Mary Ann Doane

• Cinematic faces and hands

  Open Access•Mary Ann Doane•ARTICLE•Screen•2024

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• The Paradox of Contingency

  Mary Ann Doane•CHAPTER•Field Notes on the Visual Arts•2019

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• Facing a Universal Language

  Mary Ann Doane•ARTICLE•New German Critique•2014

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  Miriam Hansen's work consistently contests the “linguistic turn” of structuralism, poststructuralism, and 1970s film theory. Yet the trope of language seems to return incessantly in her critical discourse as a privileged object of analysis—the concept of a universal language, vernacular modernism, D. W. Griffith's hieroglyphic language, and, not least, Babel as a structuring catastrophe of the linguistic dream. Here Doane isolates the concept of …

• Femmes Fatales

  Mary Ann Doane•BOOK•Femmes Fatales•2013

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  In this work of feminist film criticism, Mary Ann Doane examines questions of sexual difference and knowledge in cinematic, theoretical, and psychoanalytic discourses. "Femmes Fatales" examines Freud, the female spectator, the meaning of the close-up, and the nature of stardom. Doane's analyses of such figures as Pabst's Lulu and Rita Hayworth's Gilda trace the thematics and mechanics of maskes, masquerade, and veiling, with specific attention to…

• Imaging Contingency

  Mary Ann Doane•ARTICLE•Parallax•2007•Citada por: 2

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  What follows is a transcript of an interview conducted via email by Nicholas Chare, Peter Kilroy, Marcel Swiboda and Liz Watkins. Peter Kilroy and Marcel Swiboda: In ‘The Afterimage, the Index, and

• The Indexical and the Concept of Medium Specificity

  Mary Ann Doane•ARTICLE•differences•2007•Citada por: 28•Referências: 8

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  mary ann doane is George Hazard Crooker Professor of Modern Culture and Media at Brown University. She is the author of The Emergence of Cinematic Time: Modernity, Contingency, the Archive (Harvard University Press, 2002), Femmes Fatales: Feminism, Film Theory, Psychoanalysis (Routledge, 1991), and The Desire to Desire: The Woman's Film of the 1940s (Indiana University Press, 1987). Currently, she is researching the use of the close-up in film pr…

• Pathos and Pathology

  Mary Ann Doane•ARTICLE•Camera Obscura Feminism Culture…•2004•Citada por: 5•Referências: 2

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• Aesthetics and Politics

  Mary Ann Doane•ARTICLE•Signs: Journal of Women in…•2004•Citada por: 1•Referências: 3

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• The Close-Up

  Mary Ann Doane•ARTICLE•differences•2003•Citada por: 39•Referências: 5

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  mary ann doane is George Hazard Crooker Professor of Modern Culture and Media and of English at Brown University. She is the author ofThe Desire to Desire: The Woman's Film of the 1940s (Indiana University Press, 1987), Femmes Fatales: Feminism, Film Theory,Psychoanalysis (Routledge, 1991), The Emergence of Cinematic Time:Modernity, Contingency, the Archive (Harvard University Press, 2002), and has published a wide range of articles on feminist f…

• The Emergence of Cinematic Time

  Mary Ann Doane•BOOK•Emergence of Cinematic Time•2002

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• The Emergence of Cinematic Time

  Open Access•Mary Ann Doane•BOOK•Emergence of Cinematic Time•2002

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• ‘Film and the Masquerade

  Mary Ann Doane•CHAPTER•Feminist Film Theory•1999

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• Technology and Sexual Difference

  Mary Ann Doane•ARTICLE•differences•1997•Citada por: 1•Referências: 2

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  Research Article| July 01 1997 Technology and Sexual Difference: Apocalyptic Scenarios at Two “Fins de Siècle” Mary Ann Doane Mary Ann Doane mary ann doane is George Hazard Crooker Professor of Modern Culture and Media at Brown University. She is the author of The Desire to Desire: The Woman's Film of the 1940s (Indiana UP, 1987) and Femmes Fatales: Feminism, Film Studies, and Psychoanalysis (Routledge, 1991). She is currently completing a book o…

