Marina Vishmidt
Dados Biográficos
| ID | 218095 |
|---|---|
| NOME | Marina Vishmidt |
| PRENOMES | Marina |
| SOBRENOME | Vishmidt |
| ASSINATURA | VISHMIDT M |
| AFILIAÇÕES | Schlumberger (Ireland) |
| ORCID | 0000-0003-4100-0536 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 13 |
| TOTAL DE CITAÇÕES | 6 |
| TOTAL COMO AUTOR | 13 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2015 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2024 |
| ÍNDICE H | 1 |
Généalogies de l’autonomie
Le numéro de Perspective sur l’autonomie pour lequel nous avons cette conversation semble faire partie d’une constellation de publications et de rencontres consacrées à la question. Marina Vishmidt et moi-même avons participé à un colloque à Paris sur le sujet et je crois savoir que d’autres colloques et conférences se tiendront dans un avenir proche.Comme le laissent entendre ces événements, l’autonomie de l’art est une fois encore à l’ordre du …
Nothing to See Here
"Marina Vishmidt. Review of "The Artist as Economist
The 1960s are often art historicized as a period when artists began to shift their practices away from materiality and toward forms of abstract thought.According to the economist-turned-art-historian Sophie Cras, it also turns out to have been a decade when financial abstraction came to the forefront, and not just for artists who suddenly found themselves flung from the garret into a boom market, but for the public as a whole, heralding a cultura…
Between Equal Rights
In taking up the question of the visualisation of class in contemporary art over the past four decades – that is, from the time feminist and other identity-critical approaches to the politics of the image began to make incursions into the social(ist) art history matrix – this essay will explore what kind of difference from the bourgeois norm visualisations of the working class attempt to capture. We will also consider what kind of difference such…
Art and Class Struggle
What do we need to know about “art” or “class struggle” before considering their relation to one another? Could you describe a specific work or text that might serve as an illustration of class struggle or as an exploration of the problem of representing it? Let us say that visual art, broadly speaking, does express the worldview of the dominant class. What kind of art then expresses the worldview of, say, hedge fund managers? Does the dialectic …
Sedimented Forms
Can an object be autonomous when autonomy as a disposition or a relation becomes unavailable to its viewers? It could be argued that if there is no space left for an autonomy of the subject, the autonomy of the object becomes something akin to a Zen koan. The internal, unemphatic other to capitalist values becomes a talisman of another civilisation or spacetime, not ours
Anti-fascist Art Theory
The conversation that follows, among three art theorists whose work focuses on emancipatory politics on the left and who participated together in recent art events in Europe examining the resurgence of fascist politics, poses this question: what might be the connection between the increasing normalisation of a political landscape strewn with fascist elements and the complex positioning of art between (or possibly, across) the status quo and its s…
Arte, tecnologia e repetição
Os três tópicos estruturantes deste texto serão a relação entre arte e tecnologia no trabalho da Escola de Frankfurt, incluindo a noção de arte como um tipo de tecnologia; repetição como uma dinâmica no campo da arte, e como uma lógica cultural mais ampla, com referência a noções associadas como aura, singularidade e reprodução; e a moeda das categorias centrais da crítica da economia política, como valor de uso e valor de troca, para o campo da …
Speculation as a Mode of Production
In Speculation as a Mode of Production: Forms of Value Subjectivity in Art and Capital, Marina Vishmidt offers a new perspective on one of the main categories of capitalist life in the historical present. Writing not under the shadow but in the spirit of Adorno’s negative dialectic, her work pursues speculation through its contested terrains of philosophy, finance, and art, to arrive at the most detailed analysis that we now possess of the role o…
The Two Reproductions in (Feminist) Art and Theory since the 1970s
This article approaches the optic of ‘reproduction’ in feminist theory and politics from two sides: a) the discussion of social reproduction currently at the top of the agenda of materialist feminisms, that is as a specific modality of gendered, racialised and often unwaged labour; and b) the sense in which social reproduction can be taken as the ‘reproduction of the conditions of production’, in Louis Althusser's analysis. These two approaches t…
Productive Bodies
Additional informationNotes on contributorsMarina VishmidtMarina Vishmidt is a London-based writer occupied mainly with questions around art, labour and value. She is the author of Speculation as a Mode of Production (Brill, forthcoming) and A-Autonomy (with Kerstin Stakemeier) (Textem and Mute, forthcoming). She teaches at the Dutch Art Institute and the University of Brighton, and has taught at the University of the Arts in Berlin, Central Sain…
The Property-Less Sensorium
This essay is part of a larger body of ongoing research and publication investigating how current shifts in the material relations of money, commodities, and social abstractions shape processes of contemporary subject formation. By moving dialectically through today's landscape of social abstraction, we analyze subject positions under postcrisis conditions starting with that of the entrepreneur, trying to better understand the social and politica…
Revolution at Point Zero
The two anthologies under consideration here could not be more timely in their appearance. They come at the crest of struggles contesting austerity and social polarisation ranging from the ‘movemen
The Two Reproductions in (Feminist) Art and Theory since the 1970s
This article approaches the optic of ‘reproduction’ in feminist theory and politics from two sides: a) the discussion of social reproduction currently at the top of the agenda of materialist feminisms, that is as a specific modality of gendered, racialised and often unwaged labour; and b) the sense in which social reproduction can be taken as the ‘reproduction of the conditions of production’, in Louis Althusser's analysis. These two approaches t…
Arte, tecnologia e repetição
