Janika Oras
Dados Biográficos
| ID | 276702 |
|---|---|
| NOME | Janika Oras |
| PRENOMES | Janika |
| SOBRENOME | Oras |
| ASSINATURA | ORAS J |
| AFILIAÇÕES | Estonian Literary Museum |
| ORCID | 0000-0002-6154-1631 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 10 |
| TOTAL DE CITAÇÕES | 0 |
| TOTAL COMO AUTOR | 10 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2012 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2025 |
| ÍNDICE H | 0 |
Regilaulu variatsioonid tänapäeva Eestis. Koodi jätkamine
Variations of runosong in contemporary Estonia: Continuing a code of singing This article provides an overview of the contemporary, largely revitalized, and multi-layered runosong tradition within the context of its historical development, showing how the ancient Finnic song heritage – nearly extinct by the end of the 19th century – began to revive in the second half of the 20th century through earlier documentation, surviving peripheral traditio…
Konverents “Laulu, pillimängu ja tantsu seosed pärimusmuusikas
Natali Ponetajev, Olha Petrovych and Janika Oras write about the 14th international conference on traditional song held at the Estonian Literary Museum in Tartu from 25-27 November 2024. The conference was focused on the connections of folk singing to instrumental music and dance
As Much as Necessary and as Little as Possible
This case study explores the political uses of folklore during the Soviet colonial regime through an examination of a traditional wedding performance at the 1960 Folk Art Evening of the Estonian General Song Festival. The aim of the study is to understand the multiple meanings of such folklore performances within the framework of post-Soviet postcolonial studies, drawing on archival material, published memories of the creator of the wedding perfo…
Introduction
This special issue gathers research articles that are based and elaborate on the presentations given at the conference under the theme 'Voice, Connection and Message in Traditional Singing', held at the Estonian Literary Museum from 30 November to 1 December 2020. The time and the setting were exceptional due to the COVID-19 pandemic in full swing. Consequently, this re-occurring scholarly meeting in Tartu, Estonia, with the guiding topic specifi…
Individual Rhythmic Variation in Oral Poetry
The article explores the individual differences of rhythmic variation in traditional sung oral poetry. The analysed group of ritual songs is part of the Seto singing culture – a subtradition of Finnic oral trochaic tetrameter. The rhythmic variation, created by different positioning of stressed syllables in the song line, reveals itself on two levels, in linguistic verse structure and in musical performance. In the singers’ performances the verse…
Laulik jutustab laulikust
Palun tädist kirjeldus visake tulle et ta mul tihti ette tulli siis rääkisin ta elu lugu Kui ta teid ära ei tüüta ehk siis loete läbi.(1) Nii lõpetab oma järjekordse rahvaluulesaadetise kaaskirja Marie Sepp (1862–1943), Kolga-Jaani lähedal elanud maanaine, laulik ja pärimuse koguja. Kirjas jutustab ta pikemalt kohaliku kogukonna väljapaistvast isikust, laulikust ja ämmaemandast, Vainu [...]
Välted seto regilaulu värsimõõdus
Teesid
Mari and Marie
One of the results of the rapid modernisation of Estonian society in the second half of the nineteenth century was the change in singing culture: the older singing style, regilaul, which represents the Kalevala-metric song tradition, was gradually replaced by the newer end-rhymed singing style. The article analyses this change by focusing on the performances of two female singers from central Estonia, representatives of different generations. The…
Seto Singing Tradition in Siberia
The article is based on fieldwork carried out in the 2000s among diasporic Setos living in Krasnoyarsk Krai, Russia, and discusses issues related to the singing tradition and identity of the Setos in this area. The article explores the ambivalent attitudes of the local singers towards their singing tradition and proposes a systematisation of the song tradition in the area into three groups -Estonian songs, Russian songs, and Seto songs. The latte…
Invozho
Invozho: Traditional Songs of Udmurtia. 2005. Global Music Centre GMCD 0510. Various performers. Recorded by Kari Hakala. Annotated by Irina Nurieva and Jarkko Niemi. 27-page booklet with notes in Udmurtian and English. Translations by Natal'ya Il'ina. 9 colour photos, 1 map. 3-item bibliography. 1 CD, 35 tracks (65:00). Recorded in Udmurtia (1993) and Helsinki (1996). - Syulgam: Traditional Songs of Mordovia. [2005]. Global Music Centre GMCD 051…
Sem obras proeminentes nesta página.
