? This volume investigates a historiography whose funct
Theatre History Studies 2008, Vol. 28
Critical Theory and Performance
Across an Untried Sea
Historians in search of lively bedside reading will find Across an Untried Sea “as fascinating as any novel.” On view are four major and a bevy of minor British and American female artists and authors of the mid-nineteenth century, chiefly the sculptors Harriet Hosmer and Emma Stebbins, the actress Charlotte Cush-man, and Jane Welsh Carlyle—a “major” because her husband, the philosopher Thomas Carlyle, “insured Jane's immortality by preserving he…
Representing History
Scholars have not been slow to notice the collisions and contradictions presented by and represented in the Columbian Exposition in Chicago in 1893. Alan Trachtenberg depicts it as the culminating spectacle of The Incorporation of America in the nineteenth century. Richard Slotkin examines the Fair as the high point in the performance history of "Buffalo Bill's Wild West" and traces the show's role in the creation of the Gunfighter [End Page 589]…
Theatre Culture in America, 1825-1860
Journal Article Theatre Culture in America, 1825–1860. By Rosemarie K. Bank. (New York: Cambridge University Press, 1997. xii, 292 pp. $69.95, ISBN 0-521-56387-9.) Get access Faye Dudden Faye Dudden Colgate University, Hamilton, New York Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 87, Issue 4, March 2001, Pages 1492–1493, https://doi.org/10.2307/2674788 Published: 01 March 2001
The Cambridge History of American Theatre, Vol. I
It is unlikely that people who read this volume (other than reviewers) will do so from cover to cover, and that is a shame because The Cambridge History of American Theatre clearly charts the campaigns won, those still waging, and those largely unattempted in scholarship covering the history of the American (US) theatre before 1870. What is striking about this history is the new and old historiography that characterizes it. The editors' introduct…
Democracy at the Opera
Journal Article Democracy at the Opera: Music, Theater, and Culture in New York City, 1815–60. By Karen Ahlquist. (Urbana: University of Illinois Press, 1997. xx, 248 pp. $29.95, ISBN 0-252-02272-6.) Get access Rosemarie K. Bank Rosemarie K. Bank Kent State University, Kent, Ohio Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 87, Issue 2, September 2000, Page 664, https://doi.org/10.23…
The Emergence of the Modern American Theater, 1914-1929
Journal Article The Emergence of the Modern American Theater, 1914–1929. By Ronald H. Wainscott. (New Haven: Yale University Press, 1997. xii, 260 pp. $30.00, ISBN 0-300-06776-3) Get access Rosemarie K. Bank Rosemarie K. Bank Kent State University, Kent, Ohio Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 85, Issue 1, June 1998, Page 289, https://doi.org/10.2307/2568550 Published: 01 J…
"Staging the "Native
The wilderness masters the colonist. It finds him a European in dress, industries, tools, modes of travel, and thought. It takes him from the railroad car and puts him in the birch canoe. It strips off the garments of civilization and arrays him in the hunting shirt and mocassin. It puts him in the log cabin of the Cherokee and Iroquois and runs an Indian palisade around him. The Frontier in American History (1893)--F. J. Turner
Passion and Power
Interpreting the Theatrical Past
Heralds of Promise
Actresses and Suffragists
American Actors and Actresses
Shakespeare's Women
The Death of von Richthofen as Witnessed from Earth
Critical Theory and Performance
Interpreting the Theatrical Past
Representing History
Scholars have not been slow to notice the collisions and contradictions presented by and represented in the Columbian Exposition in Chicago in 1893. Alan Trachtenberg depicts it as the culminating spectacle of The Incorporation of America in the nineteenth century. Richard Slotkin examines the Fair as the high point in the performance history of "Buffalo Bill's Wild West" and traces the show's role in the creation of the Gunfighter [End Page 589]…
Passion and Power
God's Red Son
Well-known among scholars of Wild West shows for his 2005 publication Buffalo Bill's America, Louis S. Warren here turns our attention to a phenomenon vividly tied to US history through the 1890 massacre at Wounded Knee, namely, the Ghost Dance. In God's Red Son, Warren distinguishes Ghost Dancing from the Sun Dance, Medicine Dance, Grass Dance, and other ceremonial observances, and focuses on the charismatic, proselytizing, and spiritual longing…
"Staging the "Native
The wilderness masters the colonist. It finds him a European in dress, industries, tools, modes of travel, and thought. It takes him from the railroad car and puts him in the birch canoe. It strips off the garments of civilization and arrays him in the hunting shirt and mocassin. It puts him in the log cabin of the Cherokee and Iroquois and runs an Indian palisade around him. The Frontier in American History (1893)--F. J. Turner
Across an Untried Sea
Historians in search of lively bedside reading will find Across an Untried Sea “as fascinating as any novel.” On view are four major and a bevy of minor British and American female artists and authors of the mid-nineteenth century, chiefly the sculptors Harriet Hosmer and Emma Stebbins, the actress Charlotte Cush-man, and Jane Welsh Carlyle—a “major” because her husband, the philosopher Thomas Carlyle, “insured Jane's immortality by preserving he…
