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Kavita Daiya

Dados Biográficos

ID228679
NOMEKavita Daiya
PRENOMESKavita
SOBRENOMEDaiya
ASSINATURADAIYA K
AFILIAÇÕESGeorge Washington University
VERIFICADONão
TOTAL DE OBRAS6
TOTAL DE CITAÇÕES8
TOTAL COMO AUTOR6
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO2002
ANO MAIS RECENTE DE PUBLICAÇÃO2018
ÍNDICE H2
  • South Asia in Graphic Narratives

    Kavita Daiya•ARTICLE•South Asian Review•2018•Citada por: 1•Referências: 4

  • Visual culture and violence

    Kavita Daiya•ARTICLE•South Asian History and Culture•2011•Referências: 8

    The 1947 Partition of India has recently re-emerged as a thematic concern of many South Asian films about nationalism in popular and parallel cinema. These films invoke the 1947 Partition in both productive and troubling ways: they connect it to the contemplation of the role of religion in the contemporary nation-state, and of the impact of religious ethnicity, terrorism and gender on the experience of citizenship in both India and Pakistan. Rece…

  • Home and the nation

    Kavita Daiya•ARTICLE•Journal of Postcolonial Writing•2008•Citada por: 3•Referências: 15

    This article engages with interdisciplinary theoretical approaches to globalization and migration, and argues for their rethinking through postcolonial literature. It contends that the representation of migrant women and refugees in Nadine Gordimer's and Amitav Ghosh's fiction shows that we need to re‐examine not only the dominant, popular ideologies of the nation as "home" and citizenship as "belonging" but also the relations between violence, c…

  • Guest Editors' Column

    Kavita Daiya, Amardeep Singh•ARTICLE•South Asian Review•2007

  • Provincializing America

    Kavita Daiya•ARTICLE•South Asian Review•2005•Citada por: 2

  • Honourable Resolutions”

    Open Access•Kavita Daiya•ARTICLE•Alternatives Global Local Political•2002•Citada por: 2

    Khushwant Singh's 1956 novel Train to Pakistan features crucial moment in which Hukum Ghand, the magistrate sent to maintain law and order in the village of Mano Majra in 1947, reflects critically on the dominant image that emblematized Indian independence internationally: What were the people in Delhi doing? Making fine speeches in the assembly! Loud-speakers magnifying their egos; lovely-looking foreign women in the visitors' galleries in breat…

  • Home and the nation

    Kavita Daiya•ARTICLE•Journal of Postcolonial Writing•2008•Citada por: 3•Referências: 15

    This article engages with interdisciplinary theoretical approaches to globalization and migration, and argues for their rethinking through postcolonial literature. It contends that the representation of migrant women and refugees in Nadine Gordimer's and Amitav Ghosh's fiction shows that we need to re‐examine not only the dominant, popular ideologies of the nation as "home" and citizenship as "belonging" but also the relations between violence, c…

  • Provincializing America

    Kavita Daiya•ARTICLE•South Asian Review•2005•Citada por: 2

  • Honourable Resolutions”

    Open Access•Kavita Daiya•ARTICLE•Alternatives Global Local Political•2002•Citada por: 2

    Khushwant Singh's 1956 novel Train to Pakistan features crucial moment in which Hukum Ghand, the magistrate sent to maintain law and order in the village of Mano Majra in 1947, reflects critically on the dominant image that emblematized Indian independence internationally: What were the people in Delhi doing? Making fine speeches in the assembly! Loud-speakers magnifying their egos; lovely-looking foreign women in the visitors' galleries in breat…

  • South Asia in Graphic Narratives

    Kavita Daiya•ARTICLE•South Asian Review•2018•Citada por: 1•Referências: 4

  • Honourable Resolutions”

    Open Access•Kavita Daiya•ARTICLE•Alternatives Global Local Political•2002•Citada por: 2

    Khushwant Singh's 1956 novel Train to Pakistan features crucial moment in which Hukum Ghand, the magistrate sent to maintain law and order in the village of Mano Majra in 1947, reflects critically on the dominant image that emblematized Indian independence internationally: What were the people in Delhi doing? Making fine speeches in the assembly! Loud-speakers magnifying their egos; lovely-looking foreign women in the visitors' galleries in breat…

  • Provincializing America

    Kavita Daiya•ARTICLE•South Asian Review•2005•Citada por: 2

  • Guest Editors' Column

    Kavita Daiya, Amardeep Singh•ARTICLE•South Asian Review•2007

  • Home and the nation

    Kavita Daiya•ARTICLE•Journal of Postcolonial Writing•2008•Citada por: 3•Referências: 15

    This article engages with interdisciplinary theoretical approaches to globalization and migration, and argues for their rethinking through postcolonial literature. It contends that the representation of migrant women and refugees in Nadine Gordimer's and Amitav Ghosh's fiction shows that we need to re‐examine not only the dominant, popular ideologies of the nation as "home" and citizenship as "belonging" but also the relations between violence, c…

  • Visual culture and violence

    Kavita Daiya•ARTICLE•South Asian History and Culture•2011•Referências: 8

    The 1947 Partition of India has recently re-emerged as a thematic concern of many South Asian films about nationalism in popular and parallel cinema. These films invoke the 1947 Partition in both productive and troubling ways: they connect it to the contemplation of the role of religion in the contemporary nation-state, and of the impact of religious ethnicity, terrorism and gender on the experience of citizenship in both India and Pakistan. Rece…

  • South Asia in Graphic Narratives

    Kavita Daiya•ARTICLE•South Asian Review•2018•Citada por: 1•Referências: 4

Gender Studies (4 obras) · Political science (4 obras) · Sociology (4 obras) · Anthropology (3 obras) · Computer Science (3 obras) · Gender Studies (3 obras) · South Asian Studies and Diaspora (3 obras) · Art (2 obras) · Citizenship (2 obras) · Ethnic group (2 obras)

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