Invozho
Invozho: Traditional Songs of Udmurtia. 2005. Global Music Centre GMCD 0510. Various performers. Recorded by Kari Hakala. Annotated by Irina Nurieva and Jarkko Niemi. 27-page booklet with notes in Udmurtian and English. Translations by Natal'ya Il'ina. 9 colour photos, 1 map. 3-item bibliography. 1 CD, 35 tracks (65:00). Recorded in Udmurtia (1993) and Helsinki (1996). - Syulgam: Traditional Songs of Mordovia. [2005]. Global Music Centre GMCD 051…
Seto Singing Tradition in Siberia
The article is based on fieldwork carried out in the 2000s among diasporic Setos living in Krasnoyarsk Krai, Russia, and discusses issues related to the singing tradition and identity of the Setos in this area. The article explores the ambivalent attitudes of the local singers towards their singing tradition and proposes a systematisation of the song tradition in the area into three groups -Estonian songs, Russian songs, and Seto songs. The latte…
Laulik jutustab laulikust
Palun tädist kirjeldus visake tulle et ta mul tihti ette tulli siis rääkisin ta elu lugu Kui ta teid ära ei tüüta ehk siis loete läbi.(1) Nii lõpetab oma järjekordse rahvaluulesaadetise kaaskirja Marie Sepp (1862–1943), Kolga-Jaani lähedal elanud maanaine, laulik ja pärimuse koguja. Kirjas jutustab ta pikemalt kohaliku kogukonna väljapaistvast isikust, laulikust ja ämmaemandast, Vainu [...]
Välted seto regilaulu värsimõõdus
Teesid
Mari and Marie
One of the results of the rapid modernisation of Estonian society in the second half of the nineteenth century was the change in singing culture: the older singing style, regilaul, which represents the Kalevala-metric song tradition, was gradually replaced by the newer end-rhymed singing style. The article analyses this change by focusing on the performances of two female singers from central Estonia, representatives of different generations. The…
Individual Rhythmic Variation in Oral Poetry
The article explores the individual differences of rhythmic variation in traditional sung oral poetry. The analysed group of ritual songs is part of the Seto singing culture – a subtradition of Finnic oral trochaic tetrameter. The rhythmic variation, created by different positioning of stressed syllables in the song line, reveals itself on two levels, in linguistic verse structure and in musical performance. In the singers’ performances the verse…
As Much as Necessary and as Little as Possible
This case study explores the political uses of folklore during the Soviet colonial regime through an examination of a traditional wedding performance at the 1960 Folk Art Evening of the Estonian General Song Festival. The aim of the study is to understand the multiple meanings of such folklore performances within the framework of post-Soviet postcolonial studies, drawing on archival material, published memories of the creator of the wedding perfo…
Introduction
This special issue gathers research articles that are based and elaborate on the presentations given at the conference under the theme 'Voice, Connection and Message in Traditional Singing', held at the Estonian Literary Museum from 30 November to 1 December 2020. The time and the setting were exceptional due to the COVID-19 pandemic in full swing. Consequently, this re-occurring scholarly meeting in Tartu, Estonia, with the guiding topic specifi…
Regilaulu variatsioonid tänapäeva Eestis. Koodi jätkamine
Variations of runosong in contemporary Estonia: Continuing a code of singing This article provides an overview of the contemporary, largely revitalized, and multi-layered runosong tradition within the context of its historical development, showing how the ancient Finnic song heritage – nearly extinct by the end of the 19th century – began to revive in the second half of the 20th century through earlier documentation, surviving peripheral traditio…
Konverents “Laulu, pillimängu ja tantsu seosed pärimusmuusikas
Natali Ponetajev, Olha Petrovych and Janika Oras write about the 14th international conference on traditional song held at the Estonian Literary Museum in Tartu from 25-27 November 2024. The conference was focused on the connections of folk singing to instrumental music and dance
Art (6 obras) · Psychology (6 obras) · History (5 obras) · Literature (5 obras) · Diverse Musicological Studies (4 obras) · Philosophy (4 obras) · Singing (4 obras) · Social Psychology (4 obras) · Sociology (4 obras) · Aesthetics (3 obras)