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Michael D Harris

Dados Biográficos

ID182474
NOMEMichael D Harris
PRENOMESMichael D
SOBRENOMEHarris
ASSINATURAHARRIS M D
AFILIAÇÕESYale University
ORCID0000-0002-3475-819X
VERIFICADOSim
TOTAL DE OBRAS11
TOTAL DE CITAÇÕES10
TOTAL COMO AUTOR11
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO1982
ANO MAIS RECENTE DE PUBLICAÇÃO2022
ÍNDICE H1
  • Colorblind Spots in Qualitative Methods Training

    Open Access•C A Sue, Adriana C Núñez et al.•ARTICLE•Sociology of Race and Ethnicity•2022

    Academia, like many other institutions, is experiencing a racial reckoning. As part of this reckoning, members of institutions of higher education are reflecting on how their structures and cultures reproduce racial inequality and how to disrupt the cycle. One aspect of this conversation that has escaped scrutiny has been methodological training, which can be central to the reproduction of inequality via the marginalization of researchers of colo…

  • The Nsukka Artists and Nigerian Contemporary Art

    Michael D Harris, Simon Ottenberg•ARTICLE•The International Journal of…•2003

  • Transatlantic Dialogue

    Monni Adams, Michael D Harris•ARTICLE•The International Journal of…•2000•Citada por: 1

    Transatlantic Dialogue opens an exciting cultural dialogue at the crossroads where Western and African art traditions intersect. Despite diversity of media, technique, and form, these contemporary African and African American art works and the artists who created them are united by a rich network of connections, exchanges, and associations generated from both shores of the Middle Passage. Collected in this book are 24 color reproductions of the a…

  • Memories and memorabilia, art and identity

    Michael D Harris•ARTICLE•Third Text•1998•Citada por: 1•Referências: 8

  • Why? Notes from the ASA

    Michael D Harris, Michael Harris•ARTICLE•African Arts•1997

  • Confluences

    Michael D Harris•ARTICLE•African Arts•1997•Citada por: 1

    L'A. s'interesse a l'expression artistique de la diaspora africaine. Ile-Ife au Nigeria et Washington DC sont les places urbaines ou les artistes transafricains presentes ici (Lamidi Fakeye, Alfred Smith, Winifred Owens-Hart, Moyo Okediji) ont etabli leurs identites. Pour les Yoruba, Ile-Ife est un centre historique, mythique et identitaire, c'est le lieu de la creation premiere et le lieu de depart de la diaspora Yoruba. Pour les Yoruba, le mode…

  • Astonishment & Power the Eyes of Understanding

    Wyatt Macgaffey, Michael D Harris et al.•ARTICLE•Woman s Art Journal•1995•Citada por: 1

  • From Double Consciousness to Double Vision

    Michael D Harris•ARTICLE•African Arts•1994•Citada por: 1

    Des artistes afro-americains, comme J. Phillips, E. H. Sorells-Adewale et Renee Stout, transmettent dans leurs oeuvres la culture, la tradition, le rythme de l'Afrique. Ils ont ainsi une double conscience, une double vision du monde. Ce sont des artistes transafricains qui aident a faire reconnaitre leur culture

  • Africentrism and Curriculum

    Michael D Harris•ARTICLE•The Journal of Negro Education•1992•Citada por: 4

    Michael D. Harris, Africentrism and Curriculum: Concepts, Issues, and Prospects, The Journal of Negro Education, Vol. 61, No. 3, Africentrism and Multiculturalism: Conflict or Consonance (Summer, 1992), pp. 301-316

  • Ritual bodies — sexual bodies

    Michael D Harris•ARTICLE•Third Text•1990•Referências: 7

  • The impact of fee setting procedures in a mental health center setting

    Open Access•Kevin J Gully, Michael D Harris et al.•ARTICLE•Community Mental Health Journal•1982•Citada por: 1•Referências: 10

  • Africentrism and Curriculum

    Michael D Harris•ARTICLE•The Journal of Negro Education•1992•Citada por: 4

    Michael D. Harris, Africentrism and Curriculum: Concepts, Issues, and Prospects, The Journal of Negro Education, Vol. 61, No. 3, Africentrism and Multiculturalism: Conflict or Consonance (Summer, 1992), pp. 301-316

  • Transatlantic Dialogue

    Monni Adams, Michael D Harris•ARTICLE•The International Journal of…•2000•Citada por: 1

    Transatlantic Dialogue opens an exciting cultural dialogue at the crossroads where Western and African art traditions intersect. Despite diversity of media, technique, and form, these contemporary African and African American art works and the artists who created them are united by a rich network of connections, exchanges, and associations generated from both shores of the Middle Passage. Collected in this book are 24 color reproductions of the a…

