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Susan Mchugh

Dados Biográficos

ID176465
NOMESusan Mchugh
PRENOMESSusan
SOBRENOMEMchugh
ASSINATURAMCHUGH S
AFILIAÇÕESUniversity of Wollongong
ORCID0000-0001-8079-1524
VERIFICADOSim
TOTAL DE OBRAS40
TOTAL DE CITAÇÕES83
TOTAL COMO AUTOR39
TOTAL COMO EDITOR1
PRIMEIRO ANO DE PUBLICAÇÃO1989
ANO MAIS RECENTE DE PUBLICAÇÃO2025
ÍNDICE H4
  • Intimacy, Trust, and Justice on The Greatest Menace, a Podcast Exposing a “Gay Prison”

    Open Access•Susan Mchugh•ARTICLE•Media and Communication•2025

    In the tradition of narrative podcasts exposing historical injustices, The Greatest Menace (TGM) examines how a government-run prison in Australia used those imprisoned to study the causes and treatments of homosexuality. Hosted by gay Arab-Australian journalist Patrick Abboud, TGM interweaves Abboud’s struggle for acceptance in his homophobic community with his forensic documentation of lives ruined by a society where homosexuality was illegal t…

  • The Invisible Art of Audio Storytelling

    Susan Mchugh, Siobhàn McHugh•CHAPTER•Oxford Handbook of Radio and…•2024

    Narrative podcasts and radio documentaries are a built form, as carefully crafted as a good film. They apply the grammar, logic, and aesthetics of the audio medium to storytelling technique, paying particular attention to tone, texture, and temporality. This chapter examines the poetics of sound by conceptualizing the craft behind the making of three accomplished audio stories to deepen the way that both creatives and their audiences can engage w…

  • Apace

    Open Access•Susan Mchugh•ARTICLE•Humanimalia•2024•Referências: 4

    Researching nonfiction writing about where you call home is one way of appreciating conservation challenges. Living at the edge of the Great North Woods in Maine, I have found this work to be enriched by daily dog walks that cumulatively mark changes across time. Structured as a seasonal cycle, this essay ponders an idiosyncratic collection of evidence of more-than-human comings and goings, witnessed on two feet, accompanied by four more, in the …

  • Animal Satire

    Open Access•Robert Mckay, Susan Mchugh•BOOK•Animal Satire•2023

  • Bringing together podcasting, social work field education and learning about practice with Aboriginal peoples and communities

    Mim Fox, Susan Mchugh et al.•ARTICLE•Social Work Education•2023

    Social work content podcasting has increased exponentially in recent years, playing a new role in the emerging social work education debate surrounding online and remote delivery of social work content. Although podcasting itself is not now a new digital innovation, how and why social work educators and academics would embrace the use of podcasting is still debated and is often positioned as inferior to face-to-face classroom teaching. In the Aus…

  • Rise of Regional Creatures in Literary Animal Studies

    Open Access•Susan Mchugh•ARTICLE•Humanimalia•2022

  • Radical Botany

    Susan Mchugh•ARTICLE•Configurations•2020

    Reviewed by: Radical Botany: Plants and Speculative Fiction by Natania Meeker and Antónia Szabari Susan McHugh (bio) Natania Meeker and Antónia Szabari, Radical Botany: Plants and Speculative Fiction. New York: Fordham University Press, 2019, 304 pp., $110 cloth, $32 paper. A verdant field ripe for interdisciplinary cross-pollination, plant studies has been slow to take root in the humanities and the arts. Examining the perennial difficulties of …

  • Love in a Time of Slaughters

    Susan Mchugh•BOOK•Love in a Time of Slaughters•2019

  • Mourning Humans and Other Animals through Fictional Taxidermy Collections

    Susan Mchugh•ARTICLE•Configurations•2019•Citada por: 1

    Lydia Millet’s Magnificence (2012) and Henrietta Rose-Innes’s The Green Lion (2015) stage various repurposings of taxidermy collections as acts of mourning that loft fragile alternatives to the melancholia, narcissism, and depression that haunt histories of mass killings. Set at the turn of the twenty-first century, a period marked by what affect theorist Lauren Berlant terms “cruel optimism,” or a perverse desire for the obstacles to flourishing…

