G A Giorgio
Dados Biográficos
| ID | 28928 |
|---|---|
| NOME | G A Giorgio |
| PRENOMES | G A |
| SOBRENOME | Giorgio |
| ASSINATURA | GIORGIO G A |
| AFILIAÇÕES | University of Illinois Urbana-Champaign |
| ORCID | 0000-0002-7450-1321 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 16 |
| TOTAL DE CITAÇÕES | 13 |
| TOTAL COMO AUTOR | 16 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2002 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2026 |
| ÍNDICE H | 2 |
You Belong Here
This autoethnography showcases the difficulty of trying to live in and eventually having to leave a rural community due to the destructive forces the Trump era has brought to these once “our children” communities. When we arrived in Atown in the early 2000s, the community was a welcoming if isolated place where Republicans and Democrats both served on the county board. By the time we left, as did many others who did not fit the community’s Trumpi…
Teaching popular media and culture through the American family lens
This article focuses on the teaching of the American family via a large lecture course that examines ideology, culture, family, gender, sexuality, race, class and nation through the study of media texts. The course applies a student-focused approach and attends to the material through a cultural studies frame. First, we describe the course and its goals and then we reflect on the practices we have brought to teaching the course that have garnered…
Owning the Lies
This autoethnography contests notions that family secrets and lies are always disruptive to family cohesion by exploring how secrets and lies hold a family together. Drawing from shared memories, I address my siblings directly to reveal our experiences of navigating our parents’ secrets and lies from each other that contributed to our own adoption of such practices. The story shows how we eventually found better ways to support our parents and on…
Introduction
This article introduces the four manuscripts for this special issue of CS/CM. The order of the articles is the same as the introduction: Planned Parenthood Before and After Roe: Historical Lessons for the Current Fight, Relocating Reproductive Justice in Donor Sperm and Egg Capitalism, Let's Make the Womb Safe Again, and Everyday Practices, Unaffordable Rights, Radical Liberation
Russia Remembered
This autoethnography is about the author’s arranged marriage to a Jewish, Soviet scientist, a transaction meant to release him and his family from their home country at a time when leaving for Jews was nearly impossible. Arranged marriages offered possibility but brought subjective complexities over the ethical and even safety concerns to those involved. Drawing from the author’s journals, this story foregrounds subjective connection to these eth…
Mother's Eyes
This autoethnography pays homage to my mother and all the women who supported each other through the act of abortion. Coming of age in the era of Roe v. Wade, I accessed a legal and safe abortion with my mother's help. My mother who became a nurse during the era of illegal abortions witnessed young women dying at the hands of the state. My mother, like many women before her, acted to help another woman terminate an unwanted pregnancy, an act of r…
Celebration of Life
As an autoethnography, “A Celebration of Life” takes an observer’s view of a family’s intergenerational dysfunction and breakdown in communication. As the extended family prepares to celebrate the life of the recently deceased matriarch, tensions arise between family members, resulting in one member being hospitalized for a week much again her will. Delusional thoughts convince her that her husband has placed her there so that he can take the chi…
A Love Letter to Our Past and Future
Ars Moriendi
As a short story "Ars Moriendi," the art of dying, pays tribute to how social science and its methods such as autoethnography can enhance our understanding of life and death. Contrasting the limited medical technologies of the past with the abilities of the present, this story once told to me by my father, an oncologist/hematologist, captures the human element in the act of dying. Often, our culture works diligently to treat death as an obstacle …
In His Own Time
In his own time: An autoethnographic memorial" pays tribute to how my life partner, "Jake," toiled to rehabilitate his life after great loss and struggle, while rebuilding an old family house. As Jake cleaned the debris and tuck-pointed and laid brick, he also brought back to life a family heritage of honor and justice-"of doing right no matter the consequences." Writing from what Ellen Fine (1988) calls "absent memory," memory that is observed a…
Gigi's Tipis
As an autoethnography, Gigi's Tipis experiments with the short-story format as a "new style" of qualitative investigation into family communication. Gigis Tipis presents narrative of family conventions and resistance as experienced by the author and her new family. When Jake's girlfriend, Gigi, makes an offhanded joke that upsets his sister, a series of scenes unravel the family's deep-seated tensions. Eventually miscommunication leads to no comm…
The Hermit and the Old Goat
Narrated by a man looking back at his childhood, The Hermit and the Old Goat is loosely connected to real events. Placing herself in this fictional character's mind allowed the author to explore with distant compassion the results of a traumatic family split. In self-narrative, we can re-script a traumatic experience's meaning without having to depict it exactly as it happened. The trauma of losing one's family disrupts one's sense of self, one's…
Traumatic Truths and the Gift of Telling
