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Valerie Anishchenkova

Dados Biográficos

ID232273
NOMEValerie Anishchenkova
PRENOMESValerie
SOBRENOMEAnishchenkova
ASSINATURAANISHCHENKOVA V
VERIFICADONão
TOTAL DE OBRAS4
TOTAL DE CITAÇÕES2
TOTAL COMO AUTOR4
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO2014
ANO MAIS RECENTE DE PUBLICAÇÃO2018
ÍNDICE H1
  • The battle of truth and fiction

    Valerie Anishchenkova•ARTICLE•Journal of Postcolonial Writing•2018•Citada por: 2•Referências: 9

    This article problematizes cinematic representations of refugees in documentary film, with a particular focus on documentary depictions of Middle Eastern refugees and the ethical aspects of such representations. It argues that documentary production about Middle Eastern refugees faces two challenges simultaneously: the representational challenges of refugee documentary as a genre, with its potential for exploitation, sensationalism and emotional …

  • Feminist Voices of the 1990s Generation

    Valerie Anishchenkova•ARTICLE•Journal of Middle East Women s…•2017•Referências: 4

    The generation of Egyptian writers and other culture makers whose creative work started to come out during the transformative 1990s produced new distinct discourses on identity, including those related to gender. This article closely examines Miral al-Tahawy’s novel Blue Aubergine (1998) as representative of the New Age feminist writing of Jil al-Tisʾinaat. This antiestablishment form of feminism rebelled against the ideologies of previous moveme…

  • Autobiographical Identities in Contemporary Arab Culture

    Valerie Anishchenkova•BOOK•Autobiographical Identities in…•2014

    Explores developments in Arab autobiography over the last 40 yearsThis original exploration of Arab autobiographical discourse investigates various modes of cultural identity which have emerged in Arab societies in the last 40 years. During this period, autobiographical texts moved away from exemplary life narratives and toward more unorthodox techniques such as erotic memoir writing, postmodernist self-fragmentation, cinematographic self-project…

  • Autobiographical Identities in Contemporary Arab Culture

    Open Access•Valerie Anishchenkova•BOOK•AUTOBIOGRAPHICAL IDENTITIES IN CONT•2014

    This study of Arab autobiographical discourse investigates various modes of cultural identity which have emerged in Arab societies in the last 40 years. During this period, autobiographical texts moved away from exemplary life narratives and toward more unorthodox techniques, such as erotic memoir writing, postmodernist self-fragmentation, cinematographic self-projection, and autobiographical blogosphere. The book argues that the Arabic autobiogr…

  • The battle of truth and fiction

    Valerie Anishchenkova•ARTICLE•Journal of Postcolonial Writing•2018•Citada por: 2•Referências: 9

    This article problematizes cinematic representations of refugees in documentary film, with a particular focus on documentary depictions of Middle Eastern refugees and the ethical aspects of such representations. It argues that documentary production about Middle Eastern refugees faces two challenges simultaneously: the representational challenges of refugee documentary as a genre, with its potential for exploitation, sensationalism and emotional …

  • Autobiographical Identities in Contemporary Arab Culture

    Valerie Anishchenkova•BOOK•Autobiographical Identities in…•2014

    Explores developments in Arab autobiography over the last 40 yearsThis original exploration of Arab autobiographical discourse investigates various modes of cultural identity which have emerged in Arab societies in the last 40 years. During this period, autobiographical texts moved away from exemplary life narratives and toward more unorthodox techniques such as erotic memoir writing, postmodernist self-fragmentation, cinematographic self-project…

  • Autobiographical Identities in Contemporary Arab Culture

    Open Access•Valerie Anishchenkova•BOOK•AUTOBIOGRAPHICAL IDENTITIES IN CONT•2014

    This study of Arab autobiographical discourse investigates various modes of cultural identity which have emerged in Arab societies in the last 40 years. During this period, autobiographical texts moved away from exemplary life narratives and toward more unorthodox techniques, such as erotic memoir writing, postmodernist self-fragmentation, cinematographic self-projection, and autobiographical blogosphere. The book argues that the Arabic autobiogr…

  • Feminist Voices of the 1990s Generation

    Valerie Anishchenkova•ARTICLE•Journal of Middle East Women s…•2017•Referências: 4

    The generation of Egyptian writers and other culture makers whose creative work started to come out during the transformative 1990s produced new distinct discourses on identity, including those related to gender. This article closely examines Miral al-Tahawy’s novel Blue Aubergine (1998) as representative of the New Age feminist writing of Jil al-Tisʾinaat. This antiestablishment form of feminism rebelled against the ideologies of previous moveme…

  • The battle of truth and fiction

    Valerie Anishchenkova•ARTICLE•Journal of Postcolonial Writing•2018•Citada por: 2•Referências: 9

    This article problematizes cinematic representations of refugees in documentary film, with a particular focus on documentary depictions of Middle Eastern refugees and the ethical aspects of such representations. It argues that documentary production about Middle Eastern refugees faces two challenges simultaneously: the representational challenges of refugee documentary as a genre, with its potential for exploitation, sensationalism and emotional …

Art (4 obras) · Sociology (4 obras) · Aesthetics (3 obras) · History (3 obras) · Middle East Politics and Society (3 obras) · Arabic literature (2 obras) · Autobiographical memory (2 obras) · Autobiography (2 obras) · Gender Studies (2 obras) · Gender Studies (2 obras)

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