F Tamisari
Dados Biográficos
| ID | 3474 |
|---|---|
| NOME | F Tamisari |
| PRENOMES | F |
| SOBRENOME | Tamisari |
| ASSINATURA | TAMISARI F |
| AFILIAÇÕES | The University of Sydney |
| ORCID | 0000-0001-5937-9228 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 13 |
| TOTAL DE CITAÇÕES | 9 |
| TOTAL COMO AUTOR | 13 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1995 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2023 |
| ÍNDICE H | 2 |
Working for the Saints
This article presents some of the main dynamics of the social reproduction of an Italian community through an ethnographic study of the Feast of the Three Saints in Silkwood, North Queensland. It has been celebrated annually there since being imported from the Sicilian village of St Alfio in 1950. As a celebration of Italian sociality and the Italian way of life, the Feast offers a particular opportunity to study the relationship between popular …
A Space and Time for a Generation to React
This article deals with the annually held Gattjirrk Cultural Festival organised in Milingimbi, a Yolngu community in Northeast Arnhem Land, and has the objective of analysing its socio-cultural and political meaning. Although this event is considered an amusement (wakal), it nevertheless constitutes an arena to negotiate postcolonial realities in which Yolngu people are forced to live. Focusing on the organisers' overall frame of ‘sharing culture…
“Sitting around the fire ashes”. An epistemology of personal acquaintance
As the English terms meeting and encountering seem to distinguish, we usually meet or deal with lots of people in the field however, we encounter, or engage with a few with whom we embark, albeit not always willingly, in a relationship with all its risks, promises and responsibilities. I am interested in exploring those aspects of an encounter with another person that are readily, immediately and often intensively experienced yet escape analysis.…
The Responsibility of Performance
Dance performances in ceremonial and other intercultural political encounters in north‐east Arnhem Land strive to achieve several general goals: to achieve co‐presence through forms of participation; to engage total attention through a movement backward and forward between different levels of intensity or feeling; and to express something beyond what is represented. How are we to talk about participation? What are its critical components? What is…
Dhinthun Wayawu - Looking for a Pathway to Knowledge
In this paper we present a brief history of education at the community of Milingimbi in northeast Arnhem Land, Northern Territory from the mission times to today. In focusing on the emergence and implementation of bicultural curriculum initiatives we explore some of the difficulties and ever present challenges encountered by Yolngu educators, leaders and elders in developing a local vision of education which, in order to meet community needs and …
Danza e intercorporalita
Saggezza del Dreaming e visione moderna
Franca Tamisari, Saggezza del Dreaming e visione moderna: La micropolitica del genere in una comunità indigena australiana, La Ricerca Folklorica, No. 46, Genere, sessualità, gestione del corpo (Oct., 2002), pp. 51-59
The Politics of Ritual in an Aboriginal Settlement
The Politics of Ritual in an Aboriginal Settlement: Kinship, Gender, and the Currency of Knowledge. Francoise Dussart. Washington, DC: Smithsonian Institution Press, 2000. xi + 269 pp., maps, figures, illustrations, notes, bibliography, index
The Meaning of the Steps is in Between
This paper shows how Yolngu dancing embodies statements about being‐in‐the‐world and being‐with‐others and, from a performance perspective based on participation, explores the sensuous and affective nature of intercorporeality. By focusing on virtuosity and the practice of the ‘curse of compliments’, the paper argues that the meaning of Yolngu dancing is between the steps, between the performers and other participants in a ceremony—in the empathi…
The Meaning of the Steps is in Between
This paper shows how Yolngu dancing embodies statements about being-in-the-world and being-with-others and, from a performance perspective based on participation, explores the sensuous and affective nature of intercorporeality. By focusing on virtuosity and the practice of the ‘curse of compliments’, the paper argues that the meaning of Yolngu dancing is between the steps, between the performers and other participants in a ceremony—in the empathi…
Body, Vision and Movement
Ethnographic writings on Australian Aboriginal ontology and epistemology have overlooked the phenomenological significance of the body and notions of embodiment in the relationship between people and land. In focusing on the body as a spatio‐temporal ‘hinge’ between people and place, I explore the pervasive images of bodily transformations, directional movement and traces, in the cosmogony, cosmology and life‐world of the Yolngu people of Northea…
Un Long chemin seme d'objets culturels
et à la diffusion de documents scientifiques de niveau recherche, publiés ou non, émanant des établissements d'enseignement et de recherche français ou étrangers, des laboratoires publics ou privés
Ancestral Connections
Ancestral Connections unlocks the inner meaning of Australian Aboriginal bark painting. Drawing on more than ten years of fieldwork among the Yolngu--an Aboriginal people of Northeast Arnhem Land--and applying both anthropological and art historical methods, Howard Morphy explores systematically the graphic representation of traditional knowledge in Yolngu art. He also charts the role that art has played in Aboriginal society both present and pas…
The Responsibility of Performance
Dance performances in ceremonial and other intercultural political encounters in north‐east Arnhem Land strive to achieve several general goals: to achieve co‐presence through forms of participation; to engage total attention through a movement backward and forward between different levels of intensity or feeling; and to express something beyond what is represented. How are we to talk about participation? What are its critical components? What is…
