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Zita Joyce

Dados Biográficos

ID265491
NOMEZita Joyce
PRENOMESZita
SOBRENOMEJoyce
ASSINATURAJOYCE Z
AFILIAÇÕESUniversity of Canterbury
ORCID0000-0002-4888-2271
VERIFICADOSim
TOTAL DE OBRAS7
TOTAL DE CITAÇÕES2
TOTAL COMO AUTOR7
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO2007
ANO MAIS RECENTE DE PUBLICAÇÃO2025
ÍNDICE H1
  • Identifying emotions in earthquake tweets

    Open Access•Patricia Anthony, Jennifer Wong et al.•ARTICLE•AI & Society•2025

    Christchurch, New Zealand experienced devastating earthquakes on September 4, 2010, and February 22, 2011, resulting in extensive infrastructural damage and leaving lasting psychological scars of fear, depression, shock, and anger among the local population. Even after thirteen years, the aftermath of these earthquakes continues to deeply affect these individuals, as they grapple with enduring emotional challenges. Social media, particularly X (f…

  • Seismic media

    Open Access•Zita Joyce, Susan Ballard et al.•ARTICLE•Cultural Geographies•2023•Citada por: 1

    In September 2010 the city of Ōtautahi Christchurch, New Zealand was rocked by the first of a sequence of 16,000 earthquakes. This essay considers art and creative practices that have responded to the experience of living in the earthquake-damaged city. In an environment transformed by seismicity, we argue that artists became co-creators with the planet, using its instability as a medium of art making, an active agent and long-term collaborator i…

  • Student Radio

    Zita Joyce•ARTICLE•Journal of Radio & Audio Media•2021

    Student radio stations in New Zealand have a long history of supporting local alternative music. This paper discusses research with New Zealand musicians carried out in 2019, which found that they are engaging with a music industry that requires new sets of skills, particularly for social media promotion. However they still identify student radio stations as a key site of support for airplay and connections with audiences. Student radio stations …

  • We’re looking out through a window to a field of weeds and sand and stones”

    Open Access•Zita Joyce•ARTICLE•Space and Culture•2018•Referências: 9

    This article explores the scope of small-scale radio to create an auditory geography of place. It focuses on the short-term art radio project The Stadium Broadcast, which was staged in November 2014 in an earthquake-damaged sports stadium in Christchurch, New Zealand. Thousands of buildings and homes in Christchurch have been demolished since the February 22, 2011, earthquake, and by the time of the broadcast the stadium at Lancaster Park had bee…

  • Alternative Radio

    Zita Joyce•ARTICLE•International Journal of Heritage…•2018•Referências: 32

    This article examines the representation of Christchurch, New Zealand, student radio station RDU in the exhibition Alternative Radio at the Canterbury Museum in 2016. With the intention of ‘making visible what is invisible’ about radio broadcasting, the exhibition articulated RDU as a point of interconnection between the technical elements of broadcasting, the social and musical culture of station staff and volunteers, and the broader local and n…

  • RadioQuake

    Zita Joyce•ARTICLE•Radio Journal International…•2015•Citada por: 1•Referências: 2

    Local independent radio stations in Christchurch, New Zealand, had their operations severely disrupted by major earthquakes in September 2010 and February 2011. This article examines the experiences of three radio stations that were shut out of their central city premises by the cordon drawn around the city after the 22 February quake. One of the stations continued broadcasting automatically, while the others were unable to fully get back on air …

  • Spectrumscape

    Open Access•Zita Joyce•ARTICLE•Media International Australia•2007•Referências: 6

    The radio signals transmitted by wireless technologies create a form of space that is pervasive but intangible to human senses. The multiplicity of radio waves is most commonly represented through the trope of 'radio spectrum', but this paper argues that this construct is too limited to communicate the extensive presence of radio waves in the environment, their relationship with human subjectivity, and the technical, economic, political and cultu…

  • Seismic media

    Open Access•Zita Joyce, Susan Ballard et al.•ARTICLE•Cultural Geographies•2023•Citada por: 1

    In September 2010 the city of Ōtautahi Christchurch, New Zealand was rocked by the first of a sequence of 16,000 earthquakes. This essay considers art and creative practices that have responded to the experience of living in the earthquake-damaged city. In an environment transformed by seismicity, we argue that artists became co-creators with the planet, using its instability as a medium of art making, an active agent and long-term collaborator i…

  • RadioQuake

    Zita Joyce•ARTICLE•Radio Journal International…•2015•Citada por: 1•Referências: 2

    Local independent radio stations in Christchurch, New Zealand, had their operations severely disrupted by major earthquakes in September 2010 and February 2011. This article examines the experiences of three radio stations that were shut out of their central city premises by the cordon drawn around the city after the 22 February quake. One of the stations continued broadcasting automatically, while the others were unable to fully get back on air …

  • Spectrumscape

    Open Access•Zita Joyce•ARTICLE•Media International Australia•2007•Referências: 6

    The radio signals transmitted by wireless technologies create a form of space that is pervasive but intangible to human senses. The multiplicity of radio waves is most commonly represented through the trope of 'radio spectrum', but this paper argues that this construct is too limited to communicate the extensive presence of radio waves in the environment, their relationship with human subjectivity, and the technical, economic, political and cultu…

  • RadioQuake

    Zita Joyce•ARTICLE•Radio Journal International…•2015•Citada por: 1•Referências: 2

    Local independent radio stations in Christchurch, New Zealand, had their operations severely disrupted by major earthquakes in September 2010 and February 2011. This article examines the experiences of three radio stations that were shut out of their central city premises by the cordon drawn around the city after the 22 February quake. One of the stations continued broadcasting automatically, while the others were unable to fully get back on air …

  • We’re looking out through a window to a field of weeds and sand and stones”

    Open Access•Zita Joyce•ARTICLE•Space and Culture•2018•Referências: 9

    This article explores the scope of small-scale radio to create an auditory geography of place. It focuses on the short-term art radio project The Stadium Broadcast, which was staged in November 2014 in an earthquake-damaged sports stadium in Christchurch, New Zealand. Thousands of buildings and homes in Christchurch have been demolished since the February 22, 2011, earthquake, and by the time of the broadcast the stadium at Lancaster Park had bee…

  • Alternative Radio

    Zita Joyce•ARTICLE•International Journal of Heritage…•2018•Referências: 32

    This article examines the representation of Christchurch, New Zealand, student radio station RDU in the exhibition Alternative Radio at the Canterbury Museum in 2016. With the intention of ‘making visible what is invisible’ about radio broadcasting, the exhibition articulated RDU as a point of interconnection between the technical elements of broadcasting, the social and musical culture of station staff and volunteers, and the broader local and n…

  • Student Radio

    Zita Joyce•ARTICLE•Journal of Radio & Audio Media•2021

    Student radio stations in New Zealand have a long history of supporting local alternative music. This paper discusses research with New Zealand musicians carried out in 2019, which found that they are engaging with a music industry that requires new sets of skills, particularly for social media promotion. However they still identify student radio stations as a key site of support for airplay and connections with audiences. Student radio stations …

  • Seismic media

    Open Access•Zita Joyce, Susan Ballard et al.•ARTICLE•Cultural Geographies•2023•Citada por: 1

    In September 2010 the city of Ōtautahi Christchurch, New Zealand was rocked by the first of a sequence of 16,000 earthquakes. This essay considers art and creative practices that have responded to the experience of living in the earthquake-damaged city. In an environment transformed by seismicity, we argue that artists became co-creators with the planet, using its instability as a medium of art making, an active agent and long-term collaborator i…

  • Identifying emotions in earthquake tweets

    Open Access•Patricia Anthony, Jennifer Wong et al.•ARTICLE•AI & Society•2025

    Christchurch, New Zealand experienced devastating earthquakes on September 4, 2010, and February 22, 2011, resulting in extensive infrastructural damage and leaving lasting psychological scars of fear, depression, shock, and anger among the local population. Even after thirteen years, the aftermath of these earthquakes continues to deeply affect these individuals, as they grapple with enduring emotional challenges. Social media, particularly X (f…

Computer Science (4 obras) · Sociology (4 obras) · Radio, Podcasts, and Digital Media (3 obras) · Telecommunications (3 obras) · Art (2 obras) · Computer security (2 obras) · Disaster Management and Resilience (2 obras) · Geology (2 obras) · History (2 obras) · Political science (2 obras)

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