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Sakhiseni Joseph Yende

Dados Biográficos

ID3487691
NOMESakhiseni Joseph Yende
PRENOMESSakhiseni Joseph
SOBRENOMEYende
ASSINATURAYENDE S J
AFILIAÇÕESTshwane University of Technology
ORCID0000-0002-7649-2799
VERIFICADOSim
TOTAL DE OBRAS18
TOTAL DE CITAÇÕES0
OBRAS COMO AUTOR18
OBRAS COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO2021
ANO MAIS RECENTE DE PUBLICAÇÃO2026
ÍNDICE H0
  • Indigenous music fosters cultural preservation, innovation, and social change while promoting multicultural education in South African universities

    Open Access•Sakhiseni Joseph Yende•ARTICLE•Diaspora Indigenous and Minority…•2026

    This study explores the role of indigenous music in advancing cultural preservation, pedagogical innovation, and social change in South African universities through a systematic thematic review of peer-reviewed literature. It argues that integrating indigenous music into higher education curricula strengthens cultural identity, epistemic justice, and student engagement. Guided by Cultural Historical Activity Theory and Critical Pedagogy, the stud…

  • Cultural and Idiomatic Narratives in Maskanda Music

    Open Access•Sakhiseni Joseph Yende•ARTICLE•Muziki•2026

    This article examines cultural and idiomatic narratives in South African Indigenous music, with specific reference to Johnny Dimba’s “Dear Msakazi” and Buselaphi’s “Umendo.” The analysis is informed by conceptual metaphor theory (CMT), which conceptualises metaphor not merely as a stylistic or rhetorical device but as a fundamental cognitive and cultural mechanism through which individuals and communities structure experience and produce meaning.…

  • Harmonising Faith and Tradition

    Open Access•Sakhiseni Joseph Yende•ARTICLE•E-Journal of Humanities Arts and…•2025

    This study aims to shed light on the intricate relationship between sacred vocal polyphony and the changing landscape of contemporary church music in South Africa. Anchored in a postcolonial theoretical framework, it sought to unravel the historical, cultural, and theological dimensions that underlie this fusion. The research was motivated by a dual purpose: to uncover the profound cultural intersections in South African worship practices and to …

  • Harmonising careers

    Open Access•Sakhiseni Joseph Yende•ARTICLE•Cogent Social Sciences•2025

    This study delves into the transformative impact of integrating opera, hospitality and tourism education, signifying a paradigm shift in career development. Through participant feedback, it illuminates how this integration markedly advances graduates’ skill sets and career trajectories. Drawing on Social Exchange and Human Capital Theories, it showcases how this model enhances employability, bestowing graduates with a unique fusion of artistic fl…

  • The Quest for Restoration of the African Renaissance through Indigenous African Music and Globalisation

    Open Access•Sakhiseni Joseph Yende, Nsizwazonke Ephraim Yende•ARTICLE•E-Journal of Humanities Arts and…•2024

    Rooted in the philosophy of Ubuntu, this article contends that the revival of indigenous South African music transcends mere cultural revitalisation; it emerges as a transformative force for community empowerment. Through the cultivation of creativity, the bridging of generational divides, and the nurturing of a profound sense of belonging, Ubuntu reaffirms the intrinsic worth of everyone’s contribution to the collective cultural legacy. The Afri…

  • Understanding the Importance of Reviving the Forgotten and Marginalised Khoisan Indigenous Music in South Africa

    Open Access•Sakhiseni Joseph Yende•ARTICLE•E-Journal of Humanities Arts and…•2024

    Framed within the Sociomusicology Theory, this article argued that through the revival of Khoisan indigenous music, South Africa can promote social cohesion, bridging gaps between different ethnic groups and creating a more inclusive society. The Khoisan people, also known as Bushmen or San, are one of the oldest indigenous groups in Africa, and their music is an integral part of their identity and history. However, Khoisan indigenous music in So…