• Temporality, Storage, Legibility

  Mary Ann Doane•ARTICLE•Critical Inquiry•1996•Citada por: 8

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• The Desire to Desire

  Roberta Davidson, Mary Ann Doane•ARTICLE•Tulsa Studies in Women s Literature•1993

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• Technology's Body

  Mary Ann Doane•ARTICLE•differences•1993•Citada por: 5•Referências: 5

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  Research Article| July 01 1993 Technology's Body: Cinematic Vision in Modernity Mary Ann Doane Mary Ann Doane Mary Ann Doane is Professor of Modern Culture and Media and English Literature at Brown University. She is author most recently of Femmes Fatales: Feminism, Film Theory, Psychoanalysis (New York: Routledge, 1991) and is currently working on a project on technology and representation. Search for other works by this author on: This Site Goo…

• Melodrama og forskel

  Open Access•Mary Ann Doane•ARTICLE•K&K - Kultur og Klasse•1991

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  Melodrama og forskel

• Melodrama, temporalitet og genkendelse

  Open Access•Mary Ann Doane•ARTICLE•MedieKultur Journal of media and…•1990

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  Mary Ann Doanes artikel om det tidlige amerikanske og russiske me- lodrama fra stumfilmsperioden kan måske synes at have et meget eksotisk tema her i 1990. Men hun beskæftiger sig for det første med en genre, melodramaet, som indtager en enestående central plads i både filmens og TV-mediets historie, og hvis historiske rødder derfor har stor aktualitet. Desuden kaster hun et kønsteoretisk aspekt ind- over genre-diskussionen i sin beskæftigelse me…

• Image and Institution

  Janet Wolff, Nancy Fraser et al.•ARTICLE•Contemporary Sociology A Journal…•1990

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• Seeing through the Gendered I

  Paula Rabinowitz, Teresa De Lauretis et al.•ARTICLE•Feminist Studies•1990•Citada por: 1

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• The Female Spectator

  Janet Bergstrom, Mary Ann Doane•ARTICLE•Camera Obscura Feminism Culture…•1989•Citada por: 7

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  Research Article| December 01 1989 The Female Spectator: Contexts and Directions Janet Bergstrom; Janet Bergstrom Search for other works by this author on: This Site Google Mary Ann Doane Mary Ann Doane Search for other works by this author on: This Site Google Camera Obscura (1989) 7 (2-3 (20-21)): 5–27. https://doi.org/10.1215/02705346-7-2-3_20-21-5 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citatio…

• Remembering women

  Mary Ann Doane•ARTICLE•Continuum•1988•Referências: 6

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  (1988). Remembering women: Psychical and Historical Constructions in Film Theory. Continuum: Vol. 1, No. 2, pp. 3-14

• The Abstraction of a Lady

  Mary Ann Doane•ARTICLE•Cinema Journal•1988•Citada por: 2•Referências: 1

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  The films of Max Ophuls consistently manifest an obsession with what the cinemaas a machine-is capable of doing. The extended, elegant tracking shots, which are his trademark, test the limits of the technology, and his pjay with image and mise-en-scene testifies to a desire to investigate fully the material basis of the medium. Nevertheless, many of Ophuls's statements belie an ambivalence toward the technology of the cinema and a certain anxiety…

• The Desire to Desire

  Open Access•Mary Ann Doane•BOOK•The Desire to Desire•1987

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• Feminist Studies/Critical Studies

  Open Access•Mary Ann Doane, Teresa De Lauretis•BOOK•Feminist Studies/Critical Studies•1986

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  The essays in this collection represent very recent developments in feminist research and writing in the areas of history, scientific discourse, literary criticism, and cultural theory

• The Close-Up

  Mary Ann Doane•ARTICLE•differences•2003•Citada por: 39•Referências: 5

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  mary ann doane is George Hazard Crooker Professor of Modern Culture and Media and of English at Brown University. She is the author ofThe Desire to Desire: The Woman's Film of the 1940s (Indiana University Press, 1987), Femmes Fatales: Feminism, Film Theory,Psychoanalysis (Routledge, 1991), The Emergence of Cinematic Time:Modernity, Contingency, the Archive (Harvard University Press, 2002), and has published a wide range of articles on feminist f…

