Diane Railton
Dados Biográficos
| ID | 2247242 |
|---|---|
| NOME | Diane Railton |
| PRENOMES | Diane |
| SOBRENOME | Railton |
| ASSINATURA | RAILTON D |
| AFILIAÇÕES | Teesside University |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 5 |
| TOTAL DE CITAÇÕES | 32 |
| TOTAL COMO AUTOR | 5 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2001 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2011 |
| ÍNDICE H | 3 |
Genre and Music Video
Music Video and the Politics of Representation
Naughty Girls and Red Blooded Women Representations of Female Heterosexuality in Music Video
There is a moment during the video for Christina Aguilera’s “Can’t Hold Us Down” in \nwhich she appears alongside rapper Lil’ Kim. The scene is notable for a number of reasons \nwhich foreground a range of issues concerning the representation of gender and race, and their relationship to sexual behaviour. Situated within a clearly codified black urban space, the women are depicted taunting a group of predominantly black men alongside, and on beha…
The Sims
This article examines one of the most popular computer games The Sims to consider whether the shared understanding of the game's "rules' can be understood through the concept of genre. The main argument is that the genre being used is "real life'. The game's creators are assuming the players share with them, and with each other, an understanding of real life, which can be transposed into the game world. The article explores this notion of a real-…
The gendered carnival of pop
One of the ironies of popular music studies is that the music that is the most popular, in terms of contemporary chart success, is rarely discussed by academics writing in the field. In this article I want to suggest that this is because some forms of 'mainstream' chart pop music, and the discourse of the magazines that promote this type of music, pose a threat to the certainties of both gender and genre that underpin 'serious' popular music. The…
Naughty Girls and Red Blooded Women Representations of Female Heterosexuality in Music Video
There is a moment during the video for Christina Aguilera’s “Can’t Hold Us Down” in \nwhich she appears alongside rapper Lil’ Kim. The scene is notable for a number of reasons \nwhich foreground a range of issues concerning the representation of gender and race, and their relationship to sexual behaviour. Situated within a clearly codified black urban space, the women are depicted taunting a group of predominantly black men alongside, and on beha…
The gendered carnival of pop
One of the ironies of popular music studies is that the music that is the most popular, in terms of contemporary chart success, is rarely discussed by academics writing in the field. In this article I want to suggest that this is because some forms of 'mainstream' chart pop music, and the discourse of the magazines that promote this type of music, pose a threat to the certainties of both gender and genre that underpin 'serious' popular music. The…
Music Video and the Politics of Representation
The gendered carnival of pop
One of the ironies of popular music studies is that the music that is the most popular, in terms of contemporary chart success, is rarely discussed by academics writing in the field. In this article I want to suggest that this is because some forms of 'mainstream' chart pop music, and the discourse of the magazines that promote this type of music, pose a threat to the certainties of both gender and genre that underpin 'serious' popular music. The…
The Sims
This article examines one of the most popular computer games The Sims to consider whether the shared understanding of the game's "rules' can be understood through the concept of genre. The main argument is that the genre being used is "real life'. The game's creators are assuming the players share with them, and with each other, an understanding of real life, which can be transposed into the game world. The article explores this notion of a real-…
Naughty Girls and Red Blooded Women Representations of Female Heterosexuality in Music Video
There is a moment during the video for Christina Aguilera’s “Can’t Hold Us Down” in \nwhich she appears alongside rapper Lil’ Kim. The scene is notable for a number of reasons \nwhich foreground a range of issues concerning the representation of gender and race, and their relationship to sexual behaviour. Situated within a clearly codified black urban space, the women are depicted taunting a group of predominantly black men alongside, and on beha…
Genre and Music Video
Music Video and the Politics of Representation
Art (5 obras) · Gender, Feminism, and Media (3 obras) · Literature (3 obras) · Music History and Culture (3 obras) · Aesthetics (2 obras) · Asian Culture and Media Studies (2 obras) · Computer Science (2 obras) · Media, Gender, and Advertising (2 obras) · Political science (2 obras) · Politics (2 obras)