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Maite Garcia-Valles

Dados Biográficos

ID199278
NOMEMaite Garcia-Valles
PRENOMESMaite
SOBRENOMEGarcia-Valles
ASSINATURAGARCIA-VALLES M
AFILIAÇÕESUniversitat de Barcelona
ORCID0000-0003-1117-1705
VERIFICADOSim
TOTAL DE OBRAS6
TOTAL DE CITAÇÕES32
TOTAL COMO AUTOR6
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO1996
ANO MAIS RECENTE DE PUBLICAÇÃO2025
ÍNDICE H4
  • The medieval stained glass in Catalonia

    Open Access•Trinitat Pradell, Sílvia Cañellas et al.•ARTICLE•Journal of Cultural Heritage•2025•Referências: 2

    13th and 14th century stained glass is of the potash lime type, similar to north-west France. • 15th century stained glass is of the potash-lime type, similar to north-eastern France. • 16th century stained glass is of the soda-lime type from Barcelona. • The production of stained glass moved from France to Barcelona at the end of the 15th century. The production and distribution of stained glass in Mediterranean Europe during the Middle Ages rem…

  • Assessing Hellenistic to nomadic cultural patterns through pottery in ancient Termez, Uzbekistan

    Open Access•V Martínez Ferreras, Andreas Angourakis et al.•ARTICLE•Geoarchaeology•2018•Citada por: 8•Referências: 7

    We present the archaeological contextualization and the archaeometric characterization of slipped and nonslipped tableware and common wares from Termez in south Uzbekistan. The aims are, first, to evaluate the manufacture of pottery in the city and region (ancient Bactria) after the conquest of Alexander the Great in the late 4th century B.C. so as to detect Hellenistic Mediterranean influences, and, second, to investigate the evolution in potter…

  • From Siena to Barcelona

    Open Access•D GIMENO, Maite Garcia-Valles et al.•ARTICLE•Journal of Cultural Heritage•2008•Citada por: 1•Referências: 3

  • Technology and Colour Development of Hispano‐moresque Lead‐glazed Pottery

    Open Access•Judit Molera, M Vendrell‐saz et al.•ARTICLE•Archaeometry•1997•Citada por: 12•Referências: 6

    Lead‐glazed pottery from the medieval workshop of Les Olleries Majors (Paterna, Spain) has been studied by Mössbauer spectroscopy, X‐ray diffraction, X‐ray fluorescence and optical spectroscopy. Yellow, brown and honey‐coloured glazes occur on pots glazed on only one surface. They have virtually identical compositions and transmittance spectra, their apparent differences in colour are due to the colours of the underlying pastes. Yellow glazes occ…

  • Hispano‐moresque Pottery Production of the Fourteenth‐century Workshop of Testar Del Molí (Paterna, Spain)

    Open Access•Judit Molera, Maite Garcia-Valles et al.•ARTICLE•Archaeometry•1996•Citada por: 4•Referências: 9

    Excavation of Testar del Molí, the only workshop found in the Manises‐Paterna area, revealed the existence of a fourteenth‐century ceramic workshop covering the remains of the thirteenth‐century workshop. This study is concerned with the fourteenth‐century production, and forthcoming papers will connect both epochs following the findings of current excavations. The chemical and mineralogical characterization of the ceramic production of this work…

  • Dating Ancient Lime Mortars by Geochemical and Mineralogical Analysis

    Open Access•M Vendrell‐saz, S ALARCÓN et al.•ARTICLE•Archaeometry•1996•Citada por: 7•Referências: 1

    This paper proposes a method of dating based on the study of the mineralogy and geochemistry of lime mortars. If the mortars used in constructing the various parts of a building are made from limestones of distinct geochemistry (minor elements) and mineralogy (clay content), such differences should be identifiable in their compositions. Furthermore, if some parts of the building can be reliably dated, the mortars used in their construction can be…

  • Technology and Colour Development of Hispano‐moresque Lead‐glazed Pottery

    Open Access•Judit Molera, M Vendrell‐saz et al.•ARTICLE•Archaeometry•1997•Citada por: 12•Referências: 6

    Lead‐glazed pottery from the medieval workshop of Les Olleries Majors (Paterna, Spain) has been studied by Mössbauer spectroscopy, X‐ray diffraction, X‐ray fluorescence and optical spectroscopy. Yellow, brown and honey‐coloured glazes occur on pots glazed on only one surface. They have virtually identical compositions and transmittance spectra, their apparent differences in colour are due to the colours of the underlying pastes. Yellow glazes occ…

  • Assessing Hellenistic to nomadic cultural patterns through pottery in ancient Termez, Uzbekistan

    Open Access•V Martínez Ferreras, Andreas Angourakis et al.•ARTICLE•Geoarchaeology•2018•Citada por: 8•Referências: 7

    We present the archaeological contextualization and the archaeometric characterization of slipped and nonslipped tableware and common wares from Termez in south Uzbekistan. The aims are, first, to evaluate the manufacture of pottery in the city and region (ancient Bactria) after the conquest of Alexander the Great in the late 4th century B.C. so as to detect Hellenistic Mediterranean influences, and, second, to investigate the evolution in potter…