Os três tópicos estruturantes deste texto serão a relação entre arte e tecnologia no trabalho da Escola de Frankfurt, incluindo a noção de arte como um tipo de tecnologia; repetição como uma dinâmica no campo da arte, e como uma lógica cultural mais ampla, com referência a noções associadas como aura, singularidade e reprodução; e a moeda das categorias centrais da crítica da economia política, como valor de uso e valor de troca, para o campo da …
The Property-Less Sensorium
This essay is part of a larger body of ongoing research and publication investigating how current shifts in the material relations of money, commodities, and social abstractions shape processes of contemporary subject formation. By moving dialectically through today's landscape of social abstraction, we analyze subject positions under postcrisis conditions starting with that of the entrepreneur, trying to better understand the social and politica…
Productive Bodies
Additional informationNotes on contributorsMarina VishmidtMarina Vishmidt is a London-based writer occupied mainly with questions around art, labour and value. She is the author of Speculation as a Mode of Production (Brill, forthcoming) and A-Autonomy (with Kerstin Stakemeier) (Textem and Mute, forthcoming). She teaches at the Dutch Art Institute and the University of Brighton, and has taught at the University of the Arts in Berlin, Central Sain…
The Property-Less Sensorium
This essay is part of a larger body of ongoing research and publication investigating how current shifts in the material relations of money, commodities, and social abstractions shape processes of contemporary subject formation. By moving dialectically through today's landscape of social abstraction, we analyze subject positions under postcrisis conditions starting with that of the entrepreneur, trying to better understand the social and politica…
Revolution at Point Zero
The two anthologies under consideration here could not be more timely in their appearance. They come at the crest of struggles contesting austerity and social polarisation ranging from the ‘movemen
The Two Reproductions in (Feminist) Art and Theory since the 1970s
This article approaches the optic of ‘reproduction’ in feminist theory and politics from two sides: a) the discussion of social reproduction currently at the top of the agenda of materialist feminisms, that is as a specific modality of gendered, racialised and often unwaged labour; and b) the sense in which social reproduction can be taken as the ‘reproduction of the conditions of production’, in Louis Althusser's analysis. These two approaches t…
Speculation as a Mode of Production
In Speculation as a Mode of Production: Forms of Value Subjectivity in Art and Capital, Marina Vishmidt offers a new perspective on one of the main categories of capitalist life in the historical present. Writing not under the shadow but in the spirit of Adorno’s negative dialectic, her work pursues speculation through its contested terrains of philosophy, finance, and art, to arrive at the most detailed analysis that we now possess of the role o…
Anti-fascist Art Theory
The conversation that follows, among three art theorists whose work focuses on emancipatory politics on the left and who participated together in recent art events in Europe examining the resurgence of fascist politics, poses this question: what might be the connection between the increasing normalisation of a political landscape strewn with fascist elements and the complex positioning of art between (or possibly, across) the status quo and its s…
Arte, tecnologia e repetição
Os três tópicos estruturantes deste texto serão a relação entre arte e tecnologia no trabalho da Escola de Frankfurt, incluindo a noção de arte como um tipo de tecnologia; repetição como uma dinâmica no campo da arte, e como uma lógica cultural mais ampla, com referência a noções associadas como aura, singularidade e reprodução; e a moeda das categorias centrais da crítica da economia política, como valor de uso e valor de troca, para o campo da …
Sedimented Forms
Can an object be autonomous when autonomy as a disposition or a relation becomes unavailable to its viewers? It could be argued that if there is no space left for an autonomy of the subject, the autonomy of the object becomes something akin to a Zen koan. The internal, unemphatic other to capitalist values becomes a talisman of another civilisation or spacetime, not ours
Art and Class Struggle
What do we need to know about “art” or “class struggle” before considering their relation to one another? Could you describe a specific work or text that might serve as an illustration of class struggle or as an exploration of the problem of representing it? Let us say that visual art, broadly speaking, does express the worldview of the dominant class. What kind of art then expresses the worldview of, say, hedge fund managers? Does the dialectic …
"Marina Vishmidt. Review of "The Artist as Economist
The 1960s are often art historicized as a period when artists began to shift their practices away from materiality and toward forms of abstract thought.According to the economist-turned-art-historian Sophie Cras, it also turns out to have been a decade when financial abstraction came to the forefront, and not just for artists who suddenly found themselves flung from the garret into a boom market, but for the public as a whole, heralding a cultura…
Between Equal Rights
In taking up the question of the visualisation of class in contemporary art over the past four decades – that is, from the time feminist and other identity-critical approaches to the politics of the image began to make incursions into the social(ist) art history matrix – this essay will explore what kind of difference from the bourgeois norm visualisations of the working class attempt to capture. We will also consider what kind of difference such…
Nothing to See Here
Généalogies de l’autonomie
Le numéro de Perspective sur l’autonomie pour lequel nous avons cette conversation semble faire partie d’une constellation de publications et de rencontres consacrées à la question. Marina Vishmidt et moi-même avons participé à un colloque à Paris sur le sujet et je crois savoir que d’autres colloques et conférences se tiendront dans un avenir proche.Comme le laissent entendre ces événements, l’autonomie de l’art est une fois encore à l’ordre du …
Art (10 obras) · Political science (10 obras) · Law (9 obras) · Aesthetics (8 obras) · Philosophy (8 obras) · Sociology (8 obras) · Epistemology (7 obras) · Politics (6 obras) · Art history (5 obras) · Art, Politics, and Modernism (5 obras)