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Robert Alter

Dados Biográficos

ID255486
NOMERobert Alter
PRENOMESRobert
SOBRENOMEAlter
ASSINATURAALTER R
VERIFICADONão
TOTAL DE OBRAS25
TOTAL DE CITAÇÕES2
TOTAL COMO AUTOR23
TOTAL COMO EDITOR2
PRIMEIRO ANO DE PUBLICAÇÃO1970
ANO MAIS RECENTE DE PUBLICAÇÃO2023
ÍNDICE H1
  • Amos Oz

    Robert Alter•BOOK•Amos Oz•2023

    An intimate portrait illuminating the life and work of Amos Oz, the award-winning Israeli writer and activist “Concise and compelling.”—Benjamin Balint, Wall Street Journal Amos Oz (1939–2018) was one of Israel’s most prolific and prominent writers, as well as a regular contender for the Nobel Prize for Literature. He was the author of dozens of novels, essay collections, and novellas written between 1965 and shortly before his death. In this fir…

  • Nabokov and the Real World

    Robert Alter•BOOK•Nabokov and the Real World•2021

    From award-winning literary scholar Robert Alter, a masterful exploration of how Nabokov used artifice to evoke the dilemmas, pain, and exaltation of the human conditionAdmirers and detractors of Vladimir Nabokov have viewed him as an ingenious contriver of literary games, teasing and even outsmarting his readers through his self-reflexive artifice and the many codes and puzzles he devises in his fiction. Nabokov himself spoke a number of times a…

  • The Art of Bible Translation

    Robert Alter•BOOK•Art of Bible Translation•2019

  • Frank K ermode's literary B ible

    Open Access•Robert Alter•ARTICLE•Critical Quarterly•2012

  • Pleasure and Change

    Frank Kermode, Robert Alter•BOOK•Pleasure and Change•2006

  • Pleasure and Change

    Frank Kermode, Robert Alter•BOOK•Pleasure and Change•2006

  • Hebrew and Modernity

    Michael Ben-Chaim, Michael Ben‐Chaim et al.•ARTICLE•World Literature Today•1995

  • Scholem and Modernism

    Robert Alter•ARTICLE•Poetics Today•1994

  • Discourse, Direct and Indirect

    Robert Alter•CHAPTER•The Anchor Yale Bible Dictionary•1992

    The predisposition of the biblical writers to use direct discourse as a means of narration has often been noted, and the new wave of literary studies of the Bible since the I970s has done much to illuminate the artful complexity in the deployment of direct discourse. Because biblical narrative is ve

  • The Invention of Hebrew Prose

    Naomi B Sokoloff, Robert Alter•ARTICLE•Comparative Literature•1991

  • Salvaging Literature, Savaging Theory

    Jonathan Beck, Robert Alter•ARTICLE•diacritics•1991

  • The Pleasures of Reading in an Ideological Age

    Ralph Schoolcraft III, Robert Alter•ARTICLE•Modern Language Notes•1989

    The difference of literature character and the connection with reality style allusion structure perspective multiple readings and the bog of indeterminacy. (Part contents)

  • The Literary Guide to the Bible

    William S Anderson, Robert Alter et al.•ARTICLE•The Classical World•1989

  • Selected Poetry of Dan Pagis

    P Mitchell, Dan Pagis et al.•BOOK•Selected Poetry of Dan Pagis•1989

    Dan Pagis (1930-1986) spent three of his adolescent years in a Nazi camp before arriving in Palestine in 1946. He became one of the most vibrant voices in modern Israeli poetry and is considered a major world poet of his generation. A master scholar of Hebrew literature, Pagis drew fully on classical texts and infused his poetry with a centuries-old mysticism. Yet he also brought an immediacy and colloquialism to Hebrew poetry. In these superbly …

  • The Hebrew Bible in Literary Criticism

    Adele Berlin, Alex Preminger et al.•ARTICLE•Journal of the American Oriental…•1989

  • The Literary Guide to the Bible

    Virgil Nemoianu, Robert Alter et al.•ARTICLE•Modern Language Notes•1988

  • The Difference of Literature

    Robert Alter•ARTICLE•Poetics Today•1988

    Are the kinds of attention we bring to bear on literature, the skills we use to read it, different from those we exercise in reading other sorts of texts? A generation ago, most critical circles in Europe and America would have answered the question unhesitatingly with a fervent yes. Behind that affirmation stood a long tradition of ideas about literature as a unique repository of values and a uniquely rich vehicle of expression that went back at…

