Federico Freschi
Dados Biográficos
| ID | 2337488 |
|---|---|
| NOME | Federico Freschi |
| PRENOMES | Federico |
| SOBRENOME | Freschi |
| ASSINATURA | FRESCHI F |
| AFILIAÇÕES | University of the Witwatersrand |
| ORCID | 0000-0002-9515-3303 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 19 |
| TOTAL DE CITAÇÕES | 14 |
| TOTAL COMO AUTOR | 18 |
| TOTAL COMO EDITOR | 1 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1997 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2020 |
| ÍNDICE H | 2 |
Troubling Images
‘Poetry in Pidgin’
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Esmé Berman (1929–2017)
Swimming Against the Stream
(2017). Swimming Against the Stream: Anitra Nettleton's Contribution to South African Art History. de arte: Vol. 52, No. 1, pp. 1-7
Between Politics and Poetics
A cultural icon and a beacon of light in the inner city’
The gift that keeps on giving
Autres regards
Le Comité international de l’Histoire de l’Art (ciha) a récemment abordé la question de la répartition inégale des richesses sur la planète, et les défis lancés aux sociétés postcoloniales relativement aux vieilles méthodes et conceptions de l’histoire de l’art occidentale. Au congrès ciha de Melbourne en janvier 2008, l’un des thèmes fondamentaux discutés fut de savoir jusqu’à quel point nous avons besoin de repenser la discipline de l’histoire …
Dancing in Chains”
June 01 2011 “Dancing in Chains”: The Imaginary of Global South Africanism in World Cup Stadium Architecture Federico Freschi Federico Freschi Federico Freschi is Associate Professor (History of Art), Wits Institute for Social and Economic Research, University of the Witwatersrand, Johannesburg. [email protected] Search for other works by this author on: This Site Google Scholar Author and Article Information Federico Freschi Federico F…
A great seduction
(2011). A great seduction: The UCT Irma Stern Museum, Rosebank, Cape Town. de arte: Vol. 46, No. 84, pp. 92-101
Other Views
The International Committee of the History of Art (CIHA) has recently been addressing concerns about the unequal distribution of resources around the globe and challenges from post-colonial societies to the older methods and concepts of Western art history. At the CIHA congress in Melbourne in January 2008, one of the key issues for discussion was the extent to which we need to re-think the discipline of the history of art "in order to establish …
Circa on Jellicoe
(2010). Circa on Jellicoe: Blurring the boundaries between public and private. de arte: Vol. 45, No. 82, pp. 76-82
The Business of Belonging
This article considers the decorative programmes of 1930s commercial buildings in Cape Town in order to investigate the ways in which these programmes construct notions of national identity for their perceived publics. I contrast the decorative programme of the headquarters of the Afrikaner insurance company SANTAM and SANLAM (the first large-scale corporation to demonstrate the power of volkskapitalisme) with that of the new corporate headquarte…
The Wits Art Museum
Postapartheid Publics and the Politics of Ornament
Federico Freschi, Postapartheid Publics and the Politics of Ornament: Nationalism, Identity, and the Rhetoric of Community in the Decorative Program of the New Constitutional Court, Johannesburg, Africa Today, Vol. 54, No. 2, Visual Experience in Urban Africa (Winter, 2007), pp. 27-49
The fine art of fusion
The official opening on 22 June 1933 of South Africa House, the home of the South African High Commission on London's Trafalgar Square, was the occasion of as much pomp and ceremony as the increasingly beleaguered British Empire could muster
The fine art of fusion
Imagining fusion
At the first showing in Johannesburg in 1937 of J. H. Amshewtiz's Onward - donated by the Johannesburg business mogul Michael Haskel to the recently completed Pretoria City Hall (1935) and where it still occupies pride of place in the foyer - the Bishop of Pretoria, the Rt. Rev Wilfred Parker, had the following to say about its role in 'unifying the three races in South Africa': 'We are here to admire the artistic creation of a Jewish painter who…
Art Deco, Modernism and modernity in Johannesburg
(1997). Art Deco, Modernism and modernity in Johannesburg: the case for Obel and Obel's ‘Astor Mansions’ (1932) de arte: Vol. 32, No. 55, pp. 21-35
The Wits Art Museum
Imagining fusion
At the first showing in Johannesburg in 1937 of J. H. Amshewtiz's Onward - donated by the Johannesburg business mogul Michael Haskel to the recently completed Pretoria City Hall (1935) and where it still occupies pride of place in the foyer - the Bishop of Pretoria, the Rt. Rev Wilfred Parker, had the following to say about its role in 'unifying the three races in South Africa': 'We are here to admire the artistic creation of a Jewish painter who…
Postapartheid Publics and the Politics of Ornament
Federico Freschi, Postapartheid Publics and the Politics of Ornament: Nationalism, Identity, and the Rhetoric of Community in the Decorative Program of the New Constitutional Court, Johannesburg, Africa Today, Vol. 54, No. 2, Visual Experience in Urban Africa (Winter, 2007), pp. 27-49
