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Kristi Tredway

Dados Biográficos

ID233259
NOMEKristi Tredway
PRENOMESKristi
SOBRENOMETredway
ASSINATURATREDWAY K
AFILIAÇÕESDepartment of Sociology, St. Mary’s College of Maryland, St. Mary’s City, Maryland, USA
ORCID0000-0003-3370-1367
VERIFICADOSim
TOTAL DE OBRAS3
TOTAL DE CITAÇÕES7
TOTAL COMO AUTOR3
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO2016
ANO MAIS RECENTE DE PUBLICAÇÃO2020
ÍNDICE H1
  • Serena Williams and (the perception of) violence

    Kristi Tredway•ARTICLE•Ethnic and Racial Studies•2020•Citada por: 7•Referências: 14

    Serena Williams is the most accomplished tennis player in the open era of professional tennis. She is also a Black woman which figures prominently in how she is (mis)understood in tennis. Using intersectionality as an interpretive framework, we aim to show how Serena fits within the social structure of tennis which was created within the white, upper-class social milieu. Within the lineage from this historic milieu, Serena is sometimes perceived …

  • ‘All frocked up in purple’

    Kristi Tredway, Rita Liberti•ARTICLE•Fashion Style & Popular Culture•2018

    In 1972 Rosemary (Rosie) Casals, an established player in women’s tennis and winner of several doubles championships at Wimbledon, appeared on the court of the staid English event in a tennis dress with a purple design with a ‘VS’ (Virginia Slims – a cigarette brand marketed to a female audience) embroidered on her outfit. The next day she appeared on the number one court for the women’s doubles semi-final match with the cigarette insignia clearl…

  • ‘The Leaning Tower of Pizzazz’

    Kristi Tredway•ARTICLE•Fashion Style & Popular Culture•2016

    From 1947 until his death in 1990, Ted Tinling created couture fashion pieces for the world’s top tennis stars. A dressmaker in London’s famed Mayfair fashion district, Tinling turned to women’s tennis fashion after World War II due to the constraints on his creativity that the post-war rationing of goods caused. Tinling created some of the most notable dresses in tennis fashion, including Gussy Moran’s dress and lace bloomers that shocked the Wi…

  • Serena Williams and (the perception of) violence

    Kristi Tredway•ARTICLE•Ethnic and Racial Studies•2020•Citada por: 7•Referências: 14

    Serena Williams is the most accomplished tennis player in the open era of professional tennis. She is also a Black woman which figures prominently in how she is (mis)understood in tennis. Using intersectionality as an interpretive framework, we aim to show how Serena fits within the social structure of tennis which was created within the white, upper-class social milieu. Within the lineage from this historic milieu, Serena is sometimes perceived …

  • ‘The Leaning Tower of Pizzazz’

    Kristi Tredway•ARTICLE•Fashion Style & Popular Culture•2016

    From 1947 until his death in 1990, Ted Tinling created couture fashion pieces for the world’s top tennis stars. A dressmaker in London’s famed Mayfair fashion district, Tinling turned to women’s tennis fashion after World War II due to the constraints on his creativity that the post-war rationing of goods caused. Tinling created some of the most notable dresses in tennis fashion, including Gussy Moran’s dress and lace bloomers that shocked the Wi…

  • ‘All frocked up in purple’

    Kristi Tredway, Rita Liberti•ARTICLE•Fashion Style & Popular Culture•2018

    In 1972 Rosemary (Rosie) Casals, an established player in women’s tennis and winner of several doubles championships at Wimbledon, appeared on the court of the staid English event in a tennis dress with a purple design with a ‘VS’ (Virginia Slims – a cigarette brand marketed to a female audience) embroidered on her outfit. The next day she appeared on the number one court for the women’s doubles semi-final match with the cigarette insignia clearl…

  • Serena Williams and (the perception of) violence

    Kristi Tredway•ARTICLE•Ethnic and Racial Studies•2020•Citada por: 7•Referências: 14

    Serena Williams is the most accomplished tennis player in the open era of professional tennis. She is also a Black woman which figures prominently in how she is (mis)understood in tennis. Using intersectionality as an interpretive framework, we aim to show how Serena fits within the social structure of tennis which was created within the white, upper-class social milieu. Within the lineage from this historic milieu, Serena is sometimes perceived …

Art (3 obras) · Fashion and Cultural Textiles (2 obras) · Gender Studies (2 obras) · Law (2 obras) · Political science (2 obras) · Sociology (2 obras) · Sports, Gender, and Society (2 obras) · Advertising (1 obras) · Aesthetics (1 obras) · Ancient history (1 obras)

Ethnos_APP • Projeto Open Source • Licença MIT • Frontend v2.0.0 • Privacidade e Cookies • Documentação da API: api.ethnos.app/docs • Código da API: GitHub • DOI: 10.5281/zenodo.17049435 • Código do Frontend: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae