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Lindsey Harlan

Dados Biográficos

ID339588
NOMELindsey Harlan
PRENOMESLindsey
SOBRENOMEHarlan
ASSINATURAHARLAN L
VERIFICADONão
TOTAL DE OBRAS16
TOTAL DE CITAÇÕES11
TOTAL COMO AUTOR15
TOTAL COMO EDITOR1
PRIMEIRO ANO DE PUBLICAÇÃO1991
ANO MAIS RECENTE DE PUBLICAÇÃO2020
ÍNDICE H1
  • Religions of India in Practice

    Ali Asani, Guy Leon Beck et al.•BOOK•Religions of India in Practice•2020

  • Aurangzeb in Mewar through the stories of Sultan Singh

    Open Access•Lindsey Harlan•ARTICLE•Journal of the Royal Asiatic…•2018•Referências: 3

    Examining narratives about Sultan Singh, Udaipur's most prominent sagasji (divine, heroic guardian), this essay analyzes the narrative frame of contention between Sultan Singh's father, the Maharana (“Great King”) Raj Singh and the emperor Aurangzeb. It argues that the frame inevitably glorifies the Maharana and contrasts him with emperor, invariably represented as a worthy opponent, as it contextuales variant lore about the life and tragic death…

  • Note on Transliteration

    Lindsey Harlan•OTHER•The Goddesses’ Henchmen•2003

    Subject Hinduism Gender and Sexuality Collection: Oxford Scholarship Online

  • Title Pages

    Lindsey Harlan•OTHER•The Goddesses’ Henchmen•2003

  • The Land of Heroes Rajasthani Soli and Rajput Blood

    Lindsey Harlan•CHAPTER•The goddesses' henchmen•2003

    As anyone who has glanced at the tourist literature on India doubtless knows, Rajasthan is famous for its martial heritage and traditions of heroic sacrifice. In the images offered for public consumption on the state’s web page, in the tourist pamphlets produced in India and abroad, in the copious collections of armor and antique weaponry displayed in public museums and private homes, and on the inscriptions and plaques on heroic monuments, Rajas…

  • Illustrations

    Lindsey Harlan•OTHER•The Goddesses’ Henchmen•2003

    Subject Hinduism Gender and Sexuality Collection: Oxford Scholarship Online

  • Heroic Story Frames Liberation, Perfection, and Seclusion

    Lindsey Harlan•CHAPTER•The goddesses' henchmen•2003

    Among Rajputs, dying as a warrior has long meant being the best one can be. The result of this accomplishment is realizing the ultimate. Death in battle brings not only glory and fame through song and story but also release from the round of rebirths that binds the vast majority of people. Thus sacrificed, the hero finds moksh, liberation from the travail that is human existence. Whether jhunjhmji, bhomiyaji, or sagasji, the hero finds himself tr…

  • Glossary

    Lindsey Harlan•OTHER•The Goddesses’ Henchmen•2003

    Subject Hinduism Gender and Sexuality Collection: Oxford Scholarship Online

  • Heroic Story Slaughter and Glory

    Lindsey Harlan•CHAPTER•The goddesses' henchmen•2003

    With these lines from Gilbert and Sullivan’s operetta “The Pirates of Penzance,” delicate but spirited daughters of a “modem major general” cheer on faint-hearted policemen who ultimately lament, “when constabulary duty’s to be done ... a policeman’s lot is not a happy one.” Seeking to embolden reluctant “heroes” preparing to fight pirates, these maidens, who have previously described themselves as “hardy little lasses,” predict “death and slaugh…

  • Dedication

    Lindsey Harlan•OTHER•The Goddesses’ Henchmen•2003

  • Heroic Song End of the Story and Beyond

    Lindsey Harlan•CHAPTER•The goddesses' henchmen•2003

    In this song, a woman invites an ancestral hero to attend the ratijaga she has organized. All that remains of this hero’s story is an epithet that distinguishes him from unheroic men and ancestors but not from other heroes who bear the same epithet.

  • The Goddesses’ Henchmen

    Lindsey Harlan•BOOK•The goddesses' henchmen•2003•Citada por: 11

    This book examines the worship of ancestral heroes in Rajasthan, India. Arguing that Rajput hero stories and songs encapsulate and express ideals of perfection and masculinity, it analyzes representations of wives and goddesses as tacit allies dispatching sacrificed heroes to heavenly paradise (Virgati) and rendering them Bherujis, their goddesses’ divine henchmen

  • From the margins of Hindu marriage

    Lindsey Harlan, Paul B Courtright•BOOK•From the margins of Hindu marriage•1995

  • Religion and Rajput Women

    Madeleine J Goodman, Lindsey Harlan•ARTICLE•Philosophy East and West•1993

  • Religion and Rajput Women

    Donna Chirico-Rosenberg, Lindsey Harlan•ARTICLE•Journal for the Scientific Study…•1993

    What is the relationship between caste and gender in the narratives of Rajput woman? During a year and a half of fieldwork in Rajasthan, a parched land dominated by the great Indian Desert, Lindsey Harlan interviewed more than a hundred women from all levels of Rajput society. She wanted to understand why certain religious practices were so important to Rajput women, and how they justified these to themselves. During the course of her interviews,…