  • Memories and memorabilia, art and identity

    Michael D Harris•ARTICLE•Third Text•1998•Citada por: 1•Referências: 8

  • Confluences

    Michael D Harris•ARTICLE•African Arts•1997•Citada por: 1

    L'A. s'interesse a l'expression artistique de la diaspora africaine. Ile-Ife au Nigeria et Washington DC sont les places urbaines ou les artistes transafricains presentes ici (Lamidi Fakeye, Alfred Smith, Winifred Owens-Hart, Moyo Okediji) ont etabli leurs identites. Pour les Yoruba, Ile-Ife est un centre historique, mythique et identitaire, c'est le lieu de la creation premiere et le lieu de depart de la diaspora Yoruba. Pour les Yoruba, le mode…

  • Astonishment & Power the Eyes of Understanding

    Wyatt Macgaffey, Michael D Harris et al.•ARTICLE•Woman s Art Journal•1995•Citada por: 1

  • From Double Consciousness to Double Vision

    Michael D Harris•ARTICLE•African Arts•1994•Citada por: 1

    Des artistes afro-americains, comme J. Phillips, E. H. Sorells-Adewale et Renee Stout, transmettent dans leurs oeuvres la culture, la tradition, le rythme de l'Afrique. Ils ont ainsi une double conscience, une double vision du monde. Ce sont des artistes transafricains qui aident a faire reconnaitre leur culture

  • The impact of fee setting procedures in a mental health center setting

    Open Access•Kevin J Gully, Michael D Harris et al.•ARTICLE•Community Mental Health Journal•1982•Citada por: 1•Referências: 10

  • The impact of fee setting procedures in a mental health center setting

    Open Access•Kevin J Gully, Michael D Harris et al.•ARTICLE•Community Mental Health Journal•1982•Citada por: 1•Referências: 10

  • Ritual bodies — sexual bodies

    Michael D Harris•ARTICLE•Third Text•1990•Referências: 7

  • Africentrism and Curriculum

    Michael D Harris•ARTICLE•The Journal of Negro Education•1992•Citada por: 4

    Michael D. Harris, Africentrism and Curriculum: Concepts, Issues, and Prospects, The Journal of Negro Education, Vol. 61, No. 3, Africentrism and Multiculturalism: Conflict or Consonance (Summer, 1992), pp. 301-316

  • From Double Consciousness to Double Vision

    Michael D Harris•ARTICLE•African Arts•1994•Citada por: 1

    Des artistes afro-americains, comme J. Phillips, E. H. Sorells-Adewale et Renee Stout, transmettent dans leurs oeuvres la culture, la tradition, le rythme de l'Afrique. Ils ont ainsi une double conscience, une double vision du monde. Ce sont des artistes transafricains qui aident a faire reconnaitre leur culture

  • Astonishment & Power the Eyes of Understanding

    Wyatt Macgaffey, Michael D Harris et al.•ARTICLE•Woman s Art Journal•1995•Citada por: 1

  • Why? Notes from the ASA

    Michael D Harris, Michael Harris•ARTICLE•African Arts•1997

  • Confluences

    Michael D Harris•ARTICLE•African Arts•1997•Citada por: 1

    L'A. s'interesse a l'expression artistique de la diaspora africaine. Ile-Ife au Nigeria et Washington DC sont les places urbaines ou les artistes transafricains presentes ici (Lamidi Fakeye, Alfred Smith, Winifred Owens-Hart, Moyo Okediji) ont etabli leurs identites. Pour les Yoruba, Ile-Ife est un centre historique, mythique et identitaire, c'est le lieu de la creation premiere et le lieu de depart de la diaspora Yoruba. Pour les Yoruba, le mode…

  • Memories and memorabilia, art and identity

    Michael D Harris•ARTICLE•Third Text•1998•Citada por: 1•Referências: 8

  • Transatlantic Dialogue

    Monni Adams, Michael D Harris•ARTICLE•The International Journal of…•2000•Citada por: 1

    Transatlantic Dialogue opens an exciting cultural dialogue at the crossroads where Western and African art traditions intersect. Despite diversity of media, technique, and form, these contemporary African and African American art works and the artists who created them are united by a rich network of connections, exchanges, and associations generated from both shores of the Middle Passage. Collected in this book are 24 color reproductions of the a…

  • The Nsukka Artists and Nigerian Contemporary Art

    Michael D Harris, Simon Ottenberg•ARTICLE•The International Journal of…•2003

  • Colorblind Spots in Qualitative Methods Training

    Open Access•C A Sue, Adriana C Núñez et al.•ARTICLE•Sociology of Race and Ethnicity•2022

    Academia, like many other institutions, is experiencing a racial reckoning. As part of this reckoning, members of institutions of higher education are reflecting on how their structures and cultures reproduce racial inequality and how to disrupt the cycle. One aspect of this conversation that has escaped scrutiny has been methodological training, which can be central to the reproduction of inequality via the marginalization of researchers of colo…

Art (7 obras) · Aesthetics (5 obras) · Sociology (4 obras) · African history and culture studies (3 obras) · Gender Studies (3 obras) · History (3 obras) · Medicine (3 obras) · Political science (3 obras) · Psychology (3 obras) · Visual arts (3 obras)

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