Cat Hope
Dados Biográficos
| ID | 290389 |
|---|---|
| NOME | Cat Hope |
| PRENOMES | Cat |
| SOBRENOME | Hope |
| ASSINATURA | HOPE C |
| AFILIAÇÕES | Monash University |
| ORCID | 0000-0001-9999-7194 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 16 |
| TOTAL DE CITAÇÕES | 2 |
| TOTAL COMO AUTOR | 16 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1985 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2026 |
| ÍNDICE H | 1 |
Ross Gibson’s head_phone_film_poems
Extensions and Amputations
This article explores the aesthetic dimensions of telematic music performance, focussing on composers’ and performers’ experiences in an intercontinental collaboration. Telematic performances, which allow musicians to collaborate across geographical distances using digital platforms, present both opportunities and challenges due to network-induced latency. Drawing on the ‘latency-accepting approach’ proposed by Carôt and Werner ([2007]. “Network …
Telematic and Networked Performance During and Around the Pandemic
This issue documents and examines a range of approaches to networked music creation and performance between 2019 and 2021, a period encompassing the worldwide COVID-19 pandemic. The venue closures
The Cambridge Companion to Music in Australia
As a companion to 'music in Australia', rather than 'Australian music', this book acknowledges the complexity and contestation inherent in the term 'Australia', whilst placing the music of Aboriginal and Torres Strait Islander people at its very heart. This companion emphasizes a diversity of musical experiences in the breadth of musical practice that flows though Australia, including Indigenous song, art music, children's music, jazz, country, p…
Four Movements From Melbourne
This collaborative autoethnography invited and engaged 16 participants in a workshop to both explore and embody autoethnography as communal activity. Working in four groups, each group determined a prompt for reflection and remembrance, writing individually and sharing communally their diverse but interlocking cultural memory and practice
Inside the Éliane Radigue Composer-Performer Circle
As a composer-performer, Cat Hope has collaborated with Éliane Radigue in the creation of three new works: 2015's OCCAM HEXA II, co-composed with Carol Robinson and commissioned by Decibel new music ensemble, 2018's OCCAM XXIV for solo alto flute, and 2019's OCCAM RIVER XXIV for flute and cello. In this article, Hope traces the genesis of these works and her experience bringing these compositions to life via a shared composer-performers' circle: …
The Radiant Exterior
Cat Hope and Lionel Marchetti first met in Australia in 2010, when Marchetti was touring his own work after liane Radigue was unable to undertake a tour of her own music, diffused by Marchetti, due to poor health. Impressed by the energy of both his music and its performance, Hope has stayed in close contact with Marchetti, commissioning works and collaborating with him on several co-authored compositions for the Decibel new music ensemble (Room …
Gender as performance, experience, identity and, variable
There is growing interest in examining the gendered nature of music practices worldwide. Recent investigations of access to and equity in the music industry have included studies of gender discrimination in classical music, popular music, film music, and within the structure of colonization. This article contributes to this work by reporting the findings of a Systematic Literature Review (SLR) of research that addresses the gendered nature of jaz…
Wording New Paths
New music compositions for percussion continue to embrace a wide range of musical idioms, performance approaches, and technologies associated with contemporary music making. Text scores have had an important role to play in percussion works where rhythmic structures are not a central concern, or where a significant amount of improvisation is required, but also in works that feature electronic parts. Percussion music has tested the capacity of tra…
Expanded Percussion Notation in Recent Works by Cat Hope, Stuart James and Lindsay Vickery
This paper discusses the percussion notation of Western Australian composers Lindsay Vickery, Stuart James and Cat Hope. Both the compositional and performative aspects of their notational conventions are considered in the diverse approaches they take to the specification of timbre, improvisation, and ensemble coordination. The design and interpretation of screen-based technologies, tablature gestural approaches and spectrographic notation is exp…
The Rise and Fall, and the Rise (Again) of Feminist Research in Music
This article reports from a two-phase study that involved an analysis of the extant literature followed by a three-part survey answered by seventy-one women composers. Through these theoretical and empirical data, the authors explore the relationship between gender and music’s symbolic and cultural capital. Bourdieu’s theory of the habitus is employed to understand the gendered experiences of the female composers who participated in the survey. T…
Infrasonic Music
Low-frequency sound on the cusp of the audible offers the possibility of redefining the way we think about listening to music. As the perception of pitch is lost in very low-frequency sound emissions, an opportunity arises for a different kind of music and a different way of listening. Low frequencies can be engaged to activate responses other than the aural or be used as a kind of “silent activator,” enabling or affecting other sounds. This arti…
Reconstructing Ancient Kellis Part II
This is an investigation of an online interactive application that allows visitors to navigate their way through models of domestic architecture and see it as a citizen of Kellis would have seen it in historical times. The goal is to communicate a richer representation of domestic life at Kellis where excavated artefacts are given context through their inclusion within the reconstructed three- dimensional (3D) architecture. The digital recreation…
A New Fragment of Homer
Umm el-Ga'ab. Pottery from the Nile Valley before the Arab Conquest. Catalogue
Digital Arts
This text presents an introduction to new media art through key debates and theories. This book begins with the historical contexts of the digital arts, discusses contemporary forms, and concludes with current and future trends in distribution and archival processes. Considering the imperative of artists to adopt new technologies, the chapters of the book progressively present a study of the impact of the digital on art, as well as the exhibition…
The Rise and Fall, and the Rise (Again) of Feminist Research in Music
