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Marko Pavlyshyn

Dados Biográficos

ID238671
NOMEMarko Pavlyshyn
PRENOMESMarko
SOBRENOMEPavlyshyn
ASSINATURAPAVLYSHYN M
AFILIAÇÕESMonash University
ORCID0000-0002-0267-3132
VERIFICADOSim
TOTAL DE OBRAS24
TOTAL DE CITAÇÕES5
TOTAL COMO AUTOR23
TOTAL COMO EDITOR1
PRIMEIRO ANO DE PUBLICAÇÃO1979
ANO MAIS RECENTE DE PUBLICAÇÃO2023
ÍNDICE H1
  • Ukrainian Community Archives in Victoria, Australia

    Open Access•Alessandro Achilli, Marko Pavlyshyn et al.•ARTICLE•East/West: Journal of Ukrainian…•2023

    Contemporary research increasingly recognizes the role of community archives in preserving evidence of the pasts of identity groups, validating their historical experience, and thus furthering the goals of social justice and equality. Such values underlie the Association of Ukrainians in Victoria (Australia) Archival Project, which the present article places into the broader context of Ukrainian community archival collections in the state of Vict…

  • “Foreign Woman, Do Not Look!” Spring in Egypt and Lesja Ukrajinka’s Confrontation with Orientalism

    Open Access•Marko Pavlyshyn•ARTICLE•Studi Slavistici•2022

    Lesja Ukrajinka, profoundly aware of the subalternity of her position as a Ukrainian writer and intellectual in a Russian imperial context, was sensitive to analogous predicaments endured by others similarly marginalised. The cycle of lyrical poems Spring in Egypt, composed in 1910 during her first sojourn in Egypt, expresses solidarity with colonially oppressed Egyptians. Yet most of these poems also articulate an Orientalist confidence in the c…

  • Normalising a Ukrainian Intellectual Identity in the Nineteenth Century

    Open Access•Marko Pavlyshyn•ARTICLE•Australian and New Zealand…•2021

    A question that confronted educated Ukrainians, predominantly landowners descended from Cossack notables, in the Russian Empire in the first half of the nineteenth century was whether they should foster an identity distinct from an all-imperial one. A sense of historical distinctiveness, the value placed by the late Enlightenment and the Romantic Movement upon the culture of ordinary people and the wealth of Ukrainian folk culture persuaded many …

  • Ukraine and Europe

    Giovanna Brogi Bercoff, Marko Pavlyshyn et al.•BOOK•Ukraine and Europe•2018

  • Encyclopedia of Romantic Nationalism in Europe

    Joep Leerssen, Inge Adriansen et al.•BOOK•Encyclopedia of Romantic…•2018

    This encyclopedia documents the presence and impact of nationalized cultural consciousness in European nationalism. It tracks how intellectuals, historians, philologists, novelists, poets, painters, folklorists, and composers, in an intensely collaborative transnational network, articulated the national identities and aspirations that would go on to determine European history and politics, with effects that are still felt today. Edited by Joep Le…

  • Literary history as provocation of national identity, national identity as provocation of literary history

    Open Access•Marko Pavlyshyn•ARTICLE•Thesis Eleven•2016•Citada por: 3•Referências: 14

    Empirical research into political sentiments gives force to the proposition that, in the context of the 2013-14 Euromaidan and subsequent war, Ukrainian national identity, for most of its history predominantly ethno-cultural, has undergone changes justifying its qualification as 'civic'. In this article I discuss the ethno-cultural orientation, conventional during the 19th and 20th centuries, of Ukrainian literary history, a scholarly genre that …

  • Alexander Kratochvil. Aufbruch und Rückkehr

    Open Access•Marko Pavlyshyn•ARTICLE•East/West: Journal of Ukrainian…•2015

    Alexander Kratochvil. Aufbruch und Rückkehr: Ukrainische und tschechische Prosa im Zeichen der Postmoderne . [Venturing Forth and Coming Back: Ukrainian and Czech Prose in the Context of Postmodernity.] Berlin: Kulturverlag Kadmos, 2013. 311 pp. Bibliography. Index. Paper

