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Lise Skov

Dados Biográficos

ID226273
NOMELise Skov
PRENOMESLise
SOBRENOMESkov
ASSINATURASKOV L
AFILIAÇÕESCopenhagen Business School
VERIFICADONão
TOTAL DE OBRAS14
TOTAL DE CITAÇÕES102
TOTAL COMO AUTOR13
TOTAL COMO EDITOR1
PRIMEIRO ANO DE PUBLICAÇÃO1996
ANO MAIS RECENTE DE PUBLICAÇÃO2013
ÍNDICE H5
  • Women, Media and Consumption in Japan

    Brian Moeran, Lise Skov•BOOK•Women, Media and Consumption in…•2013

  • Women, Media and Consumption in Japan

    Brian Moeran, Lise Skov•BOOK•Women, Media and Consumption in…•2013•Citada por: 48

  • Negotiating Values in the Creative Industries

    Open Access•Hélène Delacour, Don Thompson et al.•BOOK•Negotiating Values in the…•2011

    Fairs, festivals and competitive events play a crucial role in the creative industries; yet their significance has been largely overlooked. This book explores the role of such events through a series of studies that include some of the most iconic fairs and festivals in the world. It brings together a team of distinguished scholars to examine art fairs, biennales, auctions, book fairs, television programming markets, film festivals, animation fil…

  • Dreams of Small Nations in a Polycentric Fashion World

    Lise Skov•ARTICLE•Fashion Theory•2011

    Fashion production has been split between a globalized clothing industry, which tends towards extreme centralization, and localized designer fashion sectors, acting as intermediaries between international suppliers and national events, media, and public. Under these conditions, designer fashion takes on national significance, in terms of staging events and displays, and engaging with cultural references outside the field of fashion. This article …

  • Translating Fashion into Danish

    Open Access•Marie Riegels Melchior, Lise Skov et al.•ARTICLE•Culture Unbound Journal of…•2011•Referências: 7

    With their association to enterprise and innovation, creative industries have emerged as a legitimate concern in national cultural and economical policy in many countries across the world. In Denmark, the fashion business, in particular, has been hailed as a model for successful (post)industrial transformation. In this paper, we explore the birth of Danish fashion from the ashes of the country's clothing manufacturing industry, suggesting that th…

  • Berg Encyclopedia of World Dress and Fashion

    Lise Skov•BOOK•Berg Encyclopedia of World Dress…•2010

    This volume examines the complex strands that make up the European tradition of dress and fashion. Europe's varied landscapes and climates have influenced ways of dressing, as have continental and regional historical movements. West Europe, while emphasizing the global importance of European dress and fashion since 1800, provides information about the earlier contexts for their development. It also provides an analysis of haute couture as well as…

  • Editors' Preface

    Open Access•P Aspers, Lise Skov•ARTICLE•Current Sociology•2006

  • Encounters in the Global Fashion Business

    Open Access•P Aspers, Lise Skov•ARTICLE•Current Sociology•2006•Citada por: 2•Referências: 5

    This issue of Current Sociology explores the relationship between fashion as a cultural form and fashion as business through five articles by scholars who have done extensive research on the fashion business.The question that underlies the articles concerns the connection between production and consumption of fashion.What is the relationship between them?How can they be studied without marginalizing one or the other?The articles capture in rich d…

  • The Role of Trade Fairs in the Global Fashion Business

    Open Access•Lise Skov•ARTICLE•Current Sociology•2006•Citada por: 22•Referências: 8

    This article analyses the role played by trade fairs in fashion production today. It uses Goffman's concept of frames to analyse the way in which trade fairs constitute a kind of 'neutral ground' onto which exhibitors inscribe their relative position vis-a-vis other exhibitors. The article includes both a macro-analysis of the changing function of fairs as buyer-supplier relations have become routinized throughout the year, and a micro-analysis t…

  • The Return of the Fur Coat

    Open Access•Lise Skov•ARTICLE•Current Sociology•2005•Citada por: 7•Referências: 20

    This article examines the recent market repositioning of fur from a commodity chain perspective. It explores the transformation of the commodity chains of fur - from hunting to farming, as well as changes from a luxury industry characterized by the distant origins of the material and the expert craftsmanship that went into making the commodity to a designer industry in which exclusivity comes from the creative vision of a talented individual, but…

