Christine Mullen Kreamer

• Simon Ottenberg

  Christine Mullen Kreamer, Herbert M Cole•ARTICLE•African Arts•2025•Referências: 1

  Incluir item

  Simon Ottenberg, Emeritus Professor at the University of Washington, died in Seattle on November 1, 2023 at the age of 100. He was an anthropologist, sailing enthusiast, collector, book seller, avid puzzler, and longtime supporter of contemporary arts from West Africa and the Pacific Northwest—and a fine, much-loved person. Ottenberg is well known as a distinguished anthropologist, yet he should be equally celebrated as a superlative art and cult…

• Crowning Achievements

  Mary Jo Arnoldi, Christine Mullen Kreamer•ARTICLE•African Arts•2022•Citada por: 9

  Incluir item

  Pour les Africians, le corps, et plus particulierement la tete, possede une force symbolique. La coiffe masculine et feminine traduit l'etat (social, psychique, etc.) de celui qui la porte. Certaines formes ont ete adaptees aux sensibilites et a l'esthetique locales. Divers materiaux, techniques et formes caracterisent ces coiffes qui allient l'esthetique et le pratique dans la vie quotidienne. Des chapeaux spectaculaires existent pour les occasi…

• Restitution

  Christine Mullen Kreamer•ARTICLE•African Arts•2021•Citada por: 2

  Incluir item

  In her First Word, “African Restitution in a North American Context: A Debate, A Summary, and a Challenge” (African Arts 53 [4]: 10–15), Amanda M. Maples presents a well-researched and compelling argument for museums in North America to join together and develop a process of restitution regarding Africa's archaeological and colonial-era heritage. I would emphasize that this initiative must embrace a process of true partnership and inclusion that …

• Curating African Cosmos/Stellar Arts

  Open Access•Christine Mullen Kreamer•ARTICLE•Anthropology News•2019

  Incluir item

• Ivan Karp (1943–2011)

  Mary Jo Arnoldi, H Morphy et al.•ARTICLE•African Arts•2012

  Incluir item

  June 01 2012 Ivan Karp (1943–2011) Mary Jo Arnoldi, Mary Jo Arnoldi Curator for Africa and chair of the Department of Anthropology, National Museum of Natural History, Smithsonian Institution. [email protected] Search for other works by this author on: This Site Google Scholar Howard Morphy, Howard Morphy Professor of Anthropology and Director of the Research School of the Humanities and the Arts, Australian National University. [email protected]…

• The Collection of the National Museum of African art Smithsonian Institution

  Open Access•Bryna Freyer, Bryna M Freyer et al.•ARTICLE•Sculpture Review•2010

  Incluir item

• Impermanent by Design

  Christine Mullen Kreamer•ARTICLE•African Arts•2010•Citada por: 1•Referências: 5

  Incluir item

  March 01 2010 Impermanent by Design: The Ephemeral in Africa's Tradition-based Arts Christine Mullen Kreamer Christine Mullen Kreamer Acting Deputy Director/Chief Curator at the National Museum of African Art, Smithsonian Institution, where she has worked since 2000. Her exhibitions and publications explore art and ritual, gender, African systems of knowledge, and museum practice, and they bridge the disciplines of art history, anthropology, and …

• Intersections

  Christine Mullen Kreamer•ARTICLE•African Arts•2008

  Incluir item

• Inscribing Meaning

  Christine Mullen Kreamer, Mary Nooter Roberts et al.•ARTICLE•African Arts•2007•Citada por: 2•Referências: 1

  Incluir item

  September 01 2007 Inscribing Meaning: Writing and Graphic Systems in African Art Christine Mullen Kreamer, Christine Mullen Kreamer CHRISTINE MULLEN KREAMER is a curator at the National Museum of African Art, Smithsonian Institution, Washington, DC. [email protected] Search for other works by this author on: This Site Google Scholar Mary Nooter Roberts, Mary Nooter Roberts MARY (POLLY) NOOTER ROBERTS is deputy director and chief curator at the Fowl…

• Shared Heritage, Contested Terrain

  Open Access•Christine Mullen Kreamer•CHAPTER•Museum Frictions•2006

  Incluir item

• The Politics of Memory

  Christine Mullen Kreamer•ARTICLE•Ghana Studies•2004•Referências: 4

  Incluir item

  A plaque mounted at the doorway to the dungeon at Cape Coast Castle, Ghana, bears the inscription: > IN EVERLASTING MEMORY > > Of the anguish of our ancestors. > > May those who died rest in peace. > > May those who return find their roots. > > May humanity never again perpetuate > > Such