This article explores how three modalities of writing dissertation, memoir, and autoethnography negotiate the tensions between poststructuralist and psychoanalytic notions of truth as experienced by survivors of trauma. Although the nebulous nature of truth contrasts with the healing powers of speaking one's truth, this article argues that autoethnography in its experimentally analytic potential to produce meaning in and out of original contexts …
The Wedding Dress
The Wedding Dress presents an epiphanous shift in a couple's understanding of exogamy and commitment when confronted with extended family's clannish expectations. Submitting to and then challenging and destroying this power's hold is symbolized in the wedding dress. As an autoethnography, this story resonates with Sophocles's Antigone, in which choices must be made that challenge the law of the father (King Kreon, Jane-family) and demand the law …
Vampiric Affinities
A FTER MINA HARKER awakens from Count Dracula's vampiric embrace, she asks the men around her, but more pointedly herself, “What have I done to deserve such a fate, I who have tried to walk in meekness and righteousness all my days?” (285, ch. 21). As she recounts this perverse seduction in her own words, however, she contradicts her earlier disavowal: “strangely enough, I did not want to hinder him” (284). These conflicting statements capture th…
Speaking Silence
Long-term, in-depth interviews with 11 abused lesbians and 10 domestic violence advocates reveal how lesbian victims struggle to define the relationship's abuse, their lesbian identity, and their own understanding of gendered violence in the context of cultural and institutional stigmatization of lesbians. By understanding abused lesbians’ silence as constitutive of their definitional dialogues about their relationships and the abuse, researchers…
Traumatic Truths and the Gift of Telling
This article explores how three modalities of writing dissertation, memoir, and autoethnography negotiate the tensions between poststructuralist and psychoanalytic notions of truth as experienced by survivors of trauma. Although the nebulous nature of truth contrasts with the healing powers of speaking one's truth, this article argues that autoethnography in its experimentally analytic potential to produce meaning in and out of original contexts …
Vampiric Affinities
A FTER MINA HARKER awakens from Count Dracula's vampiric embrace, she asks the men around her, but more pointedly herself, “What have I done to deserve such a fate, I who have tried to walk in meekness and righteousness all my days?” (285, ch. 21). As she recounts this perverse seduction in her own words, however, she contradicts her earlier disavowal: “strangely enough, I did not want to hinder him” (284). These conflicting statements capture th…
Gigi's Tipis
As an autoethnography, Gigi's Tipis experiments with the short-story format as a "new style" of qualitative investigation into family communication. Gigis Tipis presents narrative of family conventions and resistance as experienced by the author and her new family. When Jake's girlfriend, Gigi, makes an offhanded joke that upsets his sister, a series of scenes unravel the family's deep-seated tensions. Eventually miscommunication leads to no comm…
The Hermit and the Old Goat
Narrated by a man looking back at his childhood, The Hermit and the Old Goat is loosely connected to real events. Placing herself in this fictional character's mind allowed the author to explore with distant compassion the results of a traumatic family split. In self-narrative, we can re-script a traumatic experience's meaning without having to depict it exactly as it happened. The trauma of losing one's family disrupts one's sense of self, one's…
The Wedding Dress
The Wedding Dress presents an epiphanous shift in a couple's understanding of exogamy and commitment when confronted with extended family's clannish expectations. Submitting to and then challenging and destroying this power's hold is symbolized in the wedding dress. As an autoethnography, this story resonates with Sophocles's Antigone, in which choices must be made that challenge the law of the father (King Kreon, Jane-family) and demand the law …
Speaking Silence
Long-term, in-depth interviews with 11 abused lesbians and 10 domestic violence advocates reveal how lesbian victims struggle to define the relationship's abuse, their lesbian identity, and their own understanding of gendered violence in the context of cultural and institutional stigmatization of lesbians. By understanding abused lesbians’ silence as constitutive of their definitional dialogues about their relationships and the abuse, researchers…
Speaking Silence
Long-term, in-depth interviews with 11 abused lesbians and 10 domestic violence advocates reveal how lesbian victims struggle to define the relationship's abuse, their lesbian identity, and their own understanding of gendered violence in the context of cultural and institutional stigmatization of lesbians. By understanding abused lesbians’ silence as constitutive of their definitional dialogues about their relationships and the abuse, researchers…
Vampiric Affinities
A FTER MINA HARKER awakens from Count Dracula's vampiric embrace, she asks the men around her, but more pointedly herself, “What have I done to deserve such a fate, I who have tried to walk in meekness and righteousness all my days?” (285, ch. 21). As she recounts this perverse seduction in her own words, however, she contradicts her earlier disavowal: “strangely enough, I did not want to hinder him” (284). These conflicting statements capture th…
Traumatic Truths and the Gift of Telling
This article explores how three modalities of writing dissertation, memoir, and autoethnography negotiate the tensions between poststructuralist and psychoanalytic notions of truth as experienced by survivors of trauma. Although the nebulous nature of truth contrasts with the healing powers of speaking one's truth, this article argues that autoethnography in its experimentally analytic potential to produce meaning in and out of original contexts …
