Raphaëlle Bourrillon
Dados Biográficos
| ID | 216945 |
|---|---|
| NOME | Raphaëlle Bourrillon |
| PRENOMES | Raphaëlle |
| SOBRENOME | Bourrillon |
| ASSINATURA | BOURRILLON R |
| AFILIAÇÕES | Travaux et Recherches Archéologiques sur les Cultures, les Espaces et les Sociétés |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 24 |
| TOTAL DE CITAÇÕES | 130 |
| TOTAL COMO AUTOR | 24 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2012 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2020 |
| ÍNDICE H | 5 |
Still no archaeological evidence that Neanderthals created Iberian cave art
The Bronze Age Decorated Cave of Les Fraux
Newly discovered Aurignacian engraved blocks from Abri Cellier
A new Aurignacian engraving from Abri Blanchard, France
Answer to “Comment on Uranium-thorium dating method and Palaeolithic rock art” by Sauvet et al. (2015, in press) by Pons-Branchu E. et al
Uranium–thorium dating method and Palaeolithic rock art
The function of graphic signs in prehistoric societies
Technologies for the Control of Heat and Light in the Vézère Valley Aurignacian
We can trace the beginnings of our knowledge of early Upper Paleolithic (Aurignacian) use of fire to the pioneering 1910-1911 excavations at Abri Blanchard undertaken by Louis Didon and Marcel Castanet. At Blanchard, the excavators recognized and described fire structures that correspond in many ways to features excavated more recently in Western and Central Europe. Here, we address the issue of heat and light management in the early Upper Paleol…
Pratiques symboliques aurignaciennes en abri-sous-roche dans la vallée de la Vézère
Depuis 2007, la reprise de l’étude des surfaces ornées des sites aurignaciens de Blanchard et de Castanet, dans le cadre de fouilles programmées dirigées par R. White permet aujourd’hui, d’aborder l’un des témoignages les plus anciens d’art rupestre dans son contexte culturel, chronologique et environnemental. L’analyse de ses caractéristiques artistiques, tant formelles que techniques, au sein de ses propres contextes archéologiques, mise en per…
Early Aurignacian Graphic Arts in the Vézère Valley
Since 2007, programmed excavations directed by R. White in the Aurignacian sites of Blanchard and Castanet have resulted in renewed studies of graphic representations and have led to a new approach to some of the earliest parietal art from a cultural, chronological and environmental perspective. The analysis of the formal and technical artistic characteristics within each archeological context as part of all the known representations on limestone…
The Venuses Block From A rlanpe Cave ( N orthern I berian P eninsula)
In 2011, an engraved limestone block was found in the cave of A rlanpe ( L emoa, northern I berian P eninsula). One of the figures represented on it was identified as a schematic feminine representation similar to those of the G önnersdorf‐ L alinde style. The stratigraphical position of the block is not totally clear owing to severe disturbance in the U pper P leistocene deposits located near the entrance sector of the cave. Nevertheless, the mo…
Uranium-series dating of carbonate formations overlying Paleolithic art
The Uranium-Thorium (U/ Th) series dating method, developed 50 years ago, has proven its usefulness and reliability for the dating of marine (corals) and continental (speleothems) secondary carbonates deposits. Recently, improvements of the analytical techniques (TIMS – Thermo-Ionization Mass Spectrometry, and then MC-ICPMS – Multicollector-Inductively Coupled Plasma Mass Spectroscopy and laser ablation) allow the dating of very small samples and…
The Decorated Cave of Etxeberri (Camou‐Cihigue, Pyrénées-Atlantiques)