  • Seeing is Believing

    Lise Skov•ARTICLE•Fashion Theory•2004•Citada por: 2•Referências: 3

    (2004). “Seeing is Believing:” World Fashion and The Hong Kong Young Designers' Contest. Fashion Theory: Vol. 8, No. 2, pp. 165-193

  • Hong Kong Fashion Designers as Cultural Intermediaries

    Lise Skov•ARTICLE•Cultural Studies•2002•Citada por: 15•Referências: 3

    Keywords: Cultural IntermediariesFashion DesignGarment IndustryGlobalizationHong Kong

  • About Face

    Lise Skov•REVIEW•Journal of Japanese Studies•1998

  • Fashion Trends, Japonisme and Postmodernism

    Open Access•Lise Skov•ARTICLE•Theory Culture & Society•1996•Citada por: 6•Referências: 6

  • Women, Media and Consumption in Japan

    Brian Moeran, Lise Skov•BOOK•Women, Media and Consumption in…•2013•Citada por: 48

  • The Role of Trade Fairs in the Global Fashion Business

    Open Access•Lise Skov•ARTICLE•Current Sociology•2006•Citada por: 22•Referências: 8

    This article analyses the role played by trade fairs in fashion production today. It uses Goffman's concept of frames to analyse the way in which trade fairs constitute a kind of 'neutral ground' onto which exhibitors inscribe their relative position vis-a-vis other exhibitors. The article includes both a macro-analysis of the changing function of fairs as buyer-supplier relations have become routinized throughout the year, and a micro-analysis t…

  • Hong Kong Fashion Designers as Cultural Intermediaries

    Lise Skov•ARTICLE•Cultural Studies•2002•Citada por: 15•Referências: 3

    Keywords: Cultural IntermediariesFashion DesignGarment IndustryGlobalizationHong Kong

  • The Return of the Fur Coat

    Open Access•Lise Skov•ARTICLE•Current Sociology•2005•Citada por: 7•Referências: 20

    This article examines the recent market repositioning of fur from a commodity chain perspective. It explores the transformation of the commodity chains of fur - from hunting to farming, as well as changes from a luxury industry characterized by the distant origins of the material and the expert craftsmanship that went into making the commodity to a designer industry in which exclusivity comes from the creative vision of a talented individual, but…

  • Fashion Trends, Japonisme and Postmodernism

    Open Access•Lise Skov•ARTICLE•Theory Culture & Society•1996•Citada por: 6•Referências: 6

  • Encounters in the Global Fashion Business

    Open Access•P Aspers, Lise Skov•ARTICLE•Current Sociology•2006•Citada por: 2•Referências: 5

    This issue of Current Sociology explores the relationship between fashion as a cultural form and fashion as business through five articles by scholars who have done extensive research on the fashion business.The question that underlies the articles concerns the connection between production and consumption of fashion.What is the relationship between them?How can they be studied without marginalizing one or the other?The articles capture in rich d…

  • Seeing is Believing

    Lise Skov•ARTICLE•Fashion Theory•2004•Citada por: 2•Referências: 3

    (2004). “Seeing is Believing:” World Fashion and The Hong Kong Young Designers' Contest. Fashion Theory: Vol. 8, No. 2, pp. 165-193

  • Fashion Trends, Japonisme and Postmodernism

    Open Access•Lise Skov•ARTICLE•Theory Culture & Society•1996•Citada por: 6•Referências: 6

  • About Face

    Lise Skov•REVIEW•Journal of Japanese Studies•1998

  • Hong Kong Fashion Designers as Cultural Intermediaries

    Lise Skov•ARTICLE•Cultural Studies•2002•Citada por: 15•Referências: 3

    Keywords: Cultural IntermediariesFashion DesignGarment IndustryGlobalizationHong Kong

  • Seeing is Believing

    Lise Skov•ARTICLE•Fashion Theory•2004•Citada por: 2•Referências: 3

    (2004). “Seeing is Believing:” World Fashion and The Hong Kong Young Designers' Contest. Fashion Theory: Vol. 8, No. 2, pp. 165-193