Un Long chemin seme d'objets culturels
et à la diffusion de documents scientifiques de niveau recherche, publiés ou non, émanant des établissements d'enseignement et de recherche français ou étrangers, des laboratoires publics ou privés
Ancestral Connections
Ancestral Connections unlocks the inner meaning of Australian Aboriginal bark painting. Drawing on more than ten years of fieldwork among the Yolngu--an Aboriginal people of Northeast Arnhem Land--and applying both anthropological and art historical methods, Howard Morphy explores systematically the graphic representation of traditional knowledge in Yolngu art. He also charts the role that art has played in Aboriginal society both present and pas…
Un Long chemin seme d'objets culturels
et à la diffusion de documents scientifiques de niveau recherche, publiés ou non, émanant des établissements d'enseignement et de recherche français ou étrangers, des laboratoires publics ou privés
Body, Vision and Movement
Ethnographic writings on Australian Aboriginal ontology and epistemology have overlooked the phenomenological significance of the body and notions of embodiment in the relationship between people and land. In focusing on the body as a spatio‐temporal ‘hinge’ between people and place, I explore the pervasive images of bodily transformations, directional movement and traces, in the cosmogony, cosmology and life‐world of the Yolngu people of Northea…
The Meaning of the Steps is in Between
This paper shows how Yolngu dancing embodies statements about being‐in‐the‐world and being‐with‐others and, from a performance perspective based on participation, explores the sensuous and affective nature of intercorporeality. By focusing on virtuosity and the practice of the ‘curse of compliments’, the paper argues that the meaning of Yolngu dancing is between the steps, between the performers and other participants in a ceremony—in the empathi…
The Meaning of the Steps is in Between
This paper shows how Yolngu dancing embodies statements about being-in-the-world and being-with-others and, from a performance perspective based on participation, explores the sensuous and affective nature of intercorporeality. By focusing on virtuosity and the practice of the ‘curse of compliments’, the paper argues that the meaning of Yolngu dancing is between the steps, between the performers and other participants in a ceremony—in the empathi…
Danza e intercorporalita
Saggezza del Dreaming e visione moderna
Franca Tamisari, Saggezza del Dreaming e visione moderna: La micropolitica del genere in una comunità indigena australiana, La Ricerca Folklorica, No. 46, Genere, sessualità, gestione del corpo (Oct., 2002), pp. 51-59
The Politics of Ritual in an Aboriginal Settlement
The Politics of Ritual in an Aboriginal Settlement: Kinship, Gender, and the Currency of Knowledge. Francoise Dussart. Washington, DC: Smithsonian Institution Press, 2000. xi + 269 pp., maps, figures, illustrations, notes, bibliography, index
Dhinthun Wayawu - Looking for a Pathway to Knowledge
In this paper we present a brief history of education at the community of Milingimbi in northeast Arnhem Land, Northern Territory from the mission times to today. In focusing on the emergence and implementation of bicultural curriculum initiatives we explore some of the difficulties and ever present challenges encountered by Yolngu educators, leaders and elders in developing a local vision of education which, in order to meet community needs and …
The Responsibility of Performance
Dance performances in ceremonial and other intercultural political encounters in north‐east Arnhem Land strive to achieve several general goals: to achieve co‐presence through forms of participation; to engage total attention through a movement backward and forward between different levels of intensity or feeling; and to express something beyond what is represented. How are we to talk about participation? What are its critical components? What is…
“Sitting around the fire ashes”. An epistemology of personal acquaintance
As the English terms meeting and encountering seem to distinguish, we usually meet or deal with lots of people in the field however, we encounter, or engage with a few with whom we embark, albeit not always willingly, in a relationship with all its risks, promises and responsibilities. I am interested in exploring those aspects of an encounter with another person that are readily, immediately and often intensively experienced yet escape analysis.…
A Space and Time for a Generation to React
This article deals with the annually held Gattjirrk Cultural Festival organised in Milingimbi, a Yolngu community in Northeast Arnhem Land, and has the objective of analysing its socio-cultural and political meaning. Although this event is considered an amusement (wakal), it nevertheless constitutes an arena to negotiate postcolonial realities in which Yolngu people are forced to live. Focusing on the organisers' overall frame of ‘sharing culture…
Working for the Saints
This article presents some of the main dynamics of the social reproduction of an Italian community through an ethnographic study of the Feast of the Three Saints in Silkwood, North Queensland. It has been celebrated annually there since being imported from the Sicilian village of St Alfio in 1950. As a celebration of Italian sociality and the Italian way of life, the Feast offers a particular opportunity to study the relationship between popular …
Art (11 obras) · Aesthetics (8 obras) · Philosophy (8 obras) · Sociology (8 obras) · Epistemology (6 obras) · Anthropology (5 obras) · Political science (4 obras) · Psychology (4 obras) · Social science (4 obras) · Anthropological Studies and Insights (3 obras)