  • Introduction

    Sarah Bezan, Susan Mchugh•ARTICLE•Configurations•2019•Citada por: 1

  • Indigenous Creatures, Native Knowledges, and the Arts

    Open Access•Wendy A Woodward, Susan Mchugh et al.•BOOK•Indigenous Creatures, Native…•2017•Citada por: 1

  • How podcasting is changing the audio storytelling genre

    Susan Mchugh, Siobhàn McHugh•ARTICLE•Radio Journal International…•2016•Citada por: 42

    This article explores the impact of the post-2014 podcast resurgence on non-fictional audio storytelling formats. The empirical study comprises themed commentary by five significant US, European and Australian editors who commission and produce audio documentaries and features for broadcast and/or podcast. The article provides insights into the changing role played by public broadcasters, the growth of independent podcast networks and the perceiv…

  • Routledge Handbook of Human-Animal Studies

    Garry Marvin, Susan Mchugh•BOOK•Routledge Handbook of Human-Animal…•2014

  • Bestial Traces

    Susan Mchugh•ARTICLE•American Literature•2014

    Book Review| March 01 2014 Bestial Traces: Race, Sexuality, Animality Animalia Americana: Animal Representations and Biopolitical Subjectivity Bestial Traces: Race, Sexuality, Animality. By Peterson, Christopher. New York: Fordham Univ. Press. 2012. 208 pp. Cloth, $75.00; paper, $24.00.Animalia Americana: Animal Representations and Biopolitical Subjectivity. By Boggs, Colleen Glenney. New York, NY: Columbia Univ. Press. 2013. 312 pp. Cloth, $89.5…

  • Annie Potts, Philip Armstrong, and Deidre Brown, A New Zealand Book of Beasts

    Open Access•Susan Mchugh•ARTICLE•Humanimalia•2014

    

  • Artist Animal

    Susan Mchugh•ARTICLE•Anthrozoös•2014

  • Art and Animals

    Susan Mchugh•ARTICLE•Anthrozoös•2013

  • Hybrid Species and Literatures

    Open Access•Susan Mchugh•ARTICLE•Comparative Critical Studies•2012•Citada por: 1•Referências: 1

    Libyan writer

  • Oral history and the radio documentary/feature

    Susan Mchugh, Siobhàn McHugh•ARTICLE•Radio Journal International…•2012•Citada por: 3•Referências: 1

    In an era when audio is increasingly associated with three-minute digital storytelling, the use of crafted oral history in long-form radio narratives deserves to be recognized as a specific genre: the 'COHRD' (Crafted Oral History Radio Documentary), a blend of oral history, art and radio journalism. The author, a long-term practitioner of both disciplines, compares the theory and practice of oral history interviewing and the narrative concerns o…

  • Remembering a Renaissance Elephant and His Mahout

    Susan Mchugh•ARTICLE•Society and Animals•2012

  • Bitch, Bitch, Bitch

    Open Access•Susan Mchugh•ARTICLE•Hypatia•2012•Citada por: 7•Referências: 4

    By the turn of the twenty‐first century, women writing about electing to share their lives with female canines directly confront a strange sort of backlash. Even as their extensions of the feminist forms of personal criticism contribute to significant developments in theories of sex, gender, and species, they become targets of criticism as “indulgent” for focusing on their dogs. Comparing these elements in and around popular memoirs like Caroline…

  • The Affective Power of Sound

    Open Access•Susan Mchugh, Siobhàn McHugh•ARTICLE•The Oral History Review•2012•Citada por: 11

    Using illustrative audio clips, this article offers insights into the historical symbiosis between oral history and radio and the relationship between orality, aurality, and affect that makes radio such a powerful medium for the spoken word. It does so through a discussion of the concept of affect as it applies to oral history on radio and through a description and analysis of crafting oral history for the radio documentary form. This article fea…

  • Animal Stories

    Susan Mchugh, Susan Ph D McHugh•BOOK•Animal stories•2011

  • Sherryl Vint, Animal Alterity

    Open Access•Susan Mchugh•ARTICLE•Humanimalia•2011

    

  • Searing Memories

    Susan Mchugh, Siobhàn McHugh•ARTICLE•History Australia•2010

Próximo
  • How podcasting is changing the audio storytelling genre

    Susan Mchugh, Siobhàn McHugh•ARTICLE•Radio Journal International…•2016•Citada por: 42

