Jo Haynes
Dados Biográficos
| ID | 3580876 |
|---|---|
| NOME | Jo Haynes |
| PRENOMES | Jo |
| SOBRENOME | Haynes |
| ASSINATURA | HAYNES J |
| AFILIAÇÕES | University of Bristol |
| ORCID | 0000-0002-7462-8859 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 16 |
| TOTAL DE CITAÇÕES | 97 |
| TOTAL COMO AUTOR | 16 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2005 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2025 |
| ÍNDICE H | 6 |
Uncertain festival futures
Risk management and the navigation of loss are inherent to working conditions within the festival industry. With festivals cancelled, postponed or redesigned, the coronacrisis has deeply affected the already uncertain festival sector. Based on thirty-five interviews with Danish, Dutch and British music festival organisers, this article examines which losses organisers experienced when faced with a social trauma that disrupted their ontological se…
Making space
Culture always speaks to the history and meaning of place. Music festivals in particular carry considerable significance as they are produced through spatial and temporal processes that extends their symbolic and material meaning beyond their local settings. The onset of COVID-19 and the Black Lives Matter (BLM) protests in Bristol intensified debates about festival diversity. Drawing on interviews with Bristol-based festival producers, this arti…
Civil Sphere Values and Moral Responsibility in Cultural Production
Music festivals are a ubiquitous aspect of music economies and wider processes of cultural participation and community regeneration. They are now sites for exploring wider issues related to the environment, inequality, diversity and representation. Whereas contemporary literature productively draws on and reworks classical categories such as ritual, excess, and carnivalesque to frame the significance and meaning of music festivals, it has yet to …
Working live. A sociological account of the entangled relations of liveness through festival work
The 'liveness' of live music performance is often understood as a sensibility or effect - a 'magic' or 'energy' - produced through a dynamic attachment between performer and audience. However, this popular meaning is elusive and offers a narrow account of the actors, dynamics and relationships involved in its production. Academic debates about 'liveness' have tended to reproduce and rely upon existing discursive frameworks of meaning pertaining t…
Taking care of business
This article explores a small sample of musicians in two European musical contexts – the Netherlands and the UK. It examines the relationship between the conditions of national music industries and the strategies used to negotiate a career in music and the extent to which musicians frame their careers as entrepreneurs. Interview data from two projects with early-career musicians form the basis of our secondary comparative analysis. We argue that …
We were never cool
This article examines knowledge production in the sociology of music. Focusing on the idea of cool music, we interrogate the nature of music researchers' relationship with their object of research. While the qualification and connotation of cool is widespread in popular music, sociology has largely neglected to engage with it as an object of research. Instead, the sociological investigation of music audiences is divided between two opposed but co…
Embodied minstrelsy, racialization and redemption in reggae
This article is a case study 1 of a local reggae DJ (DJ Derek) lauded for transgressing musical and ethnic boundaries and produced through discourses of racialized authenticity as flexible and heroic. While DJ Derek’s ethnically stylized performance could be construed as embodied minstrelsy, other aspects of his musical capital were equally significant in the localized context and were drawn into a wider dialogue of sustainability and collective …
Friendships with benefits? Examining the role of friendship in semi-structured interviews within music research
This article explores the ‘methodology of friendship’ and its wider potential within music research. Drawing on two research examples that made use of ‘friendship’ in distinct fashions – one that explores music listening practices in everyday life and the other, music as a site for racialisation – the article discusses how friendship can be incorporated within semi-structured interviews. The case studies act as examples of how to negotiate alteri…
Reluctant entrepreneurs
Changing labour conditions in the creative industries - with celebrations of autonomy and entrepreneurialism intertwined with increasing job insecurity, portfolio careers and short-term, project-based contracts - are often interpreted as heralding changes to employment relations more broadly. The position of musicians' labour in relation to these changes is unclear, however, given that these kinds of conditions have defined musicians' working pra…
Beats and tweets
While mainstream accounts of the impact of internet technologies on the music industry have emphasised the crisis of the major-dominated mainstream recording industry, a more optimistic discourse has also been promoted, emphasising the opportunities that the Internet creates for independent musicians. These same new technologies, it is argued, enable artists to reach new global audiences and engage with them in ways that can facilitate more stabl…
Race on The Wire
This article draws on critical responses to The Wire as a way of reflecting on how race is reproduced. It focuses on how calls for better stories and images on television are not reconciled with the ontological distinction between representation and reality and the fact that there is no unitary racialised subject to represent and looks at how a narrow set of racialised relations are invoked to explain interpretations of black culture, despite a m…
A Tale of Two Analyses
This article provides a unique contribution to the debates about archived qualitative data by drawing on two uses of the same data - British Migrants in Spain: the Extent and Nature of Social Integration, 2003-2005 - by Jones (2009) and Oliver and O'reilly (2010) , both of which utilise Bourdieu's concepts analytically and produce broadly similar findings. We argue that whilst the insights and experiences of those researchers directly involved in…
In the Blood
This article examines the categorization of world music and how vexed and contentious issues pertaining to ideas of difference are navigated within processes of production and consumption of world music. By drawing on a study of British world music, it highlights the ambivalence expressed towards ethno-cultural hybridity and the way that racialized pathologies can be challenged or created and reinforced. It explores ideas about musicality and cul…
Researching mixed race in education
Although the ‘Mixed’ primary and secondary school population is rapidly growing in both size and recognition, pupils from mixed racial and ethnic backgrounds are largely invisible in current educational policies and practices regarding minority ethnic pupils. In light of initial Local Education Authority‐level data which suggested that pupils from Mixed White/Black Caribbean backgrounds were significantly underachieving and over‐represented in sc…
The barriers to achievement for White/Black Caribbean pupils in English schools
Pupils of White and Black Caribbean descent make up the largest category of mixed heritage pupils in the United Kingdom. As a group they are at risk of underachieving and are proportionally over‐represented in school exclusions. Yet little is known to date about the barriers to their achievement. The common‐sense explanation for their underachievement is often in relation to the perception that mixed‐heritage people are more likely to have 'ident…
World music and the search for difference
World music has been immersed in a series of complex ethical, political and aesthetic debates since its emergence as a new musical category in the 1980s. These debates have been fuelled by competing perspectives that portray world music as either an exemplar of progressive cosmopolitan politics that foster cultural hybridity or as reinforcing fixed and unitary conceptions of difference through an essentializing representation of cultures. By util…
Reluctant entrepreneurs
Changing labour conditions in the creative industries - with celebrations of autonomy and entrepreneurialism intertwined with increasing job insecurity, portfolio careers and short-term, project-based contracts - are often interpreted as heralding changes to employment relations more broadly. The position of musicians' labour in relation to these changes is unclear, however, given that these kinds of conditions have defined musicians' working pra…
Beats and tweets
While mainstream accounts of the impact of internet technologies on the music industry have emphasised the crisis of the major-dominated mainstream recording industry, a more optimistic discourse has also been promoted, emphasising the opportunities that the Internet creates for independent musicians. These same new technologies, it is argued, enable artists to reach new global audiences and engage with them in ways that can facilitate more stabl…
Researching mixed race in education
Although the ‘Mixed’ primary and secondary school population is rapidly growing in both size and recognition, pupils from mixed racial and ethnic backgrounds are largely invisible in current educational policies and practices regarding minority ethnic pupils. In light of initial Local Education Authority‐level data which suggested that pupils from Mixed White/Black Caribbean backgrounds were significantly underachieving and over‐represented in sc…
World music and the search for difference
World music has been immersed in a series of complex ethical, political and aesthetic debates since its emergence as a new musical category in the 1980s. These debates have been fuelled by competing perspectives that portray world music as either an exemplar of progressive cosmopolitan politics that foster cultural hybridity or as reinforcing fixed and unitary conceptions of difference through an essentializing representation of cultures. By util…
Taking care of business
This article explores a small sample of musicians in two European musical contexts – the Netherlands and the UK. It examines the relationship between the conditions of national music industries and the strategies used to negotiate a career in music and the extent to which musicians frame their careers as entrepreneurs. Interview data from two projects with early-career musicians form the basis of our secondary comparative analysis. We argue that …
The barriers to achievement for White/Black Caribbean pupils in English schools
Pupils of White and Black Caribbean descent make up the largest category of mixed heritage pupils in the United Kingdom. As a group they are at risk of underachieving and are proportionally over‐represented in school exclusions. Yet little is known to date about the barriers to their achievement. The common‐sense explanation for their underachievement is often in relation to the perception that mixed‐heritage people are more likely to have 'ident…
Friendships with benefits? Examining the role of friendship in semi-structured interviews within music research
This article explores the ‘methodology of friendship’ and its wider potential within music research. Drawing on two research examples that made use of ‘friendship’ in distinct fashions – one that explores music listening practices in everyday life and the other, music as a site for racialisation – the article discusses how friendship can be incorporated within semi-structured interviews. The case studies act as examples of how to negotiate alteri…
