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Charles Kipng’eno Rono

Dados Biográficos

ID333504
NOMECharles Kipng’eno Rono
PRENOMESCharles Kipng’eno
SOBRENOMERono
ASSINATURARONO C K
AFILIAÇÕESMoi University
ORCID0000-0002-8699-2551
VERIFICADOSim
TOTAL DE OBRAS4
TOTAL DE CITAÇÕES0
TOTAL COMO AUTOR4
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO2019
ANO MAIS RECENTE DE PUBLICAÇÃO2024
ÍNDICE H0
  • The ‘invisible’ histories and ‘inaudible’ stories in the confessions of infamous serial killers

    Charles Kipng’eno Rono•ARTICLE•African Identities•2024•Referências: 19

    This paper discusses The Cannibal and I Killed Eighteen, KTN’s two documentary Case Files that profile Geoffrey Matheri and Philip Onyancha’s confessions as serial killers. With the hindsight that documentaries generally document true crime stories, the discussion closely follows the journalist’s narration vis-à-vis the victims’ confessions, truths, and evidences and it attempts a closure to Dennis Onsarigo’s observation that each of the two case…

  • Evolutions, Transformations and Trends in Kalenjin Traditional Songs

    Charles Kipng’eno Rono•ARTICLE•Journal of African Cultural Studies•2022•Referências: 3

    Since the production of the earliest Kalenjin traditional albums in the 1920s, the community’s traditional songs have evolved and transformed. This article traces this historical process by considering how these songs developed from folk songs performed during Kambaget (sports competitions) and from the earliest compositions of Bekyibei arap Mosonik, Kipchamba arap Tapotuk and their contemporaries, to the modern-day Kalenjin popular hits. The art…

  • Network Novel

    Charles Kipng’eno Rono•ARTICLE•Eastern African Literary and…•2021

    This essay reads Ngũgĩ wa Thiongo’s Wizard of the Crow (2006) as an intervention in the ongoing dialogues in African literature. Through the paradigms of ‘reciprocality’, ‘extensibility’ and ‘reconfigurability’, the essay gauges the impacts of dialoguing on the readings of African letters by focusing on ways in which Ngũgĩ reincarnates old concerns of two exemplars of West African literature; Kojo Laing’s Major Gentl and the Achimota Wars (1992) …

  • Kipchamba Arap Tapotuk’s Music

    Charles Kipng’eno Rono•ARTICLE•Eastern African Literary and…•2019

    Focusing on the Koilong’eet Band, this paper is an interrogation of how the selected songs by Kipchamba Arap Tapotuk incorporate Kalenjin oral techniques to create a space for narrating the past and the culture of the Kalenjin people. By conducting its analysis from the songs that sing the story through the folkloric songs to those that either present history as a story or story as history, this paper concludes by examining Kipchamba’s presentati…

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  • Kipchamba Arap Tapotuk’s Music

    Charles Kipng’eno Rono•ARTICLE•Eastern African Literary and…•2019

    Focusing on the Koilong’eet Band, this paper is an interrogation of how the selected songs by Kipchamba Arap Tapotuk incorporate Kalenjin oral techniques to create a space for narrating the past and the culture of the Kalenjin people. By conducting its analysis from the songs that sing the story through the folkloric songs to those that either present history as a story or story as history, this paper concludes by examining Kipchamba’s presentati…

  • Network Novel

    Charles Kipng’eno Rono•ARTICLE•Eastern African Literary and…•2021

    This essay reads Ngũgĩ wa Thiongo’s Wizard of the Crow (2006) as an intervention in the ongoing dialogues in African literature. Through the paradigms of ‘reciprocality’, ‘extensibility’ and ‘reconfigurability’, the essay gauges the impacts of dialoguing on the readings of African letters by focusing on ways in which Ngũgĩ reincarnates old concerns of two exemplars of West African literature; Kojo Laing’s Major Gentl and the Achimota Wars (1992) …

  • Evolutions, Transformations and Trends in Kalenjin Traditional Songs

    Charles Kipng’eno Rono•ARTICLE•Journal of African Cultural Studies•2022•Referências: 3

    Since the production of the earliest Kalenjin traditional albums in the 1920s, the community’s traditional songs have evolved and transformed. This article traces this historical process by considering how these songs developed from folk songs performed during Kambaget (sports competitions) and from the earliest compositions of Bekyibei arap Mosonik, Kipchamba arap Tapotuk and their contemporaries, to the modern-day Kalenjin popular hits. The art…

  • The ‘invisible’ histories and ‘inaudible’ stories in the confessions of infamous serial killers

    Charles Kipng’eno Rono•ARTICLE•African Identities•2024•Referências: 19

    This paper discusses The Cannibal and I Killed Eighteen, KTN’s two documentary Case Files that profile Geoffrey Matheri and Philip Onyancha’s confessions as serial killers. With the hindsight that documentaries generally document true crime stories, the discussion closely follows the journalist’s narration vis-à-vis the victims’ confessions, truths, and evidences and it attempts a closure to Dennis Onsarigo’s observation that each of the two case…

Art (4 obras) · Literature (4 obras) · Aesthetics (2 obras) · Computer Science (2 obras) · History (2 obras) · Narrative (2 obras) · Philosophy (2 obras) · Sociology (2 obras) · African history and culture analysis (1 obras) · African history and culture studies (1 obras)

Ethnos_APP • Projeto Open Source • Licença MIT • Frontend v2.0.0 • Privacidade e Cookies • Documentação da API: api.ethnos.app/docs • Código da API: GitHub • DOI: 10.5281/zenodo.17049435 • Código do Frontend: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae