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Kapila Vatsyayan

Dados Biográficos

ID175911
NOMEKapila Vatsyayan
PRENOMESKapila
SOBRENOMEVatsyayan
ASSINATURAVATSYAYAN K
AFILIAÇÕESIndira Gandhi National Open University
VERIFICADONão
TOTAL DE OBRAS14
TOTAL DE CITAÇÕES3
TOTAL COMO AUTOR14
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO1963
ANO MAIS RECENTE DE PUBLICAÇÃO2001
ÍNDICE H1
  • India, subcontinent of

    Regula Burckhardt Qureshi, Regula Qureshi et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Indian Dance

    Kapila Vatsyayan, Maria Lord•CHAPTER•The new Grove dictionary of music…•2001

  • Kalātattvakośa

    Phillip B Zarrilli, Bettina Bäumer et al.•ARTICLE•Asian Theatre Journal•1995

  • The future of dance scholarship in India

    Kapila Vatsyayan•ARTICLE•Dance Chronicle•1995•Citada por: 2

    Speaking at the conference held in Essen, Germany, in 1988, all of us reviewed the state of dance scholarship in our respective countries and regions. Our chairperson, Dr. Selma Jeanne Cohen, gave an overview of the state of dance scholarship in the United States since 1920. Others coming from different backgrounds, especially from countries of Southeast Asia and East Asia, Latin America, and West Asia, presented their views on what constitutes d…

  • Kalātattavakośa

    Kapila Vatsyayan•ARTICLE•Journal of the American Oriental…•1995

  • Traditional Indian Theatre

    Phillip B Zarrilli, Phillip Zarrilli et al.•ARTICLE•Asian Theatre Journal•1984

  • Traditional Indian Theatre, Multiple Streams

    Stella Kramrisch, Kapila Vatsyayan•ARTICLE•Artibus Asiae•1983

  • The Presence of Śiva

    Kapila Vatsyayan, Stella Kramrisch•ARTICLE•Journal of the American Oriental…•1983

  • Indian Art

    Open Access•Kapila Vatsyayan•ARTICLE•India Quarterly A Journal of…•1982

    Indian Art: S.P. GUPTA: The Roots of Indian Art

  • Some Aspects of Cultural Policies in India

    K G Subramanyan, Kapila Vatsyayan et al.•ARTICLE•Leonardo•1978

  • Classical Indian Dance in Literature and the Arts

    Renee Renouf, Kapila Vatsyayan•ARTICLE•Ethnomusicology•1970

  • The Theory and Technique of Classical Indian Dancing

    Kapila Vatsyayan•ARTICLE•Artibus Asiae•1967

  • The Classical Indian Dance and Sculpture

    Open Access•Kapila Vatsyayan, Kapila Malik Vatsyayan•ARTICLE•Diogenes•1964

    Markandeya told King Vajra in the Vishnudhar-mōttara Purāna that he must learn the art of dance before he learned the art of icon making, and the art of music before he learned the art of the dance; he added that rhythm (tāla) was basic to them all. This story is significant from the point of view of the Indian Arts, since it points towards the inter-relationship of the arts not on the level of the aesthetic experience alone, but also that of tec…

  • Notes on the Relationship of Music and Dance in India

    Kapila Vatsyayan•ARTICLE•Ethnomusicology•1963•Citada por: 1

    making, and the art of music before he learnt the art of the dance; he added that rhythm (tila) was basic to them all. This story is significant from the point of view of the Indian arts, since it points towards the inter-relationship of the arts not on the level of the aesthetic experience alone, but also that of technique. The aim of the Indian artists, in the field of literature (Sahitya), sculpture (Silpa), painting (Chitrakala), music (Sahgi…

  • The future of dance scholarship in India

    Kapila Vatsyayan•ARTICLE•Dance Chronicle•1995•Citada por: 2

    Speaking at the conference held in Essen, Germany, in 1988, all of us reviewed the state of dance scholarship in our respective countries and regions. Our chairperson, Dr. Selma Jeanne Cohen, gave an overview of the state of dance scholarship in the United States since 1920. Others coming from different backgrounds, especially from countries of Southeast Asia and East Asia, Latin America, and West Asia, presented their views on what constitutes d…