    This article explores the impact of the post-2014 podcast resurgence on non-fictional audio storytelling formats. The empirical study comprises themed commentary by five significant US, European and Australian editors who commission and produce audio documentaries and features for broadcast and/or podcast. The article provides insights into the changing role played by public broadcasters, the growth of independent podcast networks and the perceiv…

  • The Affective Power of Sound

    Open Access•Susan Mchugh, Siobhàn McHugh•ARTICLE•The Oral History Review•2012•Citada por: 11

    Using illustrative audio clips, this article offers insights into the historical symbiosis between oral history and radio and the relationship between orality, aurality, and affect that makes radio such a powerful medium for the spoken word. It does so through a discussion of the concept of affect as it applies to oral history on radio and through a description and analysis of crafting oral history for the radio documentary form. This article fea…

  • Bitch, Bitch, Bitch

    Open Access•Susan Mchugh•ARTICLE•Hypatia•2012•Citada por: 7•Referências: 4

    By the turn of the twenty‐first century, women writing about electing to share their lives with female canines directly confront a strange sort of backlash. Even as their extensions of the feminist forms of personal criticism contribute to significant developments in theories of sex, gender, and species, they become targets of criticism as “indulgent” for focusing on their dogs. Comparing these elements in and around popular memoirs like Caroline…

  • Animal Farm’s Lessons for Literary (and) Animal Studies

    Open Access•Susan Mchugh•ARTICLE•Humanimalia•2009•Citada por: 6•Referências: 6

    

  • Oral history and the radio documentary/feature

    Susan Mchugh, Siobhàn McHugh•ARTICLE•Radio Journal International…•2012•Citada por: 3•Referências: 1

    In an era when audio is increasingly associated with three-minute digital storytelling, the use of crafted oral history in long-form radio narratives deserves to be recognized as a specific genre: the 'COHRD' (Crafted Oral History Radio Documentary), a blend of oral history, art and radio journalism. The author, a long-term practitioner of both disciplines, compares the theory and practice of oral history interviewing and the narrative concerns o…

  • Marrying My Bitch

    Susan Mchugh•ARTICLE•Critical Inquiry•2000•Citada por: 3

  • Queer (And) Animal Theories

    Susan Mchugh•ARTICLE•GLQ A Journal of Lesbian and Gay…•2009•Citada por: 2•Referências: 3

    Nonhuman nonheteronormativity presents a profound challenge not just to identity forms but more importantly to disciplinary habits of thinking of human subjectivity as the default form of social agency. To elaborate this point, this essay surveys how some recent books, including Roughgarden's Evolution's Rainbow: Diversity, Gender, and Sexuality in Nature and People, Donna Haraway's When Species Meet, Alice A. Kuzniar's Melancholy's Dog, and Jens…

  • Mourning Humans and Other Animals through Fictional Taxidermy Collections

    Susan Mchugh•ARTICLE•Configurations•2019•Citada por: 1

    Lydia Millet’s Magnificence (2012) and Henrietta Rose-Innes’s The Green Lion (2015) stage various repurposings of taxidermy collections as acts of mourning that loft fragile alternatives to the melancholia, narcissism, and depression that haunt histories of mass killings. Set at the turn of the twenty-first century, a period marked by what affect theorist Lauren Berlant terms “cruel optimism,” or a perverse desire for the obstacles to flourishing…

  • Introduction

    Sarah Bezan, Susan Mchugh•ARTICLE•Configurations•2019•Citada por: 1

  • Indigenous Creatures, Native Knowledges, and the Arts

    Open Access•Wendy A Woodward, Susan Mchugh et al.•BOOK•Indigenous Creatures, Native…•2017•Citada por: 1

  • Hybrid Species and Literatures

    Open Access•Susan Mchugh•ARTICLE•Comparative Critical Studies•2012•Citada por: 1•Referências: 1

    Libyan writer

  • Being Out of Time

    Open Access•Susan Mchugh•ARTICLE•Australian Literary Studies•2010•Citada por: 1

    Discusses representations of animal gods in popular and critically successful extinction fictions 'in order to demonstrate why their representations of animal gods deliberately connect specific and historically underrepresented acts of genocide to species extinctions. More precisely, I examine the ways in which nonhuman deities, in the form of animals, become involved in contemporary narratives of the historical demise of ecosystems and societies…