• The Indexical and the Concept of Medium Specificity

  Mary Ann Doane•ARTICLE•differences•2007•Citada por: 28•Referências: 8

  Incluir item

  mary ann doane is George Hazard Crooker Professor of Modern Culture and Media at Brown University. She is the author of The Emergence of Cinematic Time: Modernity, Contingency, the Archive (Harvard University Press, 2002), Femmes Fatales: Feminism, Film Theory, Psychoanalysis (Routledge, 1991), and The Desire to Desire: The Woman's Film of the 1940s (Indiana University Press, 1987). Currently, she is researching the use of the close-up in film pr…

• Woman's Stake

  Mary Ann Doane•ARTICLE•October•1981•Citada por: 9

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• The Voice in the Cinema

  Mary Ann Doane•ARTICLE•Yale French Studies•1980•Citada por: 9

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• Temporality, Storage, Legibility

  Mary Ann Doane•ARTICLE•Critical Inquiry•1996•Citada por: 8

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• The Female Spectator

  Janet Bergstrom, Mary Ann Doane•ARTICLE•Camera Obscura Feminism Culture…•1989•Citada por: 7

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  Research Article| December 01 1989 The Female Spectator: Contexts and Directions Janet Bergstrom; Janet Bergstrom Search for other works by this author on: This Site Google Mary Ann Doane Mary Ann Doane Search for other works by this author on: This Site Google Camera Obscura (1989) 7 (2-3 (20-21)): 5–27. https://doi.org/10.1215/02705346-7-2-3_20-21-5 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citatio…

• Pathos and Pathology

  Mary Ann Doane•ARTICLE•Camera Obscura Feminism Culture…•2004•Citada por: 5•Referências: 2

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• Technology's Body

  Mary Ann Doane•ARTICLE•differences•1993•Citada por: 5•Referências: 5

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  Research Article| July 01 1993 Technology's Body: Cinematic Vision in Modernity Mary Ann Doane Mary Ann Doane Mary Ann Doane is Professor of Modern Culture and Media and English Literature at Brown University. She is author most recently of Femmes Fatales: Feminism, Film Theory, Psychoanalysis (New York: Routledge, 1991) and is currently working on a project on technology and representation. Search for other works by this author on: This Site Goo…

• Imaging Contingency

  Mary Ann Doane•ARTICLE•Parallax•2007•Citada por: 2

  Incluir item

  What follows is a transcript of an interview conducted via email by Nicholas Chare, Peter Kilroy, Marcel Swiboda and Liz Watkins. Peter Kilroy and Marcel Swiboda: In ‘The Afterimage, the Index, and

• The Abstraction of a Lady

  Mary Ann Doane•ARTICLE•Cinema Journal•1988•Citada por: 2•Referências: 1

  Incluir item

  The films of Max Ophuls consistently manifest an obsession with what the cinemaas a machine-is capable of doing. The extended, elegant tracking shots, which are his trademark, test the limits of the technology, and his pjay with image and mise-en-scene testifies to a desire to investigate fully the material basis of the medium. Nevertheless, many of Ophuls's statements belie an ambivalence toward the technology of the cinema and a certain anxiety…

• Aesthetics and Politics

  Mary Ann Doane•ARTICLE•Signs: Journal of Women in…•2004•Citada por: 1•Referências: 3

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• Technology and Sexual Difference

  Mary Ann Doane•ARTICLE•differences•1997•Citada por: 1•Referências: 2

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  Research Article| July 01 1997 Technology and Sexual Difference: Apocalyptic Scenarios at Two “Fins de Siècle” Mary Ann Doane Mary Ann Doane mary ann doane is George Hazard Crooker Professor of Modern Culture and Media at Brown University. She is the author of The Desire to Desire: The Woman's Film of the 1940s (Indiana UP, 1987) and Femmes Fatales: Feminism, Film Studies, and Psychoanalysis (Routledge, 1991). She is currently completing a book o…

