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Esther López-Montalvo

Dados Biográficos

ID295777
NOMEEsther López-Montalvo
PRENOMESEsther
SOBRENOMELópez-Montalvo
ASSINATURALÓPEZ-MONTALVO E
AFILIAÇÕESCentre National de la Recherche Scientifique
ORCID0000-0002-3112-1329
VERIFICADOSim
TOTAL DE OBRAS15
TOTAL DE CITAÇÕES57
TOTAL COMO AUTOR15
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO2012
ANO MAIS RECENTE DE PUBLICAÇÃO2025
ÍNDICE H2
  • Developing a non-invasive approach for prehistoric rock art characterization based on smartphone imaging colorimetry and spectroscopy

    Open Access•Mirco Ramacciotti, Gianni Gallello et al.•ARTICLE•Journal of Cultural Heritage•2025•Referências: 9

  • New insights into the Spanish Levantine rock art pigments combining pXRF and stylistic approach

    Open Access•Esther López-Montalvo, Gianni Gallello et al.•ARTICLE•Journal of Archaeological Science…•2025•Citada por: 1•Referências: 1

  • A multi-stage Bayesian modelling for building the chronocultural sequence of the Late Mesolithic at Cueva de la Cocina (Valencia, Eastern Iberia)

    Open Access•Oreto García Puchol, B Mcclure et al.•ARTICLE•Quaternary International•2023

  • What relations between North Africa and Europe in the early holocene

    Thomas Perrin, Tiphaine Dachy et al.•ARTICLE•Tabona Revista de Prehistoria y…•2022

    Between the 8th and 5th millennium BCE, human societies in the Western Mediterranean underwent several major changes. One of them took place during the 7th millennium with a profound change in material production, especially in their stone industries. It resulted in a fundamental change in production patterns, operating sequences and technical procedures. The precise origin of these changes is currently unknown, but it is possible that they initi…

  • Quelles relations entre l’Afrique du Nord et l’Europe au début de l’Holocène

    Thomas Perrin, Tiphaine Dachy et al.•ARTICLE•Tabona Revista de Prehistoria y…•2022•Referências: 5

    Entre le 8e et le 5e millénaire avant notre ère, les sociétés humaines de la Méditerranée occidentale ont opéré plusieurs changements majeurs. L’un d’eux a eu lieu au cours du 7e millénaire avec une modification profonde dans les productions matérielles, en particulier dans leurs industries de la pierre. Il se traduit par un changement fondamental des schémas de production, des séquences opératoires et des procédures techniques. L’origine précise…

  • Figurative graphic expressions and the first Western Mediterranean farmers

    Esther López-Montalvo, Esther López Montalvo et al.•ARTICLE•Bulletin de la Société…•2021

    In Europe, the emergence of the agro-pastoral way of life is accompanied of a novel socio-symbolic system that develops new forms of expression, themes and supports. In this sense, the shape, themes and decorative patterns in ceramics have particularly favoured the characterisation of both regional identities and spheres of influence at different temporal and geographic scales. Among the themes portrayed, the figurative motifs take on special rel…

  • War and Peace in Iberian Prehistory

    Open Access•Esther López-Montalvo•CHAPTER•Prehistoric Warfare and Violence•2018

  • Hunting scenes in Spanish Levantine rock art

    Open Access•Esther López-Montalvo•ARTICLE•Quaternary International•2018

  • The Neolithisation of the Western Mediterranean

    Open Access•Claire Manen, Íñigo García-Martínez De Lagrán et al.•ARTICLE•Quaternary International•2018

  • Spanish Levantine rock art

    Esther López-Montalvo•CHAPTER•Conflict Archaeology•2017

    This chapter presents a new approach to the Levantine themes, taking the scenes of violent content as a case study. The Spanish Levantine rock art can be considered as a unique form of pictorial expression in prehistoric Europe. Prehistoric iconography has been generally dismissed from the debate concerning the characterisation of prehistoric societies, especially in those cases as Spanish Levantine rock art, in which the definition of their auth…