The Wedding Dress
The Wedding Dress presents an epiphanous shift in a couple's understanding of exogamy and commitment when confronted with extended family's clannish expectations. Submitting to and then challenging and destroying this power's hold is symbolized in the wedding dress. As an autoethnography, this story resonates with Sophocles's Antigone, in which choices must be made that challenge the law of the father (King Kreon, Jane-family) and demand the law …
Gigi's Tipis
As an autoethnography, Gigi's Tipis experiments with the short-story format as a "new style" of qualitative investigation into family communication. Gigis Tipis presents narrative of family conventions and resistance as experienced by the author and her new family. When Jake's girlfriend, Gigi, makes an offhanded joke that upsets his sister, a series of scenes unravel the family's deep-seated tensions. Eventually miscommunication leads to no comm…
The Hermit and the Old Goat
Narrated by a man looking back at his childhood, The Hermit and the Old Goat is loosely connected to real events. Placing herself in this fictional character's mind allowed the author to explore with distant compassion the results of a traumatic family split. In self-narrative, we can re-script a traumatic experience's meaning without having to depict it exactly as it happened. The trauma of losing one's family disrupts one's sense of self, one's…
In His Own Time
In his own time: An autoethnographic memorial" pays tribute to how my life partner, "Jake," toiled to rehabilitate his life after great loss and struggle, while rebuilding an old family house. As Jake cleaned the debris and tuck-pointed and laid brick, he also brought back to life a family heritage of honor and justice-"of doing right no matter the consequences." Writing from what Ellen Fine (1988) calls "absent memory," memory that is observed a…
Ars Moriendi
As a short story "Ars Moriendi," the art of dying, pays tribute to how social science and its methods such as autoethnography can enhance our understanding of life and death. Contrasting the limited medical technologies of the past with the abilities of the present, this story once told to me by my father, an oncologist/hematologist, captures the human element in the act of dying. Often, our culture works diligently to treat death as an obstacle …
A Love Letter to Our Past and Future
Celebration of Life
As an autoethnography, “A Celebration of Life” takes an observer’s view of a family’s intergenerational dysfunction and breakdown in communication. As the extended family prepares to celebrate the life of the recently deceased matriarch, tensions arise between family members, resulting in one member being hospitalized for a week much again her will. Delusional thoughts convince her that her husband has placed her there so that he can take the chi…
Mother's Eyes
This autoethnography pays homage to my mother and all the women who supported each other through the act of abortion. Coming of age in the era of Roe v. Wade, I accessed a legal and safe abortion with my mother's help. My mother who became a nurse during the era of illegal abortions witnessed young women dying at the hands of the state. My mother, like many women before her, acted to help another woman terminate an unwanted pregnancy, an act of r…
Russia Remembered
This autoethnography is about the author’s arranged marriage to a Jewish, Soviet scientist, a transaction meant to release him and his family from their home country at a time when leaving for Jews was nearly impossible. Arranged marriages offered possibility but brought subjective complexities over the ethical and even safety concerns to those involved. Drawing from the author’s journals, this story foregrounds subjective connection to these eth…
Owning the Lies
This autoethnography contests notions that family secrets and lies are always disruptive to family cohesion by exploring how secrets and lies hold a family together. Drawing from shared memories, I address my siblings directly to reveal our experiences of navigating our parents’ secrets and lies from each other that contributed to our own adoption of such practices. The story shows how we eventually found better ways to support our parents and on…
Introduction
This article introduces the four manuscripts for this special issue of CS/CM. The order of the articles is the same as the introduction: Planned Parenthood Before and After Roe: Historical Lessons for the Current Fight, Relocating Reproductive Justice in Donor Sperm and Egg Capitalism, Let's Make the Womb Safe Again, and Everyday Practices, Unaffordable Rights, Radical Liberation
Teaching popular media and culture through the American family lens
This article focuses on the teaching of the American family via a large lecture course that examines ideology, culture, family, gender, sexuality, race, class and nation through the study of media texts. The course applies a student-focused approach and attends to the material through a cultural studies frame. First, we describe the course and its goals and then we reflect on the practices we have brought to teaching the course that have garnered…
You Belong Here
This autoethnography showcases the difficulty of trying to live in and eventually having to leave a rural community due to the destructive forces the Trump era has brought to these once “our children” communities. When we arrived in Atown in the early 2000s, the community was a welcoming if isolated place where Republicans and Democrats both served on the county board. By the time we left, as did many others who did not fit the community’s Trumpi…
Sociology (13 obras) · Autoethnography (11 obras) · Psychology (11 obras) · Aesthetics (9 obras) · Gender Studies (9 obras) · Gender Studies (9 obras) · Law (8 obras) · Psychoanalysis (8 obras) · Art (6 obras) · Law (6 obras)