• The Politics of Memory

  Christine Mullen Kreamer•ARTICLE•Ghana Studies•2004•Citada por: 4•Referências: 6

  Incluir item

  Ghana Studies v.7 (2004) pp. 79-91. THE POLITICS OF MEMORY: GHANA'S CAPE COAST CASTLE MUSEUM EXHIBITION "CROSSROADS OF PEOPLE, CROSSROADS OF TRADE"1 Christine Mullen Kreamer National Museum of African Art, Smithsonian Institution plaque mounted at the doorway to the dungeon at Cape Coast Castle, Ghana, bears the inscription: IN EVERLASTING MEMORY Of the anguish of our ancestors. May those who died rest in peace. May those who return find their ro…

• Africa

  Marla C Berns, T J H Chappel et al.•CHAPTER•2003

  Incluir item

• A Tribute to Roy Sieber, Part 1

  Christine Mullen Kreamer•ARTICLE•African Arts•2003•Citada por: 1

  Incluir item

  Dans cette seconde partie d'un hommage consacre a l'historien de l'art Roy Sieber, l'A. considere l'amour que celui-ci portait aux objets et ses contributions en tant que connaisseur des arts africains fondes sur la tradition. Pendant pres d'un demi-siecle Sieber a utilise les expositions de musee pour explorer la potentialite des objets - leurs contextes et leur esthetique - pour comprendre les premisses et la logique des societes. Sieber a nota…

• A Tribute to Roy Sieber, Part 2

  Christine Mullen Kreamer•ARTICLE•African Arts•2003•Citada por: 1

  Incluir item

• Objects as Envoys

  Andrew Walsh, Christine Mullen Kreamer et al.•ARTICLE•African Studies Review•2003•Citada por: 2

  Incluir item

  Foreword by Zina Andrianarivelo-RazafyForeword by Shirley E.

• Reflections on "African Voices" at the Smithsonian's National Museum of Natural History

  Mary Jo Arnoldi, Christine Mullen Kreamer et al.•ARTICLE•African Arts•2001•Citada por: 2

  Incluir item

  Mary Jo Arnoldi, Christine Mullen Kreamer, Michael Atwood Mason, Reflections on "African Voices" at the Smithsonian's National Museum of Natural History, African Arts, Vol. 34, No. 2 (Summer, 2001), pp. 16-35+94

• Body Art

  Christine Mullen Kreamer•ARTICLE•African Arts•2001

  Incluir item

• Hair in African Art and Culture

  Christine Mullen Kreamer•ARTICLE•African Arts•2001

  Incluir item

• Exhibition-Ism

  Christine Mullen Kreamer, Mary Nooter Roberts et al.•ARTICLE•African Arts•1996

  Incluir item

• Transformation and power in Moba (northern Togo) initiation rites

  Open Access•Christine Mullen Kreamer•ARTICLE•Africa•1995•Citada por: 3•Referências: 5

  Incluir item

  Among the Moba of northern Togo, initiation into the voluntary and secret association of Kondi offers men and women a way of achieving a measure of social and ritual power. For the Moba, accepted notions about ancestral authority, specialist knowledge, and the spatial realm of the wilderness inform their concepts of power. One of the ways in which the achievement of power is conceptualised is through the transformation of the individual during th…

• The Halls are Made of Marble, There's a Guard at Every Door

  Open Access•Jo Blatti, Ivan Karp et al.•ARTICLE•American Quarterly•1993•Referências: 2

  Incluir item

  READERS WHO FOLLOW ISSUES IN MUSEUM PRACTICE WILL RECOGNIZE Exhibiting Cultures and its companion volume Museums and Communities as the most recent additions to a group of works published over the past decade that analyze form and substance in exhibits and interpretive programs. Earlier entries exploring broadly historical applications include the edited collections Presenting the Past, Past Meets Present, History Museums in the United States, as…

• Museums and Communities

  Michael G Bennett, Ivan Karp et al.•ARTICLE•Journal of American Folklore•1993

  Incluir item

• Museums and communities

  Christine Mullen Kreamer, Ivan Karp et al.•BOOK•Museums and communities•1992•Citada por: 138