  • Herstories

    Marko Pavlyshyn•ARTICLE•Canadian Slavonic Papers•2015

    Herstories: an anthology of Ukrainian women prose writers, edited and compiled by Michael M. Naydan, London, Glagoslav Publishers, 2014, 444 pp., euro30.35/US$33.99 (hbk), ISBN 978-1-909-15602-9, euro21.40/US$28.70 (pbk), ISBN 978-1-909-15601-2This biggish book is a welcome addition to the still smallish corpus of Ukrainian literature in English translation. Edited by the prolific literary translator into English from Ukrainian and Russian, Micha…

  • Experiments with Audiences

    Marko Pavlyshyn•ARTICLE•The Slavic and East European…•2014

  • For and Against a Ukrainian National Literature

    Marko Pavlyshyn•ARTICLE•The Slavonic and East European…•2014•Citada por: 1

    The views of the nineteenth-century historian Mykola Kostomarov on the relationship between the Ukrainian and the Russian peoples, and the proper place of Ukrainian culture (and especially literature) in the Russian Empire, changed several times throughout his life. The drama, Sava Chalyi (1838), was one of the literary works in which the young Kostomarov promoted the evolution of a modern Ukrainian high literature and the emergence of a modern U…

  • Andrukhovych'sSecret

    Marko Pavlyshyn•ARTICLE•Journal of Postcolonial Writing•2012•Referências: 3

    Since the period of glasnost in the USSR and, after 1991, the emergence of independent nation states on its former territory, the Ukrainian poet, prose writer and essayist Yuri Andrukhovych (b. 1960) has attended in the majority of his writings to geography and its relationship to geopolitics, to the persistence in central and eastern Europe of old colonial power structures, and to the nature of the relationship between his homeland and various c…

  • Defending the Cultural Nation before and after 1991

    Marko Pavlyshyn•ARTICLE•Canadian-American Slavic Studies•2010

    The Ukrainian literary and cultural critic Ivan Dziuba (b. 1931) exerted his greatest impact on Ukrainian public life as a dissident in the 1960s and as a public intellectual from the late 1980s onward. Throughout his writings Dziuba has urged state and society to develop Ukrainian culture proactively and to defend it against encroachment by dominant cultures allied to politically and economically dominant powers

  • The Rhetoric of Geography in Ukrainian Literature, 1991–2005

    Open Access•Marko Pavlyshyn•CHAPTER•Ukraine, the EU and Russia•2007

    Representations of space in works of literature sustain interpretation as arguments in favour of particular geopolitical configurations corresponding to particular socio-political interests and addressing particular audiences. Ukrainian literature since independence has witnessed the demise of the system of symbols, corresponding to the priorities of the USSR, that oriented geographical, historical and political space toward Moscow. In its place …

  • Literary Canons and National Identities in Contemporary Ukraine

    Marko Pavlyshyn•ARTICLE•Canadian-American Slavic Studies•2006

  • Envisioning Europe

    Marko Pavlyshyn•ARTICLE•The Slavic and East European…•2006•Citada por: 1

  • Literary Politics vs. Literature

    Marko Pavlyshyn•ARTICLE•The Soviet and Post-Soviet Review•2002

  • What Really Happens in Kobylians’ka’s Land , and Why It Matters

    Marko Pavlyshyn•ARTICLE•Canadian Slavonic Papers•2001

    Since the publication of OlTia Kobylians’ka’s novel Zemlia (Land, 1902), the consensus of Ukrainian critics and scholars, both non-Soviet and Soviet, has held that the novel’s central event, and the element of the plot offering the main challenge to interpretation, is the murder of a young peasant by his brother. Attentive reading, however, reveals that the murder is constructed in the novel as a deed whose perpetrator remains unknown. Readings o…

  • Recreations

    Vitaly Chernetsky, Yuri Andrukhovych et al.•ARTICLE•The Slavic and East European…•1999

  • Mythological, Religious, and Philosophical Topoi in the Prose of Valerii Shevchuk

