Wolf
Dados Biográficos
| ID | 21627 |
|---|---|
| NOME | Wolf |
| SOBRENOME | Wolf |
| ASSINATURA | WOLF |
| AFILIAÇÕES | George Washington University |
| ORCID | 0000-0002-8717-4331 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 22 |
| TOTAL DE CITAÇÕES | 18 |
| TOTAL COMO AUTOR | 22 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1895 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2015 |
| ÍNDICE H | 3 |
The Democratic Republic of Congo
Voted into power in the first democratic elections held in the Democratic Republic of Congo (DRC), the government of Joseph Kabila has presided since 2006 over a nation that remains plagued by recurring violence, pervasive corruption, and stuttering development. Independent journalist Michael Deibert's second book follows earlier journalistic and academic works that sought to make sense of the instability afflicting the DRC. This volume offers an…
Performing Desire
The concept of desire has been theoretically renewed and rewritten constantly in the academy, and yet, it continues to motivate our spectatorship, our scholarship, and our criticism. This issue represents an eclectic and powerful reminder of how desire remains an optic through which we see, feel, and think about performance
Performing Jewishness In and Out of the Classroom
Journal Article Performing Jewishness In and Out of the Classroom Get access Jill Dolan, Jill Dolan Princeton University Search for other works by this author on: Oxford Academic Google Scholar Stacy Wolf Stacy Wolf Princeton University Search for other works by this author on: Oxford Academic Google Scholar MELUS, Volume 37, Issue 2, June 2012, Pages 201–215, https://doi.org/10.1353/mel.2012.0017 Published: 01 June 2012
Jewish American Performance
September 01 2011 Jewish American Performance: An Introduction Jill Dolan, Jill Dolan Jill Dolan is the Annan Professor in English at Princeton University, where she is also Professor of Theater and Director of the Program in Gender and Sexuality Studies. She is the author of, most recently, Theatre & Sexuality (Palgrave Macmillan, 2010) and Utopia in Performance: Finding Hope at the Theatre (University of Michigan Press, 2005), and edited and wr…
Showtime
Journal Article Showtime: A History of the Broadway Musical Theater Get access Showtime: A History of the Broadway Musical Theater. By Larry Stempel. (New York: Norton, 2010. xxii, 826 pp. $39.95, ISBN978-0-393-06715-6.) Stacy Wolf Stacy Wolf Princeton University Princeton, New Jersey [email protected] Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 98, Issue 3, December 2011, Pages 9…
Defying Gravity
The musical Wicked, which opened on Broadway in 2003 and is the top-grossing musical of the twenty-first century, features certain elements of a contemporary megamusical, including spectacular visual effects, musical themes that thread through the score, and global capitalist marketing, distribution, and production practices. But, as I demonstrate in this essay, Wicked's narrative and musical structure relies on the building blocks of the "integr…
Wicked Divas, Musical Theater, and Internet Girl Fans
Stacy Wolf is an associate professor in the Performance as Public Practice Program in the Department of Theatre and Dance at the University of Texas at Austin. She is the author of A Problem Like Maria: Gender and Sexuality in the American Musical (2002). Her essay “`We'll Always Be Bosom Buddies': Female Duets and the Queering of Broadway Musical Theatre” (GLQ 12 [2006]) won the Association for Theatre in Higher Education's 2007 award for Best E…
The Rise and Fall of the Broadway Musical (review)
Reviewed by: The Rise and Fall of the Broadway Musical Stacy Wolf The Rise and Fall of the Broadway Musical. By Mark N. Grant. Boston: Northeastern University Press, 2004; pp. x + 365. $40.00 cloth, $24.95 paper. Like many studies of American musical theatre, Grant's book argues that the genre found its apotheosis in the mid-twentieth century and that it was all downhill from there. From Kern and Hammerstein's Show Boat (1927) until the late 1950…
