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Maya Parmar

Dados Biográficos

ID175027
NOMEMaya Parmar
PRENOMESMaya
SOBRENOMEParmar
ASSINATURAPARMAR M
AFILIAÇÕESThe Open University
ORCID0000-0002-4534-9519
VERIFICADOSim
TOTAL DE OBRAS4
TOTAL DE CITAÇÕES1
TOTAL COMO AUTOR4
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO2014
ANO MAIS RECENTE DE PUBLICAÇÃO2016
ÍNDICE H1
  • New postcolonial British genres

    Maya Parmar•ARTICLE•Journal of Postcolonial Writing•2016

    New postcolonial British genres: shifting the boundaries." Journal of Postcolonial Writing, 52(6), p. 752

  • Towards a Spatial Practice of the Postcolonial City

    Katie Beswick, Maya Parmar et al.•ARTICLE•Interventions•2015

    This article offers an introduction to the Interventions special issue, “Re-evaluating the Postcolonial City: Production, Reconstruction, Representation”. It institutes the cultural producer as its key reference point for re-examining the spatial imaginary of the postcolonial urban landscape. From internationally acclaimed artists, exhibition curators and marginalized performers to local audiences, tourist consumers, migrant workers, garbage coll…

  • Memorialising 40 years since Idi Amin's expulsion

    Maya Parmar•ARTICLE•South Asian Popular Culture•2014•Citada por: 1•Referências: 9

    Forty years since Idi Amin's infamous 1972 expulsion order of the Indian community from Uganda, there has been a prolific peak in the online memorialisation of this deracination experience. This content, namely on the social networking phenomenon Facebook, has been disseminated by outreach projects seeking to mark the fortieth anniversary. Here an interpretation of this intervention is offered: using scholarship on new media, memorialisation, and…

  • Reading the Double Diaspora

    Maya Parmar

    August 2012 saw the fortieth anniversary of the South Asian population’s expulsion from Uganda, by Idi Amin. Many members of this community, who were indeed also Gujaratis, migrated to Britain. My research, grounded in literary studies, excavates the cultural impact of these painful deracinations, which were forced in Uganda, and less coerced in Kenya. Given the trauma of departing from multiple homelands and relocating in a sometimes racist host…

  • Memorialising 40 years since Idi Amin's expulsion

    Maya Parmar•ARTICLE•South Asian Popular Culture•2014•Citada por: 1•Referências: 9

    Forty years since Idi Amin's infamous 1972 expulsion order of the Indian community from Uganda, there has been a prolific peak in the online memorialisation of this deracination experience. This content, namely on the social networking phenomenon Facebook, has been disseminated by outreach projects seeking to mark the fortieth anniversary. Here an interpretation of this intervention is offered: using scholarship on new media, memorialisation, and…

  • Memorialising 40 years since Idi Amin's expulsion

    Maya Parmar•ARTICLE•South Asian Popular Culture•2014•Citada por: 1•Referências: 9

    Forty years since Idi Amin's infamous 1972 expulsion order of the Indian community from Uganda, there has been a prolific peak in the online memorialisation of this deracination experience. This content, namely on the social networking phenomenon Facebook, has been disseminated by outreach projects seeking to mark the fortieth anniversary. Here an interpretation of this intervention is offered: using scholarship on new media, memorialisation, and…

  • Towards a Spatial Practice of the Postcolonial City

    Katie Beswick, Maya Parmar et al.•ARTICLE•Interventions•2015

    This article offers an introduction to the Interventions special issue, “Re-evaluating the Postcolonial City: Production, Reconstruction, Representation”. It institutes the cultural producer as its key reference point for re-examining the spatial imaginary of the postcolonial urban landscape. From internationally acclaimed artists, exhibition curators and marginalized performers to local audiences, tourist consumers, migrant workers, garbage coll…

  • New postcolonial British genres

    Maya Parmar•ARTICLE•Journal of Postcolonial Writing•2016

    New postcolonial British genres: shifting the boundaries." Journal of Postcolonial Writing, 52(6), p. 752

  • Reading the Double Diaspora

    Maya Parmar

    August 2012 saw the fortieth anniversary of the South Asian population’s expulsion from Uganda, by Idi Amin. Many members of this community, who were indeed also Gujaratis, migrated to Britain. My research, grounded in literary studies, excavates the cultural impact of these painful deracinations, which were forced in Uganda, and less coerced in Kenya. Given the trauma of departing from multiple homelands and relocating in a sometimes racist host…

Aesthetics (4 obras) · Art (4 obras) · Literature (4 obras) · Sociology (4 obras) · Gender Studies (3 obras) · History (3 obras) · Political science (3 obras) · Postcolonial and Cultural Literary Studies (3 obras) · Anthropological Studies and Insights (2 obras) · Anthropology (2 obras)

Ethnos_APP • Projeto Open Source • Licença MIT • Frontend v2.0.0 • Privacidade e Cookies • Documentação da API: api.ethnos.app/docs • Código da API: GitHub • DOI: 10.5281/zenodo.17049435 • Código do Frontend: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae