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Casey Brienza

Dados Biográficos

ID348260
NOMECasey Brienza
PRENOMESCasey
SOBRENOMEBrienza
ASSINATURABRIENZA C
AFILIAÇÕESCity, University of London
ORCID0000-0002-6648-6168
VERIFICADOSim
TOTAL DE OBRAS16
TOTAL DE CITAÇÕES16
TOTAL COMO AUTOR16
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO2009
ANO MAIS RECENTE DE PUBLICAÇÃO2022
ÍNDICE H3
  • The Masturbation Article Affair

    Open Access•Casey Brienza•ARTICLE•Publishing Research Quarterly•2022

  • The M in Citams@30

    Open Access•Casey Brienza, Laura Robinson et al.•BOOK•M in CITAMS@30•2018

    Sponsored by the Communication, Information Technologies, and Media Sociology section of the American Sociological Association (CITAMS), this volume is the second of a two-part series that celebrates the section's 30th anniversary. Casey Brienza leads the second of the two volumes - 'The M in CITAMS30: Media Sociology -'with former CITAMS chairs Laura Robinson, Barry Wellman, Shelia R. Cotten, and Wenhong Chen. Volume 18 continues the discussion …

  • M in Citams@30

    Barry Wellman, Casey Brienza et al.•BOOK•M in CITAMS@30•2018

  • How Not to Establish a Subfield

    Open Access•Matthias Revers, Casey Brienza•ARTICLE•The American Sociologist•2018•Referências: 67

  • The Field of American Media Sociology

    Open Access•Casey Brienza, Matthias Revers•ARTICLE•Sociology Compass•2016•Citada por: 6•Referências: 56

    This contribution is written against the backdrop of the historic dispersal of early American media sociology out from the core concerns of the discipline and into various importer academic disciplines (including communication, journalism, and media studies) and an ever‐growing pervasiveness of media in everyday life which is reflected by a resurgence of sociological scholarship in the United States since the early 2000s. The article divides the …

  • Degrees of (Self-)Exploitation

    Open Access•Casey Brienza•ARTICLE•Journal of Historical Sociology•2016•Citada por: 5•Referências: 17

    Much has been written on the neoliberalization of the academy on the one hand and precarious creative labour/work in the culture industries on the other, but there has been comparatively little writing which makes explicit the intimate links between these two sociological phenomena and how they have come to complement and reinforce one another. Taking as a case study a new postgraduate MA course in Self-Publishing, this article aims to fill this …

  • Global Manga

    Casey Brienza•BOOK•Global Manga•2015

    Contents: Introduction: manga without Japan?, Casey Brienza The Western Sailor Moon generation: North American women and feminine-friendly global manga, Magda Erik-Soussi The manga style in Brazil, Roberto Elisio dos Santos, Waldomiro Vergueiro and Victor Wanderley Correa Scott Pilgrim vs. MANGAMAN: two approaches to the negotiation of cultural difference, Aaron Pedinotti Euromanga: hybrid styles and stories in transcultural manga production, Nic…

  • Sociological Perspectives on Japanese Manga in America

    Open Access•Casey Brienza•ARTICLE•Sociology Compass•2014•Referências: 9

    Japanese popular culture has, according to journalist Roland Kelts, “invaded” the United States in the 21st century, and in particular Japanese comics, known as manga, have successfully “conquered America,” according to Wired magazine. Within the publishing trade itself, the medium's cultural and commercial success became known as the “manga revolution” or the “manga boom.” Yet despite all of this excitable rhetoric, there has thus far been scant…

  • The Chinese Fashion Industry

    Open Access•Casey Brienza•ARTICLE•Contemporary Sociology A Journal…•2014•Citada por: 1

  • What Do Publishers Know

    Open Access•Casey Brienza•ARTICLE•tripleC Communication Capitalism…•2013

    In this short contribution to the open access debate, I will draw upon my expertise as a sociologist who has studied the publishing industry to argue that publishers do in fact have knowledge that is absolutely critical to an informed understanding of open access and how it may be successfully implemented. After providing an overview of who publishers are and what motivates them, along with some of often little-understood complexities of the acad…