The cave of Etxeberri or Kanpainaga Lezea (Camou-Cihigue commune) is located at 440 m altitude on the western slope of an urgonian limestone cirque of the eastern flank of the Arbailles massif. This cavity is composed of a long, north-south oriented joint, approximately 200 m long, which is difficult to access (three shafts, one small tunnel, an 8 m relief and an 18 m sink‐hole). Etxeberriko Karbia, already known before the discovery of its decor…
The Decorated Paleolithic Cave of Baume Latrone (France, Gard)
Since 2009, a new research program in the cave of Baume Latrone (France, Gard), directed by Marc Azma, has consisted of recording its astonishing parietal images, drawn in clay or engraved on limestone, using a combination of traditional techniques and three-dimensional digitalization.This technological association introduces a fourth dimension into the digital field model by confronting several chronological phases on the wall, which was vandali…
La grotte ornée d’Etxeberri (Camou‐Cihigue, Pyrénées‐Atlantiques)
La grotte d’Etxeberri ou Kanpainaga Lezea (commune de Camou-Cihigue) est à 440 m d’altitude sur le versant occidental d’un cirque de calcaires urgoniens du flanc oriental du massif des Arbailles. Cette cavité est une longue diaclase orientée nord‐sud, d’environ 200 m de long, au parcours périlleux (trois puits, une chatière, un dénivelé de 8 m et un gouffre de 18 m). Etxeberriko Karbia, déjà connue avant la découverte de ses vestiges ornés, fit l…
The rock art of Tastet Cave (Sainte-Colome, Pyrénées-Atlantiques, France)
L’ouverture, en 2012, d’une campagne de fouille dirigée par l’un d’entre nous (JMP) dans la grotte Tastet (Saint-Colome, Pyrénées-Atlantiques) a fourni l’opportunité d’une nouvelle analyse des parois ornées de cette cavité. La révision de l’art pariétal (menée par DG, OR et RB), connu depuis les années 1970, fournit une vision actualisée de l’ensemble orné et quelque peu différente des publications antérieures (Omnès 1983 ; Blanc et Marsan 1984).…
L’art pariétal de la grotte Tastet (Sainte-Colome, Pyrénées-Atlantiques, France)
L’ouverture, en 2012, d’une campagne de fouille dirigée par l’un d’entre nous (JMP) dans la grotte Tastet (Saint-Colome, Pyrénées-Atlantiques) a fourni l’opportunité d’une nouvelle analyse des parois ornées de cette cavité. La révision de l’art pariétal (menée par DG, OR et RB), connu depuis les années 1970, fournit une vision actualisée de l’ensemble orné et quelque peu différente des publications antérieures (Omnès 1983 ; Blanc et Marsan 1984).…
La grotte ornée paléolithique de Baume Latrone (Gard, France)
Context and dating of Aurignacian vulvar representations from Abri Castanet, France
We report here on the 2007 discovery, in perfect archaeological context, of part of the engraved and ocre-stained undersurface of the collapsed rockshelter ceiling from Abri Castanet, Dordogne, France. The decorated surface of the 1.5-t roof-collapse block was in direct contact with the exposed archaeological surface onto which it fell. Because there was no sedimentation between the engraved surface and the archaeological layer upon which it coll…
Bosinski G. (2011) – Femmes sans tête. Une icône culturelle dans l’Europe de la fin de l’époque glaciaire
Bourrillon Raphaëlle. Bosinski G. (2011) – Femmes sans tête. Une icône culturelle dans l’Europe de la fin de l’époque glaciaire. In: Bulletin de la Société préhistorique française, tome 109, n°3, 2012. pp. 583-585
Une nouvelle découverte d’art pariétal aurignacien in situ à l’abri Castanet (Dordogne, France)
En 2007, un fragment de voûte ornée a été découvert, sur le site de l’abri Castanet (commune de Sergeac, Dordogne) lors des opérations archéologiques ce qui n’était plus arrivé depuis 1912 (fouilles de M. Castanet pour L. Didon). La face profondément gravée et peinte de ce bloc d’effondrement, pesant plus d’une tonne, était en contact direct avec la couche archéologique aurignacienne. Une série de six datations par 14C AMS (par filtration molécul…
Context and dating of newly discovered Aurignacian rock art from Abri Castanet (Dordogne, France)
