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N Fadeke Castor

Dados Biográficos

ID182875
NOMEN Fadeke Castor
PRENOMESN Fadeke
SOBRENOMECastor
ASSINATURACASTOR N F
AFILIAÇÕESUniversidad del Noreste
ORCID0009-0008-7733-6035
VERIFICADOSim
TOTAL DE OBRAS8
TOTAL DE CITAÇÕES10
TOTAL COMO AUTOR8
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO2013
ANO MAIS RECENTE DE PUBLICAÇÃO2024
ÍNDICE H1
  • The Spirit of ‘Buss Head’

    N Fadeke Castor•ARTICLE•Journal of World Popular Music•2024

    This article explores the Machel Montano and Bunji Garlin song ‘Buss Head’ as an example of the invocation of culture, history and spirit in soca music towards social healing and change. I argue that this song has gone beyond the levels of entertainment commonly associated with soca music by invoking the spirit of Joe Talmana, a nineteenth-century Trinidadian stick fighter, as an ancestor and warrior to inspire in a new generation a connection to…

  • Sacred cites

    Open Access•N Fadeke Castor•ARTICLE•Studies in Religion/Sciences…•2024•Citada por: 1•Referências: 23

    In this article I offer a Black feminist sacred citational praxis supported by considerations of how subjectivity, relationality, and epistemology speak to questions, such as: which voices contribute to the stories we tell, the arguments that we make, and what is our responsibility to marking and naming those voices? Certainly, the calling of academic names, those thinkers and scholars recognized in academia largely through peer-reviewed writings…

  • Subjectivity

    N Fadeke Castor•ARTICLE•Fieldwork in Religion•2022•Citada por: 1•Referências: 10

    This article focuses on subjectivity in the ethnography of religion by considering the multiplicity of subjectivity and their relationalities, drawing from the author’s ethnographic encounter with the orisha Oshun in Trinidad. This reflection on the implications of taking seriously the spectral or spirit, in their many forms and aspects, as active agents involves the expansion of subjectivity and the relational aspects of inter-subjectivity from …

  • Ifá/Orisha Digital Counterpublics

    N Fadeke Castor•ARTICLE•The Black Scholar•2022

  • Spiritual Ethnicity

    Open Access•N Fadeke Castor•CHAPTER•Embodying Black Religions in…•2021

  • Spiritual Ethnicity

    Open Access•N Fadeke Castor•CHAPTER•Embodying Black Religions in…•2021

    Wole wa! Eriwo" rang out, asking for our attention and beckoning us forward.In response, we abandoned our seats to gather on the stage deep in Trinidad's Santa Cruz Valley."Thwap, thwap, boom, boom, thwap, thwap" rang out as the drummers echoed the call, the skin of their hands hitting the skin of the drumhead.Soon the rhythms were supporting and energizing our own call-andresponse as we sang, "Egun Alagba, Egun Alagba."The ancestors were calling…

  • Spiritual Citizenship

    N Fadeke Castor•BOOK•Spiritual Citizenship•2017

    In Spiritual Citizenship N. Fadeke Castor employs the titular concept to illuminate how Ifá/Orisha practices informed by Yoruba cosmology shape local, national, and transnational belonging in African diasporic communities in Trinidad and beyond. Drawing on almost two decades of fieldwork in Trinidad, Castor outlines how the political activism and social upheaval of the 1970s set the stage for African diasporic religions to enter mainstream Trinid…

  • Shifting Multicultural Citizenship

    Open Access•N Fadeke Castor•ARTICLE•Cultural Anthropology•2013•Citada por: 8•Referências: 15

    The political sponsorship of the Orisha religion by Trinidad's first Indian Prime Minister, Basdeo Panday (1995-2001), reveals the dynamics and tensions between black cultural citizenship and multicultural citizenship. How do multiple cultural citizenships intersect? Specifically, in Trinidad what is the role of black cultural citizenship within a national multicultural frame where African and Indian descendants represent two roughly equal majori…

  • Shifting Multicultural Citizenship

    Open Access•N Fadeke Castor•ARTICLE•Cultural Anthropology•2013•Citada por: 8•Referências: 15

    The political sponsorship of the Orisha religion by Trinidad's first Indian Prime Minister, Basdeo Panday (1995-2001), reveals the dynamics and tensions between black cultural citizenship and multicultural citizenship. How do multiple cultural citizenships intersect? Specifically, in Trinidad what is the role of black cultural citizenship within a national multicultural frame where African and Indian descendants represent two roughly equal majori…

  • Sacred cites

    Open Access•N Fadeke Castor•ARTICLE•Studies in Religion/Sciences…•2024•Citada por: 1•Referências: 23