• Seeing through the Gendered I

  Paula Rabinowitz, Teresa De Lauretis et al.•ARTICLE•Feminist Studies•1990•Citada por: 1

  Incluir item

• The Voice in the Cinema

  Mary Ann Doane•ARTICLE•Yale French Studies•1980•Citada por: 9

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• Woman's Stake

  Mary Ann Doane•ARTICLE•October•1981•Citada por: 9

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• Cinema Histories, Cinema Practices Asilomar Conference

  Mary Ann Doane, Philip Rosen•ARTICLE•Camera Obscura Feminism Culture…•1982

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  Other| December 01 1982 Cinema Histories, Cinema Practices Asilomar Conference Mary Ann Doane; Mary Ann Doane Search for other works by this author on: This Site Google Philip Rosen Philip Rosen Search for other works by this author on: This Site Google Camera Obscura (1982) 3-4 (2-3-1 (8-9-10)): 223–233. https://doi.org/10.1215/02705346-3-4-2-3-1_8-9-10-223 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Mary Ann Doane, …

• Gilda

  Mary Ann Doane•ARTICLE•Camera Obscura Feminism Culture…•1983

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  Research Article| September 01 1983 Gilda: Epistemology as Striptease Mary Ann Doane Mary Ann Doane Search for other works by this author on: This Site Google Camera Obscura (1983) 4 (2 (11)): 6–27. https://doi.org/10.1215/02705346-4-2_11-6 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Mary Ann Doane; Gilda: Epistemology as Striptease. Camera Obscura 1 September 1983; 4 (2 (11)): 6–27. doi: http…

• Figures of Desire

  Mary Ann Doane, Linda Williams•ARTICLE•SubStance•1983

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  Linda Williams examines the theoretical and poetic writings of the Surrealists during the period from 1910 to 1930 and traces the emergence of a poetics of the cinematic image based upon the fluid associations of dreams and the unconscious. Incorporating both Lacanian psychoanalytic theory and Metz's methodology on film and dream rhetoric, she analyzes the structure of unconscious desire in four key Surrealist films by Luis Bunuel: Un chien andal…

• The Clinical Eye

  Mary Ann Doane•ARTICLE•Poetics Today•1985

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• Feminist Studies/Critical Studies

  Open Access•Mary Ann Doane, Teresa De Lauretis•BOOK•Feminist Studies/Critical Studies•1986

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  The essays in this collection represent very recent developments in feminist research and writing in the areas of history, scientific discourse, literary criticism, and cultural theory

• Re-Vision

  Carol Flinn, Mary Ann Doane et al.•ARTICLE•SubStance•1986

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• The Desire to Desire

  Open Access•Mary Ann Doane•BOOK•The Desire to Desire•1987

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• Remembering women

  Mary Ann Doane•ARTICLE•Continuum•1988•Referências: 6

  Incluir item

  (1988). Remembering women: Psychical and Historical Constructions in Film Theory. Continuum: Vol. 1, No. 2, pp. 3-14

• The Abstraction of a Lady

  Mary Ann Doane•ARTICLE•Cinema Journal•1988•Citada por: 2•Referências: 1

  Incluir item

  The films of Max Ophuls consistently manifest an obsession with what the cinemaas a machine-is capable of doing. The extended, elegant tracking shots, which are his trademark, test the limits of the technology, and his pjay with image and mise-en-scene testifies to a desire to investigate fully the material basis of the medium. Nevertheless, many of Ophuls's statements belie an ambivalence toward the technology of the cinema and a certain anxiety…

• The Female Spectator

  Janet Bergstrom, Mary Ann Doane•ARTICLE•Camera Obscura Feminism Culture…•1989•Citada por: 7

  Incluir item

  Research Article| December 01 1989 The Female Spectator: Contexts and Directions Janet Bergstrom; Janet Bergstrom Search for other works by this author on: This Site Google Mary Ann Doane Mary Ann Doane Search for other works by this author on: This Site Google Camera Obscura (1989) 7 (2-3 (20-21)): 5–27. https://doi.org/10.1215/02705346-7-2-3_20-21-5 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citatio…