  • Pilgrimage and MortalityFruitful Journeys

    Lindsey Harlan•ARTICLE•History of Religions•1991

  • The Goddesses’ Henchmen

    Lindsey Harlan•BOOK•The goddesses' henchmen•2003•Citada por: 11

    This book examines the worship of ancestral heroes in Rajasthan, India. Arguing that Rajput hero stories and songs encapsulate and express ideals of perfection and masculinity, it analyzes representations of wives and goddesses as tacit allies dispatching sacrificed heroes to heavenly paradise (Virgati) and rendering them Bherujis, their goddesses’ divine henchmen

  • Pilgrimage and MortalityFruitful Journeys

    Lindsey Harlan•ARTICLE•History of Religions•1991

  • Religion and Rajput Women

    Madeleine J Goodman, Lindsey Harlan•ARTICLE•Philosophy East and West•1993

  • Religion and Rajput Women

    Donna Chirico-Rosenberg, Lindsey Harlan•ARTICLE•Journal for the Scientific Study…•1993

    What is the relationship between caste and gender in the narratives of Rajput woman? During a year and a half of fieldwork in Rajasthan, a parched land dominated by the great Indian Desert, Lindsey Harlan interviewed more than a hundred women from all levels of Rajput society. She wanted to understand why certain religious practices were so important to Rajput women, and how they justified these to themselves. During the course of her interviews,…

  • From the margins of Hindu marriage

    Lindsey Harlan, Paul B Courtright•BOOK•From the margins of Hindu marriage•1995

  • Note on Transliteration

    Lindsey Harlan•OTHER•The Goddesses’ Henchmen•2003

    Subject Hinduism Gender and Sexuality Collection: Oxford Scholarship Online

  • Title Pages

    Lindsey Harlan•OTHER•The Goddesses’ Henchmen•2003

  • The Land of Heroes Rajasthani Soli and Rajput Blood

    Lindsey Harlan•CHAPTER•The goddesses' henchmen•2003

    As anyone who has glanced at the tourist literature on India doubtless knows, Rajasthan is famous for its martial heritage and traditions of heroic sacrifice. In the images offered for public consumption on the state’s web page, in the tourist pamphlets produced in India and abroad, in the copious collections of armor and antique weaponry displayed in public museums and private homes, and on the inscriptions and plaques on heroic monuments, Rajas…

  • Illustrations

    Lindsey Harlan•OTHER•The Goddesses’ Henchmen•2003

    Subject Hinduism Gender and Sexuality Collection: Oxford Scholarship Online

  • Heroic Story Frames Liberation, Perfection, and Seclusion

    Lindsey Harlan•CHAPTER•The goddesses' henchmen•2003

    Among Rajputs, dying as a warrior has long meant being the best one can be. The result of this accomplishment is realizing the ultimate. Death in battle brings not only glory and fame through song and story but also release from the round of rebirths that binds the vast majority of people. Thus sacrificed, the hero finds moksh, liberation from the travail that is human existence. Whether jhunjhmji, bhomiyaji, or sagasji, the hero finds himself tr…

  • Glossary

    Lindsey Harlan•OTHER•The Goddesses’ Henchmen•2003

    Subject Hinduism Gender and Sexuality Collection: Oxford Scholarship Online

  • Heroic Story Slaughter and Glory

    Lindsey Harlan•CHAPTER•The goddesses' henchmen•2003

    With these lines from Gilbert and Sullivan’s operetta “The Pirates of Penzance,” delicate but spirited daughters of a “modem major general” cheer on faint-hearted policemen who ultimately lament, “when constabulary duty’s to be done ... a policeman’s lot is not a happy one.” Seeking to embolden reluctant “heroes” preparing to fight pirates, these maidens, who have previously described themselves as “hardy little lasses,” predict “death and slaugh…

  • Dedication

    Lindsey Harlan•OTHER•The Goddesses’ Henchmen•2003

  • Heroic Song End of the Story and Beyond

    Lindsey Harlan•CHAPTER•The goddesses' henchmen•2003

    In this song, a woman invites an ancestral hero to attend the ratijaga she has organized. All that remains of this hero’s story is an epithet that distinguishes him from unheroic men and ancestors but not from other heroes who bear the same epithet.

  • The Goddesses’ Henchmen

    Lindsey Harlan•BOOK•The goddesses' henchmen•2003•Citada por: 11

    This book examines the worship of ancestral heroes in Rajasthan, India. Arguing that Rajput hero stories and songs encapsulate and express ideals of perfection and masculinity, it analyzes representations of wives and goddesses as tacit allies dispatching sacrificed heroes to heavenly paradise (Virgati) and rendering them Bherujis, their goddesses’ divine henchmen

  • Aurangzeb in Mewar through the stories of Sultan Singh

    Open Access•Lindsey Harlan•ARTICLE•Journal of the Royal Asiatic…•2018•Referências: 3

    Examining narratives about Sultan Singh, Udaipur's most prominent sagasji (divine, heroic guardian), this essay analyzes the narrative frame of contention between Sultan Singh's father, the Maharana (“Great King”) Raj Singh and the emperor Aurangzeb. It argues that the frame inevitably glorifies the Maharana and contrasts him with emperor, invariably represented as a worthy opponent, as it contextuales variant lore about the life and tragic death…

  • Religions of India in Practice

    Ali Asani, Guy Leon Beck et al.•BOOK•Religions of India in Practice•2020

History (12 obras) · Art (10 obras) · Philosophy (9 obras) · Literature (8 obras) · Indian History and Philosophy (7 obras) · Sociology (6 obras) · South Asian Studies and Conflicts (6 obras) · Ancient history (5 obras) · Computer Science (5 obras) · Gender Studies (4 obras)

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