A A Bake
Dados Biográficos
| ID | 177400 |
|---|---|
| NOME | A A Bake |
| PRENOMES | A A |
| SOBRENOME | Bake |
| ASSINATURA | BAKE A A |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 8 |
| TOTAL DE CITAÇÕES | 1 |
| TOTAL COMO AUTOR | 8 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1952 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 1970 |
| ÍNDICE H | 1 |
Stick Dances
It seems strange that a contribution on the subject of stick dances should be offered at a symposium that concerns itself with music and history. This strangeness persists, however, only so long as one contemplates modern developments in art music. During earlier periods, even in Europe, the term music referred to dance as well, and in the context of folk music the two aspects are largely inseparable even now. In its constitution the Internationa…
The Aesthetics of Indian Music
Journal Article THE AESTHETICS OF INDIAN MUSIC Get access A. A. Bake A. A. Bake Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 4, Issue 1, January 1964, Pages 47–57, https://doi.org/10.1093/bjaesthetics/4.1.47 Published: 01 January 1964
Charlemagne in Malabar
Traite de musicologie comparee
Folk Traditions in Nepal — Continuity and Change
(1959). Folk Traditions in Nepal — Continuity and Change. Folklore: Vol. 70, No. 1, pp. 313-322
Bharath's Experiment with the Two Vīṇā
Ever since the West began to take an interest in the music of India, the great affinity of the Indian system with that of Greece has been one of the first characteristics to attract notice. As early as 1782 Sir William Jones remarked on it at length in what is perhaps the first detailed article on the subject written in any European language, entitled 'On the musical modes of the Hindus'. Originally this was published by the Asiatic Society of Be…
The Appropriation Of Siva's Attributes By Devi
FROM the Western point of view the process by which the Goddess gradually established herself in the official Hindu Pantheon is of great interest. As it took place in historical times and in a culture which has known no violent breaks or radical changes of religion, it gives us a fairly continuous series of glimpses which illustrate the ways and means by which this prominence was reached. On the one hand we find accounts of the violent means-wars…
Manual for Folk Music Collectors
Manual for Folk Music Collectors
The Appropriation Of Siva's Attributes By Devi
FROM the Western point of view the process by which the Goddess gradually established herself in the official Hindu Pantheon is of great interest. As it took place in historical times and in a culture which has known no violent breaks or radical changes of religion, it gives us a fairly continuous series of glimpses which illustrate the ways and means by which this prominence was reached. On the one hand we find accounts of the violent means-wars…
Bharath's Experiment with the Two Vīṇā
Ever since the West began to take an interest in the music of India, the great affinity of the Indian system with that of Greece has been one of the first characteristics to attract notice. As early as 1782 Sir William Jones remarked on it at length in what is perhaps the first detailed article on the subject written in any European language, entitled 'On the musical modes of the Hindus'. Originally this was published by the Asiatic Society of Be…
Folk Traditions in Nepal — Continuity and Change
(1959). Folk Traditions in Nepal — Continuity and Change. Folklore: Vol. 70, No. 1, pp. 313-322
Traite de musicologie comparee
Charlemagne in Malabar
The Aesthetics of Indian Music
Journal Article THE AESTHETICS OF INDIAN MUSIC Get access A. A. Bake A. A. Bake Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 4, Issue 1, January 1964, Pages 47–57, https://doi.org/10.1093/bjaesthetics/4.1.47 Published: 01 January 1964
Stick Dances
It seems strange that a contribution on the subject of stick dances should be offered at a symposium that concerns itself with music and history. This strangeness persists, however, only so long as one contemplates modern developments in art music. During earlier periods, even in Europe, the term music referred to dance as well, and in the context of folk music the two aspects are largely inseparable even now. In its constitution the Internationa…
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