  Incluir item

• Wild Spirits, Strong Medicine

  T O Beidelman, Patrick R Mcnaughton et al.•ARTICLE•African Arts•1990•Citada por: 1

  Incluir item

• Museums and communities

  Christine Mullen Kreamer, Ivan Karp et al.•BOOK•Museums and communities•1992•Citada por: 138

  Incluir item

• Crowning Achievements

  Mary Jo Arnoldi, Christine Mullen Kreamer•ARTICLE•African Arts•2022•Citada por: 9

  Incluir item

  Pour les Africians, le corps, et plus particulierement la tete, possede une force symbolique. La coiffe masculine et feminine traduit l'etat (social, psychique, etc.) de celui qui la porte. Certaines formes ont ete adaptees aux sensibilites et a l'esthetique locales. Divers materiaux, techniques et formes caracterisent ces coiffes qui allient l'esthetique et le pratique dans la vie quotidienne. Des chapeaux spectaculaires existent pour les occasi…

• The Politics of Memory

  Christine Mullen Kreamer•ARTICLE•Ghana Studies•2004•Citada por: 4•Referências: 6

  Incluir item

  Ghana Studies v.7 (2004) pp. 79-91. THE POLITICS OF MEMORY: GHANA'S CAPE COAST CASTLE MUSEUM EXHIBITION "CROSSROADS OF PEOPLE, CROSSROADS OF TRADE"1 Christine Mullen Kreamer National Museum of African Art, Smithsonian Institution plaque mounted at the doorway to the dungeon at Cape Coast Castle, Ghana, bears the inscription: IN EVERLASTING MEMORY Of the anguish of our ancestors. May those who died rest in peace. May those who return find their ro…

• Transformation and power in Moba (northern Togo) initiation rites

  Open Access•Christine Mullen Kreamer•ARTICLE•Africa•1995•Citada por: 3•Referências: 5

  Incluir item

  Among the Moba of northern Togo, initiation into the voluntary and secret association of Kondi offers men and women a way of achieving a measure of social and ritual power. For the Moba, accepted notions about ancestral authority, specialist knowledge, and the spatial realm of the wilderness inform their concepts of power. One of the ways in which the achievement of power is conceptualised is through the transformation of the individual during th…

• Restitution

  Christine Mullen Kreamer•ARTICLE•African Arts•2021•Citada por: 2

  Incluir item

  In her First Word, “African Restitution in a North American Context: A Debate, A Summary, and a Challenge” (African Arts 53 [4]: 10–15), Amanda M. Maples presents a well-researched and compelling argument for museums in North America to join together and develop a process of restitution regarding Africa's archaeological and colonial-era heritage. I would emphasize that this initiative must embrace a process of true partnership and inclusion that …

• Inscribing Meaning

  Christine Mullen Kreamer, Mary Nooter Roberts et al.•ARTICLE•African Arts•2007•Citada por: 2•Referências: 1

  Incluir item

  September 01 2007 Inscribing Meaning: Writing and Graphic Systems in African Art Christine Mullen Kreamer, Christine Mullen Kreamer CHRISTINE MULLEN KREAMER is a curator at the National Museum of African Art, Smithsonian Institution, Washington, DC. [email protected] Search for other works by this author on: This Site Google Scholar Mary Nooter Roberts, Mary Nooter Roberts MARY (POLLY) NOOTER ROBERTS is deputy director and chief curator at the Fowl…

• Objects as Envoys

  Andrew Walsh, Christine Mullen Kreamer et al.•ARTICLE•African Studies Review•2003•Citada por: 2

  Incluir item

  Foreword by Zina Andrianarivelo-RazafyForeword by Shirley E.

