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Leora Maltz-Leca

Dados Biográficos

ID2419949
NOMELeora Maltz-Leca
PRENOMESLeora
SOBRENOMEMaltz-Leca
ASSINATURAMALTZ-LECA L
AFILIAÇÕESLeora Maltz-Leca is assistant professor of contemporary art at the Rhode Island School of Design. She is currently completing a book on William Kentridge titled “Process as Metaphor & Other Doubtful Enterprises.”
VERIFICADONão
TOTAL DE OBRAS2
TOTAL DE CITAÇÕES0
TOTAL COMO AUTOR2
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO2013
ANO MAIS RECENTE DE PUBLICAÇÃO2013
ÍNDICE H0
  • Process/Procession

    Leora Maltz-Leca•ARTICLE•The Art Bulletin•2013

    In 1989, the year of South Africa's seismic political transformation, William Kentridge developed his celebrated method of animated drawing. Juxtaposed against the country's larger political processes, Kentridge's ambulatory and sequentialized animation practice emerges as imbricated in both his recurrent streams of processions and in local imagery that deployed the visual syntax of striding figures as allegories of political restructuring. Kentr…

  • Spectres of the Original and the Liberties of Repetition

    Leora Maltz-Leca•ARTICLE•African Arts•2013•Referências: 2

    December 01 2013 Spectres of the Original and the Liberties of Repetition Leora Maltz-Leca Leora Maltz-Leca Leora Maltz-Leca is assistant professor of contemporary art at the Rhode Island School of Design. She is currently completing a book on William Kentridge titled “Process as Metaphor & Other Doubtful Enterprises.” [email protected] Search for other works by this author on: This Site Google Scholar Author and Article Information Leora Maltz-L…

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  • Process/Procession

    Leora Maltz-Leca•ARTICLE•The Art Bulletin•2013

    In 1989, the year of South Africa's seismic political transformation, William Kentridge developed his celebrated method of animated drawing. Juxtaposed against the country's larger political processes, Kentridge's ambulatory and sequentialized animation practice emerges as imbricated in both his recurrent streams of processions and in local imagery that deployed the visual syntax of striding figures as allegories of political restructuring. Kentr…

  • Spectres of the Original and the Liberties of Repetition

    Leora Maltz-Leca•ARTICLE•African Arts•2013•Referências: 2

    December 01 2013 Spectres of the Original and the Liberties of Repetition Leora Maltz-Leca Leora Maltz-Leca Leora Maltz-Leca is assistant professor of contemporary art at the Rhode Island School of Design. She is currently completing a book on William Kentridge titled “Process as Metaphor & Other Doubtful Enterprises.” [email protected] Search for other works by this author on: This Site Google Scholar Author and Article Information Leora Maltz-L…

African history and culture studies (2 obras) · Art (2 obras) · Computer Science (2 obras) · Visual arts (2 obras) · Animation (1 obras) · Art Education and Development (1 obras) · Art history (1 obras) · Citation (1 obras) · Download (1 obras) · Dynamism (1 obras)

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