Nuria Peist
Dados Biográficos
| ID | 178500 |
|---|---|
| NOME | Nuria Peist |
| PRENOMES | Nuria |
| SOBRENOME | Peist |
| ASSINATURA | PEIST N |
| AFILIAÇÕES | Universitat de Barcelona |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 3 |
| TOTAL DE CITAÇÕES | 0 |
| OBRAS COMO AUTOR | 3 |
| OBRAS COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2012 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2026 |
| ÍNDICE H | 0 |
El encanto y la miseria. Cultura artística y discriminación corporal
Las manifestaciones artísticas no solo pueden analizar y denunciar distintos tipos de violencias presentes en nuestra sociedad, sino que también permiten observar las tensiones y contradicciones que se producen dentro de la propia organización del campo del arte. En la primera parte de este estudio se aborda la historia de la configuración del espacio específico de lo artístico. Se analizan las instituciones, los agentes y las lógicas que estruct…
The Photographic and Its Mediatory System
The analysis of the agents that took part in the invention, promotion and broadcasting of photography in the XIX century -photographers, politics, scientists, intellectuals and artists- permit us to reconstruct the photography's space. These agents, their practices, spaces, institutions and relations constitute a mediation system, which participated actively in the construction of photographic value as a cultural product of modernity. However, th…
The Heir and the Cowboy
This article analyses the social conditions that lead up to modes of entry into the field of art, as experienced by two of the most representative artists of the first and second avant-garde: Marcel Duchamp and Jackson Pollock. Differences in the degree to which the two artists possessed social and cultural capital, born of their respective trajectories, influenced the mediating structure each employed. In contrast to Pollock, Duchamp did not hav…
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The Heir and the Cowboy
This article analyses the social conditions that lead up to modes of entry into the field of art, as experienced by two of the most representative artists of the first and second avant-garde: Marcel Duchamp and Jackson Pollock. Differences in the degree to which the two artists possessed social and cultural capital, born of their respective trajectories, influenced the mediating structure each employed. In contrast to Pollock, Duchamp did not hav…
The Photographic and Its Mediatory System
The analysis of the agents that took part in the invention, promotion and broadcasting of photography in the XIX century -photographers, politics, scientists, intellectuals and artists- permit us to reconstruct the photography's space. These agents, their practices, spaces, institutions and relations constitute a mediation system, which participated actively in the construction of photographic value as a cultural product of modernity. However, th…
El encanto y la miseria. Cultura artística y discriminación corporal
Las manifestaciones artísticas no solo pueden analizar y denunciar distintos tipos de violencias presentes en nuestra sociedad, sino que también permiten observar las tensiones y contradicciones que se producen dentro de la propia organización del campo del arte. En la primera parte de este estudio se aborda la historia de la configuración del espacio específico de lo artístico. Se analizan las instituciones, los agentes y las lógicas que estruct…
Architecture, Art, Education (1 obra) · Art (1 obra) · Art history (1 obra) · Art History and Market Analysis (1 obra) · Art, Politics, and Modernism (1 obra) · Crafts, Textile, and Design (1 obra) · Cultural Industries and Urban Development (1 obra) · Ethnography (1 obra) · Philosophy (1 obra) · Photographic and Visual Arts (1 obra)