• Reflections on "African Voices" at the Smithsonian's National Museum of Natural History

  Mary Jo Arnoldi, Christine Mullen Kreamer et al.•ARTICLE•African Arts•2001•Citada por: 2

  Incluir item

  Mary Jo Arnoldi, Christine Mullen Kreamer, Michael Atwood Mason, Reflections on "African Voices" at the Smithsonian's National Museum of Natural History, African Arts, Vol. 34, No. 2 (Summer, 2001), pp. 16-35+94

• Moba Shrine Figures

  Christine Mullen Kreamer•ARTICLE•African Arts•1987•Citada por: 2

  Incluir item

• Impermanent by Design

  Christine Mullen Kreamer•ARTICLE•African Arts•2010•Citada por: 1•Referências: 5

  Incluir item

  March 01 2010 Impermanent by Design: The Ephemeral in Africa's Tradition-based Arts Christine Mullen Kreamer Christine Mullen Kreamer Acting Deputy Director/Chief Curator at the National Museum of African Art, Smithsonian Institution, where she has worked since 2000. Her exhibitions and publications explore art and ritual, gender, African systems of knowledge, and museum practice, and they bridge the disciplines of art history, anthropology, and …

• A Tribute to Roy Sieber, Part 1

  Christine Mullen Kreamer•ARTICLE•African Arts•2003•Citada por: 1

  Incluir item

  Dans cette seconde partie d'un hommage consacre a l'historien de l'art Roy Sieber, l'A. considere l'amour que celui-ci portait aux objets et ses contributions en tant que connaisseur des arts africains fondes sur la tradition. Pendant pres d'un demi-siecle Sieber a utilise les expositions de musee pour explorer la potentialite des objets - leurs contextes et leur esthetique - pour comprendre les premisses et la logique des societes. Sieber a nota…

• A Tribute to Roy Sieber, Part 2

  Christine Mullen Kreamer•ARTICLE•African Arts•2003•Citada por: 1

  Incluir item

• Wild Spirits, Strong Medicine

  T O Beidelman, Patrick R Mcnaughton et al.•ARTICLE•African Arts•1990•Citada por: 1

  Incluir item

• Moba Weaving

  Christine Mullen Kreamer•ARTICLE•African Arts•1986

  Incluir item

• Moba Shrine Figures

  Christine Mullen Kreamer•ARTICLE•African Arts•1987•Citada por: 2

  Incluir item

• A Treasury of African Art from the Harrison Eiteljorg Collection

  Christine Mullen Kreamer, Theodore Celenko•ARTICLE•African Arts•1987

  Incluir item

• Art of Sub-Saharan Africa

  F T H Smith, Fred T Smith et al.•ARTICLE•African Arts•1988

  Incluir item

• Graffiti Magic

  Christine Mullen Kreamer•ARTICLE•African Arts•1988

  Incluir item

• Echoes of the Kalabari

  Christine Mullen Kreamer•ARTICLE•African Arts•1989

  Incluir item

• The Art of Collecting African Art

  Christine Mullen Kreamer•ARTICLE•African Arts•1989

  Incluir item

• Kalabari Ancestral Screens

  Christine Mullen Kreamer•ARTICLE•African Arts•1989

  Incluir item

• Wild Spirits, Strong Medicine

  T O Beidelman, Patrick R Mcnaughton et al.•ARTICLE•African Arts•1990•Citada por: 1

  Incluir item

• Museums and communities

  Christine Mullen Kreamer, Ivan Karp et al.•BOOK•Museums and communities•1992•Citada por: 138

  Incluir item

• The Halls are Made of Marble, There's a Guard at Every Door

  Open Access•Jo Blatti, Ivan Karp et al.•ARTICLE•American Quarterly•1993•Referências: 2

  Incluir item

  READERS WHO FOLLOW ISSUES IN MUSEUM PRACTICE WILL RECOGNIZE Exhibiting Cultures and its companion volume Museums and Communities as the most recent additions to a group of works published over the past decade that analyze form and substance in exhibits and interpretive programs. Earlier entries exploring broadly historical applications include the edited collections Presenting the Past, Past Meets Present, History Museums in the United States, as…

• Museums and Communities

  Michael G Bennett, Ivan Karp et al.•ARTICLE•Journal of American Folklore•1993

  Incluir item

• Transformation and power in Moba (northern Togo) initiation rites

  Open Access•Christine Mullen Kreamer•ARTICLE•Africa•1995•Citada por: 3•Referências: 5

  Incluir item

  Among the Moba of northern Togo, initiation into the voluntary and secret association of Kondi offers men and women a way of achieving a measure of social and ritual power. For the Moba, accepted notions about ancestral authority, specialist knowledge, and the spatial realm of the wilderness inform their concepts of power. One of the ways in which the achievement of power is conceptualised is through the transformation of the individual during th…

