Maria Chiara D’argenio
Dados Biográficos
| ID | 2909199 |
|---|---|
| NOME | Maria Chiara D’argenio |
| PRENOMES | Maria Chiara |
| SOBRENOME | D’argenio |
| ASSINATURA | D’ARGENIO M C |
| AFILIAÇÕES | Department of Spanish, Portuguese and Latin American Studies, University College London, London, UK |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 2 |
| TOTAL DE CITAÇÕES | 5 |
| TOTAL COMO AUTOR | 2 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2017 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2018 |
| ÍNDICE H | 1 |
Decolonial encounters in Ciro Guerra's El abrazo de la serpiente
This article analyses the politics and aesthetics of the depiction of the encounter between the West and the non-West in Ciro Guerra’s film El abrazo de la serpiente, examining how the film deconstructs colonialist imagery and discourses, and engages with the notion and cinematic representation of indigeneity. Through an interdisciplinary approach, the article identifies and discusses the strategies employed in the film to decolonise the category…
A Picturesque Modernity in 1920s Peru and Argentina
This essay focuses on a series of pictorial reportages on the city of Cuzco and the surrounding region published in the Peruvian illustrated magazine Variedades in 1924 and 1925. Looking at the interplay of the aesthetic and documentary value of photographs, I analyse how the reportages on Cuzco’s architecture and ruins contributed to the indigenista proposal of regional and national identity and how, in so doing, they articulated an idea of mode…
Decolonial encounters in Ciro Guerra's El abrazo de la serpiente
This article analyses the politics and aesthetics of the depiction of the encounter between the West and the non-West in Ciro Guerra’s film El abrazo de la serpiente, examining how the film deconstructs colonialist imagery and discourses, and engages with the notion and cinematic representation of indigeneity. Through an interdisciplinary approach, the article identifies and discusses the strategies employed in the film to decolonise the category…
A Picturesque Modernity in 1920s Peru and Argentina
This essay focuses on a series of pictorial reportages on the city of Cuzco and the surrounding region published in the Peruvian illustrated magazine Variedades in 1924 and 1925. Looking at the interplay of the aesthetic and documentary value of photographs, I analyse how the reportages on Cuzco’s architecture and ruins contributed to the indigenista proposal of regional and national identity and how, in so doing, they articulated an idea of mode…
A Picturesque Modernity in 1920s Peru and Argentina
This essay focuses on a series of pictorial reportages on the city of Cuzco and the surrounding region published in the Peruvian illustrated magazine Variedades in 1924 and 1925. Looking at the interplay of the aesthetic and documentary value of photographs, I analyse how the reportages on Cuzco’s architecture and ruins contributed to the indigenista proposal of regional and national identity and how, in so doing, they articulated an idea of mode…
Decolonial encounters in Ciro Guerra's El abrazo de la serpiente
This article analyses the politics and aesthetics of the depiction of the encounter between the West and the non-West in Ciro Guerra’s film El abrazo de la serpiente, examining how the film deconstructs colonialist imagery and discourses, and engages with the notion and cinematic representation of indigeneity. Through an interdisciplinary approach, the article identifies and discusses the strategies employed in the film to decolonise the category…
Aesthetics (2 obras) · Art (2 obras) · History (2 obras) · History (2 obras) · Law (2 obras) · Law (2 obras) · Literature (2 obras) · Philosophy (2 obras) · Philosophy (2 obras) · Sociology (2 obras)