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Umberto Russo

Dados Biográficos

ID1774593
NOMEUmberto Russo
PRENOMESUmberto
SOBRENOMERusso
ASSINATURARUSSO U
AFILIAÇÕESUniversity of Padua
VERIFICADONão
TOTAL DE OBRAS12
TOTAL DE CITAÇÕES34
OBRAS COMO AUTOR12
OBRAS COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO2000
ANO MAIS RECENTE DE PUBLICAÇÃO2014
ÍNDICE H4
  • Characterization of Pigment and Binder in Badly Conserved Illuminations of a 15th‐Century Manuscript

    Open Access•Alfonso Zoleo, Luca Nodari et al.•ARTICLE•Archaeometry•2014•Citada por: 1•Referências: 23

    In this work we report a pre‐restoration spectroscopic study by a multi‐technique approach on the green pigment and the binder used in illuminations in a codex of the late 15th century. Our analysis aimed to characterize the badly deteriorated parts of the codex, mainly the green parts, by electron paramagnetic resonance ( EPR ), X ‐ray diffraction ( XRD ), X ‐ray fluorescence ( XRF ) and infrared spectroscopy ( ATR‐IR ). We will show that a comb…

  • Non-invasive multitechnique methodology applied to the study of two 14th century canvases by Lorenzo Veneziano

    Open Access•Elena Rebollo, Luca Nodari et al.•ARTICLE•Journal of Cultural Heritage•2013•Referências: 11

  • Alteration Processes of Pottery in Lagoon-Like Environments

    Open Access•Michele Secco, Lara Maritan et al.•ARTICLE•Archaeometry•2011•Citada por: 11•Referências: 44

    Post-depositional processes in pottery can give rise to chemical and mineralogical alterations, the extent of which is closely related not only to the microstructure and composition of the potsherds, but also to the chemical–physical conditions of the burial environment. The present paper describes the characterization of post-depositional alterations and identification of processes involving pottery buried in lagoon-like environments. A set of v…

  • The Blue Enamels in the Baroque Decorations of the Churches of Palermo, Sicily

    Open Access•Gilberto Artioli, Chiara Nicola et al.•ARTICLE•Archaeometry•2009•Citada por: 1•Referências: 3

    Deep blue glasses coloured by octahedral Fe 2+ cations are often reported as textbook examples of blue pigmentation. However, despite the possibility of laboratory synthesis under reducing conditions, to date there are no well‐reported occurrences of their production and use in the past. A thorough historical, ethnographic, mineralogical, and chemico‐physical investigation of the ‘ smaltini di calcara ’ from several baroque churches in Palermo, S…

  • Firing techniques of black slipped pottery from Nepal (12th–3rd century B.C.)

    Open Access•Paola Ricciardi, Luca Nodari et al.•ARTICLE•Journal of Cultural Heritage•2008•Citada por: 6•Referências: 3

  • Hematite nucleation and growth in the firing of carbonate-rich clay for pottery production

    Open Access•Luca Nodari, E Marcuz et al.•ARTICLE•Journal of the European Ceramic…•2007

  • Influence of firing conditions on ceramic products

    Open Access•Lara Maritan, Luca Nodari et al.•ARTICLE•Applied Clay Science•2006

  • Medieval and renaissance glass technology in Valdelsa (Florence). Part 2

    Open Access•Sara Bianchin, N BRIANESE et al.•ARTICLE•Journal of Cultural Heritage•2005

  • Medieval and renaissance glass technology in Valdelsa (Florence). Part 3

    Open Access•Sara Bianchin, N BRIANESE et al.•ARTICLE•Journal of Cultural Heritage•2005

  • Decay markers for the preventative conservation and maintenance of paintings

    Open Access•R Arbizzani, U Casellato et al.•ARTICLE•Journal of Cultural Heritage•2004•Citada por: 11•Referências: 15

  • Medieval and renaissance glass technology in Valdelsa (Florence). Part 1

    Open Access•U Casellato, Federica Fenzi et al.•ARTICLE•Journal of Cultural Heritage•2003

  • A Mössbauer approach to the physico-chemical characterization of iron-containing pigments for historical wall paintings

    Open Access•U Casellato, P A Vigato et al.•ARTICLE•Journal of Cultural Heritage•2000•Citada por: 4•Referências: 2

  • Alteration Processes of Pottery in Lagoon-Like Environments

    Open Access•Michele Secco, Lara Maritan et al.•ARTICLE•Archaeometry•2011•Citada por: 11•Referências: 44

    Post-depositional processes in pottery can give rise to chemical and mineralogical alterations, the extent of which is closely related not only to the microstructure and composition of the potsherds, but also to the chemical–physical conditions of the burial environment. The present paper describes the characterization of post-depositional alterations and identification of processes involving pottery buried in lagoon-like environments. A set of v…

  • Decay markers for the preventative conservation and maintenance of paintings

    Open Access•R Arbizzani, U Casellato et al.•ARTICLE•Journal of Cultural Heritage•2004•Citada por: 11•Referências: 15

  • Firing techniques of black slipped pottery from Nepal (12th–3rd century B.C.)