• Melodrama, temporalitet og genkendelse

  Open Access•Mary Ann Doane•ARTICLE•MedieKultur Journal of media and…•1990

  Incluir item

  Mary Ann Doanes artikel om det tidlige amerikanske og russiske me- lodrama fra stumfilmsperioden kan måske synes at have et meget eksotisk tema her i 1990. Men hun beskæftiger sig for det første med en genre, melodramaet, som indtager en enestående central plads i både filmens og TV-mediets historie, og hvis historiske rødder derfor har stor aktualitet. Desuden kaster hun et kønsteoretisk aspekt ind- over genre-diskussionen i sin beskæftigelse me…

• Image and Institution

  Janet Wolff, Nancy Fraser et al.•ARTICLE•Contemporary Sociology A Journal…•1990

  Incluir item

• Seeing through the Gendered I

  Paula Rabinowitz, Teresa De Lauretis et al.•ARTICLE•Feminist Studies•1990•Citada por: 1

  Incluir item

• Melodrama og forskel

  Open Access•Mary Ann Doane•ARTICLE•K&K - Kultur og Klasse•1991

  Incluir item

  Melodrama og forskel

• The Desire to Desire

  Roberta Davidson, Mary Ann Doane•ARTICLE•Tulsa Studies in Women s Literature•1993

  Incluir item

• Technology's Body

  Mary Ann Doane•ARTICLE•differences•1993•Citada por: 5•Referências: 5

  Incluir item

  Research Article| July 01 1993 Technology's Body: Cinematic Vision in Modernity Mary Ann Doane Mary Ann Doane Mary Ann Doane is Professor of Modern Culture and Media and English Literature at Brown University. She is author most recently of Femmes Fatales: Feminism, Film Theory, Psychoanalysis (New York: Routledge, 1991) and is currently working on a project on technology and representation. Search for other works by this author on: This Site Goo…

• Temporality, Storage, Legibility

  Mary Ann Doane•ARTICLE•Critical Inquiry•1996•Citada por: 8

  Incluir item

• Technology and Sexual Difference

  Mary Ann Doane•ARTICLE•differences•1997•Citada por: 1•Referências: 2

  Incluir item

  Research Article| July 01 1997 Technology and Sexual Difference: Apocalyptic Scenarios at Two “Fins de Siècle” Mary Ann Doane Mary Ann Doane mary ann doane is George Hazard Crooker Professor of Modern Culture and Media at Brown University. She is the author of The Desire to Desire: The Woman's Film of the 1940s (Indiana UP, 1987) and Femmes Fatales: Feminism, Film Studies, and Psychoanalysis (Routledge, 1991). She is currently completing a book o…

• ‘Film and the Masquerade

  Mary Ann Doane•CHAPTER•Feminist Film Theory•1999

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• The Emergence of Cinematic Time

  Mary Ann Doane•BOOK•Emergence of Cinematic Time•2002

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• The Emergence of Cinematic Time

  Open Access•Mary Ann Doane•BOOK•Emergence of Cinematic Time•2002

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• The Close-Up

  Mary Ann Doane•ARTICLE•differences•2003•Citada por: 39•Referências: 5

  Incluir item

  mary ann doane is George Hazard Crooker Professor of Modern Culture and Media and of English at Brown University. She is the author ofThe Desire to Desire: The Woman's Film of the 1940s (Indiana University Press, 1987), Femmes Fatales: Feminism, Film Theory,Psychoanalysis (Routledge, 1991), The Emergence of Cinematic Time:Modernity, Contingency, the Archive (Harvard University Press, 2002), and has published a wide range of articles on feminist f…

• Pathos and Pathology

  Mary Ann Doane•ARTICLE•Camera Obscura Feminism Culture…•2004•Citada por: 5•Referências: 2

  Incluir item

Art (26 obras) · Cinema and Media Studies (17 obras) · Sociology (12 obras) · Psychology (11 obras) · Art history (10 obras) · Computer Science (9 obras) · Aesthetics (8 obras) · Philosophy (8 obras) · Literature (7 obras) · Movie theater (7 obras)