  • Unveiling Barriers

    Open Access•Sakhiseni Joseph Yende•ARTICLE•E-Journal of Humanities Arts and…•2024

    South Africa’s music education landscape stands at the intersection of historical legacies, socio-economic disparities, and cultural intricacies, posing formidable challenges for underprivileged and marginalised communities. Despite strides made since the post-apartheid era, high-quality music education remains an elusive pursuit for many aspiring musicians. This study used a qualitative approach to explore and dissect the multifaceted challenges…

  • Cultural-Historical Activity Theory in Examining Creative Arts as an Anti-Bullying Strategy in South African Public Schools

    Open Access•Sakhiseni Joseph Yende, Sakhiseni Yende•ARTICLE•Athens Journal of Humanities and…•2024

    This article explores the integration of creative arts as an anti-bullying strategy in South African public schools through the lens of Cultural-Historical Activity Theory (CHAT). The study aims to comprehend the complex interactions between creative arts interventions, cultural contexts, and the dynamics of bullying. By applying CHAT, the research delves into the cultural significance of artistic expressions, shedding light on how these interven…

  • The Quest for Recognition and Curricularisation of South African Music Education in Basic Education

    Open Access•Sakhiseni Joseph Yende•ARTICLE•E-Journal of Humanities Arts and…•2023

    Framed within curriculum inquiry theory, this article argues for the necessity to merge music curricula with music educator curricula in the existing Curriculum and Assessment Policy Statement (CAPS) offered by the South African Department of Basic Education (DBE). Currently, being educated in music does not qualify a graduate to be a music educator, as an additional qualification is necessary. Music-trained educators leaving universities are req…

  • Indlamu

    Open Access•Sakhiseni Joseph Yende, Vusabantu Ngema•ARTICLE•E-Journal of Humanities Arts and…•2023

    Even though Indlamu dance has been a central feature of the Zulu nation, few historical studies address the social status of Indlamu. Indlamu has been largely overlooked as an image of Zulu upper-class people, even though the majority of people had ample access to Indlamu. Also, Indlamu is most often associated with Zulu culture untouched by Western influence, probably because it is regarded as a touchstone of Zulu identity. The purpose of this a…

  • The Role of Amazulu Traditional Attire in the Globalised Fashion Industry

    Open Access•Katlego T Motubatse, Sakhiseni Joseph Yende•ARTICLE•E-Journal of Humanities Arts and…•2023

    Recently, AmaZulu traditional attire of the Zulu people in South Africa has gained recognition and influence in the globalised fashion industry. As a part of South Africa’s rich cultural heritage, AmaZulu’s traditional clothing reflects the customs, beliefs, and identity of AmaZulu. In the globalised fashion industry, AmaZulu traditional attire has been incorporated into various aspects, including runway shows, fashion campaigns, and cultural fes…

  • Importance of digital skills to South African opera artists to improve their employability

    Open Access•Sakhiseni Joseph Yende•ARTICLE•Cogent Arts and Humanities•2023

    Before the COVID-19 pandemic, digital skills were becoming important for opera artists as technology continues transforming the performing arts industry worldwide. Digital performance in the opera industry emerged as a global phenomenon negatively affecting opera artists’ employability. Like opera artists from other emerging countries, South African opera artists are experiencing high unemployment due to changing industry skills. In the South Afr…

  • Challenges Experienced by South African Indigenous Musicians

    Open Access•Sakhiseni Joseph Yende•ARTICLE•E-Journal of Humanities Arts and…•2023•Referências: 2

    Framed within social constructivism theory, this article argued that government, organisations, and stakeholders could foster and promote collaboration, community engagement, cultural recognition and policy advocacy to address the socio-economic challenges faced by Indigenous African musicians. With an increasing number of indigenous African musicians who greatly contribute to the country's cultural landscape, South Africa is well renowned for it…

  • Examining the autonomy of Zulu Ingoma from the 1930s to present

    Open Access•Sakhiseni Joseph Yende, Vusabantu Ngema•ARTICLE•HTS Teologiese Studies /…•2022