    Open Access•Marko Pavlyshyn•ARTICLE•Slavic Review•1991•Referências: 1

    Liberalized cultural discussion in the Soviet Union after the Twenty-seventh Party Congress in 1985 was concerned in part with the nature of a literature that would be appropriate to the new ideals of openness and restructuring. In Ukraine, as elsewhere, the debate brought forth a list of imperatives that, without challenging the socialist realist principle that literature must serve overarching social and political goals, amounted to a formula f…

  • Taras Shevchenko

    Marko Pavlyshyn, П П Зайцев et al.•ARTICLE•The Russian Review•1990

  • The Dislocated Muse

    Marko Pavlyshyn•ARTICLE•Canadian Slavonic Papers•1986

  • Gold, Guilt and Scholarship Adelbert von Chamisso's Peter Schlemihl

    Marko Pavlyshyn•ARTICLE•The German Quarterly•1982

    Adelbert von Chamisso's Peter Schlemihls wundersame Geschichte (written in 1813, published 1814) is one of the more frequently interpreted German prose texts of the early nineteenth century. Dorte Brockhagen's Forschungsbericht lists twenty-one studies of the work for the period 1945-76 alone.' Since then, at least three new titles have appeared, all of considerable importance.2 Yet critical interest has centered upon a limited number of issues-t…

  • Interpretations of Word as Act

    Marko Pavlyshyn•ARTICLE•Seminar A Journal of Germanic…•1981

  • Music in Hermann Hesse's Der Steppenwolf and Das Glasperlenspiel

    Marko Pavlyshyn•ARTICLE•Seminar A Journal of Germanic…•1979

  • Literary history as provocation of national identity, national identity as provocation of literary history

    Open Access•Marko Pavlyshyn•ARTICLE•Thesis Eleven•2016•Citada por: 3•Referências: 14

    Empirical research into political sentiments gives force to the proposition that, in the context of the 2013-14 Euromaidan and subsequent war, Ukrainian national identity, for most of its history predominantly ethno-cultural, has undergone changes justifying its qualification as 'civic'. In this article I discuss the ethno-cultural orientation, conventional during the 19th and 20th centuries, of Ukrainian literary history, a scholarly genre that …

  • For and Against a Ukrainian National Literature

    Marko Pavlyshyn•ARTICLE•The Slavonic and East European…•2014•Citada por: 1

    The views of the nineteenth-century historian Mykola Kostomarov on the relationship between the Ukrainian and the Russian peoples, and the proper place of Ukrainian culture (and especially literature) in the Russian Empire, changed several times throughout his life. The drama, Sava Chalyi (1838), was one of the literary works in which the young Kostomarov promoted the evolution of a modern Ukrainian high literature and the emergence of a modern U…

  • Envisioning Europe

    Marko Pavlyshyn•ARTICLE•The Slavic and East European…•2006•Citada por: 1

  • Music in Hermann Hesse's Der Steppenwolf and Das Glasperlenspiel

    Marko Pavlyshyn•ARTICLE•Seminar A Journal of Germanic…•1979

  • Interpretations of Word as Act

    Marko Pavlyshyn•ARTICLE•Seminar A Journal of Germanic…•1981

  • Gold, Guilt and Scholarship Adelbert von Chamisso's Peter Schlemihl

    Marko Pavlyshyn•ARTICLE•The German Quarterly•1982

    Adelbert von Chamisso's Peter Schlemihls wundersame Geschichte (written in 1813, published 1814) is one of the more frequently interpreted German prose texts of the early nineteenth century. Dorte Brockhagen's Forschungsbericht lists twenty-one studies of the work for the period 1945-76 alone.' Since then, at least three new titles have appeared, all of considerable importance.2 Yet critical interest has centered upon a limited number of issues-t…

  • The Dislocated Muse

    Marko Pavlyshyn•ARTICLE•Canadian Slavonic Papers•1986

  • Taras Shevchenko

    Marko Pavlyshyn, П П Зайцев et al.•ARTICLE•The Russian Review•1990

  • Mythological, Religious, and Philosophical Topoi in the Prose of Valerii Shevchuk