  • Violence in Neolithic Iberia

    Open Access•Esther López-Montalvo•ARTICLE•Antiquity•2015•Citada por: 3•Referências: 16

  • An approximation to the study of black pigments in Cova Remigia (Castellón, Spain). Technical and cultural assessments of the use of carbon-based black pigments in Spanish Levantine Rock Art

    Open Access•Esther López-Montalvo, Villaverde et al.•ARTICLE•Journal of Archaeological Science•2014

  • From the Iconography of Rock Art to Its Anthropological Interpretation

    Open Access•Georges Sauvet, Robert Layton et al.•ARTICLE•Palethnologie•2013

    The aim of this collective study is to examine the hypothesis that the iconographic structure of rock art traditions will vary as a function of the socio-economic organisation and belief systems of the societies in which they are developed and used. To that end we have assembled, mostly through our own fieldwork, bodies of data on motifs from different continents and different periods of prehistory. These data come from Africa – Brandberg / Daure…

  • De l’iconographie de l’art rupestre à son interprétation anthropologique

    Open Access•Georges Sauvet, Robert Layton et al.•ARTICLE•Palethnologie•2013

    L’objectif de cette étude collective est d’examiner l’hypothèse selon laquelle la structure iconographique des traditions d’art rupestre varie en fonction de l’organisation socio-économique et des systèmes de croyance des sociétés dans lesquelles elles sont développées et furent utilisées. À cette fin, nous avons rassemblé, principalement grâce à nos propres travaux de terrain, des corpus de données sur les motifs de différents continents et de d…

  • Latest developments in rock art recording

    Open Access•Inés Domingo, Villaverde et al.•ARTICLE•Journal of Archaeological Science•2012•Citada por: 53

  • Latest developments in rock art recording

    Open Access•Inés Domingo, Villaverde et al.•ARTICLE•Journal of Archaeological Science•2012•Citada por: 53

  • Violence in Neolithic Iberia

    Open Access•Esther López-Montalvo•ARTICLE•Antiquity•2015•Citada por: 3•Referências: 16

  • New insights into the Spanish Levantine rock art pigments combining pXRF and stylistic approach

    Open Access•Esther López-Montalvo, Gianni Gallello et al.•ARTICLE•Journal of Archaeological Science…•2025•Citada por: 1•Referências: 1

  • Latest developments in rock art recording

    Open Access•Inés Domingo, Villaverde et al.•ARTICLE•Journal of Archaeological Science•2012•Citada por: 53

  • From the Iconography of Rock Art to Its Anthropological Interpretation

    Open Access•Georges Sauvet, Robert Layton et al.•ARTICLE•Palethnologie•2013

    The aim of this collective study is to examine the hypothesis that the iconographic structure of rock art traditions will vary as a function of the socio-economic organisation and belief systems of the societies in which they are developed and used. To that end we have assembled, mostly through our own fieldwork, bodies of data on motifs from different continents and different periods of prehistory. These data come from Africa – Brandberg / Daure…

  • De l’iconographie de l’art rupestre à son interprétation anthropologique

    Open Access•Georges Sauvet, Robert Layton et al.•ARTICLE•Palethnologie•2013

    L’objectif de cette étude collective est d’examiner l’hypothèse selon laquelle la structure iconographique des traditions d’art rupestre varie en fonction de l’organisation socio-économique et des systèmes de croyance des sociétés dans lesquelles elles sont développées et furent utilisées. À cette fin, nous avons rassemblé, principalement grâce à nos propres travaux de terrain, des corpus de données sur les motifs de différents continents et de d…

  • An approximation to the study of black pigments in Cova Remigia (Castellón, Spain). Technical and cultural assessments of the use of carbon-based black pigments in Spanish Levantine Rock Art

    Open Access•Esther López-Montalvo, Villaverde et al.•ARTICLE•Journal of Archaeological Science•2014

