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Lucie Armitt

Dados Biográficos

ID204243
NOMELucie Armitt
PRENOMESLucie
SOBRENOMEArmitt
ASSINATURAARMITT L
AFILIAÇÕESUniversity of Lincoln
VERIFICADONão
TOTAL DE OBRAS8
TOTAL DE CITAÇÕES0
TOTAL COMO AUTOR8
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO1992
ANO MAIS RECENTE DE PUBLICAÇÃO2014
ÍNDICE H0
  • The Cambridge Companion to the Modern Gothic

    Open Access•Katarzyna Ancuta, John Paul Riquelme et al.•BOOK•Cambridge Companion to the Modern…•2014

    This Companion explores the many ways in which the Gothic has dispersed in the twentieth and twenty-first centuries, and in particular how it has come to offer a focus for the tensions inherent in modernity. Fourteen essays by world-class experts show how the Gothic in numerous forms - including literature, film, television, and cyberspace - helps audiences both to distance themselves from and to deal with some of the key underlying problems of m…

  • The Whispering of Generations Past

    Lucie Armitt•ARTICLE•Contemporary Women s Writing•2014

    In her fiction Kate Mosse, author of six novels and co-founder and Honorary Director of the Orange Prize for Fiction (now The Bailey's Prize), frequently focuses upon the theme of bodily violence enacted upon women. Her protagonists, often young early career scholars of the twenty-first century find themselves in contact with ghostly sister selves belonging to the Cathar communities of Medieval France. The egalitarian and progressive politics of …

  • Gothic Terms, Themes, Concepts and Contexts

    Open Access•Colette Conroy, Franz J Potter et al.•CHAPTER•Handbook of the Gothic•2009

    Just as THE UNCANNY offers a connection to the structure of the unconscious, the abject offers a sensation of horror that connects us viscerally to the experience of repression and the process of subject formation. For Julia Kristeva, in Powers of Horror, abjection disturbs ‘identity, system, order’ and is characterised by ‘the in-between, the ambiguous, the composite’.

  • Introduction

    Lucie Armitt, Mary Joannou et al.•ARTICLE•Women a Cultural Review•2008

    Critical introduction to the special issue of the journal Women: A Cultural Review, written and edited by Maroula Joannou, Lucie Armitt and Paulina Palmer

  • Freudian Mythologies

    Lucie Armitt•ARTICLE•Contemporary Women s Writing•2007

    Bowlby's ambitious monograph paints upon a panoramic canvas of Ancient Greek tragedy and its influence upon the shape and profile of Freud's oeuvre. Though primarily a study of Freud, Freudian Mythologies also offers a reading of Aeschylus, Aristotle, Euripides, Plato, and Sophocles for the twenty-first century and, in so doing, crosses eons and cultural divides with ease. Inevitably, in a wide-ranging book of this nature, a certain amount of sim…

  • Interview with Sarah Waters (CWWN conference, University of Wales, Bangor, 22nd April 2006)

    Open Access•Lucie Armitt•ARTICLE•Feminist Review•2007

    Sarah Waters was born in Pembrokeshire in South Wales in 1966. She is the author of four novels, Tipping the Velvet (1998), Affinity (1999), Fingersmith (2003) and The Night Watch (2006). Among her many awards and nominations one can include the Sunday Times Young Writer of the Year (2000), Author of the Year at the British Book Awards (2003), and the South Bank Award for Literature (2003). Most recently, The Night Watch has been short–listed for…

  • Stranger and stranger’

    Lucie Armitt•ARTICLE•Women a Cultural Review•2004

    HISTORICAL fiction offers women writers and their female protagonists a way into history through the back door, into that masculinized history traditionally characterized, in the words of Angela Carter, by a conspicuous ‘paucity of historical references to that statistically rather more than half of the human race to which we belong’ (Carter 1980:227). As the symbolic Other of the white western male historical subject, women have repeatedly been …

  • Haunting the House of Fiction

    Lucie Armitt, L Timmel Duchamp•ARTICLE•Signs: Journal of Women in…•1992

Sem obras proeminentes nesta página.