    Open Access•Marko Pavlyshyn•ARTICLE•Slavic Review•1991•Referências: 1

    Liberalized cultural discussion in the Soviet Union after the Twenty-seventh Party Congress in 1985 was concerned in part with the nature of a literature that would be appropriate to the new ideals of openness and restructuring. In Ukraine, as elsewhere, the debate brought forth a list of imperatives that, without challenging the socialist realist principle that literature must serve overarching social and political goals, amounted to a formula f…

  • Recreations

    Vitaly Chernetsky, Yuri Andrukhovych et al.•ARTICLE•The Slavic and East European…•1999

  • What Really Happens in Kobylians’ka’s Land , and Why It Matters

    Marko Pavlyshyn•ARTICLE•Canadian Slavonic Papers•2001

    Since the publication of OlTia Kobylians’ka’s novel Zemlia (Land, 1902), the consensus of Ukrainian critics and scholars, both non-Soviet and Soviet, has held that the novel’s central event, and the element of the plot offering the main challenge to interpretation, is the murder of a young peasant by his brother. Attentive reading, however, reveals that the murder is constructed in the novel as a deed whose perpetrator remains unknown. Readings o…

  • Literary Politics vs. Literature

    Marko Pavlyshyn•ARTICLE•The Soviet and Post-Soviet Review•2002

  • Literary Canons and National Identities in Contemporary Ukraine

    Marko Pavlyshyn•ARTICLE•Canadian-American Slavic Studies•2006

  • Envisioning Europe

    Marko Pavlyshyn•ARTICLE•The Slavic and East European…•2006•Citada por: 1

  • The Rhetoric of Geography in Ukrainian Literature, 1991–2005

    Open Access•Marko Pavlyshyn•CHAPTER•Ukraine, the EU and Russia•2007

    Representations of space in works of literature sustain interpretation as arguments in favour of particular geopolitical configurations corresponding to particular socio-political interests and addressing particular audiences. Ukrainian literature since independence has witnessed the demise of the system of symbols, corresponding to the priorities of the USSR, that oriented geographical, historical and political space toward Moscow. In its place …

  • Defending the Cultural Nation before and after 1991

    Marko Pavlyshyn•ARTICLE•Canadian-American Slavic Studies•2010

    The Ukrainian literary and cultural critic Ivan Dziuba (b. 1931) exerted his greatest impact on Ukrainian public life as a dissident in the 1960s and as a public intellectual from the late 1980s onward. Throughout his writings Dziuba has urged state and society to develop Ukrainian culture proactively and to defend it against encroachment by dominant cultures allied to politically and economically dominant powers

  • Andrukhovych'sSecret

    Marko Pavlyshyn•ARTICLE•Journal of Postcolonial Writing•2012•Referências: 3

    Since the period of glasnost in the USSR and, after 1991, the emergence of independent nation states on its former territory, the Ukrainian poet, prose writer and essayist Yuri Andrukhovych (b. 1960) has attended in the majority of his writings to geography and its relationship to geopolitics, to the persistence in central and eastern Europe of old colonial power structures, and to the nature of the relationship between his homeland and various c…

  • Experiments with Audiences

    Marko Pavlyshyn•ARTICLE•The Slavic and East European…•2014

  • For and Against a Ukrainian National Literature

    Marko Pavlyshyn•ARTICLE•The Slavonic and East European…•2014•Citada por: 1

    The views of the nineteenth-century historian Mykola Kostomarov on the relationship between the Ukrainian and the Russian peoples, and the proper place of Ukrainian culture (and especially literature) in the Russian Empire, changed several times throughout his life. The drama, Sava Chalyi (1838), was one of the literary works in which the young Kostomarov promoted the evolution of a modern Ukrainian high literature and the emergence of a modern U…

  • Alexander Kratochvil. Aufbruch und Rückkehr

    Open Access•Marko Pavlyshyn•ARTICLE•East/West: Journal of Ukrainian…•2015

    Alexander Kratochvil. Aufbruch und Rückkehr: Ukrainische und tschechische Prosa im Zeichen der Postmoderne . [Venturing Forth and Coming Back: Ukrainian and Czech Prose in the Context of Postmodernity.] Berlin: Kulturverlag Kadmos, 2013. 311 pp. Bibliography. Index. Paper

