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Harry Slochower

Dados Biográficos

ID348983
NOMEHarry Slochower
PRENOMESHarry
SOBRENOMESlochower
ASSINATURASLOCHOWER H
AFILIAÇÕES46 East 73 Street New York, N.Y. 10021
VERIFICADONão
TOTAL DE OBRAS13
TOTAL DE CITAÇÕES15
TOTAL COMO AUTOR13
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO1932
ANO MAIS RECENTE DE PUBLICAÇÃO1971
ÍNDICE H2
  • Freud's Gradiva

    Harry Slochower•ARTICLE•The Psychoanalytic Quarterly•1971•Citada por: 2•Referências: 1

  • Freud’s Déjá Vu on the Acropolis

    Harry Slochower•ARTICLE•The Psychoanalytic Quarterly•1970•Citada por: 2

  • Psychoanalytic Distinction Between Myth and Mythopoesis

    Open Access•Harry Slochower•ARTICLE•Journal of the American…•1970•Citada por: 1•Referências: 2

  • Aeschylus and Athens. A Study in the Social Origins of Drama

    Harry Slochower, George Thomson•ARTICLE•Books Abroad•1952•Citada por: 10

  • Moby Dick

    Open Access•Harry Slochower•ARTICLE•American Quarterly•1950

    THE myth is the answer to the question of basic universal theme. Its legitimacy and living form spring, however, from specific cultural economy in which the myth is rooted. The universality of The Divine Comedy arises out of the historic forces of the Italian and Catholic tradition, that of Hamlet and Faust out of the English and German Renaissance. Aside from the influence of national or folk culture, the myth is also conditioned by sense of her…

  • Andre Gide's Theseus and the French Myth

    Harry Slochower•ARTICLE•Yale French Studies•1949

  • The Function of Myth in Existentialism

    Harry Slochower•ARTICLE•Yale French Studies•1948

  • No Voice Is Wholly Lost

    Victor Lange, Harry Slochower•ARTICLE•The German Quarterly•1946

  • The Marxist Idea of Change and Law

    Open Access•Harry Slochower•ARTICLE•Science & Society•1944

  • Fifty Years of German Drama. A Bibliography of Modern German Drama, 1880-1930

    Harry Slochower•ARTICLE•The German Quarterly•1942

  • Thomas Mann's Joseph Story

    Rudolf Kayser, Harry Slochower•ARTICLE•The German Quarterly•1938

  • Three Ways of Modern Man

    Newell L Sims, Harry Slochower•ARTICLE•American Sociological Review•1938

  • Julius Bahnsen, Philosopher of Heroic Despair, 1830-1881

    Harry Slochower•ARTICLE•The Philosophical Review•1932

  • Aeschylus and Athens. A Study in the Social Origins of Drama

    Harry Slochower, George Thomson•ARTICLE•Books Abroad•1952•Citada por: 10

  • Freud's Gradiva

    Harry Slochower•ARTICLE•The Psychoanalytic Quarterly•1971•Citada por: 2•Referências: 1

  • Freud’s Déjá Vu on the Acropolis

    Harry Slochower•ARTICLE•The Psychoanalytic Quarterly•1970•Citada por: 2

  • Psychoanalytic Distinction Between Myth and Mythopoesis

    Open Access•Harry Slochower•ARTICLE•Journal of the American…•1970•Citada por: 1•Referências: 2

  • Julius Bahnsen, Philosopher of Heroic Despair, 1830-1881

    Harry Slochower•ARTICLE•The Philosophical Review•1932

  • Thomas Mann's Joseph Story

    Rudolf Kayser, Harry Slochower•ARTICLE•The German Quarterly•1938

  • Three Ways of Modern Man

    Newell L Sims, Harry Slochower•ARTICLE•American Sociological Review•1938

  • Fifty Years of German Drama. A Bibliography of Modern German Drama, 1880-1930

    Harry Slochower•ARTICLE•The German Quarterly•1942

  • The Marxist Idea of Change and Law

    Open Access•Harry Slochower•ARTICLE•Science & Society•1944

  • No Voice Is Wholly Lost

    Victor Lange, Harry Slochower•ARTICLE•The German Quarterly•1946

  • The Function of Myth in Existentialism

    Harry Slochower•ARTICLE•Yale French Studies•1948

  • Andre Gide's Theseus and the French Myth

    Harry Slochower•ARTICLE•Yale French Studies•1949

  • Moby Dick

    Open Access•Harry Slochower•ARTICLE•American Quarterly•1950

    THE myth is the answer to the question of basic universal theme. Its legitimacy and living form spring, however, from specific cultural economy in which the myth is rooted. The universality of The Divine Comedy arises out of the historic forces of the Italian and Catholic tradition, that of Hamlet and Faust out of the English and German Renaissance. Aside from the influence of national or folk culture, the myth is also conditioned by sense of her…

  • Aeschylus and Athens. A Study in the Social Origins of Drama

    Harry Slochower, George Thomson•ARTICLE•Books Abroad•1952•Citada por: 10

  • Freud’s Déjá Vu on the Acropolis

    Harry Slochower•ARTICLE•The Psychoanalytic Quarterly•1970•Citada por: 2

  • Psychoanalytic Distinction Between Myth and Mythopoesis

    Open Access•Harry Slochower•ARTICLE•Journal of the American…•1970•Citada por: 1•Referências: 2

  • Freud's Gradiva

    Harry Slochower•ARTICLE•The Psychoanalytic Quarterly•1971•Citada por: 2•Referências: 1

Art (8 obras) · Philosophy (7 obras) · History (5 obras) · Literature (5 obras) · Mythology (4 obras) · Psychoanalysis (4 obras) · Psychology (4 obras) · Sociology (4 obras) · Art history (3 obras) · Law (3 obras)

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