In this paper we report on the discovery in 2007 in archaeological context, of part of the engraved and ocher-stained undersurface of the rockshelter ceiling from Abri Castanet, Commune de Sergeac, Dordogne. The engraved/painted undersurface of the massive roof-collapse block, weighing more than a ton, was in direct contact with the surface of the early Aurignacian archaeological layer onto which it had fallen. A series of six molecular filtratio…
La grotte ornée paléolithique d’Etxeberri (Camou-Cihige, Pyrénées-Atlantiques)
The cave of Etxeberriko Karbia, in the “ Massif des Arbailles” (Western Pyrenees), has been the subject of spelunking expeditions since the early 20th century. However, during a visit in May 1950, P. Boucher, with G. Laplace, discovered a small painting of a red horse as they were on their way out of the cave before crossing through a crawlway. The following year, Laplace decided to study the art in this cave and, in 1952, he published the result…
La thématique féminine au cours du Paléolithique supérieur européen
La découverte des premières représentations féminines remonte à la fin du XIXe siècle (Grimaldi, Italie ; Brassempouy, Landes ; Laugerie-Basse, Dordogne). Elles ont, depuis, été abordées sur un plan tant anthropologique que formel, technique et/ ou symbolique (Piette, 1984 ; Bégouën, 1934 ; Pales, 1972 ; Delporte, 1979 ; Leroi-Gourhan, 1971 ; White, 2006 ; Dupuy, 2007 ; etc.). Les figures «en pied » , type statuette gravettienne, ont particulière…
Still no archaeological evidence that Neanderthals created Iberian cave art
Technologies for the Control of Heat and Light in the Vézère Valley Aurignacian
We can trace the beginnings of our knowledge of early Upper Paleolithic (Aurignacian) use of fire to the pioneering 1910-1911 excavations at Abri Blanchard undertaken by Louis Didon and Marcel Castanet. At Blanchard, the excavators recognized and described fire structures that correspond in many ways to features excavated more recently in Western and Central Europe. Here, we address the issue of heat and light management in the early Upper Paleol…
La thématique féminine au cours du Paléolithique supérieur européen
La découverte des premières représentations féminines remonte à la fin du XIXe siècle (Grimaldi, Italie ; Brassempouy, Landes ; Laugerie-Basse, Dordogne). Elles ont, depuis, été abordées sur un plan tant anthropologique que formel, technique et/ ou symbolique (Piette, 1984 ; Bégouën, 1934 ; Pales, 1972 ; Delporte, 1979 ; Leroi-Gourhan, 1971 ; White, 2006 ; Dupuy, 2007 ; etc.). Les figures «en pied » , type statuette gravettienne, ont particulière…
The function of graphic signs in prehistoric societies
Uranium-series dating of carbonate formations overlying Paleolithic art
The Uranium-Thorium (U/ Th) series dating method, developed 50 years ago, has proven its usefulness and reliability for the dating of marine (corals) and continental (speleothems) secondary carbonates deposits. Recently, improvements of the analytical techniques (TIMS – Thermo-Ionization Mass Spectrometry, and then MC-ICPMS – Multicollector-Inductively Coupled Plasma Mass Spectroscopy and laser ablation) allow the dating of very small samples and…
La grotte ornée paléolithique d’Etxeberri (Camou-Cihige, Pyrénées-Atlantiques)
The cave of Etxeberriko Karbia, in the “ Massif des Arbailles” (Western Pyrenees), has been the subject of spelunking expeditions since the early 20th century. However, during a visit in May 1950, P. Boucher, with G. Laplace, discovered a small painting of a red horse as they were on their way out of the cave before crossing through a crawlway. The following year, Laplace decided to study the art in this cave and, in 1952, he published the result…
Early Aurignacian Graphic Arts in the Vézère Valley