    Open Access•Paola Ricciardi, Luca Nodari et al.•ARTICLE•Journal of Cultural Heritage•2008•Citada por: 6•Referências: 3

  • A Mössbauer approach to the physico-chemical characterization of iron-containing pigments for historical wall paintings

    Open Access•U Casellato, P A Vigato et al.•ARTICLE•Journal of Cultural Heritage•2000•Citada por: 4•Referências: 2

  • Characterization of Pigment and Binder in Badly Conserved Illuminations of a 15th‐Century Manuscript

    Open Access•Alfonso Zoleo, Luca Nodari et al.•ARTICLE•Archaeometry•2014•Citada por: 1•Referências: 23

    In this work we report a pre‐restoration spectroscopic study by a multi‐technique approach on the green pigment and the binder used in illuminations in a codex of the late 15th century. Our analysis aimed to characterize the badly deteriorated parts of the codex, mainly the green parts, by electron paramagnetic resonance ( EPR ), X ‐ray diffraction ( XRD ), X ‐ray fluorescence ( XRF ) and infrared spectroscopy ( ATR‐IR ). We will show that a comb…

  • The Blue Enamels in the Baroque Decorations of the Churches of Palermo, Sicily

    Open Access•Gilberto Artioli, Chiara Nicola et al.•ARTICLE•Archaeometry•2009•Citada por: 1•Referências: 3

    Deep blue glasses coloured by octahedral Fe 2+ cations are often reported as textbook examples of blue pigmentation. However, despite the possibility of laboratory synthesis under reducing conditions, to date there are no well‐reported occurrences of their production and use in the past. A thorough historical, ethnographic, mineralogical, and chemico‐physical investigation of the ‘ smaltini di calcara ’ from several baroque churches in Palermo, S…

  • A Mössbauer approach to the physico-chemical characterization of iron-containing pigments for historical wall paintings

    Open Access•U Casellato, P A Vigato et al.•ARTICLE•Journal of Cultural Heritage•2000•Citada por: 4•Referências: 2

  • Medieval and renaissance glass technology in Valdelsa (Florence). Part 1

    Open Access•U Casellato, Federica Fenzi et al.•ARTICLE•Journal of Cultural Heritage•2003

  • Decay markers for the preventative conservation and maintenance of paintings

    Open Access•R Arbizzani, U Casellato et al.•ARTICLE•Journal of Cultural Heritage•2004•Citada por: 11•Referências: 15

  • Medieval and renaissance glass technology in Valdelsa (Florence). Part 2

    Open Access•Sara Bianchin, N BRIANESE et al.•ARTICLE•Journal of Cultural Heritage•2005

  • Medieval and renaissance glass technology in Valdelsa (Florence). Part 3

    Open Access•Sara Bianchin, N BRIANESE et al.•ARTICLE•Journal of Cultural Heritage•2005

  • Influence of firing conditions on ceramic products

    Open Access•Lara Maritan, Luca Nodari et al.•ARTICLE•Applied Clay Science•2006

  • Hematite nucleation and growth in the firing of carbonate-rich clay for pottery production

    Open Access•Luca Nodari, E Marcuz et al.•ARTICLE•Journal of the European Ceramic…•2007

  • Firing techniques of black slipped pottery from Nepal (12th–3rd century B.C.)

    Open Access•Paola Ricciardi, Luca Nodari et al.•ARTICLE•Journal of Cultural Heritage•2008•Citada por: 6•Referências: 3

  • The Blue Enamels in the Baroque Decorations of the Churches of Palermo, Sicily

    Open Access•Gilberto Artioli, Chiara Nicola et al.•ARTICLE•Archaeometry•2009•Citada por: 1•Referências: 3

    Deep blue glasses coloured by octahedral Fe 2+ cations are often reported as textbook examples of blue pigmentation. However, despite the possibility of laboratory synthesis under reducing conditions, to date there are no well‐reported occurrences of their production and use in the past. A thorough historical, ethnographic, mineralogical, and chemico‐physical investigation of the ‘ smaltini di calcara ’ from several baroque churches in Palermo, S…

  • Alteration Processes of Pottery in Lagoon-Like Environments

    Open Access•Michele Secco, Lara Maritan et al.•ARTICLE•Archaeometry•2011•Citada por: 11•Referências: 44

    Post-depositional processes in pottery can give rise to chemical and mineralogical alterations, the extent of which is closely related not only to the microstructure and composition of the potsherds, but also to the chemical–physical conditions of the burial environment. The present paper describes the characterization of post-depositional alterations and identification of processes involving pottery buried in lagoon-like environments. A set of v…

  • Non-invasive multitechnique methodology applied to the study of two 14th century canvases by Lorenzo Veneziano

    Open Access•Elena Rebollo, Luca Nodari et al.•ARTICLE•Journal of Cultural Heritage•2013•Referências: 11

  • Characterization of Pigment and Binder in Badly Conserved Illuminations of a 15th‐Century Manuscript

    Open Access•Alfonso Zoleo, Luca Nodari et al.•ARTICLE•Archaeometry•2014•Citada por: 1•Referências: 23

    In this work we report a pre‐restoration spectroscopic study by a multi‐technique approach on the green pigment and the binder used in illuminations in a codex of the late 15th century. Our analysis aimed to characterize the badly deteriorated parts of the codex, mainly the green parts, by electron paramagnetic resonance ( EPR ), X ‐ray diffraction ( XRD ), X ‐ray fluorescence ( XRF ) and infrared spectroscopy ( ATR‐IR ). We will show that a comb…

Building materials and conservation (12 obras) · Cultural Heritage Materials Analysis (12 obras) · Materials Science (10 obras) · Mineralogy (10 obras) · Chemistry (9 obras) · Conservation Techniques and Studies (8 obras) · Metallurgy (8 obras) · Art (6 obras) · Archaeology (5 obras) · Art history (4 obras)

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