  • The Bible as Literature

    Mieke Bal, M G Bal et al.•ARTICLE•diacritics•1986

  • Some Pitfalls in the "Literary Approach" to Biblical Narrative

    Stephen A Geller, Robert Alter•ARTICLE•The Jewish Quarterly Review•1984

  • The Art of Biblical Narrative

    Robert F Bell, Robert Alter•ARTICLE•South Atlantic Review•1983

  • From Line to Story in Biblical Verse

    Robert Alter•ARTICLE•Poetics Today•1983

    Perhaps the greatest peculiarity of biblical poetry among the literatures of the ancient Mediterranean world is its seeming avoidance of narrative. The Hebrew writers used verse for celebratory song, dirge, oracle, oratory, prophecy, reflective and didactic argument, liturgy, and often as a heightening or summarizing inset in the prose narratives - but only marginally and minimally to tell a tale. This absence of narrative is all the more strikin…

  • The art of Biblical narrative

    Robert Alter•BOOK•The art of Biblical narrative•1981

    This book offers a literary approach to the biblical text. Robert Alter brings numerous textual examples of the different types of biblical narrative, e.g., dialogue, repetition, narration.

  • Sacred History and the Beginnings of Prose Fiction

    Robert Alter•ARTICLE•Poetics Today•1980

    The Hebrew Bible is generally perceived, with considerable justice, as sacred history, and both terms of that status have often been invoked to argue against the applicability to the Bible of the methods of literary analysis. If the text is sacred, if it was grasped by the audiences for whom it was made as a revelation of God's will, perhaps of His literal words, how can one hope to explain it through categories developed for the understanding of…

  • Biblical Type-Scenes and the Uses of Convention

    Robert Alter•ARTICLE•Critical Inquiry•1978•Citada por: 2

  • Henry Fielding and the Language of Irony

    Arthur Sherbo, Glenn W Hatfield et al.•ARTICLE•Eighteenth-Century Studies•1970

  • Biblical Type-Scenes and the Uses of Convention

    Robert Alter•ARTICLE•Critical Inquiry•1978•Citada por: 2

  • Henry Fielding and the Language of Irony

    Arthur Sherbo, Glenn W Hatfield et al.•ARTICLE•Eighteenth-Century Studies•1970

  • Biblical Type-Scenes and the Uses of Convention

    Robert Alter•ARTICLE•Critical Inquiry•1978•Citada por: 2

  • Sacred History and the Beginnings of Prose Fiction

    Robert Alter•ARTICLE•Poetics Today•1980

    The Hebrew Bible is generally perceived, with considerable justice, as sacred history, and both terms of that status have often been invoked to argue against the applicability to the Bible of the methods of literary analysis. If the text is sacred, if it was grasped by the audiences for whom it was made as a revelation of God's will, perhaps of His literal words, how can one hope to explain it through categories developed for the understanding of…

  • The art of Biblical narrative

    Robert Alter•BOOK•The art of Biblical narrative•1981

    This book offers a literary approach to the biblical text. Robert Alter brings numerous textual examples of the different types of biblical narrative, e.g., dialogue, repetition, narration.

  • The Art of Biblical Narrative

    Robert F Bell, Robert Alter•ARTICLE•South Atlantic Review•1983

  • From Line to Story in Biblical Verse

    Robert Alter•ARTICLE•Poetics Today•1983

    Perhaps the greatest peculiarity of biblical poetry among the literatures of the ancient Mediterranean world is its seeming avoidance of narrative. The Hebrew writers used verse for celebratory song, dirge, oracle, oratory, prophecy, reflective and didactic argument, liturgy, and often as a heightening or summarizing inset in the prose narratives - but only marginally and minimally to tell a tale. This absence of narrative is all the more strikin…