    It is prudent to highlight that Ingoma has played an essential role in the transformation of amaZulu. The Ingoma’s story is of dramatic socioeconomic changes in Zulu society after the final ‘downfall’ of the independent kingdom. It is the decade in which amaZulu entered the migrant labour system in greater proportions than ever before. As expected from any African society, the narrative for this decade could well be expressed in music, song, danc…

  • Zuma’s Outcry of Betrayal

    Nsizwazonke E Yende, Nsizwazonke Yende et al.•ARTICLE•African Journal of Peace and…•2022

  • The importance of understanding and making sense of Zulu traditional hymns as a symbol of expressing worship

    Open Access•Sakhiseni Joseph Yende•ARTICLE•HTS Teologiese Studies /…•2021

    Singing and understanding Zulu traditional hymns among charismatic churches and gospel groups have become a fundamental worship tool. Zulu traditional hymns are at the centre of Christian lives in South Africa. Singing Zulu traditional hymns ( iCilongo Levangeli ) is predominant for many South African musicians and gospel groups using modern musical styles. However, contemporary churches, musicians and gospel groups tend not to understand the aut…

  • Employability Challenges Facing Vocal Art Graduates in South Africa

    Sakhiseni Joseph Yende, Ndwamato George Mugovhani•ARTICLE•Muziki•2021

    Unemployment has emerged as a global phenomenon that brutally affects young people, irrespective of whether they have academic qualifications, but is more prevalent and predominant in semi-peripheral and peripheral countries. Like graduates from other emerging countries, South African graduates are experiencing unemployment. The issue of unemployment in the performing arts industry has become a matter of great concern. Vocal Art (hereafter VA) gr…

  • The Cost of Equality

    Sakhiseni Joseph Yende, Zama M Mthombeni

    In the past, many South African students found it difficult to pursue higher education due to the high expense of tuition, which also restricted their prospects for development on both a personal and professional level. Fee-free education has helped to level the playing field and provide equal access to education, regardless of an individual’s financial background. Evidently, financially disadvantaged students now have better access to higher edu…

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  • The importance of understanding and making sense of Zulu traditional hymns as a symbol of expressing worship

    Open Access•Sakhiseni Joseph Yende•ARTICLE•HTS Teologiese Studies /…•2021

    Singing and understanding Zulu traditional hymns among charismatic churches and gospel groups have become a fundamental worship tool. Zulu traditional hymns are at the centre of Christian lives in South Africa. Singing Zulu traditional hymns ( iCilongo Levangeli ) is predominant for many South African musicians and gospel groups using modern musical styles. However, contemporary churches, musicians and gospel groups tend not to understand the aut…

  • Employability Challenges Facing Vocal Art Graduates in South Africa

    Sakhiseni Joseph Yende, Ndwamato George Mugovhani•ARTICLE•Muziki•2021

    Unemployment has emerged as a global phenomenon that brutally affects young people, irrespective of whether they have academic qualifications, but is more prevalent and predominant in semi-peripheral and peripheral countries. Like graduates from other emerging countries, South African graduates are experiencing unemployment. The issue of unemployment in the performing arts industry has become a matter of great concern. Vocal Art (hereafter VA) gr…

  • Examining the autonomy of Zulu Ingoma from the 1930s to present

    Open Access•Sakhiseni Joseph Yende, Vusabantu Ngema•ARTICLE•HTS Teologiese Studies /…•2022

    It is prudent to highlight that Ingoma has played an essential role in the transformation of amaZulu. The Ingoma’s story is of dramatic socioeconomic changes in Zulu society after the final ‘downfall’ of the independent kingdom. It is the decade in which amaZulu entered the migrant labour system in greater proportions than ever before. As expected from any African society, the narrative for this decade could well be expressed in music, song, danc…

  • Zuma’s Outcry of Betrayal

    Nsizwazonke E Yende, Nsizwazonke Yende et al.•ARTICLE•African Journal of Peace and…•2022