Heralds of Promise
American Actors and Actresses
Shakespeare's Women
The Death of von Richthofen as Witnessed from Earth
Actresses and Suffragists
American Actors and Actresses
Heralds of Promise
Interpreting the Theatrical Past
Passion and Power
"Staging the "Native
The wilderness masters the colonist. It finds him a European in dress, industries, tools, modes of travel, and thought. It takes him from the railroad car and puts him in the birch canoe. It strips off the garments of civilization and arrays him in the hunting shirt and mocassin. It puts him in the log cabin of the Cherokee and Iroquois and runs an Indian palisade around him. The Frontier in American History (1893)--F. J. Turner
The Emergence of the Modern American Theater, 1914-1929
Journal Article The Emergence of the Modern American Theater, 1914–1929. By Ronald H. Wainscott. (New Haven: Yale University Press, 1997. xii, 260 pp. $30.00, ISBN 0-300-06776-3) Get access Rosemarie K. Bank Rosemarie K. Bank Kent State University, Kent, Ohio Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 85, Issue 1, June 1998, Page 289, https://doi.org/10.2307/2568550 Published: 01 J…
The Cambridge History of American Theatre, Vol. I
It is unlikely that people who read this volume (other than reviewers) will do so from cover to cover, and that is a shame because The Cambridge History of American Theatre clearly charts the campaigns won, those still waging, and those largely unattempted in scholarship covering the history of the American (US) theatre before 1870. What is striking about this history is the new and old historiography that characterizes it. The editors' introduct…
Democracy at the Opera
Journal Article Democracy at the Opera: Music, Theater, and Culture in New York City, 1815–60. By Karen Ahlquist. (Urbana: University of Illinois Press, 1997. xx, 248 pp. $29.95, ISBN 0-252-02272-6.) Get access Rosemarie K. Bank Rosemarie K. Bank Kent State University, Kent, Ohio Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 87, Issue 2, September 2000, Page 664, https://doi.org/10.23…
Theatre Culture in America, 1825-1860
Journal Article Theatre Culture in America, 1825–1860. By Rosemarie K. Bank. (New York: Cambridge University Press, 1997. xii, 292 pp. $69.95, ISBN 0-521-56387-9.) Get access Faye Dudden Faye Dudden Colgate University, Hamilton, New York Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 87, Issue 4, March 2001, Pages 1492–1493, https://doi.org/10.2307/2674788 Published: 01 March 2001
Across an Untried Sea
Historians in search of lively bedside reading will find Across an Untried Sea “as fascinating as any novel.” On view are four major and a bevy of minor British and American female artists and authors of the mid-nineteenth century, chiefly the sculptors Harriet Hosmer and Emma Stebbins, the actress Charlotte Cush-man, and Jane Welsh Carlyle—a “major” because her husband, the philosopher Thomas Carlyle, “insured Jane's immortality by preserving he…
Representing History
Scholars have not been slow to notice the collisions and contradictions presented by and represented in the Columbian Exposition in Chicago in 1893. Alan Trachtenberg depicts it as the culminating spectacle of The Incorporation of America in the nineteenth century. Richard Slotkin examines the Fair as the high point in the performance history of "Buffalo Bill's Wild West" and traces the show's role in the creation of the Gunfighter [End Page 589]…
Critical Theory and Performance
Theatre History Studies 2008, Vol. 28
Theatre/Performance Historiography
How do the ethical implications of writing theatrical histories complicate the historiographical imperative in our current sociopolitical context? This volume investigates a historiography whose funct
What Space Is This Time? Historiography in the Space of History
In asking the question embedded in the title, this article explores the tension between inertia and change in cultural historical studies. Inertia in this context does not mean inactive or inert (i.e., without active properties), but the structural constraints that are revealed when codes, forms, practices, roles, etc., contest. What kinds and forms of socio-cultural knowledge, values, or structures are maintained, developed, or abandoned across …
Part I
Recovery-oriented care has become a leading vision across countries. To develop services and communities in more recovery-oriented directions, enhanced understandings of recovery in terms of personal and social contexts are important prerequisites. The aim of this study is to explore the nature and characteristics of the experiences of recovery. The method used is a form of qualitative meta-synthesis that integrates the findings from multiple qua…
God's Red Son
Well-known among scholars of Wild West shows for his 2005 publication Buffalo Bill's America, Louis S. Warren here turns our attention to a phenomenon vividly tied to US history through the 1890 massacre at Wounded Knee, namely, the Ghost Dance. In God's Red Son, Warren distinguishes Ghost Dancing from the Sun Dance, Medicine Dance, Grass Dance, and other ceremonial observances, and focuses on the charismatic, proselytizing, and spiritual longing…
History (15 obras) · Art (13 obras) · History (13 obras) · Theater, Performance, and Music History (9 obras) · Literature (7 obras) · Sociology (7 obras) · Archaeology (6 obras) · Art history (6 obras) · Political science (5 obras) · Classics (4 obras)