Sianne Ngai
Dados Biográficos
| ID | 311454 |
|---|---|
| NOME | Sianne Ngai |
| PRENOMES | Sianne |
| SOBRENOME | Ngai |
| ASSINATURA | NGAI S |
| AFILIAÇÕES | Service de Santé de la Jeunesse |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 16 |
| TOTAL DE CITAÇÕES | 115 |
| TOTAL COMO AUTOR | 15 |
| TOTAL COMO EDITOR | 1 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1974 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2023 |
| ÍNDICE H | 5 |
Introduction au mignon, au zinzin et à l'intéressant
Sara Alonso Gomez présente le début de sa traduction du livre de Sianne Ngai sur les catégories esthétiques. Trois nouvelles catégories semblent nécessaires à côté du sublime et du beau, pour rendre compte de la manière dont les expériences privées façonnent les discours esthétiques : le mignon qui renvoie à Adorno et à la consommation, le zinzin qui renvoie à Nietzsche et à la production, l'intéressant qui renvoie à Frédéric Schlegel et à la cir…
Cute
Theory of the Gimmick
Acclaimed critic Sianne Ngai theorizes the gimmick as an aesthetic category reflecting the fundamental laws of capitalism. Gimmicks make promises of saving labor and increasing value that we distrust but also find attractive. Exploring the use of this form, Ngai shows how its aesthetic dissatisfactions reflect deeper anxieties about capitalism
Theory of the Gimmick
Previous articleNext article FreeTheory of the GimmickSianne NgaiSianne NgaiPDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code SectionsMore1. Labor-Saving DeviceWhat are we as subjects of capitalist lifeworlds implicitly saying when we call something a gimmick, regardless of the inevitably varying objects to which the evaluation is applied and varying identit…
Comedy Has Issues
Previous articleNext article FreeComedy Has IssuesLauren Berlant and Sianne NgaiLauren Berlant and Sianne NgaiPDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code SectionsMorePermanent CarnivalComedy's pleasure comes in part from its ability to dispel anxiety, as so many of its theoreticians have noted, but it doesn't simply do that.1 As both an aesthetic mode …
Visceral Abstractions
This essay reads a series of social or capitalist abstractions: the iconic smiley face; Karl Marx's notoriously tricky concept of abstract, value-constituting labor; and the "soldier's body" qua allegory of value in contemporary American poet Rob Halpern's book Music for Porn (2012). It argues that both Marx and Halpern rely on catachresis, a trope of "necessary and forced usage," to represent the material, synthetic effects of social abstraction…
Merely Interesting
The Cuteness of the Avant-Garde
Ugly Feelings
Ngai mobilizes the aesthetics of unprestigious negative affects such as irritation, envy, and disgust to investigate not only ideological and representational dilemmas in literature—with a particular focus on those inflected by gender and race—but also blind spots in contemporary literary and cultural criticism.
A Foul Lump Started Making Promises in My Voice
American Literature - Volume 74, Number 3, September 2002
Bad Timing (A Sequel). Paranoia, Feminism, and Poetry
differences: A Journal of Feminist Cultural Studies - Volume 12, Number 2, Summer 2001
Moody Subjects Projectile Objects
Research Article| December 01 2001 Moody Subjects Projectile Objects: Anxiety and Intellectual Displacement in Hitchcock, Heidegger, and Melville Sianne Ngai Sianne Ngai Search for other works by this author on: This Site Google Qui Parle (2001) 12 (2): 15–55. https://doi.org/10.1215/quiparle.12.2.15 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools…
Jealous Schoolgirls, Single White Females, and Other Bad Examples
Stuplimity
Postmodern Culture - Volume 10, Number 2, January 2000
How much did you pay for this place?” Fear, Entitlement, and Urban Space in Bernard Rose's Candyman
Research Article| January 01 1996 "How much did you pay for this place?" Fear, Entitlement, and Urban Space in Bernard Rose's Candyman Aviva Briefel; Aviva Briefel Search for other works by this author on: This Site Google Sianne Ngai Sianne Ngai Search for other works by this author on: This Site Google Camera Obscura (1996) 13 (1 (37)): 69–91. https://doi.org/10.1215/02705346-13-1_37-69 Cite Icon Cite Share Icon Share Twitter Permissions Search…
Marxism and Form
Comedy Has Issues
Previous articleNext article FreeComedy Has IssuesLauren Berlant and Sianne NgaiLauren Berlant and Sianne NgaiPDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code SectionsMorePermanent CarnivalComedy's pleasure comes in part from its ability to dispel anxiety, as so many of its theoreticians have noted, but it doesn't simply do that.1 As both an aesthetic mode …
The Cuteness of the Avant-Garde
Merely Interesting
Theory of the Gimmick
Previous articleNext article FreeTheory of the GimmickSianne NgaiSianne NgaiPDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code SectionsMore1. Labor-Saving DeviceWhat are we as subjects of capitalist lifeworlds implicitly saying when we call something a gimmick, regardless of the inevitably varying objects to which the evaluation is applied and varying identit…
Visceral Abstractions