  • The Quest for Recognition and Curricularisation of South African Music Education in Basic Education

    Open Access•Sakhiseni Joseph Yende•ARTICLE•E-Journal of Humanities Arts and…•2023

    Framed within curriculum inquiry theory, this article argues for the necessity to merge music curricula with music educator curricula in the existing Curriculum and Assessment Policy Statement (CAPS) offered by the South African Department of Basic Education (DBE). Currently, being educated in music does not qualify a graduate to be a music educator, as an additional qualification is necessary. Music-trained educators leaving universities are req…

  • Indlamu

    Open Access•Sakhiseni Joseph Yende, Vusabantu Ngema•ARTICLE•E-Journal of Humanities Arts and…•2023

    Even though Indlamu dance has been a central feature of the Zulu nation, few historical studies address the social status of Indlamu. Indlamu has been largely overlooked as an image of Zulu upper-class people, even though the majority of people had ample access to Indlamu. Also, Indlamu is most often associated with Zulu culture untouched by Western influence, probably because it is regarded as a touchstone of Zulu identity. The purpose of this a…

  • The Role of Amazulu Traditional Attire in the Globalised Fashion Industry

    Open Access•Katlego T Motubatse, Sakhiseni Joseph Yende•ARTICLE•E-Journal of Humanities Arts and…•2023

    Recently, AmaZulu traditional attire of the Zulu people in South Africa has gained recognition and influence in the globalised fashion industry. As a part of South Africa’s rich cultural heritage, AmaZulu’s traditional clothing reflects the customs, beliefs, and identity of AmaZulu. In the globalised fashion industry, AmaZulu traditional attire has been incorporated into various aspects, including runway shows, fashion campaigns, and cultural fes…

  • Importance of digital skills to South African opera artists to improve their employability

    Open Access•Sakhiseni Joseph Yende•ARTICLE•Cogent Arts and Humanities•2023

    Before the COVID-19 pandemic, digital skills were becoming important for opera artists as technology continues transforming the performing arts industry worldwide. Digital performance in the opera industry emerged as a global phenomenon negatively affecting opera artists’ employability. Like opera artists from other emerging countries, South African opera artists are experiencing high unemployment due to changing industry skills. In the South Afr…

  • Challenges Experienced by South African Indigenous Musicians

    Open Access•Sakhiseni Joseph Yende•ARTICLE•E-Journal of Humanities Arts and…•2023•Referências: 2

    Framed within social constructivism theory, this article argued that government, organisations, and stakeholders could foster and promote collaboration, community engagement, cultural recognition and policy advocacy to address the socio-economic challenges faced by Indigenous African musicians. With an increasing number of indigenous African musicians who greatly contribute to the country's cultural landscape, South Africa is well renowned for it…

  • The Quest for Restoration of the African Renaissance through Indigenous African Music and Globalisation

    Open Access•Sakhiseni Joseph Yende, Nsizwazonke Ephraim Yende•ARTICLE•E-Journal of Humanities Arts and…•2024

    Rooted in the philosophy of Ubuntu, this article contends that the revival of indigenous South African music transcends mere cultural revitalisation; it emerges as a transformative force for community empowerment. Through the cultivation of creativity, the bridging of generational divides, and the nurturing of a profound sense of belonging, Ubuntu reaffirms the intrinsic worth of everyone’s contribution to the collective cultural legacy. The Afri…

  • Understanding the Importance of Reviving the Forgotten and Marginalised Khoisan Indigenous Music in South Africa

    Open Access•Sakhiseni Joseph Yende•ARTICLE•E-Journal of Humanities Arts and…•2024

    Framed within the Sociomusicology Theory, this article argued that through the revival of Khoisan indigenous music, South Africa can promote social cohesion, bridging gaps between different ethnic groups and creating a more inclusive society. The Khoisan people, also known as Bushmen or San, are one of the oldest indigenous groups in Africa, and their music is an integral part of their identity and history. However, Khoisan indigenous music in So…