  • The Return of the Fur Coat

    Open Access•Lise Skov•ARTICLE•Current Sociology•2005•Citada por: 7•Referências: 20

    This article examines the recent market repositioning of fur from a commodity chain perspective. It explores the transformation of the commodity chains of fur - from hunting to farming, as well as changes from a luxury industry characterized by the distant origins of the material and the expert craftsmanship that went into making the commodity to a designer industry in which exclusivity comes from the creative vision of a talented individual, but…

  • Editors' Preface

    Open Access•P Aspers, Lise Skov•ARTICLE•Current Sociology•2006

  • Encounters in the Global Fashion Business

    Open Access•P Aspers, Lise Skov•ARTICLE•Current Sociology•2006•Citada por: 2•Referências: 5

    This issue of Current Sociology explores the relationship between fashion as a cultural form and fashion as business through five articles by scholars who have done extensive research on the fashion business.The question that underlies the articles concerns the connection between production and consumption of fashion.What is the relationship between them?How can they be studied without marginalizing one or the other?The articles capture in rich d…

  • The Role of Trade Fairs in the Global Fashion Business

    Open Access•Lise Skov•ARTICLE•Current Sociology•2006•Citada por: 22•Referências: 8

    This article analyses the role played by trade fairs in fashion production today. It uses Goffman's concept of frames to analyse the way in which trade fairs constitute a kind of 'neutral ground' onto which exhibitors inscribe their relative position vis-a-vis other exhibitors. The article includes both a macro-analysis of the changing function of fairs as buyer-supplier relations have become routinized throughout the year, and a micro-analysis t…

  • Berg Encyclopedia of World Dress and Fashion

    Lise Skov•BOOK•Berg Encyclopedia of World Dress…•2010

    This volume examines the complex strands that make up the European tradition of dress and fashion. Europe's varied landscapes and climates have influenced ways of dressing, as have continental and regional historical movements. West Europe, while emphasizing the global importance of European dress and fashion since 1800, provides information about the earlier contexts for their development. It also provides an analysis of haute couture as well as…

  • Negotiating Values in the Creative Industries

    Open Access•Hélène Delacour, Don Thompson et al.•BOOK•Negotiating Values in the…•2011

    Fairs, festivals and competitive events play a crucial role in the creative industries; yet their significance has been largely overlooked. This book explores the role of such events through a series of studies that include some of the most iconic fairs and festivals in the world. It brings together a team of distinguished scholars to examine art fairs, biennales, auctions, book fairs, television programming markets, film festivals, animation fil…

  • Dreams of Small Nations in a Polycentric Fashion World

    Lise Skov•ARTICLE•Fashion Theory•2011

    Fashion production has been split between a globalized clothing industry, which tends towards extreme centralization, and localized designer fashion sectors, acting as intermediaries between international suppliers and national events, media, and public. Under these conditions, designer fashion takes on national significance, in terms of staging events and displays, and engaging with cultural references outside the field of fashion. This article …

  • Translating Fashion into Danish

    Open Access•Marie Riegels Melchior, Lise Skov et al.•ARTICLE•Culture Unbound Journal of…•2011•Referências: 7

    With their association to enterprise and innovation, creative industries have emerged as a legitimate concern in national cultural and economical policy in many countries across the world. In Denmark, the fashion business, in particular, has been hailed as a model for successful (post)industrial transformation. In this paper, we explore the birth of Danish fashion from the ashes of the country's clothing manufacturing industry, suggesting that th…

  • Women, Media and Consumption in Japan

    Brian Moeran, Lise Skov•BOOK•Women, Media and Consumption in…•2013

  • Women, Media and Consumption in Japan

    Brian Moeran, Lise Skov•BOOK•Women, Media and Consumption in…•2013•Citada por: 48

Sociology (10 obras) · Fashion and Cultural Textiles (9 obras) · Cultural Industries and Urban Development (7 obras) · Political science (6 obras) · Art (5 obras) · Crafts, Textile, and Design (5 obras) · Economics (5 obras) · Law (5 obras) · Aesthetics (4 obras) · Business (4 obras)

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