Since 2007, programmed excavations directed by R. White in the Aurignacian sites of Blanchard and Castanet have resulted in renewed studies of graphic representations and have led to a new approach to some of the earliest parietal art from a cultural, chronological and environmental perspective. The analysis of the formal and technical artistic characteristics within each archeological context as part of all the known representations on limestone…
The Venuses Block From A rlanpe Cave ( N orthern I berian P eninsula)
In 2011, an engraved limestone block was found in the cave of A rlanpe ( L emoa, northern I berian P eninsula). One of the figures represented on it was identified as a schematic feminine representation similar to those of the G önnersdorf‐ L alinde style. The stratigraphical position of the block is not totally clear owing to severe disturbance in the U pper P leistocene deposits located near the entrance sector of the cave. Nevertheless, the mo…
L’art pariétal de la grotte Tastet (Sainte-Colome, Pyrénées-Atlantiques, France)
L’ouverture, en 2012, d’une campagne de fouille dirigée par l’un d’entre nous (JMP) dans la grotte Tastet (Saint-Colome, Pyrénées-Atlantiques) a fourni l’opportunité d’une nouvelle analyse des parois ornées de cette cavité. La révision de l’art pariétal (menée par DG, OR et RB), connu depuis les années 1970, fournit une vision actualisée de l’ensemble orné et quelque peu différente des publications antérieures (Omnès 1983 ; Blanc et Marsan 1984).…
La grotte ornée paléolithique de Baume Latrone (Gard, France)
Pratiques symboliques aurignaciennes en abri-sous-roche dans la vallée de la Vézère
Depuis 2007, la reprise de l’étude des surfaces ornées des sites aurignaciens de Blanchard et de Castanet, dans le cadre de fouilles programmées dirigées par R. White permet aujourd’hui, d’aborder l’un des témoignages les plus anciens d’art rupestre dans son contexte culturel, chronologique et environnemental. L’analyse de ses caractéristiques artistiques, tant formelles que techniques, au sein de ses propres contextes archéologiques, mise en per…
Context and dating of newly discovered Aurignacian rock art from Abri Castanet (Dordogne, France)
In this paper we report on the discovery in 2007 in archaeological context, of part of the engraved and ocher-stained undersurface of the rockshelter ceiling from Abri Castanet, Commune de Sergeac, Dordogne. The engraved/painted undersurface of the massive roof-collapse block, weighing more than a ton, was in direct contact with the surface of the early Aurignacian archaeological layer onto which it had fallen. A series of six molecular filtratio…
Context and dating of Aurignacian vulvar representations from Abri Castanet, France
We report here on the 2007 discovery, in perfect archaeological context, of part of the engraved and ocre-stained undersurface of the collapsed rockshelter ceiling from Abri Castanet, Dordogne, France. The decorated surface of the 1.5-t roof-collapse block was in direct contact with the exposed archaeological surface onto which it fell. Because there was no sedimentation between the engraved surface and the archaeological layer upon which it coll…
Bosinski G. (2011) – Femmes sans tête. Une icône culturelle dans l’Europe de la fin de l’époque glaciaire
Bourrillon Raphaëlle. Bosinski G. (2011) – Femmes sans tête. Une icône culturelle dans l’Europe de la fin de l’époque glaciaire. In: Bulletin de la Société préhistorique française, tome 109, n°3, 2012. pp. 583-585
Une nouvelle découverte d’art pariétal aurignacien in situ à l’abri Castanet (Dordogne, France)
En 2007, un fragment de voûte ornée a été découvert, sur le site de l’abri Castanet (commune de Sergeac, Dordogne) lors des opérations archéologiques ce qui n’était plus arrivé depuis 1912 (fouilles de M. Castanet pour L. Didon). La face profondément gravée et peinte de ce bloc d’effondrement, pesant plus d’une tonne, était en contact direct avec la couche archéologique aurignacienne. Une série de six datations par 14C AMS (par filtration molécul…
