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Kristin Bervig Valentine

Dados Biográficos

ID204309
NOMEKristin Bervig Valentine
PRENOMESKristin Bervig
SOBRENOMEValentine
ASSINATURAVALENTINE K B
AFILIAÇÕESArizona State University
VERIFICADONão
TOTAL DE OBRAS5
TOTAL DE CITAÇÕES2
TOTAL COMO AUTOR5
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO1998
ANO MAIS RECENTE DE PUBLICAÇÃO2010
ÍNDICE H1
  • One-Act Play Titled

    Kristin Bervig Valentine, Gene Valentine•ARTICLE•Text and Performance Quarterly•2010•Referências: 1

    Additional informationNotes on contributorsKristin Bervig Valentine Kristin Bervig Valentine, Ph.D. is Professor Emerita of Communication and Women's Studies, Arizona State University, Tempe, Arizona Gene Valentine Gene Valentine is Professor Emeritus of English (linguistics and history of the book) at Arizona State University

  • Healing at the Coast of Death in Spanish Galicia

    Eugene Valentine, Kristin Bervig Valentine•ARTICLE•Journal of American Folklore•2005•Citada por: 1•Referências: 3

    This note explores a romeria (a pilgrimage to a local site) on the Costa da Morte (the Coast of Death) at Muxía, a small village in the autonomous region of Galicia, in Spain, where thousands of faithful romeros gather every September. As Roman Catholics, many are there simply to enjoy a socioreligious outing on the wind-swept rocky promontory that tips into the Atlantic Ocean, but most are there to participate in activities they believe will hea…

  • Yaqui Easter Ceremonies and the Ethics of Intense pectatorship

    Kristin Bervig Valentine•ARTICLE•Text and Performance Quarterly•2002•Citada por: 1•Referências: 15

    How can one be an ethical audience member for another culture's sacred ceremony? And how can an audience member write, in an ethical manner, about that experience? This essay answers these questions by advancing and modeling a four-stage process for potential use by performance ethnographers. As a case study, the author describes her experience as an audience member at public cultural performances staged as part of the annual Yaqui Easter ceremon…

  • Cultural Performance Analysis Spheres

    Open Access•Kristin Bervig Valentine, Gordon Matsumoto•ARTICLE•CAM•2001•Referências: 10

    This article describes a process-oriented method called cultural performance analysis spheres. This method is designed for researchers to use at three stages of ethnographic studies on public-cultural performances: (1) as preparation before going into the field, (2) by a participant observer during the performance, and (3) as a guide for communicating scholarly discourse that must necessarily give linear form to experiences where there is simulta…

  • If the Guards Only Knew”

    Kristin Bervig Valentine, K Valentine•ARTICLE•Women s Studies in Communication•1998

    The next time you listen to legislators, reporters, and prison officials speak on the topic of criminals and prisons, note how rarely the reference is to a female. The generic “criminal” or “prisoner” is unquestionably assumed to be male. This condition may occur because, according to the Bureau of Justice Statistics (1991), women make up less than six percent of the state and federal prison population in the United States. Yet the alarming fact …

  • Healing at the Coast of Death in Spanish Galicia

    Eugene Valentine, Kristin Bervig Valentine•ARTICLE•Journal of American Folklore•2005•Citada por: 1•Referências: 3

    This note explores a romeria (a pilgrimage to a local site) on the Costa da Morte (the Coast of Death) at Muxía, a small village in the autonomous region of Galicia, in Spain, where thousands of faithful romeros gather every September. As Roman Catholics, many are there simply to enjoy a socioreligious outing on the wind-swept rocky promontory that tips into the Atlantic Ocean, but most are there to participate in activities they believe will hea…

  • Yaqui Easter Ceremonies and the Ethics of Intense pectatorship

    Kristin Bervig Valentine•ARTICLE•Text and Performance Quarterly•2002•Citada por: 1•Referências: 15

    How can one be an ethical audience member for another culture's sacred ceremony? And how can an audience member write, in an ethical manner, about that experience? This essay answers these questions by advancing and modeling a four-stage process for potential use by performance ethnographers. As a case study, the author describes her experience as an audience member at public cultural performances staged as part of the annual Yaqui Easter ceremon…

  • If the Guards Only Knew”

    Kristin Bervig Valentine, K Valentine•ARTICLE•Women s Studies in Communication•1998

    The next time you listen to legislators, reporters, and prison officials speak on the topic of criminals and prisons, note how rarely the reference is to a female. The generic “criminal” or “prisoner” is unquestionably assumed to be male. This condition may occur because, according to the Bureau of Justice Statistics (1991), women make up less than six percent of the state and federal prison population in the United States. Yet the alarming fact …

  • Cultural Performance Analysis Spheres

    Open Access•Kristin Bervig Valentine, Gordon Matsumoto•ARTICLE•CAM•2001•Referências: 10

    This article describes a process-oriented method called cultural performance analysis spheres. This method is designed for researchers to use at three stages of ethnographic studies on public-cultural performances: (1) as preparation before going into the field, (2) by a participant observer during the performance, and (3) as a guide for communicating scholarly discourse that must necessarily give linear form to experiences where there is simulta…

  • Yaqui Easter Ceremonies and the Ethics of Intense pectatorship

    Kristin Bervig Valentine•ARTICLE•Text and Performance Quarterly•2002•Citada por: 1•Referências: 15

    How can one be an ethical audience member for another culture's sacred ceremony? And how can an audience member write, in an ethical manner, about that experience? This essay answers these questions by advancing and modeling a four-stage process for potential use by performance ethnographers. As a case study, the author describes her experience as an audience member at public cultural performances staged as part of the annual Yaqui Easter ceremon…

  • Healing at the Coast of Death in Spanish Galicia

    Eugene Valentine, Kristin Bervig Valentine•ARTICLE•Journal of American Folklore•2005•Citada por: 1•Referências: 3

    This note explores a romeria (a pilgrimage to a local site) on the Costa da Morte (the Coast of Death) at Muxía, a small village in the autonomous region of Galicia, in Spain, where thousands of faithful romeros gather every September. As Roman Catholics, many are there simply to enjoy a socioreligious outing on the wind-swept rocky promontory that tips into the Atlantic Ocean, but most are there to participate in activities they believe will hea…

  • One-Act Play Titled

    Kristin Bervig Valentine, Gene Valentine•ARTICLE•Text and Performance Quarterly•2010•Referências: 1

    Additional informationNotes on contributorsKristin Bervig Valentine Kristin Bervig Valentine, Ph.D. is Professor Emerita of Communication and Women's Studies, Arizona State University, Tempe, Arizona Gene Valentine Gene Valentine is Professor Emeritus of English (linguistics and history of the book) at Arizona State University

Sociology (4 obras) · Art (3 obras) · Computer Science (3 obras) · Rhetoric and Communication Studies (3 obras) · Anthropology (2 obras) · Archaeology (2 obras) · Ethnography (2 obras) · History (2 obras) · Law (2 obras) · Media studies (2 obras)

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