  • Some Pitfalls in the "Literary Approach" to Biblical Narrative

    Stephen A Geller, Robert Alter•ARTICLE•The Jewish Quarterly Review•1984

  • The Bible as Literature

    Mieke Bal, M G Bal et al.•ARTICLE•diacritics•1986

  • The Literary Guide to the Bible

    Virgil Nemoianu, Robert Alter et al.•ARTICLE•Modern Language Notes•1988

  • The Difference of Literature

    Robert Alter•ARTICLE•Poetics Today•1988

    Are the kinds of attention we bring to bear on literature, the skills we use to read it, different from those we exercise in reading other sorts of texts? A generation ago, most critical circles in Europe and America would have answered the question unhesitatingly with a fervent yes. Behind that affirmation stood a long tradition of ideas about literature as a unique repository of values and a uniquely rich vehicle of expression that went back at…

  • The Pleasures of Reading in an Ideological Age

    Ralph Schoolcraft III, Robert Alter•ARTICLE•Modern Language Notes•1989

    The difference of literature character and the connection with reality style allusion structure perspective multiple readings and the bog of indeterminacy. (Part contents)

  • The Literary Guide to the Bible

    William S Anderson, Robert Alter et al.•ARTICLE•The Classical World•1989

  • Selected Poetry of Dan Pagis

    P Mitchell, Dan Pagis et al.•BOOK•Selected Poetry of Dan Pagis•1989

    Dan Pagis (1930-1986) spent three of his adolescent years in a Nazi camp before arriving in Palestine in 1946. He became one of the most vibrant voices in modern Israeli poetry and is considered a major world poet of his generation. A master scholar of Hebrew literature, Pagis drew fully on classical texts and infused his poetry with a centuries-old mysticism. Yet he also brought an immediacy and colloquialism to Hebrew poetry. In these superbly …

  • The Hebrew Bible in Literary Criticism

    Adele Berlin, Alex Preminger et al.•ARTICLE•Journal of the American Oriental…•1989

  • The Invention of Hebrew Prose

    Naomi B Sokoloff, Robert Alter•ARTICLE•Comparative Literature•1991

  • Salvaging Literature, Savaging Theory

    Jonathan Beck, Robert Alter•ARTICLE•diacritics•1991

  • Discourse, Direct and Indirect

    Robert Alter•CHAPTER•The Anchor Yale Bible Dictionary•1992

    The predisposition of the biblical writers to use direct discourse as a means of narration has often been noted, and the new wave of literary studies of the Bible since the I970s has done much to illuminate the artful complexity in the deployment of direct discourse. Because biblical narrative is ve

  • Scholem and Modernism

    Robert Alter•ARTICLE•Poetics Today•1994

  • Hebrew and Modernity

    Michael Ben-Chaim, Michael Ben‐Chaim et al.•ARTICLE•World Literature Today•1995

  • Pleasure and Change

    Frank Kermode, Robert Alter•BOOK•Pleasure and Change•2006

  • Pleasure and Change

    Frank Kermode, Robert Alter•BOOK•Pleasure and Change•2006

  • Frank K ermode's literary B ible

    Open Access•Robert Alter•ARTICLE•Critical Quarterly•2012

  • The Art of Bible Translation

    Robert Alter•BOOK•Art of Bible Translation•2019

  • Nabokov and the Real World

    Robert Alter•BOOK•Nabokov and the Real World•2021

    From award-winning literary scholar Robert Alter, a masterful exploration of how Nabokov used artifice to evoke the dilemmas, pain, and exaltation of the human conditionAdmirers and detractors of Vladimir Nabokov have viewed him as an ingenious contriver of literary games, teasing and even outsmarting his readers through his self-reflexive artifice and the many codes and puzzles he devises in his fiction. Nabokov himself spoke a number of times a…

  • Amos Oz

    Robert Alter•BOOK•Amos Oz•2023

    An intimate portrait illuminating the life and work of Amos Oz, the award-winning Israeli writer and activist “Concise and compelling.”—Benjamin Balint, Wall Street Journal Amos Oz (1939–2018) was one of Israel’s most prolific and prominent writers, as well as a regular contender for the Nobel Prize for Literature. He was the author of dozens of novels, essay collections, and novellas written between 1965 and shortly before his death. In this fir…

Art (20 obras) · Literature (15 obras) · Philosophy (15 obras) · History (13 obras) · Biblical Studies and Interpretation (9 obras) · Linguistics (7 obras) · Psychology (5 obras) · Aesthetics (4 obras) · Computer Science (4 obras) · Narrative (4 obras)

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