This essay reads a series of social or capitalist abstractions: the iconic smiley face; Karl Marx's notoriously tricky concept of abstract, value-constituting labor; and the "soldier's body" qua allegory of value in contemporary American poet Rob Halpern's book Music for Porn (2012). It argues that both Marx and Halpern rely on catachresis, a trope of "necessary and forced usage," to represent the material, synthetic effects of social abstraction…
A Foul Lump Started Making Promises in My Voice
American Literature - Volume 74, Number 3, September 2002
How much did you pay for this place?” Fear, Entitlement, and Urban Space in Bernard Rose's Candyman
Research Article| January 01 1996 "How much did you pay for this place?" Fear, Entitlement, and Urban Space in Bernard Rose's Candyman Aviva Briefel; Aviva Briefel Search for other works by this author on: This Site Google Sianne Ngai Sianne Ngai Search for other works by this author on: This Site Google Camera Obscura (1996) 13 (1 (37)): 69–91. https://doi.org/10.1215/02705346-13-1_37-69 Cite Icon Cite Share Icon Share Twitter Permissions Search…
Jealous Schoolgirls, Single White Females, and Other Bad Examples
Marxism and Form
How much did you pay for this place?” Fear, Entitlement, and Urban Space in Bernard Rose's Candyman
Research Article| January 01 1996 "How much did you pay for this place?" Fear, Entitlement, and Urban Space in Bernard Rose's Candyman Aviva Briefel; Aviva Briefel Search for other works by this author on: This Site Google Sianne Ngai Sianne Ngai Search for other works by this author on: This Site Google Camera Obscura (1996) 13 (1 (37)): 69–91. https://doi.org/10.1215/02705346-13-1_37-69 Cite Icon Cite Share Icon Share Twitter Permissions Search…
Stuplimity
Postmodern Culture - Volume 10, Number 2, January 2000
Bad Timing (A Sequel). Paranoia, Feminism, and Poetry
differences: A Journal of Feminist Cultural Studies - Volume 12, Number 2, Summer 2001
Moody Subjects Projectile Objects
Research Article| December 01 2001 Moody Subjects Projectile Objects: Anxiety and Intellectual Displacement in Hitchcock, Heidegger, and Melville Sianne Ngai Sianne Ngai Search for other works by this author on: This Site Google Qui Parle (2001) 12 (2): 15–55. https://doi.org/10.1215/quiparle.12.2.15 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools…
Jealous Schoolgirls, Single White Females, and Other Bad Examples
A Foul Lump Started Making Promises in My Voice
American Literature - Volume 74, Number 3, September 2002
Ugly Feelings
Ngai mobilizes the aesthetics of unprestigious negative affects such as irritation, envy, and disgust to investigate not only ideological and representational dilemmas in literature—with a particular focus on those inflected by gender and race—but also blind spots in contemporary literary and cultural criticism.
The Cuteness of the Avant-Garde
Merely Interesting
Visceral Abstractions
This essay reads a series of social or capitalist abstractions: the iconic smiley face; Karl Marx's notoriously tricky concept of abstract, value-constituting labor; and the "soldier's body" qua allegory of value in contemporary American poet Rob Halpern's book Music for Porn (2012). It argues that both Marx and Halpern rely on catachresis, a trope of "necessary and forced usage," to represent the material, synthetic effects of social abstraction…
Theory of the Gimmick
Previous articleNext article FreeTheory of the GimmickSianne NgaiSianne NgaiPDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code SectionsMore1. Labor-Saving DeviceWhat are we as subjects of capitalist lifeworlds implicitly saying when we call something a gimmick, regardless of the inevitably varying objects to which the evaluation is applied and varying identit…
Comedy Has Issues
Previous articleNext article FreeComedy Has IssuesLauren Berlant and Sianne NgaiLauren Berlant and Sianne NgaiPDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code SectionsMorePermanent CarnivalComedy's pleasure comes in part from its ability to dispel anxiety, as so many of its theoreticians have noted, but it doesn't simply do that.1 As both an aesthetic mode …
Theory of the Gimmick
Acclaimed critic Sianne Ngai theorizes the gimmick as an aesthetic category reflecting the fundamental laws of capitalism. Gimmicks make promises of saving labor and increasing value that we distrust but also find attractive. Exploring the use of this form, Ngai shows how its aesthetic dissatisfactions reflect deeper anxieties about capitalism
Cute
Introduction au mignon, au zinzin et à l'intéressant
Sara Alonso Gomez présente le début de sa traduction du livre de Sianne Ngai sur les catégories esthétiques. Trois nouvelles catégories semblent nécessaires à côté du sublime et du beau, pour rendre compte de la manière dont les expériences privées façonnent les discours esthétiques : le mignon qui renvoie à Adorno et à la consommation, le zinzin qui renvoie à Nietzsche et à la production, l'intéressant qui renvoie à Frédéric Schlegel et à la cir…
Art (11 obras) · Computer Science (6 obras) · Psychology (6 obras) · Cinema and Media Studies (5 obras) · Literature (5 obras) · Philosophy (5 obras) · Aesthetics (4 obras) · Philosophy (4 obras) · Psychoanalysis (4 obras) · Sociology (4 obras)