We'll Always Be Bosom Buddies
Research Article| June 01 2006 "WE'LL ALWAYS BE BOSOM BUDDIES": Female Duets and the Queering of Broadway Musical Theater Stacy Wolf Stacy Wolf Search for other works by this author on: This Site Google GLQ (2006) 12 (3): 351–376. https://doi.org/10.1215/10642684-2005-002 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite …
Staging America
Staging America: Cornerstone and Communty-Based Theater . By Sonja Kuftinec. Carbondale: Southern Illinois University Press, 2003; pp. 272; illustrations. $45.00 cloth
Coming Up Roses
Reviewed by: Coming Up Roses: The Broadway Musical in the 1950s, and: Place For Us [Essay on the Broadway Musical] Stacy Wolf Coming Up Roses: The Broadway Musical in the 1950s. By Ethan Mordden. New York: Oxford University Press, 1998; pp. 262. $30 cloth. Place For Us [Essay on the Broadway Musical]. By D. A. Miller. Cambridge: Harvard University Press, 1998; pp. 143. $22 cloth. In diametrically opposed forms, styles, and arguments, two recent b…
Peformance Review
Reviewed by: The Gene Pool Stacy Wolf The Gene Pool. By Christi Stewart-Brown. Woolly Mammoth Theatre, Washington, D.C.. 28 January 1998. Click for larger view View full resolution Figure 1. Claire (Kimberley Schraf, above) and Mira (Jennifer Mendenhall) in Woolly Mammoth Theatre Company of Washington, D.C.’s production of Christi Stewart-Brown’s The Gene Pool, directed by Lee Mikeska Gardner. Photo: Stan Barouh. Woolly Mammoth’s premiere product…
Desire in evidence
This textual performance of research charts the writer's attempt to prove that Mary Martin was a lesbian. The writer uses her own “quest” to raise questions about gay and lesbian historiography, the status of evidence, and the usefulness of desire to biographical, critical work on performers
Mental stress enhances the sympathetic fraction of QT variability in an RR-independent way
Never Gonna Be a Man/ Catch Me if You Can/ I Won't Grow Up
Never Gonna Be a Man/Catch Me if You Can/I Won’t Grow Up”: A Lesbian Account of Mary Martin as Peter Pan Stacy Wolf (bio) Peter Pan is proof that only girls exist. —Kathy Acker 1 I begin this essay with an admission: I can sing almost every song from almost every Broadway musical produced in the 1950s and 1960s. I consider this “knowledge”—deeply felt, unconsciously acquired, now seldom practiced—a fundamental component of my subjectivity. I sang…
Imperialism and Theatre
The queer performances of mary martin as woman and as star
(1996). The queer performances of mary martin as woman and as star. Women & Performance: a journal of feminist theory: Vol. 8, No. 2, pp. 225-239
Theatre and Cultural Interaction
Trinh Minh-ha's "difference" and a pedagogical metaphor
A Midsummer Night's Dream
The Barrow Studies
The Galapagos Islands
Defying Gravity
The musical Wicked, which opened on Broadway in 2003 and is the top-grossing musical of the twenty-first century, features certain elements of a contemporary megamusical, including spectacular visual effects, musical themes that thread through the score, and global capitalist marketing, distribution, and production practices. But, as I demonstrate in this essay, Wicked's narrative and musical structure relies on the building blocks of the "integr…
Desire in evidence
This textual performance of research charts the writer's attempt to prove that Mary Martin was a lesbian. The writer uses her own “quest” to raise questions about gay and lesbian historiography, the status of evidence, and the usefulness of desire to biographical, critical work on performers
We'll Always Be Bosom Buddies
Research Article| June 01 2006 "WE'LL ALWAYS BE BOSOM BUDDIES": Female Duets and the Queering of Broadway Musical Theater Stacy Wolf Stacy Wolf Search for other works by this author on: This Site Google GLQ (2006) 12 (3): 351–376. https://doi.org/10.1215/10642684-2005-002 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite …
Showtime
Journal Article Showtime: A History of the Broadway Musical Theater Get access Showtime: A History of the Broadway Musical Theater. By Larry Stempel. (New York: Norton, 2010. xxii, 826 pp. $39.95, ISBN978-0-393-06715-6.) Stacy Wolf Stacy Wolf Princeton University Princeton, New Jersey [email protected] Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 98, Issue 3, December 2011, Pages 9…
Wicked Divas, Musical Theater, and Internet Girl Fans
Stacy Wolf is an associate professor in the Performance as Public Practice Program in the Department of Theatre and Dance at the University of Texas at Austin. She is the author of A Problem Like Maria: Gender and Sexuality in the American Musical (2002). Her essay “`We'll Always Be Bosom Buddies': Female Duets and the Queering of Broadway Musical Theatre” (GLQ 12 [2006]) won the Association for Theatre in Higher Education's 2007 award for Best E…
Mental stress enhances the sympathetic fraction of QT variability in an RR-independent way
Theatre and Cultural Interaction
Trinh Minh-ha's "difference" and a pedagogical metaphor
A Midsummer Night's Dream
The Barrow Studies
The Galapagos Islands
The Barrow Studies
A Midsummer Night's Dream
Trinh Minh-ha's "difference" and a pedagogical metaphor
Theatre and Cultural Interaction
Imperialism and Theatre
The queer performances of mary martin as woman and as star
(1996). The queer performances of mary martin as woman and as star. Women & Performance: a journal of feminist theory: Vol. 8, No. 2, pp. 225-239
Desire in evidence
This textual performance of research charts the writer's attempt to prove that Mary Martin was a lesbian. The writer uses her own “quest” to raise questions about gay and lesbian historiography, the status of evidence, and the usefulness of desire to biographical, critical work on performers
Mental stress enhances the sympathetic fraction of QT variability in an RR-independent way
Never Gonna Be a Man/ Catch Me if You Can/ I Won't Grow Up
Never Gonna Be a Man/Catch Me if You Can/I Won’t Grow Up”: A Lesbian Account of Mary Martin as Peter Pan Stacy Wolf (bio) Peter Pan is proof that only girls exist. —Kathy Acker 1 I begin this essay with an admission: I can sing almost every song from almost every Broadway musical produced in the 1950s and 1960s. I consider this “knowledge”—deeply felt, unconsciously acquired, now seldom practiced—a fundamental component of my subjectivity. I sang…
Peformance Review
Reviewed by: The Gene Pool Stacy Wolf The Gene Pool. By Christi Stewart-Brown. Woolly Mammoth Theatre, Washington, D.C.. 28 January 1998. Click for larger view View full resolution Figure 1. Claire (Kimberley Schraf, above) and Mira (Jennifer Mendenhall) in Woolly Mammoth Theatre Company of Washington, D.C.’s production of Christi Stewart-Brown’s The Gene Pool, directed by Lee Mikeska Gardner. Photo: Stan Barouh. Woolly Mammoth’s premiere product…
Coming Up Roses
Reviewed by: Coming Up Roses: The Broadway Musical in the 1950s, and: Place For Us [Essay on the Broadway Musical] Stacy Wolf Coming Up Roses: The Broadway Musical in the 1950s. By Ethan Mordden. New York: Oxford University Press, 1998; pp. 262. $30 cloth. Place For Us [Essay on the Broadway Musical]. By D. A. Miller. Cambridge: Harvard University Press, 1998; pp. 143. $22 cloth. In diametrically opposed forms, styles, and arguments, two recent b…
Staging America
Staging America: Cornerstone and Communty-Based Theater . By Sonja Kuftinec. Carbondale: Southern Illinois University Press, 2003; pp. 272; illustrations. $45.00 cloth
The Rise and Fall of the Broadway Musical (review)
Reviewed by: The Rise and Fall of the Broadway Musical Stacy Wolf The Rise and Fall of the Broadway Musical. By Mark N. Grant. Boston: Northeastern University Press, 2004; pp. x + 365. $40.00 cloth, $24.95 paper. Like many studies of American musical theatre, Grant's book argues that the genre found its apotheosis in the mid-twentieth century and that it was all downhill from there. From Kern and Hammerstein's Show Boat (1927) until the late 1950…