A Tale of Two Analyses
This article provides a unique contribution to the debates about archived qualitative data by drawing on two uses of the same data - British Migrants in Spain: the Extent and Nature of Social Integration, 2003-2005 - by Jones (2009) and Oliver and O'reilly (2010) , both of which utilise Bourdieu's concepts analytically and produce broadly similar findings. We argue that whilst the insights and experiences of those researchers directly involved in…
Making space
Culture always speaks to the history and meaning of place. Music festivals in particular carry considerable significance as they are produced through spatial and temporal processes that extends their symbolic and material meaning beyond their local settings. The onset of COVID-19 and the Black Lives Matter (BLM) protests in Bristol intensified debates about festival diversity. Drawing on interviews with Bristol-based festival producers, this arti…
Civil Sphere Values and Moral Responsibility in Cultural Production
Music festivals are a ubiquitous aspect of music economies and wider processes of cultural participation and community regeneration. They are now sites for exploring wider issues related to the environment, inequality, diversity and representation. Whereas contemporary literature productively draws on and reworks classical categories such as ritual, excess, and carnivalesque to frame the significance and meaning of music festivals, it has yet to …
Working live. A sociological account of the entangled relations of liveness through festival work
The 'liveness' of live music performance is often understood as a sensibility or effect - a 'magic' or 'energy' - produced through a dynamic attachment between performer and audience. However, this popular meaning is elusive and offers a narrow account of the actors, dynamics and relationships involved in its production. Academic debates about 'liveness' have tended to reproduce and rely upon existing discursive frameworks of meaning pertaining t…
We were never cool
This article examines knowledge production in the sociology of music. Focusing on the idea of cool music, we interrogate the nature of music researchers' relationship with their object of research. While the qualification and connotation of cool is widespread in popular music, sociology has largely neglected to engage with it as an object of research. Instead, the sociological investigation of music audiences is divided between two opposed but co…
Embodied minstrelsy, racialization and redemption in reggae
This article is a case study 1 of a local reggae DJ (DJ Derek) lauded for transgressing musical and ethnic boundaries and produced through discourses of racialized authenticity as flexible and heroic. While DJ Derek’s ethnically stylized performance could be construed as embodied minstrelsy, other aspects of his musical capital were equally significant in the localized context and were drawn into a wider dialogue of sustainability and collective …
In the Blood
This article examines the categorization of world music and how vexed and contentious issues pertaining to ideas of difference are navigated within processes of production and consumption of world music. By drawing on a study of British world music, it highlights the ambivalence expressed towards ethno-cultural hybridity and the way that racialized pathologies can be challenged or created and reinforced. It explores ideas about musicality and cul…
World music and the search for difference
World music has been immersed in a series of complex ethical, political and aesthetic debates since its emergence as a new musical category in the 1980s. These debates have been fuelled by competing perspectives that portray world music as either an exemplar of progressive cosmopolitan politics that foster cultural hybridity or as reinforcing fixed and unitary conceptions of difference through an essentializing representation of cultures. By util…
The barriers to achievement for White/Black Caribbean pupils in English schools
Pupils of White and Black Caribbean descent make up the largest category of mixed heritage pupils in the United Kingdom. As a group they are at risk of underachieving and are proportionally over‐represented in school exclusions. Yet little is known to date about the barriers to their achievement. The common‐sense explanation for their underachievement is often in relation to the perception that mixed‐heritage people are more likely to have 'ident…
Researching mixed race in education
Although the ‘Mixed’ primary and secondary school population is rapidly growing in both size and recognition, pupils from mixed racial and ethnic backgrounds are largely invisible in current educational policies and practices regarding minority ethnic pupils. In light of initial Local Education Authority‐level data which suggested that pupils from Mixed White/Black Caribbean backgrounds were significantly underachieving and over‐represented in sc…
In the Blood
This article examines the categorization of world music and how vexed and contentious issues pertaining to ideas of difference are navigated within processes of production and consumption of world music. By drawing on a study of British world music, it highlights the ambivalence expressed towards ethno-cultural hybridity and the way that racialized pathologies can be challenged or created and reinforced. It explores ideas about musicality and cul…
A Tale of Two Analyses
This article provides a unique contribution to the debates about archived qualitative data by drawing on two uses of the same data - British Migrants in Spain: the Extent and Nature of Social Integration, 2003-2005 - by Jones (2009) and Oliver and O'reilly (2010) , both of which utilise Bourdieu's concepts analytically and produce broadly similar findings. We argue that whilst the insights and experiences of those researchers directly involved in…
