Emil Stjernholm
Dados Biográficos
| ID | 3047412 |
|---|---|
| NOME | Emil Stjernholm |
| PRENOMES | Emil |
| SOBRENOME | Stjernholm |
| ASSINATURA | STJERNHOLM E |
| AFILIAÇÕES | Lund University |
| ORCID | 0000-0001-9871-5191 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 8 |
| TOTAL DE CITAÇÕES | 3 |
| TOTAL COMO AUTOR | 7 |
| TOTAL COMO EDITOR | 1 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2014 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2025 |
| ÍNDICE H | 1 |
On the Historical Gaze of Generative AI
This article critically explores how the AI image model Stable Diffusion generates visual histories of Scandinavia in the 1930s. While the past has always been mediated, this study suggests that generative AI models constitute a black-boxed yet easily accessible tool for the narration of history. We draw on recent works in digital memory studies and use an explorative hands-on methodology to subject AI images to visual semiotic analysis to better…
Nordic Media Histories of Propaganda and Persuasion
This open access edited volume shines new light on the history of propaganda and persuasion during the Nordic welfare epoch.
Government public relations, audiovisual communication and the informalisation of Sweden
This article addresses the role of television as a 'new media' in government public relations. Drawing on sociological theories on informalisation, this study analyses three features of the Swedish public information programme Anslagstavlan during the 1970s and 1980s: first, formal techniques such as editing, pacing and use of animations; second, narrative strategies including the utilisation of celebrity advertising and intertextuality; and last…
Lund Film Society and Interwar Cultural Propaganda
During the interwar period, there was a surge in cultural diplomacy efforts in Europe. This article investigates the role of cultural diplomacy within the Swedish film society movement, focusing particularly on Lund Film Society’s travels abroad during the 1930s: to Nazi-Germany in 1935 and in 1938 respectively, as well as to the Soviet Union in 1936. Through international exchange, Lund Film Society did not only get access to artistic and politi…
A Clash of Ideals
In 1969, a government report concluded that there was a need for closer contact between the citizens and Swedish government agencies. Television, at this time still considered a new medium, was highlighted in the report as a valuable form of mass communication with great yet unfulfilled promise as a disseminator of government information. A heated debate about the role and function of government information ensued, not least within the public ser…
GDR Cinema on Swedish Television
This article studies the import of East German films by Swedish public service broadcaster Sveriges Radio, and their reception in the Swedish public sphere. While few GDR films reached theatrical distribution, Swedish television imported and broadcasted over 30 productions by the state-owned film studio DEFA during the 1970s and 1980s, making this the primary distribution window for East German film in Sweden. Relying on sources such as Sveriges …
Short Film of the Year–A Nazi Rite of Passage’
This article reconsiders the Swedish filmmaker Gösta Werner’s experimental short film The Sacrifice (Midvinterblot, 1945) and places its production history in an ideological context. In this case study, the article shows that The Sacrifice, which depicts gruesome old Norse pagan rituals of sacrifice, threw light on the director’s collaboration with the Nazi controlled German film company Universum Film AG (UFA) in the production of propaganda new…
Political Ads in the Swedish 2006 and 2010 Parliamentary Elections
This article is retracted by the author's request. Retraction Note: https://doi.org/10.29333/ojcmt/5725 After nearly gaining representationin 2006, the nationalist right-wing party the Sweden Democrats entered the Swedish Parliament in 2010 following a heated election campaign. In their transformation from a peripheral enterprise into a Parliament party, audiovisual political adsplayed an under-examined yet crucial role. By analyzing the party‟s …
Government public relations, audiovisual communication and the informalisation of Sweden
This article addresses the role of television as a 'new media' in government public relations. Drawing on sociological theories on informalisation, this study analyses three features of the Swedish public information programme Anslagstavlan during the 1970s and 1980s: first, formal techniques such as editing, pacing and use of animations; second, narrative strategies including the utilisation of celebrity advertising and intertextuality; and last…
A Clash of Ideals
In 1969, a government report concluded that there was a need for closer contact between the citizens and Swedish government agencies. Television, at this time still considered a new medium, was highlighted in the report as a valuable form of mass communication with great yet unfulfilled promise as a disseminator of government information. A heated debate about the role and function of government information ensued, not least within the public ser…
Political Ads in the Swedish 2006 and 2010 Parliamentary Elections
This article is retracted by the author's request. Retraction Note: https://doi.org/10.29333/ojcmt/5725 After nearly gaining representationin 2006, the nationalist right-wing party the Sweden Democrats entered the Swedish Parliament in 2010 following a heated election campaign. In their transformation from a peripheral enterprise into a Parliament party, audiovisual political adsplayed an under-examined yet crucial role. By analyzing the party‟s …
Short Film of the Year–A Nazi Rite of Passage’
This article reconsiders the Swedish filmmaker Gösta Werner’s experimental short film The Sacrifice (Midvinterblot, 1945) and places its production history in an ideological context. In this case study, the article shows that The Sacrifice, which depicts gruesome old Norse pagan rituals of sacrifice, threw light on the director’s collaboration with the Nazi controlled German film company Universum Film AG (UFA) in the production of propaganda new…
GDR Cinema on Swedish Television
This article studies the import of East German films by Swedish public service broadcaster Sveriges Radio, and their reception in the Swedish public sphere. While few GDR films reached theatrical distribution, Swedish television imported and broadcasted over 30 productions by the state-owned film studio DEFA during the 1970s and 1980s, making this the primary distribution window for East German film in Sweden. Relying on sources such as Sveriges …
Lund Film Society and Interwar Cultural Propaganda
During the interwar period, there was a surge in cultural diplomacy efforts in Europe. This article investigates the role of cultural diplomacy within the Swedish film society movement, focusing particularly on Lund Film Society’s travels abroad during the 1930s: to Nazi-Germany in 1935 and in 1938 respectively, as well as to the Soviet Union in 1936. Through international exchange, Lund Film Society did not only get access to artistic and politi…
A Clash of Ideals
In 1969, a government report concluded that there was a need for closer contact between the citizens and Swedish government agencies. Television, at this time still considered a new medium, was highlighted in the report as a valuable form of mass communication with great yet unfulfilled promise as a disseminator of government information. A heated debate about the role and function of government information ensued, not least within the public ser…
Nordic Media Histories of Propaganda and Persuasion
This open access edited volume shines new light on the history of propaganda and persuasion during the Nordic welfare epoch.
Government public relations, audiovisual communication and the informalisation of Sweden
This article addresses the role of television as a 'new media' in government public relations. Drawing on sociological theories on informalisation, this study analyses three features of the Swedish public information programme Anslagstavlan during the 1970s and 1980s: first, formal techniques such as editing, pacing and use of animations; second, narrative strategies including the utilisation of celebrity advertising and intertextuality; and last…
On the Historical Gaze of Generative AI
This article critically explores how the AI image model Stable Diffusion generates visual histories of Scandinavia in the 1930s. While the past has always been mediated, this study suggests that generative AI models constitute a black-boxed yet easily accessible tool for the narration of history. We draw on recent works in digital memory studies and use an explorative hands-on methodology to subject AI images to visual semiotic analysis to better…
Political science (7 obras) · Sociology (7 obras) · Media studies (6 obras) · History (5 obras) · Computer Science (4 obras) · Law (4 obras) · Politics (4 obras) · Business (3 obras) · European Cultural and National Identity (3 obras) · Italian Fascism and Post-war Society (3 obras)