  • Haunting the House of Fiction

    Lucie Armitt, L Timmel Duchamp•ARTICLE•Signs: Journal of Women in…•1992

  • Stranger and stranger’

    Lucie Armitt•ARTICLE•Women a Cultural Review•2004

    HISTORICAL fiction offers women writers and their female protagonists a way into history through the back door, into that masculinized history traditionally characterized, in the words of Angela Carter, by a conspicuous ‘paucity of historical references to that statistically rather more than half of the human race to which we belong’ (Carter 1980:227). As the symbolic Other of the white western male historical subject, women have repeatedly been …

  • Freudian Mythologies

    Lucie Armitt•ARTICLE•Contemporary Women s Writing•2007

    Bowlby's ambitious monograph paints upon a panoramic canvas of Ancient Greek tragedy and its influence upon the shape and profile of Freud's oeuvre. Though primarily a study of Freud, Freudian Mythologies also offers a reading of Aeschylus, Aristotle, Euripides, Plato, and Sophocles for the twenty-first century and, in so doing, crosses eons and cultural divides with ease. Inevitably, in a wide-ranging book of this nature, a certain amount of sim…

  • Interview with Sarah Waters (CWWN conference, University of Wales, Bangor, 22nd April 2006)

    Open Access•Lucie Armitt•ARTICLE•Feminist Review•2007

    Sarah Waters was born in Pembrokeshire in South Wales in 1966. She is the author of four novels, Tipping the Velvet (1998), Affinity (1999), Fingersmith (2003) and The Night Watch (2006). Among her many awards and nominations one can include the Sunday Times Young Writer of the Year (2000), Author of the Year at the British Book Awards (2003), and the South Bank Award for Literature (2003). Most recently, The Night Watch has been short–listed for…

  • Introduction

    Lucie Armitt, Mary Joannou et al.•ARTICLE•Women a Cultural Review•2008

    Critical introduction to the special issue of the journal Women: A Cultural Review, written and edited by Maroula Joannou, Lucie Armitt and Paulina Palmer

  • Gothic Terms, Themes, Concepts and Contexts

    Open Access•Colette Conroy, Franz J Potter et al.•CHAPTER•Handbook of the Gothic•2009

    Just as THE UNCANNY offers a connection to the structure of the unconscious, the abject offers a sensation of horror that connects us viscerally to the experience of repression and the process of subject formation. For Julia Kristeva, in Powers of Horror, abjection disturbs ‘identity, system, order’ and is characterised by ‘the in-between, the ambiguous, the composite’.

  • The Cambridge Companion to the Modern Gothic

    Open Access•Katarzyna Ancuta, John Paul Riquelme et al.•BOOK•Cambridge Companion to the Modern…•2014

    This Companion explores the many ways in which the Gothic has dispersed in the twentieth and twenty-first centuries, and in particular how it has come to offer a focus for the tensions inherent in modernity. Fourteen essays by world-class experts show how the Gothic in numerous forms - including literature, film, television, and cyberspace - helps audiences both to distance themselves from and to deal with some of the key underlying problems of m…

  • The Whispering of Generations Past

    Lucie Armitt•ARTICLE•Contemporary Women s Writing•2014

    In her fiction Kate Mosse, author of six novels and co-founder and Honorary Director of the Orange Prize for Fiction (now The Bailey's Prize), frequently focuses upon the theme of bodily violence enacted upon women. Her protagonists, often young early career scholars of the twenty-first century find themselves in contact with ghostly sister selves belonging to the Cathar communities of Medieval France. The egalitarian and progressive politics of …

Art (5 obras) · Sociology (5 obras) · History (4 obras) · History (4 obras) · Gothic Literature and Media Analysis (3 obras) · Irish and British Studies (3 obras) · Literature (3 obras) · Psychology (3 obras) · Aesthetics (2 obras) · Art history (2 obras)

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