C Pamela Graves
Dados Biográficos
| ID | 197321 |
|---|---|
| NOME | C Pamela Graves |
| PRENOMES | C Pamela |
| SOBRENOME | Graves |
| ASSINATURA | GRAVES C P |
| AFILIAÇÕES | Durham University |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 5 |
| TOTAL DE CITAÇÕES | 65 |
| TOTAL COMO AUTOR | 5 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1989 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2020 |
| ÍNDICE H | 3 |
Fragments of Faith
This paper uses evidence from a previously unresearched ecclesiastical textile associated with Archbishop John Morton ( c 1420−1500) to generate new insights into the material culture of the Roman Catholic faith before, during and after the penal period in England ( c 1558−1829). This composite textile was initially thought to be made up of fragments of a late 1400s cope bearing Morton’s rebus, reconfigured as an altar frontal, which had survived…
Building a New Jerusalem
From an Archaeology of Iconoclasm to an Anthropology of the Body
The attack on images in England in the sixteenth and seventeenth century was not random destruction. Particular parts of the body, namely, the head and the hands, were the focus of attack. These were the same foci against which capital and the severest forms of corporal punishment were aimed. Distinct from the theological reasons for iconoclasm, these persistent foci and forms of attack reveal something about attitudes to the body in this period …
Sensing and believing
This paper comes in response to 'Seeing and believing: visuality and space in pre-modern England', Giles (2007 Giles, K. 2007. Seeing and believing: visuality and space in pre-modern England. World Archaeology, 39(1): 105-121. [Taylor & Francis Online], [Web of Science (R)] , [Google Scholar]). It welcomes the call Giles makes for debate on the complexity of the relationships between historical concepts of vision, visuality and spatiality in pre-…
Social space in the English medieval parish church
A theoretical approach to the organisation of social space is advanced with the aim to develop an understanding of the architectural space of the later medieval parish church in England, based on social practice. Refusing the general assumption of liturgical uniformity, the mass is taken as the template of religious practice most fundamental to such an understanding in the local context. Through religious practice the parish church became the loc…
Social space in the English medieval parish church
A theoretical approach to the organisation of social space is advanced with the aim to develop an understanding of the architectural space of the later medieval parish church in England, based on social practice. Refusing the general assumption of liturgical uniformity, the mass is taken as the template of religious practice most fundamental to such an understanding in the local context. Through religious practice the parish church became the loc…
From an Archaeology of Iconoclasm to an Anthropology of the Body
The attack on images in England in the sixteenth and seventeenth century was not random destruction. Particular parts of the body, namely, the head and the hands, were the focus of attack. These were the same foci against which capital and the severest forms of corporal punishment were aimed. Distinct from the theological reasons for iconoclasm, these persistent foci and forms of attack reveal something about attitudes to the body in this period …
Sensing and believing
This paper comes in response to 'Seeing and believing: visuality and space in pre-modern England', Giles (2007 Giles, K. 2007. Seeing and believing: visuality and space in pre-modern England. World Archaeology, 39(1): 105-121. [Taylor & Francis Online], [Web of Science (R)] , [Google Scholar]). It welcomes the call Giles makes for debate on the complexity of the relationships between historical concepts of vision, visuality and spatiality in pre-…
Fragments of Faith
This paper uses evidence from a previously unresearched ecclesiastical textile associated with Archbishop John Morton ( c 1420−1500) to generate new insights into the material culture of the Roman Catholic faith before, during and after the penal period in England ( c 1558−1829). This composite textile was initially thought to be made up of fragments of a late 1400s cope bearing Morton’s rebus, reconfigured as an altar frontal, which had survived…
Building a New Jerusalem
Social space in the English medieval parish church
A theoretical approach to the organisation of social space is advanced with the aim to develop an understanding of the architectural space of the later medieval parish church in England, based on social practice. Refusing the general assumption of liturgical uniformity, the mass is taken as the template of religious practice most fundamental to such an understanding in the local context. Through religious practice the parish church became the loc…
Sensing and believing
This paper comes in response to 'Seeing and believing: visuality and space in pre-modern England', Giles (2007 Giles, K. 2007. Seeing and believing: visuality and space in pre-modern England. World Archaeology, 39(1): 105-121. [Taylor & Francis Online], [Web of Science (R)] , [Google Scholar]). It welcomes the call Giles makes for debate on the complexity of the relationships between historical concepts of vision, visuality and spatiality in pre-…
From an Archaeology of Iconoclasm to an Anthropology of the Body
The attack on images in England in the sixteenth and seventeenth century was not random destruction. Particular parts of the body, namely, the head and the hands, were the focus of attack. These were the same foci against which capital and the severest forms of corporal punishment were aimed. Distinct from the theological reasons for iconoclasm, these persistent foci and forms of attack reveal something about attitudes to the body in this period …
Building a New Jerusalem
Fragments of Faith
This paper uses evidence from a previously unresearched ecclesiastical textile associated with Archbishop John Morton ( c 1420−1500) to generate new insights into the material culture of the Roman Catholic faith before, during and after the penal period in England ( c 1558−1829). This composite textile was initially thought to be made up of fragments of a late 1400s cope bearing Morton’s rebus, reconfigured as an altar frontal, which had survived…
History (4 obras) · Archaeology (3 obras) · History (3 obras) · Philosophy (3 obras) · Sociology (3 obras) · Art (2 obras) · Art history (2 obras) · Classics (2 obras) · Classics (2 obras) · Historical and Cultural Archaeology Studies (2 obras)