  • Unveiling Barriers

    Open Access•Sakhiseni Joseph Yende•ARTICLE•E-Journal of Humanities Arts and…•2024

    South Africa’s music education landscape stands at the intersection of historical legacies, socio-economic disparities, and cultural intricacies, posing formidable challenges for underprivileged and marginalised communities. Despite strides made since the post-apartheid era, high-quality music education remains an elusive pursuit for many aspiring musicians. This study used a qualitative approach to explore and dissect the multifaceted challenges…

  • Cultural-Historical Activity Theory in Examining Creative Arts as an Anti-Bullying Strategy in South African Public Schools

    Open Access•Sakhiseni Joseph Yende, Sakhiseni Yende•ARTICLE•Athens Journal of Humanities and…•2024

    This article explores the integration of creative arts as an anti-bullying strategy in South African public schools through the lens of Cultural-Historical Activity Theory (CHAT). The study aims to comprehend the complex interactions between creative arts interventions, cultural contexts, and the dynamics of bullying. By applying CHAT, the research delves into the cultural significance of artistic expressions, shedding light on how these interven…

  • Harmonising Faith and Tradition

    Open Access•Sakhiseni Joseph Yende•ARTICLE•E-Journal of Humanities Arts and…•2025

    This study aims to shed light on the intricate relationship between sacred vocal polyphony and the changing landscape of contemporary church music in South Africa. Anchored in a postcolonial theoretical framework, it sought to unravel the historical, cultural, and theological dimensions that underlie this fusion. The research was motivated by a dual purpose: to uncover the profound cultural intersections in South African worship practices and to …

  • Harmonising careers

    Open Access•Sakhiseni Joseph Yende•ARTICLE•Cogent Social Sciences•2025

    This study delves into the transformative impact of integrating opera, hospitality and tourism education, signifying a paradigm shift in career development. Through participant feedback, it illuminates how this integration markedly advances graduates’ skill sets and career trajectories. Drawing on Social Exchange and Human Capital Theories, it showcases how this model enhances employability, bestowing graduates with a unique fusion of artistic fl…

  • Indigenous music fosters cultural preservation, innovation, and social change while promoting multicultural education in South African universities

    Open Access•Sakhiseni Joseph Yende•ARTICLE•Diaspora Indigenous and Minority…•2026

    This study explores the role of indigenous music in advancing cultural preservation, pedagogical innovation, and social change in South African universities through a systematic thematic review of peer-reviewed literature. It argues that integrating indigenous music into higher education curricula strengthens cultural identity, epistemic justice, and student engagement. Guided by Cultural Historical Activity Theory and Critical Pedagogy, the stud…

  • Cultural and Idiomatic Narratives in Maskanda Music

    Open Access•Sakhiseni Joseph Yende•ARTICLE•Muziki•2026

    This article examines cultural and idiomatic narratives in South African Indigenous music, with specific reference to Johnny Dimba’s “Dear Msakazi” and Buselaphi’s “Umendo.” The analysis is informed by conceptual metaphor theory (CMT), which conceptualises metaphor not merely as a stylistic or rhetorical device but as a fundamental cognitive and cultural mechanism through which individuals and communities structure experience and produce meaning.…

  • The Cost of Equality

    Sakhiseni Joseph Yende, Zama M Mthombeni

    In the past, many South African students found it difficult to pursue higher education due to the high expense of tuition, which also restricted their prospects for development on both a personal and professional level. Fee-free education has helped to level the playing field and provide equal access to education, regardless of an individual’s financial background. Evidently, financially disadvantaged students now have better access to higher edu…

Sociology (12 obras) · Art (11 obras) · Political science (11 obras) · History (7 obras) · Diverse Music Education Insights (6 obras) · Diverse Musicological Studies (5 obras) · Literature (5 obras) · Music History and Culture (5 obras) · Visual arts (5 obras) · Aesthetics (4 obras)

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