Charles Bernstein
Dados Biográficos
| ID | 279047 |
|---|---|
| NOME | Charles Bernstein |
| PRENOMES | Charles |
| SOBRENOME | Bernstein |
| ASSINATURA | BERNSTEIN C |
| ORCID | 0000-0001-7761-6565 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 56 |
| TOTAL DE CITAÇÕES | 7 |
| TOTAL COMO AUTOR | 56 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1981 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2025 |
| ÍNDICE H | 2 |
Pre-Owned Poems
NoOnesRose
Pierre Joris discusses his literary journey from Luxembourg to Bard College to Algeria to Paris and London and finally New York. Joris focuses on his translation of Paul Celan, his engagement with the poetry of the Maghreb (culminating in his coediting of The University of California Book of North African Literature, volume 4 of Poems for the Millennium), and the importance of French poet Edmond Jabès. He goes on to address his choice to write in…
Infrathin
Almost imperceptible differences in the similar (and similarities in difference) are what Perloff in her new book calls the “infrathin.” She gives a paradigmatic example from Wallace Stevens: an unseen “cat running over the snow almost inaudibly.” Or take Duchamp's readymade snow shovel, titled “In Advance of a Broken Arm,” which Perloff mentions in this new book: the shovel anticipates the snow and the broken arm; this is infrathin as metonymy o…
Cento
A roundup of Charles Bernstein's interviews outside the US: (1) “Interview with Romina Freschi” (Argentina, 2005), previously published only in Spanish; (2) “Frequently Unasked Questions,” with Versatorium (Austria, 2011), previously published only in German in Der Standard; (3) “Interview with Philip Davenport” (England, 2012), focusing on the marginalization of radical formal poetry in the US versus the UK; (4) “Interview with Maurizio Medo” (P…
Gertrude and Ludwig's Bogus Adventure
As Billy goes higher all the balloonsGet marooned on the other side of theLunar landscape. The module's broke—It seems like for an eternity, but who'sCounting—and Sally's joined the MooniesSo we don't see so much of her anyhow.Notorious novelty—I'd settle for a goodCup of Chase & Sand-borne—though whenThe strings are broken on the guitarYou can always use it as a coffee table.Vienna was cold at that time of year.The sachertorte tasted sweet but t…
Interview with Alí Calderón
In 2018, Mexican poet Alí Calderón interviewed Charles Bernstein for his influential web magazine Círculo de poesía. The interview is published here in English for the first time. Bernstein addresses the poetics of “hybridity” and the possibilities for poetic disruption. The discussion ends with Bernstein's then new poem, written for John Ashbery on the day he died
Interview with Natalia Fedorova
St. Petersburg new media artist, writer, literary scholar, and translator (PhD in literary theory from Herzen State University) Natalia Fedorova published this interview with Bernstein in Russian in Translit (Moscow), a key journal of innovative poetics, in 2013. Bernstein discusses his connection to Russian poets, starting with Arkadii Dragomoshchenko. He also addresses the way the Cold War torqued the reception of Russian modernist poetry, usin…
Your Brain on Poetry
The prehistory of Bernstein's cofounding the Poetics Program at SUNY–Buffalo, his first permanent academic job, in his late thirties. Discusses his initial teaching jobs, at the University of California at San Diego and Princeton, and first course offerings at UCSD, Princeton, and Buffalo
Covidity
Previous articleNext article FreeCovidityCharles BernsteinCharles Bernstein Search for more articles by this author PDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code SectionsMore24 April 2020The covid gonna get meIf not now, it willThe covid gonna kill meFind me where I liveBuried under coversSheltered in the hallTrading goodbyes to all my friendsThrough god…
The Body of the Poem
The Brink of Continuity (on Ashbery)
The Brink of Continuity (on Ashbery) Charles Bernstein (bio) On September 5, 2017, a few days after John Ashbery died, Le Monde published an obituary for him by Olivier Brossard: “Pour le poète américain, l’écriture était ouverture, fuite ou fugue, le refus d’une identité ou d’un poème qui soient clos ou définis à jamais”: For this American poet, writing was an opening, flight or fugue, the refusal of an identity for a poem that is closed or defi…
Disfiguring Abstraction
Strike
Fold
American Poetry After 1975
Charles Bernstein Replies
Recantorium (a Bachelor Machine, after Duchamp after Kafka)
Memoranda
Research Article| February 01 2002 Memoranda: 9/11/01 Charles Bernstein Charles Bernstein Search for other works by this author on: This Site Google boundary 2 (2002) 29 (1): 259–288. https://doi.org/10.1215/01903659-29-1-259 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Charles Bernstein; Memoranda: 9/11/01. boundary 2 1 February 2002; 29 (1): 259–288. doi: https://doi.org/10.1215/01903659-29-1-259 Download citation fi…
A Conversation with Geoffrey O'Brien
Research Article| May 01 2001 A Conversation with Geoffrey O'Brien Charles Bernstein Charles Bernstein Search for other works by this author on: This Site Google boundary 2 (2001) 28 (2): 1–8. https://doi.org/10.1215/01903659-28-2-1 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite Search Site Citation Charles B…
Close Listening
Interrogations from Shadowtime
Research Article| May 01 2000 11 Interrogations from Shadowtime Charles Bernstein Charles Bernstein Search for other works by this author on: This Site Google boundary 2 (2000) 27 (2): 73–81. https://doi.org/10.1215/01903659-27-2-73 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite Search Site Citation Charles B…
The Second War and Postmodern Memory
Poetics of the Americas
Modernism/modernity - Volume 3, Number 3, September 1996
Experiments
An Autobiographical Interview with Charles Bernstein
Optimism and Critical Excess (Process)
Disfiguring Abstraction
Covidity
Previous articleNext article FreeCovidityCharles BernsteinCharles Bernstein Search for more articles by this author PDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code SectionsMore24 April 2020The covid gonna get meIf not now, it willThe covid gonna kill meFind me where I liveBuried under coversSheltered in the hallTrading goodbyes to all my friendsThrough god…
Recantorium (a Bachelor Machine, after Duchamp after Kafka)
Reading Cavell Reading Wittgenstein
Saltmines Regained
Rowing with One Oar
Romance
The Voyage of Life
On Equal Terms
Living Tissue/Dead Ideas
Think of dead ideas as deposited in language and writing, as the compost heap in which present language and writing grows. Suppose dead ideas as comprising an historical unconscious lived out as perception, as smell and taste, as speech. Imagine consciousness resounding with an inexhaustible repository of ideas, as a cave to be mined. And consider poetry as that mining, so the incorporation of dead ideas (call them prior texts) into a work is not…
Content's Dreams
The View from Nowhere Catabolism Force of Feeling The Kiwi Bird in the Kiwi Tree
Optimism and Critical Excess (Process)
The Second War and Postmodern Memory
Postmodern Culture - Volume 1, Number 2, January 1991
Popular Culture
Postmodern Culture - Volume 2, Number 1, September 1991
A Conversation with Richard Foreman
BERNSTEIN: Let me start by asking something about the formatting of your plays in your first two published books: Plays and Manifestoes [1976] and Reverberation Machine [I985]. The very first plays that you produced are presented with a great deal of extratextual material. For one thing, as is the convention, you assign every line to a speaker (which seems a better word for your practice than to speak of characters). But you also provide-in itali…
A Poetics
Three Poems
Postmodern Culture - Volume 5, Number 1, September 1994
How Poetry Survives
Residual Rubbernecking
The ache of the archivist
Techniques of the observed
Poetics of the Americas
Modernism/modernity - Volume 3, Number 3, September 1996
Experiments
An Autobiographical Interview with Charles Bernstein
No More Cartwheels off the Dock
Empty Biscuits
Anaffirmation
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