  • Dating Ancient Lime Mortars by Geochemical and Mineralogical Analysis

    Open Access•M Vendrell‐saz, S ALARCÓN et al.•ARTICLE•Archaeometry•1996•Citada por: 7•Referências: 1

    This paper proposes a method of dating based on the study of the mineralogy and geochemistry of lime mortars. If the mortars used in constructing the various parts of a building are made from limestones of distinct geochemistry (minor elements) and mineralogy (clay content), such differences should be identifiable in their compositions. Furthermore, if some parts of the building can be reliably dated, the mortars used in their construction can be…

  • Hispano‐moresque Pottery Production of the Fourteenth‐century Workshop of Testar Del Molí (Paterna, Spain)

    Open Access•Judit Molera, Maite Garcia-Valles et al.•ARTICLE•Archaeometry•1996•Citada por: 4•Referências: 9

    Excavation of Testar del Molí, the only workshop found in the Manises‐Paterna area, revealed the existence of a fourteenth‐century ceramic workshop covering the remains of the thirteenth‐century workshop. This study is concerned with the fourteenth‐century production, and forthcoming papers will connect both epochs following the findings of current excavations. The chemical and mineralogical characterization of the ceramic production of this work…

  • From Siena to Barcelona

    Open Access•D GIMENO, Maite Garcia-Valles et al.•ARTICLE•Journal of Cultural Heritage•2008•Citada por: 1•Referências: 3

  • Hispano‐moresque Pottery Production of the Fourteenth‐century Workshop of Testar Del Molí (Paterna, Spain)

    Open Access•Judit Molera, Maite Garcia-Valles et al.•ARTICLE•Archaeometry•1996•Citada por: 4•Referências: 9

    Excavation of Testar del Molí, the only workshop found in the Manises‐Paterna area, revealed the existence of a fourteenth‐century ceramic workshop covering the remains of the thirteenth‐century workshop. This study is concerned with the fourteenth‐century production, and forthcoming papers will connect both epochs following the findings of current excavations. The chemical and mineralogical characterization of the ceramic production of this work…

  • Dating Ancient Lime Mortars by Geochemical and Mineralogical Analysis

    Open Access•M Vendrell‐saz, S ALARCÓN et al.•ARTICLE•Archaeometry•1996•Citada por: 7•Referências: 1

    This paper proposes a method of dating based on the study of the mineralogy and geochemistry of lime mortars. If the mortars used in constructing the various parts of a building are made from limestones of distinct geochemistry (minor elements) and mineralogy (clay content), such differences should be identifiable in their compositions. Furthermore, if some parts of the building can be reliably dated, the mortars used in their construction can be…

  • Technology and Colour Development of Hispano‐moresque Lead‐glazed Pottery

    Open Access•Judit Molera, M Vendrell‐saz et al.•ARTICLE•Archaeometry•1997•Citada por: 12•Referências: 6

    Lead‐glazed pottery from the medieval workshop of Les Olleries Majors (Paterna, Spain) has been studied by Mössbauer spectroscopy, X‐ray diffraction, X‐ray fluorescence and optical spectroscopy. Yellow, brown and honey‐coloured glazes occur on pots glazed on only one surface. They have virtually identical compositions and transmittance spectra, their apparent differences in colour are due to the colours of the underlying pastes. Yellow glazes occ…

  • From Siena to Barcelona

    Open Access•D GIMENO, Maite Garcia-Valles et al.•ARTICLE•Journal of Cultural Heritage•2008•Citada por: 1•Referências: 3

  • Assessing Hellenistic to nomadic cultural patterns through pottery in ancient Termez, Uzbekistan

    Open Access•V Martínez Ferreras, Andreas Angourakis et al.•ARTICLE•Geoarchaeology•2018•Citada por: 8•Referências: 7

    We present the archaeological contextualization and the archaeometric characterization of slipped and nonslipped tableware and common wares from Termez in south Uzbekistan. The aims are, first, to evaluate the manufacture of pottery in the city and region (ancient Bactria) after the conquest of Alexander the Great in the late 4th century B.C. so as to detect Hellenistic Mediterranean influences, and, second, to investigate the evolution in potter…

  • The medieval stained glass in Catalonia

    Open Access•Trinitat Pradell, Sílvia Cañellas et al.•ARTICLE•Journal of Cultural Heritage•2025•Referências: 2

    13th and 14th century stained glass is of the potash lime type, similar to north-west France. • 15th century stained glass is of the potash-lime type, similar to north-eastern France. • 16th century stained glass is of the soda-lime type from Barcelona. • The production of stained glass moved from France to Barcelona at the end of the 15th century. The production and distribution of stained glass in Mediterranean Europe during the Middle Ages rem…

Cultural Heritage Materials Analysis (6 obras) · Building materials and conservation (5 obras) · Archaeology (4 obras) · Art (4 obras) · History (4 obras) · Chemistry (3 obras) · Geology (3 obras) · Mineralogy (3 obras) · Pottery (3 obras) · Ancient history (2 obras)

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