  • Did manga conquer America? Implications for the cultural policy of ‘Cool Japan’

    Casey Brienza•ARTICLE•International Journal of Cultural…•2013•Citada por: 4•Referências: 8

    This paper explores the efficacy of an international cultural policy based upon the export of a nation’s popular culture through the case study of Japanese comic books, called manga, in the USA. I begin by exploring the origin of the historical and theoretical underpinnings of ‘Cool Japan’ and providing a concise account of the Japanese cultural policies in this vein. Then, drawing upon participant observation and seventy in-depth, semi-structure…

  • Value and the media

    Casey Brienza•ARTICLE•Cultural Trends•2013

  • Remembering the Future

    Open Access•Casey Brienza•ARTICLE•The Journal of Popular Culture•2013•Referências: 2

  • Books, Not Comics

    Open Access•Casey Brienza, Casey E Brienza•ARTICLE•Publishing Research Quarterly•2009

  • Embracing Differences

    Casey Brienza

  • Manga’s First Century

    Casey Brienza

    In 2011, on the suggestion of her PhD advisor, Andrea Horbinski set out to write “a good history of manga” because she “would be good at that” (xi). Fourteen years later, the doorstopper monograph

  • The Field of American Media Sociology

    Open Access•Casey Brienza, Matthias Revers•ARTICLE•Sociology Compass•2016•Citada por: 6•Referências: 56

    This contribution is written against the backdrop of the historic dispersal of early American media sociology out from the core concerns of the discipline and into various importer academic disciplines (including communication, journalism, and media studies) and an ever‐growing pervasiveness of media in everyday life which is reflected by a resurgence of sociological scholarship in the United States since the early 2000s. The article divides the …

  • Degrees of (Self-)Exploitation

    Open Access•Casey Brienza•ARTICLE•Journal of Historical Sociology•2016•Citada por: 5•Referências: 17

    Much has been written on the neoliberalization of the academy on the one hand and precarious creative labour/work in the culture industries on the other, but there has been comparatively little writing which makes explicit the intimate links between these two sociological phenomena and how they have come to complement and reinforce one another. Taking as a case study a new postgraduate MA course in Self-Publishing, this article aims to fill this …

  • Did manga conquer America? Implications for the cultural policy of ‘Cool Japan’

    Casey Brienza•ARTICLE•International Journal of Cultural…•2013•Citada por: 4•Referências: 8

    This paper explores the efficacy of an international cultural policy based upon the export of a nation’s popular culture through the case study of Japanese comic books, called manga, in the USA. I begin by exploring the origin of the historical and theoretical underpinnings of ‘Cool Japan’ and providing a concise account of the Japanese cultural policies in this vein. Then, drawing upon participant observation and seventy in-depth, semi-structure…

  • The Chinese Fashion Industry

    Open Access•Casey Brienza•ARTICLE•Contemporary Sociology A Journal…•2014•Citada por: 1

  • Books, Not Comics

    Open Access•Casey Brienza, Casey E Brienza•ARTICLE•Publishing Research Quarterly•2009

  • What Do Publishers Know

    Open Access•Casey Brienza•ARTICLE•tripleC Communication Capitalism…•2013

    In this short contribution to the open access debate, I will draw upon my expertise as a sociologist who has studied the publishing industry to argue that publishers do in fact have knowledge that is absolutely critical to an informed understanding of open access and how it may be successfully implemented. After providing an overview of who publishers are and what motivates them, along with some of often little-understood complexities of the acad…

  • Did manga conquer America? Implications for the cultural policy of ‘Cool Japan’

    Casey Brienza•ARTICLE•International Journal of Cultural…•2013•Citada por: 4•Referências: 8

    This paper explores the efficacy of an international cultural policy based upon the export of a nation’s popular culture through the case study of Japanese comic books, called manga, in the USA. I begin by exploring the origin of the historical and theoretical underpinnings of ‘Cool Japan’ and providing a concise account of the Japanese cultural policies in this vein. Then, drawing upon participant observation and seventy in-depth, semi-structure…

  • Value and the media

    Casey Brienza•ARTICLE•Cultural Trends•2013

  • Remembering the Future

    Open Access•Casey Brienza•ARTICLE•The Journal of Popular Culture•2013•Referências: 2

  • Sociological Perspectives on Japanese Manga in America

    Open Access•Casey Brienza•ARTICLE•Sociology Compass•2014•Referências: 9

    Japanese popular culture has, according to journalist Roland Kelts, “invaded” the United States in the 21st century, and in particular Japanese comics, known as manga, have successfully “conquered America,” according to Wired magazine. Within the publishing trade itself, the medium's cultural and commercial success became known as the “manga revolution” or the “manga boom.” Yet despite all of this excitable rhetoric, there has thus far been scant…

  • The Chinese Fashion Industry

    Open Access•Casey Brienza•ARTICLE•Contemporary Sociology A Journal…•2014•Citada por: 1

  • Global Manga

    Casey Brienza•BOOK•Global Manga•2015

    Contents: Introduction: manga without Japan?, Casey Brienza The Western Sailor Moon generation: North American women and feminine-friendly global manga, Magda Erik-Soussi The manga style in Brazil, Roberto Elisio dos Santos, Waldomiro Vergueiro and Victor Wanderley Correa Scott Pilgrim vs. MANGAMAN: two approaches to the negotiation of cultural difference, Aaron Pedinotti Euromanga: hybrid styles and stories in transcultural manga production, Nic…

  • The Field of American Media Sociology

    Open Access•Casey Brienza, Matthias Revers•ARTICLE•Sociology Compass•2016•Citada por: 6•Referências: 56

    This contribution is written against the backdrop of the historic dispersal of early American media sociology out from the core concerns of the discipline and into various importer academic disciplines (including communication, journalism, and media studies) and an ever‐growing pervasiveness of media in everyday life which is reflected by a resurgence of sociological scholarship in the United States since the early 2000s. The article divides the …

  • Degrees of (Self-)Exploitation

    Open Access•Casey Brienza•ARTICLE•Journal of Historical Sociology•2016•Citada por: 5•Referências: 17

    Much has been written on the neoliberalization of the academy on the one hand and precarious creative labour/work in the culture industries on the other, but there has been comparatively little writing which makes explicit the intimate links between these two sociological phenomena and how they have come to complement and reinforce one another. Taking as a case study a new postgraduate MA course in Self-Publishing, this article aims to fill this …

  • The M in Citams@30

    Open Access•Casey Brienza, Laura Robinson et al.•BOOK•M in CITAMS@30•2018

    Sponsored by the Communication, Information Technologies, and Media Sociology section of the American Sociological Association (CITAMS), this volume is the second of a two-part series that celebrates the section's 30th anniversary. Casey Brienza leads the second of the two volumes - 'The M in CITAMS30: Media Sociology -'with former CITAMS chairs Laura Robinson, Barry Wellman, Shelia R. Cotten, and Wenhong Chen. Volume 18 continues the discussion …

  • M in Citams@30

    Barry Wellman, Casey Brienza et al.•BOOK•M in CITAMS@30•2018

  • How Not to Establish a Subfield

    Open Access•Matthias Revers, Casey Brienza•ARTICLE•The American Sociologist•2018•Referências: 67

  • The Masturbation Article Affair

    Open Access•Casey Brienza•ARTICLE•Publishing Research Quarterly•2022

  • Embracing Differences

    Casey Brienza

  • Manga’s First Century

    Casey Brienza

    In 2011, on the suggestion of her PhD advisor, Andrea Horbinski set out to write “a good history of manga” because she “would be good at that” (xi). Fourteen years later, the doorstopper monograph

Sociology (12 obras) · Asian Culture and Media Studies (7 obras) · Japanese History and Culture (7 obras) · Law (7 obras) · Media studies (7 obras) · Political science (7 obras) · Publishing (6 obras) · Social science (6 obras) · Comics (5 obras) · History (4 obras)

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