Context and dating of newly discovered Aurignacian rock art from Abri Castanet (Dordogne, France)
In this paper we report on the discovery in 2007 in archaeological context, of part of the engraved and ocher-stained undersurface of the rockshelter ceiling from Abri Castanet, Commune de Sergeac, Dordogne. The engraved/painted undersurface of the massive roof-collapse block, weighing more than a ton, was in direct contact with the surface of the early Aurignacian archaeological layer onto which it had fallen. A series of six molecular filtratio…
La grotte ornée paléolithique d’Etxeberri (Camou-Cihige, Pyrénées-Atlantiques)
The cave of Etxeberriko Karbia, in the “ Massif des Arbailles” (Western Pyrenees), has been the subject of spelunking expeditions since the early 20th century. However, during a visit in May 1950, P. Boucher, with G. Laplace, discovered a small painting of a red horse as they were on their way out of the cave before crossing through a crawlway. The following year, Laplace decided to study the art in this cave and, in 1952, he published the result…
La thématique féminine au cours du Paléolithique supérieur européen
La découverte des premières représentations féminines remonte à la fin du XIXe siècle (Grimaldi, Italie ; Brassempouy, Landes ; Laugerie-Basse, Dordogne). Elles ont, depuis, été abordées sur un plan tant anthropologique que formel, technique et/ ou symbolique (Piette, 1984 ; Bégouën, 1934 ; Pales, 1972 ; Delporte, 1979 ; Leroi-Gourhan, 1971 ; White, 2006 ; Dupuy, 2007 ; etc.). Les figures «en pied » , type statuette gravettienne, ont particulière…
The Decorated Cave of Etxeberri (Camou‐Cihigue, Pyrénées-Atlantiques)
The cave of Etxeberri or Kanpainaga Lezea (Camou-Cihigue commune) is located at 440 m altitude on the western slope of an urgonian limestone cirque of the eastern flank of the Arbailles massif. This cavity is composed of a long, north-south oriented joint, approximately 200 m long, which is difficult to access (three shafts, one small tunnel, an 8 m relief and an 18 m sink‐hole). Etxeberriko Karbia, already known before the discovery of its decor…
The Decorated Paleolithic Cave of Baume Latrone (France, Gard)
Since 2009, a new research program in the cave of Baume Latrone (France, Gard), directed by Marc Azma, has consisted of recording its astonishing parietal images, drawn in clay or engraved on limestone, using a combination of traditional techniques and three-dimensional digitalization.This technological association introduces a fourth dimension into the digital field model by confronting several chronological phases on the wall, which was vandali…
La grotte ornée d’Etxeberri (Camou‐Cihigue, Pyrénées‐Atlantiques)
La grotte d’Etxeberri ou Kanpainaga Lezea (commune de Camou-Cihigue) est à 440 m d’altitude sur le versant occidental d’un cirque de calcaires urgoniens du flanc oriental du massif des Arbailles. Cette cavité est une longue diaclase orientée nord‐sud, d’environ 200 m de long, au parcours périlleux (trois puits, une chatière, un dénivelé de 8 m et un gouffre de 18 m). Etxeberriko Karbia, déjà connue avant la découverte de ses vestiges ornés, fit l…
The rock art of Tastet Cave (Sainte-Colome, Pyrénées-Atlantiques, France)
L’ouverture, en 2012, d’une campagne de fouille dirigée par l’un d’entre nous (JMP) dans la grotte Tastet (Saint-Colome, Pyrénées-Atlantiques) a fourni l’opportunité d’une nouvelle analyse des parois ornées de cette cavité. La révision de l’art pariétal (menée par DG, OR et RB), connu depuis les années 1970, fournit une vision actualisée de l’ensemble orné et quelque peu différente des publications antérieures (Omnès 1983 ; Blanc et Marsan 1984).…
L’art pariétal de la grotte Tastet (Sainte-Colome, Pyrénées-Atlantiques, France)