The fine art of fusion
The official opening on 22 June 1933 of South Africa House, the home of the South African High Commission on London's Trafalgar Square, was the occasion of as much pomp and ceremony as the increasingly beleaguered British Empire could muster
Art Deco, Modernism and modernity in Johannesburg
(1997). Art Deco, Modernism and modernity in Johannesburg: the case for Obel and Obel's ‘Astor Mansions’ (1932) de arte: Vol. 32, No. 55, pp. 21-35
The gift that keeps on giving
Dancing in Chains”
June 01 2011 “Dancing in Chains”: The Imaginary of Global South Africanism in World Cup Stadium Architecture Federico Freschi Federico Freschi Federico Freschi is Associate Professor (History of Art), Wits Institute for Social and Economic Research, University of the Witwatersrand, Johannesburg. [email protected] Search for other works by this author on: This Site Google Scholar Author and Article Information Federico Freschi Federico F…
Art Deco, Modernism and modernity in Johannesburg
(1997). Art Deco, Modernism and modernity in Johannesburg: the case for Obel and Obel's ‘Astor Mansions’ (1932) de arte: Vol. 32, No. 55, pp. 21-35
Imagining fusion
At the first showing in Johannesburg in 1937 of J. H. Amshewtiz's Onward - donated by the Johannesburg business mogul Michael Haskel to the recently completed Pretoria City Hall (1935) and where it still occupies pride of place in the foyer - the Bishop of Pretoria, the Rt. Rev Wilfred Parker, had the following to say about its role in 'unifying the three races in South Africa': 'We are here to admire the artistic creation of a Jewish painter who…
The fine art of fusion
The official opening on 22 June 1933 of South Africa House, the home of the South African High Commission on London's Trafalgar Square, was the occasion of as much pomp and ceremony as the increasingly beleaguered British Empire could muster
The fine art of fusion
Postapartheid Publics and the Politics of Ornament
Federico Freschi, Postapartheid Publics and the Politics of Ornament: Nationalism, Identity, and the Rhetoric of Community in the Decorative Program of the New Constitutional Court, Johannesburg, Africa Today, Vol. 54, No. 2, Visual Experience in Urban Africa (Winter, 2007), pp. 27-49
The Business of Belonging
This article considers the decorative programmes of 1930s commercial buildings in Cape Town in order to investigate the ways in which these programmes construct notions of national identity for their perceived publics. I contrast the decorative programme of the headquarters of the Afrikaner insurance company SANTAM and SANLAM (the first large-scale corporation to demonstrate the power of volkskapitalisme) with that of the new corporate headquarte…
The Wits Art Museum
Circa on Jellicoe
(2010). Circa on Jellicoe: Blurring the boundaries between public and private. de arte: Vol. 45, No. 82, pp. 76-82
Autres regards
Le Comité international de l’Histoire de l’Art (ciha) a récemment abordé la question de la répartition inégale des richesses sur la planète, et les défis lancés aux sociétés postcoloniales relativement aux vieilles méthodes et conceptions de l’histoire de l’art occidentale. Au congrès ciha de Melbourne en janvier 2008, l’un des thèmes fondamentaux discutés fut de savoir jusqu’à quel point nous avons besoin de repenser la discipline de l’histoire …
Dancing in Chains”
June 01 2011 “Dancing in Chains”: The Imaginary of Global South Africanism in World Cup Stadium Architecture Federico Freschi Federico Freschi Federico Freschi is Associate Professor (History of Art), Wits Institute for Social and Economic Research, University of the Witwatersrand, Johannesburg. [email protected] Search for other works by this author on: This Site Google Scholar Author and Article Information Federico Freschi Federico F…
A great seduction
(2011). A great seduction: The UCT Irma Stern Museum, Rosebank, Cape Town. de arte: Vol. 46, No. 84, pp. 92-101
Other Views
The International Committee of the History of Art (CIHA) has recently been addressing concerns about the unequal distribution of resources around the globe and challenges from post-colonial societies to the older methods and concepts of Western art history. At the CIHA congress in Melbourne in January 2008, one of the key issues for discussion was the extent to which we need to re-think the discipline of the history of art "in order to establish …
The gift that keeps on giving
A cultural icon and a beacon of light in the inner city’
Between Politics and Poetics
‘Poetry in Pidgin’
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Esmé Berman (1929–2017)
Swimming Against the Stream
(2017). Swimming Against the Stream: Anitra Nettleton's Contribution to South African Art History. de arte: Vol. 52, No. 1, pp. 1-7
Troubling Images
Art (14 obras) · Political science (9 obras) · Sociology (9 obras) · History (8 obras) · Law (6 obras) · Politics (6 obras) · South African History and Culture (6 obras) · Aesthetics (5 obras) · Archaeology (5 obras) · Public Spaces through Art (5 obras)