    In this article I offer a Black feminist sacred citational praxis supported by considerations of how subjectivity, relationality, and epistemology speak to questions, such as: which voices contribute to the stories we tell, the arguments that we make, and what is our responsibility to marking and naming those voices? Certainly, the calling of academic names, those thinkers and scholars recognized in academia largely through peer-reviewed writings…

  • Subjectivity

    N Fadeke Castor•ARTICLE•Fieldwork in Religion•2022•Citada por: 1•Referências: 10

    This article focuses on subjectivity in the ethnography of religion by considering the multiplicity of subjectivity and their relationalities, drawing from the author’s ethnographic encounter with the orisha Oshun in Trinidad. This reflection on the implications of taking seriously the spectral or spirit, in their many forms and aspects, as active agents involves the expansion of subjectivity and the relational aspects of inter-subjectivity from …

  • Shifting Multicultural Citizenship

    Open Access•N Fadeke Castor•ARTICLE•Cultural Anthropology•2013•Citada por: 8•Referências: 15

    The political sponsorship of the Orisha religion by Trinidad's first Indian Prime Minister, Basdeo Panday (1995-2001), reveals the dynamics and tensions between black cultural citizenship and multicultural citizenship. How do multiple cultural citizenships intersect? Specifically, in Trinidad what is the role of black cultural citizenship within a national multicultural frame where African and Indian descendants represent two roughly equal majori…

  • Spiritual Citizenship

    N Fadeke Castor•BOOK•Spiritual Citizenship•2017

    In Spiritual Citizenship N. Fadeke Castor employs the titular concept to illuminate how Ifá/Orisha practices informed by Yoruba cosmology shape local, national, and transnational belonging in African diasporic communities in Trinidad and beyond. Drawing on almost two decades of fieldwork in Trinidad, Castor outlines how the political activism and social upheaval of the 1970s set the stage for African diasporic religions to enter mainstream Trinid…

  • Spiritual Ethnicity

    Open Access•N Fadeke Castor•CHAPTER•Embodying Black Religions in…•2021

  • Spiritual Ethnicity

    Open Access•N Fadeke Castor•CHAPTER•Embodying Black Religions in…•2021

    Wole wa! Eriwo" rang out, asking for our attention and beckoning us forward.In response, we abandoned our seats to gather on the stage deep in Trinidad's Santa Cruz Valley."Thwap, thwap, boom, boom, thwap, thwap" rang out as the drummers echoed the call, the skin of their hands hitting the skin of the drumhead.Soon the rhythms were supporting and energizing our own call-andresponse as we sang, "Egun Alagba, Egun Alagba."The ancestors were calling…

  • Subjectivity

    N Fadeke Castor•ARTICLE•Fieldwork in Religion•2022•Citada por: 1•Referências: 10

    This article focuses on subjectivity in the ethnography of religion by considering the multiplicity of subjectivity and their relationalities, drawing from the author’s ethnographic encounter with the orisha Oshun in Trinidad. This reflection on the implications of taking seriously the spectral or spirit, in their many forms and aspects, as active agents involves the expansion of subjectivity and the relational aspects of inter-subjectivity from …

  • Ifá/Orisha Digital Counterpublics

    N Fadeke Castor•ARTICLE•The Black Scholar•2022

  • The Spirit of ‘Buss Head’

    N Fadeke Castor•ARTICLE•Journal of World Popular Music•2024

    This article explores the Machel Montano and Bunji Garlin song ‘Buss Head’ as an example of the invocation of culture, history and spirit in soca music towards social healing and change. I argue that this song has gone beyond the levels of entertainment commonly associated with soca music by invoking the spirit of Joe Talmana, a nineteenth-century Trinidadian stick fighter, as an ancestor and warrior to inspire in a new generation a connection to…

  • Sacred cites

    Open Access•N Fadeke Castor•ARTICLE•Studies in Religion/Sciences…•2024•Citada por: 1•Referências: 23

    In this article I offer a Black feminist sacred citational praxis supported by considerations of how subjectivity, relationality, and epistemology speak to questions, such as: which voices contribute to the stories we tell, the arguments that we make, and what is our responsibility to marking and naming those voices? Certainly, the calling of academic names, those thinkers and scholars recognized in academia largely through peer-reviewed writings…

Sociology (6 obras) · Anthropological Studies and Insights (4 obras) · Anthropology (4 obras) · Caribbean history, culture, and politics (4 obras) · Citizenship (2 obras) · Colonialism, slavery, and trade (2 obras) · Computer Science (2 obras) · Diaspora (2 obras) · Epistemology (2 obras) · Ethnic group (2 obras)

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