Seika Boye
Dados Biográficos
| ID | 2390084 |
|---|---|
| NOME | Seika Boye |
| PRENOMES | Seika |
| SOBRENOME | Boye |
| ASSINATURA | BOYE S |
| AFILIAÇÕES | Centre for Drama, Theatre & Performance Studies University of Toronto Guelph Ontario Canada |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 6 |
| TOTAL DE CITAÇÕES | 4 |
| OBRAS COMO AUTOR | 6 |
| OBRAS COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2019 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2024 |
| ÍNDICE H | 1 |
Looking for Dance in Canadian Theatre Review
Looking for Dance in Canadian Theatre Review
A review of representation of Indigenous performance by Indigenous artists and authors in the first 200 issues of Canadian Theatre Review that emphasizes intergenerational responsibility and collective labour toward thriving Indigenous performance communities
How We Gather Now
This article documents the ongoing development of the virtual exhibition currently titled How We Gather Now: A Finding Aid. This exhibition, created in collaboration with the Gatherings: Archival and Oral Histories of Performance research project ( http://www.gatheringspartnership.com ) aims to generate a virtual space to facilitate ongoing access to a curated selection of recorded online conversations about performance in Canada generated since …
Ola Skanks
This essay chronicles my research relationship with choreographer, teacher, educator, and activist Ola Skanks. Canadian-born and of West Indian (St. Lucia and Barbados) descent, Skanks was a groundbreaking dance and fashion design artist who combined modern, Western art forms with traditional dances of the Africa diaspora. I share excerpts from my work to date, including my archival exhibition, It’s About Time: Dancing Black in Canada 1900–1970, …
Elements of a counter-exhibition
Into the Light, a recently mounted collectively curated museum exhibition, exposed and countered histories and legacies of 20th-century "race betterment" pedagogies taught in Ontario's postsecondary institutions that targeted some groups of people, including Anishinaabe, Black, and other racialized populations, and disabled and poor people, with dehumanizing ideas and practices. This article advances understandings of the transformative potential…
Continuing to Consider Katherine Dunham
Katherine Dunham: Dance and the African Diaspora is a biography of one of the most influential performing artists of the twentieth century. Even beyond the book’s importance as a biography, author
Elements of a counter-exhibition
Into the Light, a recently mounted collectively curated museum exhibition, exposed and countered histories and legacies of 20th-century "race betterment" pedagogies taught in Ontario's postsecondary institutions that targeted some groups of people, including Anishinaabe, Black, and other racialized populations, and disabled and poor people, with dehumanizing ideas and practices. This article advances understandings of the transformative potential…
Continuing to Consider Katherine Dunham
Katherine Dunham: Dance and the African Diaspora is a biography of one of the most influential performing artists of the twentieth century. Even beyond the book’s importance as a biography, author
How We Gather Now
This article documents the ongoing development of the virtual exhibition currently titled How We Gather Now: A Finding Aid. This exhibition, created in collaboration with the Gatherings: Archival and Oral Histories of Performance research project ( http://www.gatheringspartnership.com ) aims to generate a virtual space to facilitate ongoing access to a curated selection of recorded online conversations about performance in Canada generated since …
Ola Skanks
This essay chronicles my research relationship with choreographer, teacher, educator, and activist Ola Skanks. Canadian-born and of West Indian (St. Lucia and Barbados) descent, Skanks was a groundbreaking dance and fashion design artist who combined modern, Western art forms with traditional dances of the Africa diaspora. I share excerpts from my work to date, including my archival exhibition, It’s About Time: Dancing Black in Canada 1900–1970, …
Elements of a counter-exhibition
Into the Light, a recently mounted collectively curated museum exhibition, exposed and countered histories and legacies of 20th-century "race betterment" pedagogies taught in Ontario's postsecondary institutions that targeted some groups of people, including Anishinaabe, Black, and other racialized populations, and disabled and poor people, with dehumanizing ideas and practices. This article advances understandings of the transformative potential…
Looking for Dance in Canadian Theatre Review
Looking for Dance in Canadian Theatre Review
A review of representation of Indigenous performance by Indigenous artists and authors in the first 200 issues of Canadian Theatre Review that emphasizes intergenerational responsibility and collective labour toward thriving Indigenous performance communities
Art (6 obras) · Visual arts (6 obras) · Diversity and Impact of Dance (5 obras) · History (5 obras) · Sociology (5 obras) · Art history (4 obras) · Media studies (4 obras) · Aesthetics (3 obras) · Dance (3 obras) · Exhibition (3 obras)