  • Notes on the Relationship of Music and Dance in India

    Kapila Vatsyayan•ARTICLE•Ethnomusicology•1963•Citada por: 1

    making, and the art of music before he learnt the art of the dance; he added that rhythm (tila) was basic to them all. This story is significant from the point of view of the Indian arts, since it points towards the inter-relationship of the arts not on the level of the aesthetic experience alone, but also that of technique. The aim of the Indian artists, in the field of literature (Sahitya), sculpture (Silpa), painting (Chitrakala), music (Sahgi…

  • Notes on the Relationship of Music and Dance in India

    Kapila Vatsyayan•ARTICLE•Ethnomusicology•1963•Citada por: 1

    making, and the art of music before he learnt the art of the dance; he added that rhythm (tila) was basic to them all. This story is significant from the point of view of the Indian arts, since it points towards the inter-relationship of the arts not on the level of the aesthetic experience alone, but also that of technique. The aim of the Indian artists, in the field of literature (Sahitya), sculpture (Silpa), painting (Chitrakala), music (Sahgi…

  • The Classical Indian Dance and Sculpture

    Open Access•Kapila Vatsyayan, Kapila Malik Vatsyayan•ARTICLE•Diogenes•1964

    Markandeya told King Vajra in the Vishnudhar-mōttara Purāna that he must learn the art of dance before he learned the art of icon making, and the art of music before he learned the art of the dance; he added that rhythm (tāla) was basic to them all. This story is significant from the point of view of the Indian Arts, since it points towards the inter-relationship of the arts not on the level of the aesthetic experience alone, but also that of tec…

  • The Theory and Technique of Classical Indian Dancing

    Kapila Vatsyayan•ARTICLE•Artibus Asiae•1967

  • Classical Indian Dance in Literature and the Arts

    Renee Renouf, Kapila Vatsyayan•ARTICLE•Ethnomusicology•1970

  • Some Aspects of Cultural Policies in India

    K G Subramanyan, Kapila Vatsyayan et al.•ARTICLE•Leonardo•1978

  • Indian Art

    Open Access•Kapila Vatsyayan•ARTICLE•India Quarterly A Journal of…•1982

    Indian Art: S.P. GUPTA: The Roots of Indian Art

  • Traditional Indian Theatre, Multiple Streams

    Stella Kramrisch, Kapila Vatsyayan•ARTICLE•Artibus Asiae•1983

  • The Presence of Śiva

    Kapila Vatsyayan, Stella Kramrisch•ARTICLE•Journal of the American Oriental…•1983

  • Traditional Indian Theatre

    Phillip B Zarrilli, Phillip Zarrilli et al.•ARTICLE•Asian Theatre Journal•1984

  • Kalātattvakośa

    Phillip B Zarrilli, Bettina Bäumer et al.•ARTICLE•Asian Theatre Journal•1995

  • The future of dance scholarship in India

    Kapila Vatsyayan•ARTICLE•Dance Chronicle•1995•Citada por: 2

    Speaking at the conference held in Essen, Germany, in 1988, all of us reviewed the state of dance scholarship in our respective countries and regions. Our chairperson, Dr. Selma Jeanne Cohen, gave an overview of the state of dance scholarship in the United States since 1920. Others coming from different backgrounds, especially from countries of Southeast Asia and East Asia, Latin America, and West Asia, presented their views on what constitutes d…

  • Kalātattavakośa

    Kapila Vatsyayan•ARTICLE•Journal of the American Oriental…•1995

  • India, subcontinent of

    Regula Burckhardt Qureshi, Regula Qureshi et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Indian Dance

    Kapila Vatsyayan, Maria Lord•CHAPTER•The new Grove dictionary of music…•2001

Art (10 obras) · Diversity and Impact of Dance (6 obras) · History (6 obras) · Visual arts (6 obras) · Dance (4 obras) · Computer Science (3 obras) · Indian and Buddhist Studies (3 obras) · Political science (3 obras) · The arts (3 obras) · Art history (2 obras)

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