  • Real Artificial

    Susan Mchugh•ARTICLE•Configurations•2010•Citada por: 1

    Although touted by promoters as the cutting edge of food science, meat produced in vitro (rather than from a whole animal) is emerging more directly from developments in fine art-more specifically, from the aesthetic experiments of Australian-based artists Oron Catts and Ionat Zurr, who ask: What language do we have to describe the agency of tissue-cultured life? This essay begins to answer this question by tracing a tradition whereby bioengineer…

  • Modern Animals

    Susan Mchugh•ARTICLE•Society and Animals•2009•Citada por: 1

    Advancing theories of literature and animality requires both recognizing the failures of traditional humanist models that separate and elevate people over all "things" animal as well as identifying and developing alternative forms. Along with providing fresh readings and important insights about representative texts in the literary canon, two new books—Carrie Rohman's Stalking the Subject: Modernism and the Animal (2009) and Philip Armstrong's Wh…

  • Victorian Animal Dreams

    Susan Mchugh•ARTICLE•Anthrozoös•2009•Citada por: 1

  • Bringing Up Babe

    Susan Mchugh•ARTICLE•Camera Obscura Feminism Culture…•2002•Citada por: 1•Referências: 6

  • The Snowy - The People Behind The Power

    Susan Mchugh, Siobhàn McHugh•BOOK•Snowy•1989

    The construction of the Snowy Mountains Hydro-Electric Scheme between 1949 and 1974 still ranks as one of the world's greatest engineering feats. For Australia, it marked a passage from the Old World to the New and became a monument to multiculturalism along the way.\nWith over 300 photographs and based on interviews with hundreds of those who were part of the scheme The Snowy is the definitive account of this unique project which was, in the wor…

  • Horses in Blackface

    Susan Mchugh, Susan Bridget McHugh•ARTICLE•South Atlantic Review•2000

  • Marrying My Bitch

    Susan Mchugh•ARTICLE•Critical Inquiry•2000•Citada por: 3

  • Video Dog Star

    Susan Mchugh•ARTICLE•Society and Animals•2001•Referências: 2

    The canine photographs, videos, and photographic narratives of artist William Wegman frame questions of animal aesthetic agency. Over the past 30 years, Wegman's dog images shift in form and content in ways that reflect the artist's increasing anxiety over his control of the art-making process once he becomes identified, in his own words, as "the dog photographer". Wegman's dog images claim unique cultural prominence, appearing regularly in fine …

  • Bringing Up Babe

    Susan Mchugh•ARTICLE•Camera Obscura Feminism Culture…•2002•Citada por: 1•Referências: 6

  • Primate Encounters

    Susan Mchugh•ARTICLE•Configurations•2003

    Primate Encounters proceeds from the assumption that sharing research commitments transforms what could be a polarized field of "science wars" into a generative space ripe for the more mutually beneficial, ongoing engagements that its editors term "science encounters." With this volume, anthropologists Shirley C. Strum and Linda Marie Fedigan pursue an ambitious plan of forming the basic unit of such encounters: new multidisciplinary models or "t…

  • The call of the other 0.1

    Open Access•Susan Mchugh•ARTICLE•AI & Society•2006

  • Killing Animals (review)

    Susan Mchugh•ARTICLE•Configurations•2006

  • Not in Front of the Altar

    Susan Mchugh, Siobhàn McHugh•ARTICLE•History Australia•2009•Referências: 2

    Birth, death and marriage traditionally evoke our most powerful expressions of intimacy and sentiment. Yet for numerous Australian families up to the 1970s, those occasions triggered the opposite sentiments: estrangement, conflict and hostility, which sometimes endured beyond the grave. The cause: ‘mixed marriage’ between Catholics and Protestants in a pre-multicultural Australia, where religion was still code for a social and political identity …

  • Modern Animals

    Susan Mchugh•ARTICLE•Society and Animals•2009•Citada por: 1

    Advancing theories of literature and animality requires both recognizing the failures of traditional humanist models that separate and elevate people over all "things" animal as well as identifying and developing alternative forms. Along with providing fresh readings and important insights about representative texts in the literary canon, two new books—Carrie Rohman's Stalking the Subject: Modernism and the Animal (2009) and Philip Armstrong's Wh…

  • Animal Farm’s Lessons for Literary (and) Animal Studies

    Open Access•Susan Mchugh•ARTICLE•Humanimalia•2009•Citada por: 6•Referências: 6

    