We'll Always Be Bosom Buddies
Research Article| June 01 2006 "WE'LL ALWAYS BE BOSOM BUDDIES": Female Duets and the Queering of Broadway Musical Theater Stacy Wolf Stacy Wolf Search for other works by this author on: This Site Google GLQ (2006) 12 (3): 351–376. https://doi.org/10.1215/10642684-2005-002 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite …
Wicked Divas, Musical Theater, and Internet Girl Fans
Stacy Wolf is an associate professor in the Performance as Public Practice Program in the Department of Theatre and Dance at the University of Texas at Austin. She is the author of A Problem Like Maria: Gender and Sexuality in the American Musical (2002). Her essay “`We'll Always Be Bosom Buddies': Female Duets and the Queering of Broadway Musical Theatre” (GLQ 12 [2006]) won the Association for Theatre in Higher Education's 2007 award for Best E…
Defying Gravity
The musical Wicked, which opened on Broadway in 2003 and is the top-grossing musical of the twenty-first century, features certain elements of a contemporary megamusical, including spectacular visual effects, musical themes that thread through the score, and global capitalist marketing, distribution, and production practices. But, as I demonstrate in this essay, Wicked's narrative and musical structure relies on the building blocks of the "integr…
Jewish American Performance
September 01 2011 Jewish American Performance: An Introduction Jill Dolan, Jill Dolan Jill Dolan is the Annan Professor in English at Princeton University, where she is also Professor of Theater and Director of the Program in Gender and Sexuality Studies. She is the author of, most recently, Theatre & Sexuality (Palgrave Macmillan, 2010) and Utopia in Performance: Finding Hope at the Theatre (University of Michigan Press, 2005), and edited and wr…
Showtime
Journal Article Showtime: A History of the Broadway Musical Theater Get access Showtime: A History of the Broadway Musical Theater. By Larry Stempel. (New York: Norton, 2010. xxii, 826 pp. $39.95, ISBN978-0-393-06715-6.) Stacy Wolf Stacy Wolf Princeton University Princeton, New Jersey [email protected] Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 98, Issue 3, December 2011, Pages 9…
Performing Jewishness In and Out of the Classroom
Journal Article Performing Jewishness In and Out of the Classroom Get access Jill Dolan, Jill Dolan Princeton University Search for other works by this author on: Oxford Academic Google Scholar Stacy Wolf Stacy Wolf Princeton University Search for other works by this author on: Oxford Academic Google Scholar MELUS, Volume 37, Issue 2, June 2012, Pages 201–215, https://doi.org/10.1353/mel.2012.0017 Published: 01 June 2012
Performing Desire
The concept of desire has been theoretically renewed and rewritten constantly in the academy, and yet, it continues to motivate our spectatorship, our scholarship, and our criticism. This issue represents an eclectic and powerful reminder of how desire remains an optic through which we see, feel, and think about performance
The Democratic Republic of Congo
Voted into power in the first democratic elections held in the Democratic Republic of Congo (DRC), the government of Joseph Kabila has presided since 2006 over a nation that remains plagued by recurring violence, pervasive corruption, and stuttering development. Independent journalist Michael Deibert's second book follows earlier journalistic and academic works that sought to make sense of the instability afflicting the DRC. This volume offers an…
Art (16 obras) · Sociology (11 obras) · Art history (8 obras) · History (8 obras) · Literature (8 obras) · Musical (8 obras) · Theater, Performance, and Music History (8 obras) · Gender Studies (7 obras) · Music History and Culture (7 obras) · Cinema and Media Studies (6 obras)