  • Violence in Neolithic Iberia

    Open Access•Esther López-Montalvo•ARTICLE•Antiquity•2015•Citada por: 3•Referências: 16

  • Spanish Levantine rock art

    Esther López-Montalvo•CHAPTER•Conflict Archaeology•2017

    This chapter presents a new approach to the Levantine themes, taking the scenes of violent content as a case study. The Spanish Levantine rock art can be considered as a unique form of pictorial expression in prehistoric Europe. Prehistoric iconography has been generally dismissed from the debate concerning the characterisation of prehistoric societies, especially in those cases as Spanish Levantine rock art, in which the definition of their auth…

  • War and Peace in Iberian Prehistory

    Open Access•Esther López-Montalvo•CHAPTER•Prehistoric Warfare and Violence•2018

  • Hunting scenes in Spanish Levantine rock art

    Open Access•Esther López-Montalvo•ARTICLE•Quaternary International•2018

  • The Neolithisation of the Western Mediterranean

    Open Access•Claire Manen, Íñigo García-Martínez De Lagrán et al.•ARTICLE•Quaternary International•2018

  • Figurative graphic expressions and the first Western Mediterranean farmers

    Esther López-Montalvo, Esther López Montalvo et al.•ARTICLE•Bulletin de la Société…•2021

    In Europe, the emergence of the agro-pastoral way of life is accompanied of a novel socio-symbolic system that develops new forms of expression, themes and supports. In this sense, the shape, themes and decorative patterns in ceramics have particularly favoured the characterisation of both regional identities and spheres of influence at different temporal and geographic scales. Among the themes portrayed, the figurative motifs take on special rel…

  • What relations between North Africa and Europe in the early holocene

    Thomas Perrin, Tiphaine Dachy et al.•ARTICLE•Tabona Revista de Prehistoria y…•2022

    Between the 8th and 5th millennium BCE, human societies in the Western Mediterranean underwent several major changes. One of them took place during the 7th millennium with a profound change in material production, especially in their stone industries. It resulted in a fundamental change in production patterns, operating sequences and technical procedures. The precise origin of these changes is currently unknown, but it is possible that they initi…

  • Quelles relations entre l’Afrique du Nord et l’Europe au début de l’Holocène

    Thomas Perrin, Tiphaine Dachy et al.•ARTICLE•Tabona Revista de Prehistoria y…•2022•Referências: 5

    Entre le 8e et le 5e millénaire avant notre ère, les sociétés humaines de la Méditerranée occidentale ont opéré plusieurs changements majeurs. L’un d’eux a eu lieu au cours du 7e millénaire avec une modification profonde dans les productions matérielles, en particulier dans leurs industries de la pierre. Il se traduit par un changement fondamental des schémas de production, des séquences opératoires et des procédures techniques. L’origine précise…

  • A multi-stage Bayesian modelling for building the chronocultural sequence of the Late Mesolithic at Cueva de la Cocina (Valencia, Eastern Iberia)

    Open Access•Oreto García Puchol, B Mcclure et al.•ARTICLE•Quaternary International•2023

  • Developing a non-invasive approach for prehistoric rock art characterization based on smartphone imaging colorimetry and spectroscopy

    Open Access•Mirco Ramacciotti, Gianni Gallello et al.•ARTICLE•Journal of Cultural Heritage•2025•Referências: 9

  • New insights into the Spanish Levantine rock art pigments combining pXRF and stylistic approach

    Open Access•Esther López-Montalvo, Gianni Gallello et al.•ARTICLE•Journal of Archaeological Science…•2025•Citada por: 1•Referências: 1

Archaeology (13 obras) · Geography (13 obras) · Archaeological and Geological Studies (8 obras) · Archaeology and ancient environmental studies (8 obras) · Pleistocene-Era Hominins and Archaeology (7 obras) · Geology (6 obras) · Rock art (6 obras) · Art (5 obras) · Cave (3 obras) · Computer Science (3 obras)

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