Race on The Wire
This article draws on critical responses to The Wire as a way of reflecting on how race is reproduced. It focuses on how calls for better stories and images on television are not reconciled with the ontological distinction between representation and reality and the fact that there is no unitary racialised subject to represent and looks at how a narrow set of racialised relations are invoked to explain interpretations of black culture, despite a m…
Beats and tweets
While mainstream accounts of the impact of internet technologies on the music industry have emphasised the crisis of the major-dominated mainstream recording industry, a more optimistic discourse has also been promoted, emphasising the opportunities that the Internet creates for independent musicians. These same new technologies, it is argued, enable artists to reach new global audiences and engage with them in ways that can facilitate more stabl…
Friendships with benefits? Examining the role of friendship in semi-structured interviews within music research
This article explores the ‘methodology of friendship’ and its wider potential within music research. Drawing on two research examples that made use of ‘friendship’ in distinct fashions – one that explores music listening practices in everyday life and the other, music as a site for racialisation – the article discusses how friendship can be incorporated within semi-structured interviews. The case studies act as examples of how to negotiate alteri…
Reluctant entrepreneurs
Changing labour conditions in the creative industries - with celebrations of autonomy and entrepreneurialism intertwined with increasing job insecurity, portfolio careers and short-term, project-based contracts - are often interpreted as heralding changes to employment relations more broadly. The position of musicians' labour in relation to these changes is unclear, however, given that these kinds of conditions have defined musicians' working pra…
Embodied minstrelsy, racialization and redemption in reggae
This article is a case study 1 of a local reggae DJ (DJ Derek) lauded for transgressing musical and ethnic boundaries and produced through discourses of racialized authenticity as flexible and heroic. While DJ Derek’s ethnically stylized performance could be construed as embodied minstrelsy, other aspects of his musical capital were equally significant in the localized context and were drawn into a wider dialogue of sustainability and collective …
Taking care of business
This article explores a small sample of musicians in two European musical contexts – the Netherlands and the UK. It examines the relationship between the conditions of national music industries and the strategies used to negotiate a career in music and the extent to which musicians frame their careers as entrepreneurs. Interview data from two projects with early-career musicians form the basis of our secondary comparative analysis. We argue that …
We were never cool
This article examines knowledge production in the sociology of music. Focusing on the idea of cool music, we interrogate the nature of music researchers' relationship with their object of research. While the qualification and connotation of cool is widespread in popular music, sociology has largely neglected to engage with it as an object of research. Instead, the sociological investigation of music audiences is divided between two opposed but co…
Working live. A sociological account of the entangled relations of liveness through festival work
The 'liveness' of live music performance is often understood as a sensibility or effect - a 'magic' or 'energy' - produced through a dynamic attachment between performer and audience. However, this popular meaning is elusive and offers a narrow account of the actors, dynamics and relationships involved in its production. Academic debates about 'liveness' have tended to reproduce and rely upon existing discursive frameworks of meaning pertaining t…
Making space
Culture always speaks to the history and meaning of place. Music festivals in particular carry considerable significance as they are produced through spatial and temporal processes that extends their symbolic and material meaning beyond their local settings. The onset of COVID-19 and the Black Lives Matter (BLM) protests in Bristol intensified debates about festival diversity. Drawing on interviews with Bristol-based festival producers, this arti…
Civil Sphere Values and Moral Responsibility in Cultural Production
Music festivals are a ubiquitous aspect of music economies and wider processes of cultural participation and community regeneration. They are now sites for exploring wider issues related to the environment, inequality, diversity and representation. Whereas contemporary literature productively draws on and reworks classical categories such as ritual, excess, and carnivalesque to frame the significance and meaning of music festivals, it has yet to …
Uncertain festival futures
Risk management and the navigation of loss are inherent to working conditions within the festival industry. With festivals cancelled, postponed or redesigned, the coronacrisis has deeply affected the already uncertain festival sector. Based on thirty-five interviews with Danish, Dutch and British music festival organisers, this article examines which losses organisers experienced when faced with a social trauma that disrupted their ontological se…
Sociology (16 obras) · Music History and Culture (9 obras) · Social science (9 obras) · Aesthetics (8 obras) · Art (8 obras) · Epistemology (8 obras) · Political science (8 obras) · Cultural Industries and Urban Development (7 obras) · Gender Studies (6 obras) · Law (5 obras)