L’ouverture, en 2012, d’une campagne de fouille dirigée par l’un d’entre nous (JMP) dans la grotte Tastet (Saint-Colome, Pyrénées-Atlantiques) a fourni l’opportunité d’une nouvelle analyse des parois ornées de cette cavité. La révision de l’art pariétal (menée par DG, OR et RB), connu depuis les années 1970, fournit une vision actualisée de l’ensemble orné et quelque peu différente des publications antérieures (Omnès 1983 ; Blanc et Marsan 1984).…
La grotte ornée paléolithique de Baume Latrone (Gard, France)
Uranium-series dating of carbonate formations overlying Paleolithic art
The Uranium-Thorium (U/ Th) series dating method, developed 50 years ago, has proven its usefulness and reliability for the dating of marine (corals) and continental (speleothems) secondary carbonates deposits. Recently, improvements of the analytical techniques (TIMS – Thermo-Ionization Mass Spectrometry, and then MC-ICPMS – Multicollector-Inductively Coupled Plasma Mass Spectroscopy and laser ablation) allow the dating of very small samples and…
Pratiques symboliques aurignaciennes en abri-sous-roche dans la vallée de la Vézère
Depuis 2007, la reprise de l’étude des surfaces ornées des sites aurignaciens de Blanchard et de Castanet, dans le cadre de fouilles programmées dirigées par R. White permet aujourd’hui, d’aborder l’un des témoignages les plus anciens d’art rupestre dans son contexte culturel, chronologique et environnemental. L’analyse de ses caractéristiques artistiques, tant formelles que techniques, au sein de ses propres contextes archéologiques, mise en per…
Early Aurignacian Graphic Arts in the Vézère Valley
Since 2007, programmed excavations directed by R. White in the Aurignacian sites of Blanchard and Castanet have resulted in renewed studies of graphic representations and have led to a new approach to some of the earliest parietal art from a cultural, chronological and environmental perspective. The analysis of the formal and technical artistic characteristics within each archeological context as part of all the known representations on limestone…
The Venuses Block From A rlanpe Cave ( N orthern I berian P eninsula)
In 2011, an engraved limestone block was found in the cave of A rlanpe ( L emoa, northern I berian P eninsula). One of the figures represented on it was identified as a schematic feminine representation similar to those of the G önnersdorf‐ L alinde style. The stratigraphical position of the block is not totally clear owing to severe disturbance in the U pper P leistocene deposits located near the entrance sector of the cave. Nevertheless, the mo…
Answer to “Comment on Uranium-thorium dating method and Palaeolithic rock art” by Sauvet et al. (2015, in press) by Pons-Branchu E. et al
Uranium–thorium dating method and Palaeolithic rock art
The function of graphic signs in prehistoric societies
Technologies for the Control of Heat and Light in the Vézère Valley Aurignacian
We can trace the beginnings of our knowledge of early Upper Paleolithic (Aurignacian) use of fire to the pioneering 1910-1911 excavations at Abri Blanchard undertaken by Louis Didon and Marcel Castanet. At Blanchard, the excavators recognized and described fire structures that correspond in many ways to features excavated more recently in Western and Central Europe. Here, we address the issue of heat and light management in the early Upper Paleol…
Newly discovered Aurignacian engraved blocks from Abri Cellier
A new Aurignacian engraving from Abri Blanchard, France
The Bronze Age Decorated Cave of Les Fraux
Still no archaeological evidence that Neanderthals created Iberian cave art
Archaeology (18 obras) · Pleistocene-Era Hominins and Archaeology (18 obras) · Geography (14 obras) · Art (13 obras) · Cave (12 obras) · Archaeological and Geological Studies (11 obras) · History (9 obras) · Geology (8 obras) · Archaeology and Rock Art Studies (7 obras) · Humanities (7 obras)