• Exhibition-Ism

  Christine Mullen Kreamer, Mary Nooter Roberts et al.•ARTICLE•African Arts•1996

  Incluir item

• Reflections on "African Voices" at the Smithsonian's National Museum of Natural History

  Mary Jo Arnoldi, Christine Mullen Kreamer et al.•ARTICLE•African Arts•2001•Citada por: 2

  Incluir item

  Mary Jo Arnoldi, Christine Mullen Kreamer, Michael Atwood Mason, Reflections on "African Voices" at the Smithsonian's National Museum of Natural History, African Arts, Vol. 34, No. 2 (Summer, 2001), pp. 16-35+94

• Body Art

  Christine Mullen Kreamer•ARTICLE•African Arts•2001

  Incluir item

• Hair in African Art and Culture

  Christine Mullen Kreamer•ARTICLE•African Arts•2001

  Incluir item

• Africa

  Marla C Berns, T J H Chappel et al.•CHAPTER•2003

  Incluir item

• A Tribute to Roy Sieber, Part 1

  Christine Mullen Kreamer•ARTICLE•African Arts•2003•Citada por: 1

  Incluir item

  Dans cette seconde partie d'un hommage consacre a l'historien de l'art Roy Sieber, l'A. considere l'amour que celui-ci portait aux objets et ses contributions en tant que connaisseur des arts africains fondes sur la tradition. Pendant pres d'un demi-siecle Sieber a utilise les expositions de musee pour explorer la potentialite des objets - leurs contextes et leur esthetique - pour comprendre les premisses et la logique des societes. Sieber a nota…

• A Tribute to Roy Sieber, Part 2

  Christine Mullen Kreamer•ARTICLE•African Arts•2003•Citada por: 1

  Incluir item

• Objects as Envoys

  Andrew Walsh, Christine Mullen Kreamer et al.•ARTICLE•African Studies Review•2003•Citada por: 2

  Incluir item

  Foreword by Zina Andrianarivelo-RazafyForeword by Shirley E.

• The Politics of Memory

  Christine Mullen Kreamer•ARTICLE•Ghana Studies•2004•Referências: 4

  Incluir item

  A plaque mounted at the doorway to the dungeon at Cape Coast Castle, Ghana, bears the inscription: > IN EVERLASTING MEMORY > > Of the anguish of our ancestors. > > May those who died rest in peace. > > May those who return find their roots. > > May humanity never again perpetuate > > Such

• The Politics of Memory

  Christine Mullen Kreamer•ARTICLE•Ghana Studies•2004•Citada por: 4•Referências: 6

  Incluir item

  Ghana Studies v.7 (2004) pp. 79-91. THE POLITICS OF MEMORY: GHANA'S CAPE COAST CASTLE MUSEUM EXHIBITION "CROSSROADS OF PEOPLE, CROSSROADS OF TRADE"1 Christine Mullen Kreamer National Museum of African Art, Smithsonian Institution plaque mounted at the doorway to the dungeon at Cape Coast Castle, Ghana, bears the inscription: IN EVERLASTING MEMORY Of the anguish of our ancestors. May those who died rest in peace. May those who return find their ro…

• Shared Heritage, Contested Terrain

  Open Access•Christine Mullen Kreamer•CHAPTER•Museum Frictions•2006

  Incluir item

• Inscribing Meaning

  Christine Mullen Kreamer, Mary Nooter Roberts et al.•ARTICLE•African Arts•2007•Citada por: 2•Referências: 1

  Incluir item

  September 01 2007 Inscribing Meaning: Writing and Graphic Systems in African Art Christine Mullen Kreamer, Christine Mullen Kreamer CHRISTINE MULLEN KREAMER is a curator at the National Museum of African Art, Smithsonian Institution, Washington, DC. [email protected] Search for other works by this author on: This Site Google Scholar Mary Nooter Roberts, Mary Nooter Roberts MARY (POLLY) NOOTER ROBERTS is deputy director and chief curator at the Fowl…

Art (24 obras) · Visual arts (16 obras) · History (15 obras) · Sociology (13 obras) · African history and culture studies (10 obras) · Art history (10 obras) · Museums and Cultural Heritage (9 obras) · Archaeology (8 obras) · African art (7 obras) · Cultural Industries and Urban Development (7 obras)