  • Queer (And) Animal Theories

    Susan Mchugh•ARTICLE•GLQ A Journal of Lesbian and Gay…•2009•Citada por: 2•Referências: 3

    Nonhuman nonheteronormativity presents a profound challenge not just to identity forms but more importantly to disciplinary habits of thinking of human subjectivity as the default form of social agency. To elaborate this point, this essay surveys how some recent books, including Roughgarden's Evolution's Rainbow: Diversity, Gender, and Sexuality in Nature and People, Donna Haraway's When Species Meet, Alice A. Kuzniar's Melancholy's Dog, and Jens…

  • Victorian Animal Dreams

    Susan Mchugh•ARTICLE•Anthrozoös•2009•Citada por: 1

  • Searing Memories

    Susan Mchugh, Siobhàn McHugh•ARTICLE•History Australia•2010

  • Being Out of Time

    Open Access•Susan Mchugh•ARTICLE•Australian Literary Studies•2010•Citada por: 1

    Discusses representations of animal gods in popular and critically successful extinction fictions 'in order to demonstrate why their representations of animal gods deliberately connect specific and historically underrepresented acts of genocide to species extinctions. More precisely, I examine the ways in which nonhuman deities, in the form of animals, become involved in contemporary narratives of the historical demise of ecosystems and societies…

  • Real Artificial

    Susan Mchugh•ARTICLE•Configurations•2010•Citada por: 1

    Although touted by promoters as the cutting edge of food science, meat produced in vitro (rather than from a whole animal) is emerging more directly from developments in fine art-more specifically, from the aesthetic experiments of Australian-based artists Oron Catts and Ionat Zurr, who ask: What language do we have to describe the agency of tissue-cultured life? This essay begins to answer this question by tracing a tradition whereby bioengineer…

  • Animal Stories

    Susan Mchugh, Susan Ph D McHugh•BOOK•Animal stories•2011

  • Sherryl Vint, Animal Alterity

    Open Access•Susan Mchugh•ARTICLE•Humanimalia•2011

    

  • Hybrid Species and Literatures

    Open Access•Susan Mchugh•ARTICLE•Comparative Critical Studies•2012•Citada por: 1•Referências: 1

    Libyan writer

  • Oral history and the radio documentary/feature

    Susan Mchugh, Siobhàn McHugh•ARTICLE•Radio Journal International…•2012•Citada por: 3•Referências: 1

    In an era when audio is increasingly associated with three-minute digital storytelling, the use of crafted oral history in long-form radio narratives deserves to be recognized as a specific genre: the 'COHRD' (Crafted Oral History Radio Documentary), a blend of oral history, art and radio journalism. The author, a long-term practitioner of both disciplines, compares the theory and practice of oral history interviewing and the narrative concerns o…

  • Remembering a Renaissance Elephant and His Mahout

    Susan Mchugh•ARTICLE•Society and Animals•2012

  • Bitch, Bitch, Bitch

    Open Access•Susan Mchugh•ARTICLE•Hypatia•2012•Citada por: 7•Referências: 4

    By the turn of the twenty‐first century, women writing about electing to share their lives with female canines directly confront a strange sort of backlash. Even as their extensions of the feminist forms of personal criticism contribute to significant developments in theories of sex, gender, and species, they become targets of criticism as “indulgent” for focusing on their dogs. Comparing these elements in and around popular memoirs like Caroline…

  • The Affective Power of Sound

    Open Access•Susan Mchugh, Siobhàn McHugh•ARTICLE•The Oral History Review•2012•Citada por: 11

    Using illustrative audio clips, this article offers insights into the historical symbiosis between oral history and radio and the relationship between orality, aurality, and affect that makes radio such a powerful medium for the spoken word. It does so through a discussion of the concept of affect as it applies to oral history on radio and through a description and analysis of crafting oral history for the radio documentary form. This article fea…

  • Art and Animals

    Susan Mchugh•ARTICLE•Anthrozoös•2013

  • Routledge Handbook of Human-Animal Studies

    Garry Marvin, Susan Mchugh•BOOK•Routledge Handbook of Human-Animal…•2014

Art (20 obras) · Sociology (17 obras) · Geographies of human-animal interactions (13 obras) · Literature (11 obras) · History (10 obras) · Philosophy (10 obras) · Aesthetics (9 obras) · Biology (9 obras) · Ecology (8 obras) · Philosophy (8 obras)

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