  • Herstories

    Marko Pavlyshyn•ARTICLE•Canadian Slavonic Papers•2015

    Herstories: an anthology of Ukrainian women prose writers, edited and compiled by Michael M. Naydan, London, Glagoslav Publishers, 2014, 444 pp., euro30.35/US$33.99 (hbk), ISBN 978-1-909-15602-9, euro21.40/US$28.70 (pbk), ISBN 978-1-909-15601-2This biggish book is a welcome addition to the still smallish corpus of Ukrainian literature in English translation. Edited by the prolific literary translator into English from Ukrainian and Russian, Micha…

  • Literary history as provocation of national identity, national identity as provocation of literary history

    Open Access•Marko Pavlyshyn•ARTICLE•Thesis Eleven•2016•Citada por: 3•Referências: 14

    Empirical research into political sentiments gives force to the proposition that, in the context of the 2013-14 Euromaidan and subsequent war, Ukrainian national identity, for most of its history predominantly ethno-cultural, has undergone changes justifying its qualification as 'civic'. In this article I discuss the ethno-cultural orientation, conventional during the 19th and 20th centuries, of Ukrainian literary history, a scholarly genre that …

  • Ukraine and Europe

    Giovanna Brogi Bercoff, Marko Pavlyshyn et al.•BOOK•Ukraine and Europe•2018

  • Encyclopedia of Romantic Nationalism in Europe

    Joep Leerssen, Inge Adriansen et al.•BOOK•Encyclopedia of Romantic…•2018

    This encyclopedia documents the presence and impact of nationalized cultural consciousness in European nationalism. It tracks how intellectuals, historians, philologists, novelists, poets, painters, folklorists, and composers, in an intensely collaborative transnational network, articulated the national identities and aspirations that would go on to determine European history and politics, with effects that are still felt today. Edited by Joep Le…

  • Normalising a Ukrainian Intellectual Identity in the Nineteenth Century

    Open Access•Marko Pavlyshyn•ARTICLE•Australian and New Zealand…•2021

    A question that confronted educated Ukrainians, predominantly landowners descended from Cossack notables, in the Russian Empire in the first half of the nineteenth century was whether they should foster an identity distinct from an all-imperial one. A sense of historical distinctiveness, the value placed by the late Enlightenment and the Romantic Movement upon the culture of ordinary people and the wealth of Ukrainian folk culture persuaded many …

  • “Foreign Woman, Do Not Look!” Spring in Egypt and Lesja Ukrajinka’s Confrontation with Orientalism

    Open Access•Marko Pavlyshyn•ARTICLE•Studi Slavistici•2022

    Lesja Ukrajinka, profoundly aware of the subalternity of her position as a Ukrainian writer and intellectual in a Russian imperial context, was sensitive to analogous predicaments endured by others similarly marginalised. The cycle of lyrical poems Spring in Egypt, composed in 1910 during her first sojourn in Egypt, expresses solidarity with colonially oppressed Egyptians. Yet most of these poems also articulate an Orientalist confidence in the c…

  • Ukrainian Community Archives in Victoria, Australia

    Open Access•Alessandro Achilli, Marko Pavlyshyn et al.•ARTICLE•East/West: Journal of Ukrainian…•2023

    Contemporary research increasingly recognizes the role of community archives in preserving evidence of the pasts of identity groups, validating their historical experience, and thus furthering the goals of social justice and equality. Such values underlie the Association of Ukrainians in Victoria (Australia) Archival Project, which the present article places into the broader context of Ukrainian community archival collections in the state of Vict…

Art (17 obras) · Philosophy (17 obras) · History (16 obras) · Political science (16 obras) · Literature (14 obras) · Linguistics (11 obras) · Sociology (11 obras) · Ukrainian (11 obras) · Law (10 obras) · Eastern European Communism and Reforms (9 obras)

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