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W Jay Dowling

Dados Biográficos

ID210552
NOMEW Jay Dowling
PRENOMESW Jay
SOBRENOMEDowling
ASSINATURADOWLING W J
AFILIAÇÕESThe University of Texas at Dallas
VERIFICADONão
TOTAL DE OBRAS3
TOTAL DE CITAÇÕES1
OBRAS COMO AUTOR3
OBRAS COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO1988
ANO MAIS RECENTE DE PUBLICAÇÃO2022
ÍNDICE H1
  • Real-Time Modulation Perception in Western Classical Music

    Brendon Mizener, W Jay Dowling•ARTICLE•Music Perception An Interdisciplina…•2022

    The task of music listening involves an auditory scene analysis in which the listener makes judgments related to melody, harmony, and consonance or dissonance, all of which are made within the context of key or tonic region. Here we examine whether the process of tracking key region is independent of the process of tracking surface cues, and what surface cues may influence that process. To this end, highly trained, moderately trained, and untrain…

  • Simplicity and complexity in music and cognition

    W Jay Dowling•ARTICLE•Contemporary Music Review•1989•Referências: 4

    There are three areas that have been touched upon in this conference about which I will comment. First, there is the issue of what I have come to call the “skimpiness” of stimuli in many experimental studies of music cognition. Second, there is the issue of whether there are cognitive universals constraining musical understanding and structure, and if there are, what we should make of them. Third, I take up the nature of mental representations in…

  • Music Cognition

    Ellen Koskoff, W Jay Dowling et al.•ARTICLE•Ethnomusicology•1988•Citada por: 1

  • Music Cognition

    Ellen Koskoff, W Jay Dowling et al.•ARTICLE•Ethnomusicology•1988•Citada por: 1

  • Music Cognition

    Ellen Koskoff, W Jay Dowling et al.•ARTICLE•Ethnomusicology•1988•Citada por: 1

  • Simplicity and complexity in music and cognition

    W Jay Dowling•ARTICLE•Contemporary Music Review•1989•Referências: 4

    There are three areas that have been touched upon in this conference about which I will comment. First, there is the issue of what I have come to call the “skimpiness” of stimuli in many experimental studies of music cognition. Second, there is the issue of whether there are cognitive universals constraining musical understanding and structure, and if there are, what we should make of them. Third, I take up the nature of mental representations in…

  • Real-Time Modulation Perception in Western Classical Music

    Brendon Mizener, W Jay Dowling•ARTICLE•Music Perception An Interdisciplina…•2022

    The task of music listening involves an auditory scene analysis in which the listener makes judgments related to melody, harmony, and consonance or dissonance, all of which are made within the context of key or tonic region. Here we examine whether the process of tracking key region is independent of the process of tracking surface cues, and what surface cues may influence that process. To this end, highly trained, moderately trained, and untrain…

Cognitive psychology (3 obras) · Music and Audio Processing (3 obras) · Neuroscience and Music Perception (3 obras) · Psychology (3 obras) · Active listening (2 obras) · Cognition (2 obras) · Cognitive science (2 obras) · Communication (2 obras) · Neuroscience (2 obras) · Acoustics (1 obra)

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