This article reports from a two-phase study that involved an analysis of the extant literature followed by a three-part survey answered by seventy-one women composers. Through these theoretical and empirical data, the authors explore the relationship between gender and music’s symbolic and cultural capital. Bourdieu’s theory of the habitus is employed to understand the gendered experiences of the female composers who participated in the survey. T…
A New Fragment of Homer
Umm el-Ga'ab. Pottery from the Nile Valley before the Arab Conquest. Catalogue
A New Fragment of Homer
Reconstructing Ancient Kellis Part II
This is an investigation of an online interactive application that allows visitors to navigate their way through models of domestic architecture and see it as a citizen of Kellis would have seen it in historical times. The goal is to communicate a richer representation of domestic life at Kellis where excavated artefacts are given context through their inclusion within the reconstructed three- dimensional (3D) architecture. The digital recreation…
Infrasonic Music
Low-frequency sound on the cusp of the audible offers the possibility of redefining the way we think about listening to music. As the perception of pitch is lost in very low-frequency sound emissions, an opportunity arises for a different kind of music and a different way of listening. Low frequencies can be engaged to activate responses other than the aural or be used as a kind of “silent activator,” enabling or affecting other sounds. This arti…
Wording New Paths
New music compositions for percussion continue to embrace a wide range of musical idioms, performance approaches, and technologies associated with contemporary music making. Text scores have had an important role to play in percussion works where rhythmic structures are not a central concern, or where a significant amount of improvisation is required, but also in works that feature electronic parts. Percussion music has tested the capacity of tra…
Expanded Percussion Notation in Recent Works by Cat Hope, Stuart James and Lindsay Vickery
This paper discusses the percussion notation of Western Australian composers Lindsay Vickery, Stuart James and Cat Hope. Both the compositional and performative aspects of their notational conventions are considered in the diverse approaches they take to the specification of timbre, improvisation, and ensemble coordination. The design and interpretation of screen-based technologies, tablature gestural approaches and spectrographic notation is exp…
The Rise and Fall, and the Rise (Again) of Feminist Research in Music
This article reports from a two-phase study that involved an analysis of the extant literature followed by a three-part survey answered by seventy-one women composers. Through these theoretical and empirical data, the authors explore the relationship between gender and music’s symbolic and cultural capital. Bourdieu’s theory of the habitus is employed to understand the gendered experiences of the female composers who participated in the survey. T…
Gender as performance, experience, identity and, variable
There is growing interest in examining the gendered nature of music practices worldwide. Recent investigations of access to and equity in the music industry have included studies of gender discrimination in classical music, popular music, film music, and within the structure of colonization. This article contributes to this work by reporting the findings of a Systematic Literature Review (SLR) of research that addresses the gendered nature of jaz…
Inside the Éliane Radigue Composer-Performer Circle
As a composer-performer, Cat Hope has collaborated with Éliane Radigue in the creation of three new works: 2015's OCCAM HEXA II, co-composed with Carol Robinson and commissioned by Decibel new music ensemble, 2018's OCCAM XXIV for solo alto flute, and 2019's OCCAM RIVER XXIV for flute and cello. In this article, Hope traces the genesis of these works and her experience bringing these compositions to life via a shared composer-performers' circle: …
The Radiant Exterior
Cat Hope and Lionel Marchetti first met in Australia in 2010, when Marchetti was touring his own work after liane Radigue was unable to undertake a tour of her own music, diffused by Marchetti, due to poor health. Impressed by the energy of both his music and its performance, Hope has stayed in close contact with Marchetti, commissioning works and collaborating with him on several co-authored compositions for the Decibel new music ensemble (Room …
The Cambridge Companion to Music in Australia
As a companion to 'music in Australia', rather than 'Australian music', this book acknowledges the complexity and contestation inherent in the term 'Australia', whilst placing the music of Aboriginal and Torres Strait Islander people at its very heart. This companion emphasizes a diversity of musical experiences in the breadth of musical practice that flows though Australia, including Indigenous song, art music, children's music, jazz, country, p…
Digital Arts
This text presents an introduction to new media art through key debates and theories. This book begins with the historical contexts of the digital arts, discusses contemporary forms, and concludes with current and future trends in distribution and archival processes. Considering the imperative of artists to adopt new technologies, the chapters of the book progressively present a study of the impact of the digital on art, as well as the exhibition…
Four Movements From Melbourne
This collaborative autoethnography invited and engaged 16 participants in a workshop to both explore and embody autoethnography as communal activity. Working in four groups, each group determined a prompt for reflection and remembrance, writing individually and sharing communally their diverse but interlocking cultural memory and practice
Extensions and Amputations
This article explores the aesthetic dimensions of telematic music performance, focussing on composers’ and performers’ experiences in an intercontinental collaboration. Telematic performances, which allow musicians to collaborate across geographical distances using digital platforms, present both opportunities and challenges due to network-induced latency. Drawing on the ‘latency-accepting approach’ proposed by Carôt and Werner ([2007]. “Network …
Telematic and Networked Performance During and Around the Pandemic
This issue documents and examines a range of approaches to networked music creation and performance between 2019 and 2021, a period encompassing the worldwide COVID-19 pandemic. The venue closures
Ross Gibson’s head_phone_film_poems
Art (12 obras) · Visual arts (8 obras) · Art history (4 obras) · Computer Science (4 obras) · History (4 obras) · Music Technology and Sound Studies (4 obras) · Philosophy (4 obras) · Digital Games and Media (3 obras) · Diverse Musicological Studies (3 obras) · Geography (3 obras)