Pular para o conteúdo principal

ETHNOS_APP

Início • Busca • Periódicos • Lista 0

Eliana Maria De Almeida Monteiro Da Silva

Dados Biográficos

ID3481533
NOMEEliana Maria De Almeida Monteiro Da Silva
PRENOMESEliana Maria De Almeida Monteiro
SOBRENOMEDa Silva
ASSINATURADA SILVA E M A M
VERIFICADONão
TOTAL DE OBRAS3
TOTAL DE CITAÇÕES1
OBRAS COMO AUTOR3
OBRAS COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO2008
ANO MAIS RECENTE DE PUBLICAÇÃO2024
ÍNDICE H1
  • Cuadernillos De CDS Utilizados Como Paratextos en La Colección Compositores Latino-Americanos De Beatriz Balzi

    Open Access•Eliana Maria De Almeida Monteiro Da Silva•ARTICLE•Caderno de Letras•2024

    Este artículo tiene por objetivo analizar el empleo de los cuadernillos como paratextos de los CDs producidos por la pianista argentino-brasileña Beatriz Balzi (1936-2001) en su serie de CDs titulada Compositores Latino-americanos (1984-2000). Para ello utiliza el concepto de paratexto como un conjunto de herramientas verbales o icónicas que prepara al (a la) receptor(a) para la obra que está por conocer (GENETTE, 1987, apud ALVARADO, 1994), así …

  • Beatriz Balzi e o piano da América Latina

    Open Access•Eliana Maria De Almeida Monteiro Da Silva•THESIS•2014

    This paper was divided into two parts, as it deals with research where topics complement each other, without giving up their individual importance.These topics are the figure of the pianist Beatriz Balzi and the Latin American piano art music.Their paths crossed in 1984, the year when Beatriz Balzi started a series of recordings of this repertoire, registering pieces composed from 1898 to 1997

  • Clara Schumann

    Open Access•Eliana Maria De Almeida Monteiro Da Silva•THESIS•2008•Citada por: 1

    Schumann, was one of the very few prodigy-children who could keep their fame and recognition as virtuosi of the piano in their lifetime.The history of her long career as a pianist (63 years) reflects the musical life of the 19 th century.Her name appears as being of great influence in the change of habits that occurred between her first public concert, in 1828, and the last, in 1891 -in terms of choice of repertoire, schedule of concert seasons, …

  • Clara Schumann

    Open Access•Eliana Maria De Almeida Monteiro Da Silva•THESIS•2008•Citada por: 1

    Schumann, was one of the very few prodigy-children who could keep their fame and recognition as virtuosi of the piano in their lifetime.The history of her long career as a pianist (63 years) reflects the musical life of the 19 th century.Her name appears as being of great influence in the change of habits that occurred between her first public concert, in 1828, and the last, in 1891 -in terms of choice of repertoire, schedule of concert seasons, …

  • Clara Schumann

    Open Access•Eliana Maria De Almeida Monteiro Da Silva•THESIS•2008•Citada por: 1

    Schumann, was one of the very few prodigy-children who could keep their fame and recognition as virtuosi of the piano in their lifetime.The history of her long career as a pianist (63 years) reflects the musical life of the 19 th century.Her name appears as being of great influence in the change of habits that occurred between her first public concert, in 1828, and the last, in 1891 -in terms of choice of repertoire, schedule of concert seasons, …

  • Beatriz Balzi e o piano da América Latina

    Open Access•Eliana Maria De Almeida Monteiro Da Silva•THESIS•2014

    This paper was divided into two parts, as it deals with research where topics complement each other, without giving up their individual importance.These topics are the figure of the pianist Beatriz Balzi and the Latin American piano art music.Their paths crossed in 1984, the year when Beatriz Balzi started a series of recordings of this repertoire, registering pieces composed from 1898 to 1997

  • Cuadernillos De CDS Utilizados Como Paratextos en La Colección Compositores Latino-Americanos De Beatriz Balzi

    Open Access•Eliana Maria De Almeida Monteiro Da Silva•ARTICLE•Caderno de Letras•2024

    Este artículo tiene por objetivo analizar el empleo de los cuadernillos como paratextos de los CDs producidos por la pianista argentino-brasileña Beatriz Balzi (1936-2001) en su serie de CDs titulada Compositores Latino-americanos (1984-2000). Para ello utiliza el concepto de paratexto como un conjunto de herramientas verbales o icónicas que prepara al (a la) receptor(a) para la obra que está por conocer (GENETTE, 1987, apud ALVARADO, 1994), así …

Art (3 obras) · Humanities (3 obras) · Art history (2 obras) · Brazilian cultural history and politics (2 obras) · Piano (2 obras) · Cartography (1 obra) · Comparative Literary Analysis and Criticism (1 obra) · Computer Science (1 obra) · Geography (1 obra) · History (1 obra)

Ethnos_APP • Projeto Open Source • Licença MIT • Frontend v2.0.0 • Privacidade e Cookies • Documentação da API: api.ethnos.app/docs • Código da API: GitHub • DOI: 10.5281/zenodo.17049435 • Código do Frontend: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae