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Samantha Lindop

Dados Biográficos

ID3079775
NOMESamantha Lindop
PRENOMESSamantha
SOBRENOMELindop
ASSINATURALINDOP S
AFILIAÇÕESThe University of Queensland
ORCID0000-0002-7772-3077
VERIFICADOSim
TOTAL DE OBRAS4
TOTAL DE CITAÇÕES6
TOTAL COMO AUTOR4
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO2013
ANO MAIS RECENTE DE PUBLICAÇÃO2022
ÍNDICE H1
  • Holograms, (Dis-) Embodied Intimacy, and Posthumanism in an Age of Ubiquitous Computing

    Samantha Lindop•ARTICLE•Journal of Posthuman Studies•2022•Referências: 6

    As computational technology becomes unobtrusive and ubiquitous, interconnections between humans and software are increasingly seamless, challenging clear demarcations between organic and synthetic, material and immaterial. Central to these innovations are theories of posthumanism and scrutiny of the self in relation to technology. Posthumanism signifies a continuum of human existence that involves shaping and being shaped by the environment and i…

  • Neoliberalism and the undead gothic subject in Daybreakers

    Samantha Lindop•ARTICLE•Continuum•2021•Referências: 7

    The vampire of classic gothic fiction has long been recognized as allegory for industrial capitalism of the late 1800s – an assertion influenced by Karl Marx’s apt description of capitalism as vampirish. Indeed, Dracula is a true monopolist – a rational entrepreneur who is driven to accumulate, expand, and suck the living of their toil. Accordingly, if this is the case, what does the vampire of modern economic practices and political strategies l…

  • Violent women in contemporary cinema

    Samantha Lindop•ARTICLE•Continuum•2018•Referências: 1

  • Gender and Popular Culture

    Samantha Lindop•ARTICLE•Australian Feminist Studies•2013•Citada por: 6

  • Gender and Popular Culture

    Samantha Lindop•ARTICLE•Australian Feminist Studies•2013•Citada por: 6

  • Gender and Popular Culture

    Samantha Lindop•ARTICLE•Australian Feminist Studies•2013•Citada por: 6

  • Violent women in contemporary cinema

    Samantha Lindop•ARTICLE•Continuum•2018•Referências: 1

  • Neoliberalism and the undead gothic subject in Daybreakers

    Samantha Lindop•ARTICLE•Continuum•2021•Referências: 7

    The vampire of classic gothic fiction has long been recognized as allegory for industrial capitalism of the late 1800s – an assertion influenced by Karl Marx’s apt description of capitalism as vampirish. Indeed, Dracula is a true monopolist – a rational entrepreneur who is driven to accumulate, expand, and suck the living of their toil. Accordingly, if this is the case, what does the vampire of modern economic practices and political strategies l…

  • Holograms, (Dis-) Embodied Intimacy, and Posthumanism in an Age of Ubiquitous Computing

    Samantha Lindop•ARTICLE•Journal of Posthuman Studies•2022•Referências: 6

    As computational technology becomes unobtrusive and ubiquitous, interconnections between humans and software are increasingly seamless, challenging clear demarcations between organic and synthetic, material and immaterial. Central to these innovations are theories of posthumanism and scrutiny of the self in relation to technology. Posthumanism signifies a continuum of human existence that involves shaping and being shaped by the environment and i…

Art (4 obras) · Aesthetics (3 obras) · Sociology (3 obras) · Political science (2 obras) · Allegory (1 obras) · Art history (1 obras) · Artificial Intelligence (1 obras) · Asian Culture and Media Studies (1 obras) · Assertion (1 obras) · Augmented Reality Applications (1 obras)

Ethnos_APP • Projeto Open Source • Licença MIT • Frontend v2.0.0 • Privacidade e Cookies • Documentação da API: api.ethnos.app/docs • Código da API: GitHub • DOI: 10.5281/zenodo.17049435 • Código do Frontend: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae